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1953ref. GB0007EB66GI5N11Abelard - Schuman 1953. Hardcover. Acceptable. Former library book; Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Abelard - Schuman hardcover
1904ref. 019331Paris: Octave Beauchamp 1904. This is a very good hardcover copy in the original publisher's die cut binding with the circular cut-out on the front cover revealing a relief portrait of Sarah Bernhardt after a drawing by Alphonse Mucha. Repaired tear to bottom of spine. Overall very clean small spot to one text page. Top page-edge gilt. Text in FRENCH. Contributions by Paul Acker Hermann Vogel J-A Habert-Dys Manuel Orazi Alexis Fraikin Leonetto Cappiello & Alphonse Mucha. 14 chromolithograhs by Leonetto Cappiello. With 28 photographs of fin-de-siecle celebrities with facsimile inscriptions and autographs. 13" high X 10" wide unpaginated. Large heavy book foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. . Hard Cover. Very Good. Octave Beauchamp, Hardcover
1964ref. 161870N.p.: Juniper Productions 1964. Two vintage studio still photographs from the 1964 film. Both photographs with provenance stamps on the versos. An obscure 1960s sexploitation film from director and screenwriter Jai Hais. 8 x 10 inches. Near Fine. Juniper Productions unknown
ref. 21226881974. San Francisco: Empty Elevator Shaft Poetry Press / musicmusic Corporation. 1974. Six vols 8vo. Original white and cream wrappers stapled as issued front covers lettered in purple vol. I and black vols III-VI front cover of vol. II blank; housed in a custom-made grey card box; continuous pagination throughout vol. I entirely printed in purple; some light wear to covers slight spotting to top edge of text block in vols V and VI; near fine.First edition a particularly attractive copy of Acker's second published novel issued in six separate parts in limited numbers.A central figure in the New York literary avant-garde of the 1970s Kathy Acker developed a transgressive feminist voice that challenged conventional narrative forms. I Dreamt I Became a Nymphomaniac! loosely based on her own experiences employs her characteristic fragmentary prose to explore the desires and inner life of its first-person narrator.The work was first issued in 1974 in six separate volumes and appeared in a single-volume edition in 1980. Only the first two volumes are explicitly attributed to Acker: the third is credited on the front cover to the composer and experimental musician Peter Gordon whom she married in 1978 while the back cover bears the copyright name ""The Black Tarantula"" one of her pseudonyms. unknown
1996ref. ANAIS-1852424257Serpent's Tail 1996-05-01. Main. paperback. Good. 8.4X5.2X0.6. Buy with confidence. Excellent Customer Service & Return policy. Serpent's Tail paperback
2003ref. ANAIS-0534196497Cengage Learning 2003-11-06. 1. paperback. Good. 23.4x15.7x2.5. Buy with confidence. Excellent Customer Service & Return policy. Cengage Learning paperback
1984ref. 85393London: Aloes Books 1984. First Edition. Octavo. 21cm. Publisher's original pink decorated card wraps. 29pp. Some minor creasing and scuffing to the edges and extremities a touch of sunning around the spine area; internally clean. A very good copy. A short piece originally published as a short form story entitled "Girl Gangs Take Over The World." Published immediately prior to "Blood and Guts in High School" often cited as Acker's breakthrough publication "Algeria" is an intense introduction to Acker's speeding lush weird writing style where every event is bitter ammunition for an assault on comfort complacency and the things we hold taboo. Aloes Books unknown
1974ref. 85928San Francisco: Tales of San Francisco; Dykes 1974. First Edition. Octavo. 21.5cm. Original white paper wraps. 25pp. pagination runs 167-192 contiguous with previous parts. Strong and clean with some toning to the spine area and some areas of soiling to the white covers light edgewear; internally clean and fresh. A very good copy. The sixth and final instalment of Acker's second novel published by Acker under the pseudonym "The Black Tarantula" and issued in parts before having a single volume publication in 1980. Scarce and ephemeral issued in very small numbers and mailed to their recipients and very characteristically part novel part aggressively stated expression of existence. Tales of San Francisco; Dykes unknown
1981ref. 86209Buffalo NY: Top Stories 1981. First Edition. Octavo. 21cm. Publisher's illustrated stiff card wraps. 24pp. Light wear to extremities a couple of small scratches to the front panel; internally clean ink stamp of "Top Stories" NYC address to copyright page. A very good clean copy. An early piece of searing Acker prose dealing with themes of abuse crime and sexuality illustrated with photographs by Anne Turyn. Originally published in "Crawl Out Your Window" journal a year prior. "Top Stories" was created by Turyn and distributed by Hallwalls a small indie gallery space and publishing house in Buffalo. Top Stories unknown
1983ref. 160523New York: Horizon Films 1983. Vintage studio still photograph of Sandy McLeod shot by and credited at the right margin to Nan Goldin from the 1983 film. Shown is actress Sandy McLeod in seeming triplicate. Goldin also has a brief role in the film. A striking image. An aspiring writer takes a job as a ticket-taker at an adult film theatre in Times Square soon finding herself drawn into the seedy world of the theatre's customers. The film drew together a veritable who's who of New York underground regulars with a screenplay by Kathy Acker music by John Lurie cinematography by frequent Jarmusch collaborator Tom de Cillo and still photography by Nan Goldin. Set and shot on location in New York. 8 x 10 inches. Near Fine. Horizon Films unknown
1989ref. 54284New York: Grove Press / Evergreen 1989. Second Evergreen Edition. Octavo 23.25cm; photo-illustrated card wrappers; ii67-1657pp; illus. Trivial wear to extremities else Fine. A sharp copy of Acker's best-known novel written in the 1970's and first published by Pan Books in London in 1984. Grove Press / Evergreen unknown
ref. 0946536333.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 146188N.p.: N.p. 1976. Archive of six autograph letters signed and one typed letter signed from Kathy Acker to fellow experimental novelist Rudolph Wurlitzer twenty five pages total undated but written during the first half of 1976 based on dates mentioned in the body of one of the letters. From the collection of Rudolph Wurlitzer with provenance. Acker and Wurlitzer were in a relationship begun while they were both in New York and continuing briefly after he left the city for Nova Scotia where he was a the time of this correspondence. Two of the letters directly address their relationship and correspond to letters written by Wurlitzer as quoted in Chris Kraus' 2017 biography of the late writer "After Kathy Acker." The letters offered here were not available to Kraus something she mentions when discussing the relationship with Wurlitzer and have never been published or previously available for sale. In addition to Acker's frank discussion of her feelings toward Wurlitzer the letters take a broadly confessional tone as Acker discusses her mental and emotional state as well as her conflicted feelings regarding the writing she was doing at the time. She writes candidly about feelings of isolation introversion and exhaustion with life in New York and its attendant social obligations presenting a version of Acker that is at odds with both her own self-mythologizing and her already established persona as a post-punk literary icon and chronicler of the downtown avant garde scene. Acker is similarly candid regarding her own writing mentioning both "The Adult Life of Toulouse-Lautrec" and "Florida" both 1978 as in-progress saying of the former "the hell with Toulouse I wanted to finish it off with hell and this is hell" and of the later that it "is about characters. Have to make characters grow." She goes into some detail regarding her feelings about "The Life of Johnny Rocco" section of "Toulouse" calling it "a horrible book" and noting that she's "scared of this book. Scared to type it up. Something very raw about me in it" but also noting that the "only good thing" about the book is that it was "the first time I created a real character who isn't me." Finally Acker speaks at length about the books and films she is consuming in particular noting the influence of Japanese literature and cinema on her work and often relating them to her own ambitions as a writer. She quotes a long passage from William Faulkner's "Go Down Moses" and compares her work unfavorably to it briefly discusses Akira Kurosawa's "Seven Samurai" mentions reading Yukio Mishima Osamu Dazai and Yasunari Kawabata and in one letter provides a lengthy synopsis of the plot of all three films in Hiroshi Inagaki's "Samurai Trilogy" before briefly relating the themes of the film to her relationship with Wurlitzer. Of the influence of Japanese literature she notes her desire in her own writing for "simple paragraphs each paragraph an image. 1 2 3. The flow absolutely like straight line.like those incredible Japanese novels I've been reading." Autograph letters signed on 7 x 8.25 inch lined notebook paper. 23 pages rectos only. Near Fine with faint horizontal folds. Typed letter signed on 8.5 x 11 paper. Two pages rectos only. Near Fine folded twice for mailing. N.p. unknown
ref. 697555278Taylor & Francis Group . Papeback. New. pp. 416 Taylor & Francis Group unknown
ref. DADAX0060137347Harper & Row 0000-00-00. First Edition. hardcover. New. 6.11x1.11x11.11. Buy with confidence. Excellent Customer Service & Return policy. Harper & Row hardcover
ref. 61828915Johns Hopkins University Press . Papeback. New. pp. 288 Johns Hopkins University Press unknown
ref. 6288783Prentice-Hall . Hardback. New. pp. 704 5th Edition Prentice-Hall hardcover
1996ref. SONG1852424257Brand: Serpent's Tail 1996-05-01. Main. paperback. Used: Good. 5.75x0.75x8.50. Buy with confidence. Excellent Customer Service & Return policy. Brand: Serpent's Tail paperback
ref. 43804New York: Various 1991. Very good overall. Collection of five different versions of Acker's first critically acclaimed work - including a pre-publication copy of her own corrected typescript. The pre-publication copy gives key insight not only into Acker's writing methods but also raises interesting questions about the intended structure of the finished story and highlights the mutable interpretations regarding the published presentation of her prose writing via four different versions included herein. This copy was sent by Acker in late 1979 to friend and fellow experimental writer Paul Buck. The pages have clearly been xeroxed on several different machines with different paper stock and print qualities evident in different sections and pp. 29 is an original typescript passage with visible typed corrections and numbered in holograph in Acker's distinctive hand which has been taped onto the verso of a sheet of letterhead for "Performing Artservices Inc. 463 West St NY" an organization that provided management and administrative services to avant-garde artists. Included with this document are four published editions of the story. The first although not always credited thus was in International Times vol. 5 no 5. January/February 1980. Run as "New York City '79" over the centerspread this version is closest to the typescript form. There is persuasive evidence that the editors of I.T. were working from a similar photocopy and whether instructed thus by Acker or not they took the cut-up style of the piece at face value and ran it as a series of fragments differentiated from one another by the use of typefaces and with no cohesive order. Probably due to space constraints this version is also heavily abridged however the notable omissions of the three statements about lesbians suggests that there was also a degree of selective censorship at work. The first publication of the complete text followed in July 1980 in the pages of San Diego magazine Crawl Out Your Window Issue 7. Here the sentences - which run over multiple pages in the typescript - are conventionalized into standard lines. There are also slight textual differences with a couple of additional sentences added. The first stand-alone publication came in Top Stories 9 1981 which incorporated photographs by Anne Turyn. These images again mutate the text and raise further questions about Acker's editorial intention; the typescript title-page bears the uncompleted subheading "Photographs by" but gives no further allusions to this content. The final example is the 1991 Semiotexte collection HANNIBAL LECTOR MT FATHER which shows still further textual edits. In terms of form the most marked difference between the typescript copy and the published editions that followed is the way in which the text is divided into a series of passages or episodes numbered at the head of the page. These can be full paragraphs or single sentences or for example the word "syphilis" which has an entire page to itself. This deliberate distribution of white space surrounding the single word which in later editions is returned to the conventional layout of a sentence adds nuance and valence to the story which is arguably altered in transcription. In the key collection of Acker Papers at Duke University there is a comparable copy described thus in their catalogue: "60-page photocopied typescript corrected in the photocopy with original note on the title page My Copy by Acker". We have not been able to locate an original typescript suggesting that this format with Acker's holograph corrections in the copy is as primary a resource for this text as is currently known. A revealing collection about Acker's Pushcart Prize-winning work showing both her working methods and intentions while simultaneously demonstrating their editorial undoing across numerous editions. Photocopy of typescript with one page original typescript bearing top-copy typed corrections and holograph number that page taped to verso of letterhead. 60pp. printed on recto only stapled at top right corner with neat tape reinforcement over staple on title page. Light wear to title page and final sheet tail edge of two oversized sheets rubbed. Taped revision loose from browned tape mounts. With four published appearances featuring the story also provided. [Various] unknown
2023ref. AME_9781538161791Rowman & Littlefield Publishers 2023. 1st. Paperback. New/New. _ Rowman & Littlefield Publishers paperback
1983ref. 372835New York: Wedge Press Inc 1983. First edition. Illustrated designed by Mark Magill printed in two colors. 8vo. Printed side-stapled wraps. Some shelfwear near fine. First edition. Illustrated designed by Mark Magill printed in two colors. 8vo. Signed by Acker on the first page. Wedge Press, Inc unknown
ref. BIB-10001206Trade Paperback. Publisher: AWE/Geber 1985 Trade Paperback 206 26 p. ; ill. ; 21 cm Nice condition with evidence of age and use. --- Information regarding the book: Janey lever inlåst i ett rum. Två gånger om dagen kommer den persiska slavhandlaren och lär henne att bli hora. En dag hittar hon en pennstump och en pappersbit. Hon börjar skriva ner historien om sitt liv. den börjar : "Föräldrar är botten." paperback
ref. A9780275990831Hardback. New. Details the alleged crimes their legal aftermath and their immediate and enduring social significance as evidenced in media portrayals and other forms of popular culture. hardcover
1973ref. 194516New York: Harper & Row 1973. First Edition; Third Printing. Hardcover. Near Fine in a Near Fine dust jacket. Harper & Row hardcover
1975ref. 184761New York: Harper & Row 1975. First Edition; Eighth Printing. Hardcover. Very Good in a Very Good dust jacket. Light foxing on top text block edge. Lightly toned spine. Harper & Row hardcover