2006rif. BN654334Fundació Caixa de Girona. 2006. 2006. Softcover. Llums i somnis. Col-lecció Goldberg / D'Afflitto Nova York des 7 d'abril al 21 de maig de 2006. Llums i somnis. Col-lecció Goldberg / D'Afflitto Nova York des 7 d'abril al 21 de maig de 2006. Man Ray Fundació Caixa de Girona. paperback
1980rif. BN151384München : Rogner und Bernhard 1980. 1980. Man Ray. Aus d. Ital. von Benjamin Schwarz Man Ray. Aus d. Ital. von Benjamin Schwarz Man Ray - Schwarz Arturo und Man Ray München : Rogner und Bernhard unknown
2013rif. BN653826Max Ernst Museum Brühl des LVR. 2013. 2013. Softcover. Man Ray. Fotograf im Paris der Surrealisten. Herausgegeben von Sommer Achim / Patrick Blümel. Man Ray. Fotograf im Paris der Surrealisten. Herausgegeben von Sommer Achim / Patrick Blümel. Man Ray - Achim Sommer / Patrick Blümel Herausgeber Max Ernst Museum Brühl des LVR. paperback
2007rif. BN730671La Fábrica Editorial 2007. 2007. Hardcover. Man Ray. Despreocupado pero no indiferente. Unconcerned but not indifferent. Text in spanish and english. Man Ray. Despreocupado pero no indiferente. Unconcerned but not indifferent. Text in spanish and english. Man Ray La Fábrica Editorial hardcover
1975rif. BN730645East River Press 1975. 1975. Softcover. Man Ray. Photographs 1920 - 1934. Introduction by A. D. Coleman. Man Ray. Photographs 1920 - 1934. Introduction by A. D. Coleman. Man Ray East River Press paperback
rif. 11478One black & white illus. Single folded sheet 4 pp. Milan: Galleria Schwarz 1971. The scarce announcement and invitation for Man Ray's retrospective exhibition and book launch at Arturo Schwarz's Milan gallery and two other locations. In excellent condition. unknown
1963rif. C3NFnfy-Au081926v1x4Boston: Little Brown and Company in association with The Atlantic Monthly Press 1963. First Edition. Hardcover. Near Fine/Near Fine. Octavo. Man Ray. Near Fine / Near Fine. Unmarked. First Edition. 1963. Little Brown in association w/ The Atlantic Monthly Press; Boston. Hardcover. NF black cloth gold and copper spine lettering corner tips sharp; mild softening. NF dust jacket small chips & nicks creasing to spine ends bit overall light edge shelf wear. Unclipped. Photo frontispiece and 36 halftone illustration plates by Man Ray. Octavo. Man Ray's autobiography from Brooklyn and New York Dada through Paris Surrealism and Montparnasse to his Hollywood years and return to France. Ships in a box insured w/tracking. _____________________________________________________________________________________________________________________________ SYNOPSIS & HISTORY: Self Portrait is the autobiography of the American artist and photographer Man Ray tracing his life from his early years in Brooklyn and Ridgefield New Jersey through his immersion in the Paris Dada and Surrealist circles a ten-year interlude in Hollywood and his return to post-war France. Narrative chapters recount his collaborations w/ Marcel Duchamp his development of camera-less rayographs and solarized darkroom processes his presence in interwar Parisian bohemia and his wartime exile in Los Angeles. The memoir functions simultaneously as personal narrative and as documentation of twentieth-century avant-garde circles. Little Brown and Company published the book in Boston in 1963 in association w/ The Atlantic Monthly Press. A photographic frontispiece captures Man Ray in Hollywood in 1947 complemented by halftone plates reproducing his paintings rayographs assemblages and portraits from across his career. The text records the development of solarization experimental cinema and mechanical sculpture through first-person exposition. First-hand accounts detail central figures of the interwar avant-garde including Marcel Duchamp Francis Picabia Pablo Picasso Gertrude Stein James Joyce and Kiki de Montparnasse. Man Ray born Emmanuel Radnitzky in 1890 contributed to the Dada and Surrealist movements in both New York and Paris and his darkroom experimentation fashion and portrait photography and subversive object-making expanded twentieth-century photographic technique. The book is a first-person record of one of the more versatile American modernists studied today across modern art Dadaism and photographic history. Little, Brown and Company in association with The Atlantic Monthly Press hardcover
1937rif. 345557Paris: G. L. M. 1937. Originally issued unbound along with twelve other halftone photo reproduction plates and with five sheets of text by André Breton in blue wrappers. 9 3/5 × 6 2/5 in. Single leaf with light foxing and toning to paper else near fine. Originally issued unbound along with twelve other halftone photo reproduction plates and with five sheets of text by André Breton in blue wrappers. 9 3/5 × 6 2/5 in. G. L. M. unknown
1975rif. 112482Ediions S. 1975. Hardcover. Very good/No jacket. #12/75cc signed by Squatriti on the colophon page. With 10 serigraphs each signed and numbered on the back by the artist with a very light hand in pencil. In a damaged box. Ediions S. hardcover
1932rif. 90055Paris: Edward W. Titus 1932. First Edition. Octavo 22.75cm; original printed wrappers with yapped edges; v208vi-ixpp. Creasing tiny tears and some small losses to yapped edges some toning to upper front wrapper with two old stains to upper right edge of same and some foxing to text edges; majority of pages unopened; Very Good. Surrealist Number of this important avant-garde literary magazine edited by Edward Titus. Contents include contributions by André Breton Luis Buñuel René Char René Crevel Paul Eluard Marcel Duchamp Tristan Tzara and others. 90055. Edward W. Titus unknown
1924rif. 91867Paris: Nrf 1924. Fine. Nrf Paris 1924 13.50 x 19 cm broché First edition one of 535 numbered copies on Navarre laid paper the only issue together with 10 copies on Japan paper. Illustrated with a portrait of the author as frontispiece by Man Ray. A fine copy despite a small minor tear at the head of the spine. Signed autograph inscription by Jacques Baron: "" à Jeanne Pierre et Jacques et X Collet. De tout coeur. Vraiment. Jacques."" Nrf unknown
1991rif. 1-0500274738Thames & Hudson 1991. Paperback. New. reprint edition. 255 pages. 12.00x8.50x0.75 inches. Thames & Hudson paperback
1968rif. 28347Paris: Galerie Europe. 1968. First Edition; First Printing. Softcover. Wraps metallic gold and black cover a good copy. A tear in the upper left corner of the front wrap has skinned back about ½" of the gold which has been laid back down. Exhibition catalog of a show of Man Ray's surrealist objects.; 8vo 8" - 9" tall . Galerie Europe paperback
1993rif. 018322Paris: Philippe Sers 1993. 1st Edition . Hardcover. Near Fine/Very Good. 4to - over 9¾ - 12" tall. Book Condition Spine ens very slightly rubbed else fine. Dust Jacket Condition Spine ends slightly rubbed and corners slight rubbing else fine.Pink hardcover. Philippe Sers hardcover
1982rif. 46950Milan: Gruppo Editoriale Electa Milano 1982. First edition. Near fine overall. Limited edition portfolio of prints by the surrealist photographer in the original slipcase and box. Twelve beautifully reproduced prints by Man Ray a selection spanning the years 1918 to 1956 and including two Rayographs a solarized portrait of Georges Braque the 1933 cover design for his first monograph a fashion photograph and two illustrations for Louis Aragon's "Aurélien." With a brief overview of his career by editor Daniela Palazzoli and a biographical introduction by Romeo Martinez who writes: "If the Muse presiding over photography was generous in her gifts to him he was sometimes rather sharp in his references to her in his caustic and paradoxical way" free with provocation in the way of a great and eclectic "artist and experimenter who doesn't bother about enshrined aesthetic canons." 16'' x 12''. Original black portfolio with plate mounted to front cover containing 12 individual black and white prints each with attached tissue guard and 4-page pamphlet with introductory text. In original glossy red and white slipcase. Edition of 1000. Some foxing/spotting wear to outer slipcase. Inner black sleeve near fine. Photos fine. Gruppo Editoriale Electa Milano unknown
rif. 59402Paris; Editions Albert Skira 1934 1934 1935. Issues 5 6 and 7 bound together in one hardback volume. 4to 31cm x 25cm iv 33pp 68pp 69pp plus plates and adverts. Bound in plain brown cloth with the original cover of issue number 5 a design by F Bores pasted to the front board. The binding is defective - a substantial section of the spine is missing but the text block remains tightly bound. There are some signs of wear to the contents - the endpapers are foxsed a few of the plates have some creasing of the corners and there is a tear to one page. This book includes originals of issues 5 6 and 7 of the avant-garde surrealist magazine. Please note that the covers of issues 6 and 7 have not been bound in. Text in French. Paris; Editions Albert Skira, 1934, 1934, 1935. hardcover
1956rif. 106101956. One black & white illus. Yellow sheet with five vertical folds. Paris: A L’Etoile Scellée 1956. Scarce A L’Etoile Scellée invitation to a show of works by Man Ray 1890-1976 in April 1956 with a text by André Breton 1896-1966 manager of the Surrealist gallery and check-list of exhibited works. A L’Etoile Scellée located on rue du Pré-aux-Clercs in the 7th arrondissement was an influential exhibition space for the Surrealists from 1952 to 1956. In excellent condition. unknown
rif. 51-3416Paris: XXe Siècle 1974. . 4to. 24.5 x 31 cm. Original pictorial boards. Original lithographs by James Rosenquist Enrico Baj Man Ray Matta and silkscreen by Veliekovic. Very good. Paris: XXe Siècle, 1974. hardcover
1937rif. 62530Paris: Editions Surréalistes 1937. Fine. Editions Surréalistes Paris 1937 14 x 20.50 cm broché First edition one of 135 numbered copies on Persian pearl paper single draw after 15 green Louis roy. Illustrated book frontispiece a portrait of André Breton by Man Ray. Back and flat slightly and marginally discolored as generally a tiny tear in the back of the head at the level of the cap a tiny spot below the autograph. Autograph signed by Gui Rosey to Benjamin Crémieux. Editions Surréalistes unknown
1982rif. 309247Milan: Gruppo Editoriale Electa 1982. One of 1000. 2 pages of text and 12 images 15 3/4" x 11 3/4". Folio. Portfolio black wrappers. Fine in wrapper. One of 1000. 2 pages of text and 12 images 15 3/4" x 11 3/4". Folio. Gruppo Editoriale Electa unknown
rif. 16-6278Paris: Editions de la Revue Verve 1937. Small foliio. 26.5 x 36cm. Original wraps. with design by Braque.Very good. Book block detached frof spine but attached to back cover.The Four Elements Water -- Lithograph by Fernand Leger;A Few Reflections on the Disappearance of the Subject in Sculpture and Painting by Andre Gide;The Four Elements Air -- Lithograph by Joan Miro;Henri Matisse's Aviary in His Paris Studio: Photographic Documents by Brassai;Celestial Tresses: Photographs by Man Ray Blumenfeld and Cartier;Van Gogh as Prometheus by Georges Bataille;Le Bal des Sauvages: Fragments of a Fifteenth Century Tapestry;Reality in Eighteenth Century painting by Rene Huyghe;Four Pages of Colored Reproductions: includes Watteau Detroy Corot Delacroix Courbet David These pictures were shown at the Exhibition of the Masterpieces of French Art at the Palais National des Arts Paris 1937.;The Blood of the Martyrs by Maurice Heine: Documents relating to the assassinations of Marat and Le Pelletier; rThe Four Elements Fire -- Lithograph by RattnerFire by John Dos Passos;Murder by Federico Garcia LorcaGuernica by Picasso: Photographed by Dora Maar in Picasso's studio. Paris: Editions de la Revue Verve, 1937 paperback
1969rif. 91841Vence: Galerie Alphonse Chave 1969. Fine. ""Without the Signature the Painting Is Worth Nothing"" Galerie Alphonse Chave Vence 1969 20.3 x 25.5 cm En feuilles sous couverture First edition one of 500 copies of this catalogue for the exhibition Les invendables The Unsellables featuring 40 drawings and paintings at the Galerie Alphonse Chave. Illustrated with 5 full-page black lithographs and 6 tipped-in colour plates. In his characteristically provocative style Man Ray opens with a preface mocking collectors' tendency to purchase names on canvas rather than the artworks themselves. Among the pieces selected for this book are several examples from his series of automatic paintings called ""Peintures naturelles "" including the cover created without the use of a brush. Among the other artworks one can find subtle allusions to famous painters: a Déjeuner sur l'herbe a markedly Picassian Centaure disjointed marionette figures Antipolis evoking the compositional language of de Chirico and an Observatoire reminiscent of a Braque still life. Galerie Alphonse Chave unknown
1936rif. N - 2023 - 45Surrealist-oriented publication founded by Albert Skira. Albert Skira Editor Artistic Director Teriade. No. 9. First edition winter 1936 third year. Original cover by Matisse. Five hors-texts and three typed in color plates. Texts by E. Teriade R. Caillois Man Ray E. James A. Breton J. Prevert Salvador Dali and others. Teriade paperback
rif. 11546Single folded sheet forming 4 pp. Paris: Galerie Furstenberg 1954. Scarce exhibition catalogue for Man Ray's show of paintings in Paris at the Galerie Furstenberg. This was his first exhibition in Paris since he had left for the United States in 1940. Galerie Furstenberg was run by Simone Collinet née Kahn 1897-1980 ex-wife of André Breton; her program presented exclusively Surrealists. She opened the gallery in 1954 and it closed in 1965. The checklist records 14 "small" paintings and objets and 15 "Equations Shakespeariennes" Man Ray's series of paintings. With a text by political activist and husband of the gallerist Michel Collinet 1904-77. In near fine condition with a horizontal fold. WorldCat records three copies in North America. The Metropolitan Museum of Art's Modern Art Index Project entry for Simone Breton contributed by Vérane Tasseau accessed 9 September 2026. unknown
1935rif. 6326Paris: Bureau de la Revue 1935. First Edition. First Edition. Large quartos. 12 x 9 1/2 inches. 30 numbers in 29 separate issues one is a two-month issue From October 1931 to June 1938 most in very good condition chipping to fragile spines internally near fine. Art et MÈdicine was a ground-breaking high-quality journal of photographs and essays on art and society combined with medical and pharmaceutical advertisements published in France during the 1930s and featuring hÈliogravures by AndrÈ KertÈsz Germaine Krull AndrÈ BrassaÔ and Man Ray among many other well-known photographers of the day. Distributed primarily to physicians as a marketing vehicle for the publisherís pharmaceutical products photographers who were largely unknown but who later became prominent received their earliest assignments and therefore income! in this series. Thus the numerous photogravures contained in the following issues are among the only surviving examples of many of the earliest works by some of the most important photographers of the 20th century. Other prominent photographers whose early work is represented in the journal include Maurice Tabard AndrÈ Steiner Rene Zuber G. L. Manuel frËres Laure Albin-Guillot Pierre Yves-Petit called Yvon Paul Nadar Roger Schall Ergy Landau Eli Lotar Pierre Boucher and Francis Kollar. The MusÈe des Avelines in partnership with the MÈdiathËque de líArchitecture et du Patrimoine MAP is offering to discover the diversity and modernity of AndrÈ KertÈszís photographs 1894-1985 published in the journal Art et MÈdecine. Large groupings of individual numbers are hard to find and sought-after since bound journals make it difficult to visualize some photos. Bureau de la Revue unknown