527 Ergebnisse
1969Best.-Nr. 91841Galerie Alphonse Chave | Vence 1969 | 20.3 x 25.5 cm | En feuilles sous couverture
Best.-Nr. 141Philippe Sers, Paris, 1983, (30,8 x 21,7 cm), 192 pages, reliure toile rose de léditeur, sous jaquette illustrée. Introduction par Jean-Hubert Martin. Textes de Rosalind Krauss et Man Ray. 234 illustrations en noir in et hors-texte. Édition originale rare, ici en excellent état, petites usures dusage concernant la jaquette.
1934Best.-Nr. 0024581934 Paris, Au Sans Pareil, 1934. In-8 (145 X 213 mm) broché, couverture rempliée ; portrait-frontispice, 112 pages. Plats et dos légèrement brunis, corps d'ouvrage non coupé de la page 37 à la fin.
1956Best.-Nr. 106101956. One black & white illus. Yellow sheet with five vertical folds. Paris: A L’Etoile Scellée 1956. Scarce A L’Etoile Scellée invitation to a show of works by Man Ray 1890-1976 in April 1956 with a text by André Breton 1896-1966 manager of the Surrealist gallery and check-list of exhibited works. A L’Etoile Scellée located on rue du Pré-aux-Clercs in the 7th arrondissement was an influential exhibition space for the Surrealists from 1952 to 1956. In excellent condition. unknown
1956Best.-Nr. 106101956. One black & white illus. Yellow sheet with five vertical folds. Paris: A L’Etoile Scellée 1956. Scarce A L’Etoile Scellée invitation to a show of works by Man Ray 1890-1976 in April 1956 with a text by André Breton 1896-1966 manager of the Surrealist gallery and check-list of exhibited works. A L’Etoile Scellée located on rue du Pré-aux-Clercs in the 7th arrondissement was an influential exhibition space for the Surrealists from 1952 to 1956. In excellent condition. unknown books
1962Best.-Nr. 2625Paris: Bibliotheque Nationale 1962. First edition. 3 16 pp printed on rectos only. Perfect-bound wrappers lettered in white on the front cover with a mounted photograph. Some slight waviness from mounted image near fine. An uncommon catalogue of an exhibition held at the Bibliotheque Nationale of Man Ray's photographic works including photographs along with books and portfolios. Prefaces by Julien Cain and Jean Adhemar of the BnF; catalogue with notations by Adhemar and Evelyne Pasquet. Bibliotheque Nationale unknown
Best.-Nr. 51-3416Paris: XXe Siècle 1974. . 4to. 24.5 x 31 cm. Original pictorial boards. Original lithographs by James Rosenquist Enrico Baj Man Ray Matta and silkscreen by Veliekovic. Very good. Paris: XXe Siècle, 1974. hardcover
1937Best.-Nr. 62530Paris: Editions Surréalistes 1937. Fine. Editions Surréalistes Paris 1937 14 x 20.50 cm broché First edition one of 135 numbered copies on Persian pearl paper single draw after 15 green Louis roy. Illustrated book frontispiece a portrait of André Breton by Man Ray. Back and flat slightly and marginally discolored as generally a tiny tear in the back of the head at the level of the cap a tiny spot below the autograph. Autograph signed by Gui Rosey to Benjamin Crémieux. Editions Surréalistes unknown
1982Best.-Nr. 309247Milan: Gruppo Editoriale Electa 1982. One of 1000. 2 pages of text and 12 images 15 3/4" x 11 3/4". Folio. Portfolio black wrappers. Fine in wrapper. One of 1000. 2 pages of text and 12 images 15 3/4" x 11 3/4". Folio. Gruppo Editoriale Electa unknown
1982Best.-Nr. 309247Milan: Gruppo Editoriale Electa 1982. One of 1000. 2 pages of text and 12 images 15 3/4" x 11 3/4". Folio. Portfolio black wrappers. Fine in wrapper. One of 1000. 2 pages of text and 12 images 15 3/4" x 11 3/4". Folio. Gruppo Editoriale Electa unknown books
Best.-Nr. 16-6278Paris: Editions de la Revue Verve 1937. Small foliio. 26.5 x 36cm. Original wraps. with design by Braque.Very good. Book block detached frof spine but attached to back cover.The Four Elements Water -- Lithograph by Fernand Leger;A Few Reflections on the Disappearance of the Subject in Sculpture and Painting by Andre Gide;The Four Elements Air -- Lithograph by Joan Miro;Henri Matisse's Aviary in His Paris Studio: Photographic Documents by Brassai;Celestial Tresses: Photographs by Man Ray Blumenfeld and Cartier;Van Gogh as Prometheus by Georges Bataille;Le Bal des Sauvages: Fragments of a Fifteenth Century Tapestry;Reality in Eighteenth Century painting by Rene Huyghe;Four Pages of Colored Reproductions: includes Watteau Detroy Corot Delacroix Courbet David These pictures were shown at the Exhibition of the Masterpieces of French Art at the Palais National des Arts Paris 1937.;The Blood of the Martyrs by Maurice Heine: Documents relating to the assassinations of Marat and Le Pelletier; rThe Four Elements Fire -- Lithograph by RattnerFire by John Dos Passos;Murder by Federico Garcia LorcaGuernica by Picasso: Photographed by Dora Maar in Picasso's studio. Paris: Editions de la Revue Verve, 1937 paperback
1929Best.-Nr. 104668Prague Odeon 1929 Prague, Odeon, avril 1929, 235x182mm, 32p. numérotées de 237 à 268, broché sous couverture illustrée d'une composition de Karel Teige (104668)
1935Best.-Nr. 102196Paris Les Editions Véga 1935 1 vol. Broché in-4, broché, 63 pp. Edition originale ornée de deux portraits hors-texte contrecollés : une photographie solarisée par Man Ray et un dessin par Derain. Tirage limité à 243 exemplaires, celui-ci sur papier Offset de Ruysscher est enrichi d'un envoi autographe signé de l'autrice "à Jacques Baron, en souvenir des "Peines perdues" - avec l'émotion d'un début... Rosemonde, novembre 1934". Curieusement cet exemplaire provient de la bibliothèque de Georges Bataille avec tampon à l'encre noire sur le premier feuillet "Bibliothèque de Georges Bataille". Rosemonde Wilms était la belle-fille du peintre Antonio de La Gandera, elle possédait une villa à Mougins et fréquentait les milieux d'avant garde, elle apparaît dans la première séquence du court-métrage de Man Ray "La Garoupe" en compagnie d'Eluard, Nusch, Picasso, Roland et Valentine Penrose (information aimablement communiquée par M. Gilles Bion). Quant au surréaliste Jacques Baron, il collabora notamment à la revue Documents dans les années 1930. Couverture un peu salie.
1935Best.-Nr. 102196Paris Les Editions Véga 1935 1 vol. Broché in-4, broché, 63 pp. Edition originale ornée de deux portraits hors-texte contrecollés : une photographie solarisée par Man Ray et un dessin par Derain. Tirage limité à 243 exemplaires, celui-ci sur papier Offset de Ruysscher est enrichi d'un envoi autographe signé de l'autrice "à Jacques Baron, en souvenir des "Peines perdues" - avec l'émotion d'un début... Rosemonde, novembre 1934". Curieusement cet exemplaire provient de la bibliothèque de Georges Bataille avec tampon à l'encre noire sur le premier feuillet "Bibliothèque de Georges Bataille". Rosemonde Wilms était la belle-fille du peintre Antonio de La Gandera, elle possédait une villa à Mougins et fréquentait les milieux d'avant garde, elle apparaît dans la première séquence du court-métrage de Man Ray "La Garoupe" en compagnie d'Eluard, Nusch, Picasso, Roland et Valentine Penrose (information aimablement communiquée par M. Gilles Bion). Quant au surréaliste Jacques Baron, il collabora notamment à la revue Documents dans les années 1930. Couverture un peu salie.
1969Best.-Nr. 91841Vence: Galerie Alphonse Chave 1969. Fine. ""Without the Signature the Painting Is Worth Nothing"" Galerie Alphonse Chave Vence 1969 20.3 x 25.5 cm En feuilles sous couverture First edition one of 500 copies of this catalogue for the exhibition Les invendables The Unsellables featuring 40 drawings and paintings at the Galerie Alphonse Chave. Illustrated with 5 full-page black lithographs and 6 tipped-in colour plates. In his characteristically provocative style Man Ray opens with a preface mocking collectors' tendency to purchase names on canvas rather than the artworks themselves. Among the pieces selected for this book are several examples from his series of automatic paintings called ""Peintures naturelles "" including the cover created without the use of a brush. Among the other artworks one can find subtle allusions to famous painters: a Déjeuner sur l'herbe a markedly Picassian Centaure disjointed marionette figures Antipolis evoking the compositional language of de Chirico and an Observatoire reminiscent of a Braque still life. Galerie Alphonse Chave unknown
1971Best.-Nr. 1457321971. Blatt 70x51cm, gerahmt 72,5 x 52,5 cm
1936Best.-Nr. N - 2023 - 45Surrealist-oriented publication founded by Albert Skira. Albert Skira Editor Artistic Director Teriade. No. 9. First edition winter 1936 third year. Original cover by Matisse. Five hors-texts and three typed in color plates. Texts by E. Teriade R. Caillois Man Ray E. James A. Breton J. Prevert Salvador Dali and others. Teriade paperback books
Best.-Nr. 6174in 8 (22 x 17 cm), 125 pages + 12 ff. Illustration de 66 gravures en noir pleine page d'après des dessins à l'encre de chine de Man Ray. Tirage limité à 2375 exemplaires celui ci est le no 326 sur les 350 "numerotés hors commmerce". 1947. Reliure demi maroquin noir, plat toilés rouges , dos lisse titre et auteurs dorés . couverture souple conservée . Superbe dedicace de Paul Eluard à Emile Roux .
1948Best.-Nr. 006759Paris Galerie Nina Dausset, La Dragonne 1948 In-12 Agrafé Edition originale
Best.-Nr. 11546Single folded sheet forming 4 pp. Paris: Galerie Furstenberg 1954. Scarce exhibition catalogue for Man Ray's show of paintings in Paris at the Galerie Furstenberg. This was his first exhibition in Paris since he had left for the United States in 1940. Galerie Furstenberg was run by Simone Collinet née Kahn 1897-1980 ex-wife of André Breton; her program presented exclusively Surrealists. She opened the gallery in 1954 and it closed in 1965. The checklist records 14 "small" paintings and objets and 15 "Equations Shakespeariennes" Man Ray's series of paintings. With a text by political activist and husband of the gallerist Michel Collinet 1904-77. In near fine condition with a horizontal fold. WorldCat records three copies in North America. The Metropolitan Museum of Art's Modern Art Index Project entry for Simone Breton contributed by Vérane Tasseau accessed 9 September 2026. unknown
Best.-Nr. 11546Single folded sheet forming 4 pp. Paris: Galerie Furstenberg 1954. Scarce exhibition catalogue for Man Ray's show of paintings in Paris at the Galerie Furstenberg. This was his first exhibition in Paris since he had left for the United States in 1940. Galerie Furstenberg was run by Simone Collinet née Kahn 1897-1980 ex-wife of André Breton; her program presented exclusively Surrealists. She opened the gallery in 1954 and it closed in 1965. The checklist records 14 "small" paintings and objets and 15 "Equations Shakespeariennes" Man Ray's series of paintings. With a text by political activist and husband of the gallerist Michel Collinet 1904-77. In near fine condition with a horizontal fold. WorldCat records three copies in North America. The Metropolitan Museum of Art's Modern Art Index Project entry for Simone Breton contributed by Vérane Tasseau accessed 9 September 2026. unknown books
1935Best.-Nr. 6326Paris: Bureau de la Revue 1935. First Edition. First Edition. Large quartos. 12 x 9 1/2 inches. 30 numbers in 29 separate issues one is a two-month issue From October 1931 to June 1938 most in very good condition chipping to fragile spines internally near fine. Art et MÈdicine was a ground-breaking high-quality journal of photographs and essays on art and society combined with medical and pharmaceutical advertisements published in France during the 1930s and featuring hÈliogravures by AndrÈ KertÈsz Germaine Krull AndrÈ BrassaÔ and Man Ray among many other well-known photographers of the day. Distributed primarily to physicians as a marketing vehicle for the publisherís pharmaceutical products photographers who were largely unknown but who later became prominent received their earliest assignments and therefore income! in this series. Thus the numerous photogravures contained in the following issues are among the only surviving examples of many of the earliest works by some of the most important photographers of the 20th century. Other prominent photographers whose early work is represented in the journal include Maurice Tabard AndrÈ Steiner Rene Zuber G. L. Manuel frËres Laure Albin-Guillot Pierre Yves-Petit called Yvon Paul Nadar Roger Schall Ergy Landau Eli Lotar Pierre Boucher and Francis Kollar. The MusÈe des Avelines in partnership with the MÈdiathËque de líArchitecture et du Patrimoine MAP is offering to discover the diversity and modernity of AndrÈ KertÈszís photographs 1894-1985 published in the journal Art et MÈdecine. Large groupings of individual numbers are hard to find and sought-after since bound journals make it difficult to visualize some photos. Bureau de la Revue unknown books
Best.-Nr. 10219L'USAGE DE LA PAROLE. Collection complète, du n° 1 (décembre 1939) au n° 3 (avril 1940). Ensemble en parfait état. /// Textes de : Jean Arp, Jacqueline Allan, Gaston Bachelard, Pierre Balascheff, Jacques Baron, Lucien Becker, Pétrus Borel, Joë Bousquet, Leonora Carrington, Lewis Carroll, Lucien Coutaud, Salvador Dalí, Luc Decaunes, Lise Deharme, Yanette Delétang-Tardif, Marcel Duchamp, Fernand Dumont, Paul Eluard, Armel Guerne, Georges Hugnet, Pierre Jean Jouve, Thomas Lovell Beddoes, Sherry Mangan, Michel Manoll, Jeanne Megnen, Pablo Neruda, Louis Parrot, Francis Picabia, Pierre Reverdy, Jean Rostand, Alberto Savinio, Jean [i.e. Louis] Scutenaire, Tristan Tzara, Jacob van Hoddis, Robert Valançay, Jean Wahl. /// Bandeaux, vignettes et dessins de : Jean Arp, Serge Brignoni, Leonora Carrington, Marc Chagall, Lucien Coutaud, Max Ernst, Leonor Fini, Erwin Graumann, Valentine Hugo, René Magritte, Marie Martinez, Joan Miró, Man Ray, Sophie Taeuber-Arp.
1924Best.-Nr. 48244Nrf | Paris 1924 | 13.50 x 19 cm | broché
1927Best.-Nr. 19003Paris: Shakespeare and Co. May & June 1927. Book. Fine. Full Leather. 12mo. Two issued bound together by Bayntun in full tan calf with gilt frames ornate gilt spine panels with gilt-stamped title on a black morocco label gilt dentelles all edges gilt marbled endpapers. Pp. 185 5 adverts; 183 6 adverts 2 double-sided black & white plates in No. 2 and also in No. 3. Bound without the original wrappers and without the half-title to No. 3 pages tanned as usual. Joints rubbed outer corner of No. 3 title-page missing with loss to the year professionally repaired. A beautifully bound handsome copy of two early issues of this important literary review produced in Paris in the twenties. Sylvia Beach in her book "Shakespeare and Company talks of 'transition': "All the best Anglo-Saxon and European work of the period appeared in it much of it for the first time. Of all the reviews I came in contact with 'transition' was the most vital the longest-lived and the review that I felt was most intelligently devoted to the interests of new writing." Contributors include: James Joyce Gottfried Benn Elliot Paul Rainer Maria Rilke Kay Boyle William Carlos Williams Gertrude Stein Morley Callaghan Man Ray Max Ernst Pavel Tchelitcheff Laura Riding. Shakespeare and Co., May & June Hardcover
