520 résultats
réf. 25432Paris, Éditions Cahiers d'Art, 1947, in-8, broché, couverture de papier vergé crème rempliée, non paginé [24 p.] Edition originale. 11 poèmes dédiés à la mémoire de Nusch, l'épouse du poète morte quelques mois auparavant. Publié sous le pseudonyme de Didier Desroches, il est orné de 11 portraits photographiques en noir et blanc par Man RAY et par Dora MAAR. 1/500 ex. num. sur papier couché. Bel exemplaire.
1973réf. 91172Luciano Anselmino; Studio Marconi. As New. 1973. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - TWO 2 VOLUME SET. Corresponds to ASIN: B001QDNLRO. Volume 1 have 152 pages Volume 2 108 pages. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Ragionato Catalogo delle Opere L'Opera Completa Raisonnee Luciano Anselmino; Studio Marconi hardcover
1963réf. 00535299Atlantic Monthly / Little Brown 1963. First Edition. Hardcover. Very Good/Very Good. Signed and inscribed by Man Ray with an original drawing of his trademark floating eye and face. This copy is inscribed on the half title to Frank Goodman 'one of the last of the old-time Broadway press agents a star handler and headline hustler' New York Times. The drawing and inscription are on the half title. The inscription which is bordered by and incorporates the drawing reads 'For Mr. Frank Goodman Man Ray April 2 1963'. The floating eye is above Ray's signature and the nose and mouth extend beneath the inscription. CONDITION: Nice copy in the original black cloth in gilt and copper in first issue jacket complete with $7.95 price slight surface wear to jacket with wrinkle at top; book has been recased with new endpapers; some light staining to top and bottom edges of text. Man Ray born Emmanuel Radnitzky 1890-1976 American painter photographer and conceptual artist active in France a leading light of the Dada and Surrealist movement. Jess McKinley's obituary in the New York Times offers a brilliant look back at Goodman's career: 'In an era when movies like 'Sweet Smell of Success' made Broadway seem like the most glamorous and gritty terrain in entertainment Mr. Goodman was as reliable a presence as broken hearts and dreams come true. From 1939 when he started his career to 1961 Mr. Goodman represented more than 50 Broadway productions including eight shows in 1960 alone. Over the years Mr. Goodman would act as a booster and sometimes as a baby sitter for every type of show person and show personality from the volatile genius Jerome Robbins of 'Gypsy' to the delicate ingénue Audrey Hepburn in 'Gigi' in 1951 to the predictably haunted playwrights William Inge and Clifford Odets among others. Summing up his career in his unpublished memoir Mr. Goodman started with an adage about the publicity game: 'You don't get paid for the work you do; you get paid for the grief you take.' Mr. Goodman seemed to believe that but only to a point. 'Still and all' he wrote 'there's worse ways to make a living'.'B/w Illustrations. Atlantic Monthly / Little Brown hardcover
1934réf. 24841Hartford and New York: James Thrall Soby Random House / Paris: Cahiers d'Art 1934. Subtle area of residue to a section of the spiral-binding else near fine in distinctive photo-illustrated wrappers with all spirals intact; a fresh copy. Second Edition with the replaced title page. Spiral-bound quarto. Text in French and English. Illustrated with 104 photographs printed in a lush gravure divided into five sections and comprising many of Man Ray's iconic images with nineteen rayographs. Roth 80–81. Hartford and New York: James Thrall Soby (Random House) / Paris: Cahiers d'Art unknown
réf. 32865Hartford Conn: James Thrall Soby. First edition. Man Ray. 104 pp plastic spiral binding. Second issue with the false "second edition" statement. A few small rubs and creases to covers; very good. James Thrall Soby unknown books
1935réf. 015540Paris Glm 1935 Reliure
1973réf. 102496Luciano Anselmino; Studio Marconi. As New. 1973. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - VOLUME 1 ONE OF TWO 2 VOLUME SET. Corresponds to first volume of ASIN: B0007AR7RW. Volume 1 has 152 pages; Volume 2 has 108 pages. I II One 1 Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Ragionato Catalogo delle Opere L'Opera Completa Raisonnee Emmanuel Radnitzky Luciano Anselmino; Studio Marconi hardcover
1973réf. 102497Luciano Anselmino; Studio Marconi. As New. 1973. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - VOLUME 2 TWO OF 2 VOLUMES. Corresponds to second volume of ASIN: B0007AR7RW. Volume 1 has 152 pages; Volume 2 has 108 pages. I II One 1 Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Ragionato Catalogo delle Opere L'Opera Completa Raisonnee Emmanuel Radnitzky -- with a bonus offer . Luciano Anselmino; Studio Marconi hardcover
1973réf. 91173Luciano Anselmino; Studio Marconi. As New. 1973. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - TWO 2 VOLUME SET. Corresponds to ASIN: B0007AR7RW. Volume 1 has 152 pages; Volume 2 has 108 pages. I II One 1 Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Ragionato Catalogo delle Opere L'Opera Completa Raisonnee Emmanuel Radnitzky Luciano Anselmino; Studio Marconi hardcover
1937réf. 21205811937. Paris: Jeanne Bucher 1937 4to. Original pictorial red and white wrappers lettered in red to spine; pp. 176 30 with pictorial title and 66 full-page illustrations by Man Ray; pages partially uncut; very minor creasing to lower corners and spine a little frayed otherwise near fine copy; author's presentation inscription to half-title 'a Georges Mouton tres amicalement Paul Eluard' see below.First edition number 319 of 650 copies printed on Chester verge of a total edition of 675 copies presented by Eluard to the Surrealist writer Georges Mouton. Les mains libres is the second collaborative work between Man Ray a pioneer of the Surrealist movement and Paul Eluard poet and one of the movement's founders. During the 1930s Man Ray made numerous drawings in Paris and the South of France. He shared them with Eluard who requested to keep them temporarily. Adhering to the Surrealist tradition the poet 'illustrates' the images not the opposite: upon Man Ray's return Eluard had paired each drawing with a poem. This collaboration resulted in the publication of Les mains libres featuring fifty-four illustrations by Man Ray facing as many poems by Eluard and three appendices 'Sade' 'Portraits' and 'Details' which include Man Ray's portraits of Pablo Picasso Andre Breton and Eluard. Provenance: This copy was presented by Eluard to the writer Goerge Mouton. Connected to Surrealist circles in the 1930s Mouton was a member of the Contre-Attaque group led by Georges Bataille and Andre Breton during 1935-1936. unknown
réf. 186304James Thrall Soby Hartford Connecticut 1934 In-4 carré ( 384 X 312 mm ), broché par spirale en bakélite blanche sous couverture illustrée en couleurs. Portrait de MAN RAY par PICASSO en frontispice. 104 héliogravures hors-texte de MAN RAY dédié à son amie et muse Joella BAYER, fille de la poétesse et artiste Mina LOY et épouse du designer et photographe Herbert BAYER, dont le portrait apparaît dans le livre ( planche 47 ). Livre photographique de MAN RAY composé de photographies et de rayographies "sensuelles, souvent oniriques". dédié à Joella BAYER. Avec des textes en anglais et en français de Man Ray, Paul Eluard, André Breton et Tristan Tzara et en anglais et en allemand de Rrose Selavy ( Marcel Duchamp ). EDITION ORIGINALE et PREMIER TIRAGE de la première monographie de MAN RAY considérée comme l'un des livres de photographie les plus influents et les plus importants du XXe siècle ( Sanford ROTH "Le livre des 101 livres" pages 80/81 ). Très rare sans mention d'édition ["Les exemplaires avec la page de titre originale sont extrêmement rares" ( D. Levy Srauss dans "ROTH" )], et dans un état aussi exemplaire, Il manque 2 dents à la fragile reliure spirale de bakélite blanche, qui est quand même en bel état.
1935réf. 1730881935. MAN RAY. Facile. With poetry by Paul Eluard. Illustrated with photographs by Man Ray. 8vo. original printed wrappers in a new cloth folding box Paris: Edition G.L.M. 1935. One of Man Ray and Eluard most successful collaborations. Facile is illustrated with Man Ray's splendid photographs of nudes which have been sensuously interwoven into the text. This is arguably one of the loveliest photographically illustrated livres de peintres and despite the large edition 1225 copies is now quite scarce. A Century of Artists Books 183. hardcover
1935réf. 1730881935. MAN RAY. Facile. With poetry by Paul Eluard. Illustrated with photographs by Man Ray. 8vo. original printed wrappers in a new cloth folding box Paris: Edition G.L.M. 1935. One of Man Ray and Eluard most successful collaborations. Facile is illustrated with Man Ray's splendid photographs of nudes which have been sensuously interwoven into the text. This is arguably one of the loveliest photographically illustrated livres de peintres and despite the large edition 1225 copies is now quite scarce. A Century of Artists Books 183. hardcover books
1968réf. 100144New York The Letter Edged in Black Press, 1968. 1968 6 17.8 x 27.9 cm. New York, The Letter Edged in Black Press, 1968. Six portefeuilles 178 x 279 mm, présentés dans leurs emballages postaux d’origine, contenant chacun un sommaire, pour un total de 73 multiples originaux.
réf. A-71923-2Accordion fold artist's book featuring one multiple by Man Ray a blue baguette bread on the front cover held by a green ribbon to close the book. Also included on the book ten silkscreen after the artist Revolving Doors installation in colors three reproductions in colors and a three folded poster in colors. This artist's book was published by Galerie Alexandre Iolas in Paris as an exhibition catalogue for the exhibition Man Ray in 1973-1974. The blue baguette depicted on the cover was an original piece that Man Ray made in 1958 using stale bread painted blue. He later replaced it with a plaster version as the original was eaten by mice. Galerie Alexandre Iolas books
1934réf. 106030Hartford James Thrall Soby 1934 31x25cm Hartford, James Thrall Soby, 1934, 31x25cm,112p, reliure peigne plasrique, couverture photographique en couleurs.104 photographies de Man Ray reproduites en héliogravure par Draeger Frères, textes de Man Ray, André Breton, Paul Eluard, Rrose Sèlavy et Tristan Tzara, en français, anglais et allemand. Mention de deuxième édition.
1937réf. 2467Paris Éditions GLM 1937. MAN RAY. La Photographie n'est pas L'Art. Paris: Éditions GLM 1937. Slim octavo 17 loose leaves in original flexible blue cloth portfolio original black die-cut wrapper. First edition of this landmark treatise with 12 full-page halftones of Man Ray's distinctive photographs 'regarded by some as amongst the greatest of the 20th century' Parr & Badger. Jean Cocteau called him 'the poet of the darkroom.' 'It was with Man Ray's arrival in Paris in the summer of 1921 when Dada was at its height that photographic experimentation temporarily leaderless after the disastrous war took a decisive new direction' Frizot 442. 'Man Ray's work introduced a particular note to Dadaism since he used photography and recognized early on that this medium could reproduce the effects of object-based art in two-dimensional form. Photography was in a position to preserve the ordinary and to unleash surreal effects' Icons of Photography 26. 'Although he incorporated photography into his Dadaist practice much of his photographic activity was given over to conventional portrait and fashion commissions. This rankled with him and 'photography is not an art' was a constant theme in his work. La Photographie n'est pas L'Art is one of the most enigmatic yet advanced of all his books. It can be taken as a summation of his experiments in photography and might be said to be his photographic swansong' Parr & Badger 108-09. With text by André Breton. See Roth 80-81 86-87. Interior and images fine. Only light sunning to cover through aperture in wrapper. A fine copy. Scarce. Bauman quote In a contemporary clam shell box in blue cloth. GLM
1937réf. 2467Paris Éditions GLM 1937. MAN RAY. La Photographie n'est pas L'Art. Paris: Éditions GLM 1937. Slim octavo 17 loose leaves in original flexible blue cloth portfolio original black die-cut wrapper. First edition of this landmark treatise with 12 full-page halftones of Man Ray's distinctive photographs 'regarded by some as amongst the greatest of the 20th century' Parr & Badger. Jean Cocteau called him 'the poet of the darkroom.' 'It was with Man Ray's arrival in Paris in the summer of 1921 when Dada was at its height that photographic experimentation temporarily leaderless after the disastrous war took a decisive new direction' Frizot 442. 'Man Ray's work introduced a particular note to Dadaism since he used photography and recognized early on that this medium could reproduce the effects of object-based art in two-dimensional form. Photography was in a position to preserve the ordinary and to unleash surreal effects' Icons of Photography 26. 'Although he incorporated photography into his Dadaist practice much of his photographic activity was given over to conventional portrait and fashion commissions. This rankled with him and 'photography is not an art' was a constant theme in his work. La Photographie n'est pas L'Art is one of the most enigmatic yet advanced of all his books. It can be taken as a summation of his experiments in photography and might be said to be his photographic swansong' Parr & Badger 108-09. With text by André Breton. See Roth 80-81 86-87. Interior and images fine. Only light sunning to cover through aperture in wrapper. A fine copy. Scarce. Bauman quote In a contemporary clam shell box in blue cloth. GLM books
1933réf. 88275Le Phare de Neuilly | Neuilly-sur-Seine S.d. [1933] | 18.20 x 25.10 cm | 3 volumes brochés
1933réf. 88275Neuilly-sur-Seine: Le Phare de Neuilly 1933. Fine. One of the rarest and most iconic Surrealist magazines Le Phare de Neuilly Neuilly-sur-Seine S.d. 1933 18.20 x 25.10 cm 3 volumes brochés First edition of this important and very rare magazine complete with 4 issues in 3 volumes. Complete collection of this luxurious Surrealist magazine edited and funded by Lise Deharme and characterized by its emphasis on photography. Covers illustrated by Man Ray illustrations in black. Contributions by Salvador Dali Hans Arp Dora Maar Oscar Dominguez Brassaï Lee Miller Jacques Lacan James Joyce Georges Ribemont-Dessaignes Ilarie Voronca Nathalie Barney Benjamin Fondane Pierre Drieu La Rochelle Alejo Carpentier Eugène Jolas Lise Hirtz Lise Deharme Raymond Queneau Claude Sernet Roger Vitrac Robert Desnos Jean Follain Léon-Paul Fargue Pierre Keffer Jacques Baron Gottried Benn Céline Arnauld Monny de Boully Georgette Camille André de Richaud Jules Supervielle Claire Goll Paul Laforgue David Herbert Lawrence Marcel Jouhandeau Paul Dermée Jean Painlevé Nadar Pétrus Borel and Stendhal. Sunned spine on the No. 3/4 issue. Spine-ends and corners slightly rubbed otherwise a wonderfully preserved copy. A very fine example of this rare avant-garde magazine which ""came into being over the course of a few dinners that brought together the dissidents of Surrealism and other poets in this hospitable abode of Lise Deharme. Robert Desnos provided the title. Georges Ribemont-Dessaignes was the editor. Man Ray had designed the cover: a silhouette of a lighthouse against a photographic background of sailing boats. . It contains curiosities: a tale by Petrus Borel a photo by Nadar popular songs an investigation into the neurosis of war epitaphs taken from a cemetery of animals. Among other curiosities a sonnet by the famous psychoanalyst Jacques Lacan. It is entitled Hiatus irrationalis."" Jacques Baron Cahiers de l'Herne Raymond Queneau p. 333. Le Phare de Neuilly unknown
réf. 20958Dessins de Chas Laborde gravés sur bois par Robert Dill. P., Editions de la Banderole, *Collection d'Œuvres Originales*, 1920, in-12, relié demi-maroquin brique à coins, tête dorée, couv et dos conservés, dos à 5 nerfs, tête dorée, non rogné (Marcel Day), 150 p. Edition originale num. sur Lafuma teinté. Exceptionnel exemplaire enrichi de 10 dessins originaux à l’encre de Pierre Mac Orlan montés sur onglets ou contrecollés sur papier blanc, tous en début de volume, ainsi que d’une PHOTOGRAPHIE ORIGINALE de MAN RAY en tirage argentique d’époque, format 9,8 × 7,4.Les dessins ont été reproduits dans des ouvrages illustrés par Mac Orlan comme *Les Pattes en l’air* (1911), les *Contes de la pipe en terre* (1914), *U-713 ou les Gentilshommes d’infortune* (1917) ou encore dans des revues et plus probablement dans La Baïonnette. La photographie de Man Ray date du tout début des années 20. Elle est prise en buste, Mac Orlan est élégamment vêtu et porte un nœud papillon.
1929réf. 2190S.l.n.e. (Bruxelles, Editions de la Revue Variétés, 1929). Un volume petit in-4 broché (30 x 22 cm), 28 pages sur 14 feuillets non paginés, couverture gris souris imprimé du titre "1929" sur le premier plat. Édition originale illustré de QUATRE PHOTOGRAPHIES PORNOGRAPHIQUE PAR MAN RAY titrées "Printemps , Été, Automne, Hiver" et contrecollées. La plaquette est divisée en deux semetres de l'année : les poèmes du premier semestre (janvier à juin) sont de Péret ceux du second (juillet à décembre) d'Aragon. Une particularité inhabituelle pour ce type de publication, les auteurs et le photographe ont nommément signé leurs œuvres. Exemplaire sur vélin de Montval numéroté au composteur (n° 211), conservé dans sa condition d'origine en excellent état (marge inférieure empoussiérée comme souvent). Photographies et informations supplémentaires sur demande. - — — ENGLISH: "1929". S.l.n.e. (Brussels, Editions de la Revue Variétés, 1929). A paperback 4vo volume (30 x 22 cm), 28 pages on 14 unpaginated sheets, gray soft cover printed with the title "1929" on the front. First edition illustrated with FOUR PORNOGRAPHIC PHOTOGRAPHS BY MAN RAY titled "Spring, Summer, Autumn, Winter" and sticked. The booklet is divided into two semesters of the year: the poems of the first semester (January to June) are from Péret those of the second (July to December) from Aragon. An unusual feature for this type of publication is the authors and the photographer have signed their works by name (printed). Our copy on Montval paper is numbered in the composter (no. 211), preserved in its original condition in excellent condition (lower margin dusty as often). Photographs and additional information on request.
1932réf. 29081Seule épreuve signée connue par Man Ray [Paris, circa 1950]. 1 tirage sur carte, d'après-guerre, signé « Man Ray » à la mine de plombe en angle inférieur droit. L'épreuve est signée Man Ray à la mine de plomb en angle inférieur droit et contient au dos la mention, de la main de Char, «René Crevel».
1935réf. 4171Paris: GLM 1935 Quarto 24.5x18 cm. wrappers 201pp. loose as issued. No. 791 of 1000 copies on velin of 1220 overall. A very successful collaboration of poet and photographer with extraordinary sensuous photos of Eluards wife Nusch coupled with page design incorporating the poetry cycle therein. It is rightly acclaimed as one of the greatest surrealist publications. This is a fine crisp copy in custom clambshell box bearing hand-tooled leather spine. Paris: GLM paperback
1937réf. 1704521937. MAN RAY. Les Mains Libres. By Paul Eluard. 208 pp. with 66 reproductions of drawings by Man Ray. 4to 280 x 225 mm. bound in the original illustrated wrappers in a new slipcase with morocco backed chemise. Paris: Editions Jeanne Bucher 1937. A pristine copy of this celebrated collaboration between Man Ray and Paul Eluard inscribed by Man Ray to Souzouki. Man Ray had moved to Paris in 1921 and in the 1930s was one of André Breton's surrealist circles. Unlike most illustrated books where the pictures illustrate the text this book uses the poems to illustrate the drawings which are important documents of Man Ray's non-photographic output. One of 650 printed on Chester Vergé of a total edition of 675 copies. From Manet to Hockney 104. unknown