488 résultats
1981réf. 87231Limited Editions Club. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ASIN: B0007FFRUG. 306 pages illustrated with the photographs of many eminent 20th Century photographers. -- with a bonus offer-- . 1981. Limited Editions Club hardcover
2009réf. 835040International Arts and Artists. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 200 pages; 175 illustrations. -- with a bonus offer--; This groundbreaking analysis spotlights a select group of Man Ray’s photographs within the context of modernist photographic history and the “discovery” of African art by the early twentieth-century avant-garde. Featuring more than seventy photographs by Man Ray—some never before reproduced—alongside many rarely seen photographs of African art by his European and American contemporaries Man Ray African Art and the Modernist Lens uncovers a virtually unknown chapter in both the inventive activities of this celebrated artist and in this overlooked facet of photographic history. Meticulously researched and compellingly presented Wendy A. Grossman raises thought-provoking questions about the role photographs played in shaping perceptions of African art and in turn how such images led to distinctive modernist viewpoints across racial and geographic boundaries. Particularly notable is the treatment of the African pieces both as integral components of the modernist history to which they contributed and as elucidated by original scholarship by African art experts as objects with their own independent cultural histories. Revealing a more complex engagement with African art by Man Ray and his contemporaries than has been previously known Grossman provides a rich and nuanced study that makes an important addition to our understanding of critical issues in modernism that continue to influence the way we see African art today. With an essay by Ian Walker and additional contributions by Yaëlle Biro Poul Mørk Rainer Stamm and Tomás Winter. Concordance of African objects edited by Letty Wilson Bonnell. . 2009. 081667017X . International Arts and Artists paperback
2011réf. 94895Skira. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 328 pages; 369 illustrations including 149 in color. -- with a bonus offer--; An exciting monograph dedicated to an extraordinary figure and one of last century’s most famous and influential artists. Man Ray 1890-1976 was a photographer painter and creator of objects experimental films and images which were at times enigmatic. This catalog which presents more than 200 works and compares and contrasts images with biographical details is divided into three main sections: Man Ray’s formative years spent between New York and an artists’ colony in Ridgefield New Jersey; the Paris period; and the period spent between Hollywood and Paris France-the city he ultimately chose to adopt as his home. The publication describes the creation of some of his most famous pieces and the motifs-very often of females-that inspired the works. Man Ray’s life was marked by a succession of love affairs with famous and intriguing women and this catalog dedicates several sections to this topic. The book also deals with the themes permeating Man Ray’s work throughout the years such as his passion for chess the relationship between reality and illusion and experimental photography and film. Comparisons are also made with the works of some of the most important artists of the twentieth century such as Pablo Picasso Marcel Duchamp Constantin Brancusi Jean Arp and Francis Picabia. . 2011. 8857209741 . Skira hardcover
2009réf. 93697Steidl. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 370 pages; 320 drawings and photographs. Description: "ocked in enormous bank vaults and largely removed from public scrutiny for more than a decade the little known collection of the Man Ray Trust comprises more than 4000 works by Man Ray. The 320 photographs and drawings selected for this publication are among the rarest of Man Ray’s works and will be a revelation to even his most devoted admirers. At the core of Man Ray: Trees Flowers – Insects Animals is a series of landscape photographs made by Man Ray from the 1920s through the 1950s many of which bear the distinct influence of Eugène Atget. With subjects including castles and ruined buildings street scenes and the objects from which he drew inspiration for other artworks the photographs and drawings in this book represent an intermediary step in Man Ray’s creative process. The title of the series Trees Flowers – Insects Animals was discovered by the editor scrawled across the backside of a photograph and provides a key to this most unusual collection. These photographs function as a subject index to the themes and motifs that Man Ray employed in his better known works. They are on the one hand a record of his travels and observations in Europe and the United States. On the other hand they are the relic of a moment preserved by Man Ray for later use and interpretation." -- with a bonus offer--; New Edited and preface by John P. Jacob. Introduction by Merry A. Foresta.The treasure trove that is this beautiful book comes from the Man Ray Trust removed from public scrutiny for more than a decade the little known collection comprising more than 4000 works by Man Ray. . 2009. 386521696X . Steidl hardcover
2009réf. 834993Yale University Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 256 pages; 241 illustrations. -- with a bonus offer--; Born Emmanuel Radnitzky the artist known as Man Ray 18901976 revealed multiple artistic identities over the course of his careerNew York Dadaist Parisian Surrealist international portraitist and fashion photographerand produced important works as a photographer painter filmmaker writer and maker of objects. Alias Man Ray considers how the artist’s life and career were shaped by his turn-of-the-century American Jewish immigrant experience and his lifelong evasion of his past. As an exploration of the artist’s deliberate cultural ambiguity which allowed him to become the first American artist to be accepted by the Paris avant garde this book examines the dynamic connection between Man Ray’s working-class origins his assimilation the evolution of his art and his willful construction of his own artistic persona as evidenced in a series of subtle encrypted self-references throughout the artist’s career. Beautifully illustrated Alias Man Ray will stand as a definitive study of an incomparable figure in 20th-century art. . 2009. 0300146833 . Yale University Press hardcover
2011réf. 94876Schirmer/Mosel. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 316 pages ; 522 illustrations including 30 in color. -- with a bonus offer--; When American-born Surrealist Man Ray died in 1976 he left behind thousands of photo negatives mostly portraits taken in his studio after his arrival in Paris in 1921. The Centre Georges Pompidou which has owned them since the mid-1990s has duly catalogued the collection of negatives and is now in a position to bring out what is an encyclopedic publication in the best sense of the term. It attests both to Man Ray s ability as a portrait photographer and to the quality of his archive as a monument to cultural history. The catalog features 500 portraits each of which is explained in a short commentary. Since Man Ray's clientele was made up of members of Dadaist and Surrealist circles of artists and painters of writers and US emigrants of the Lost Generation of aristocrats and paragons of the worlds of fashion and theater the book is at the same time a marvelous Who's Who and an indispensable reference work for a broad range of different historians and scholars of the 20th century. . 2011. 3829605404 . Schirmer/Mosel hardcover
1970réf. TN253676Cordier & Ekstrom New York 1970. 1st Edition. SOFTCOVER. 4to in die-cut stiff card covers with window showing a tipped in colour plate unpaginated approx. 24pp on glossy art paper b/w plates etc __CONDITION : A well preserved FINE very clean and tight unmarked copy hint of tanning to leaves. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Cordier & Ekstrom, New York paperback
1984réf. 5619Tokyo: Mainichi Shinbunsha 1984. First edition. soft cover. Very Good. 28 cm; 163 pages mostly illustrations some in color. Text primarily in Japanese with essay "Objects of Critical Reflexion" by Rosalind E. Krauss in English and Japanese and some text in French. Bound in illustrated wraps. Crease mark on spine else fine. Catalog of an exhibition held at Odakyu Grand Gallery Tokyo August 10-22 1984 and subsequently at four other locations in Japan. Includes bibliographical references pages 148-160. Mainichi Shinbunsha paperback
réf. 11478One black & white illus. Single folded sheet 4 pp. Milan: Galleria Schwarz 1971. The scarce announcement and invitation for Man Ray's retrospective exhibition and book launch at Arturo Schwarz's Milan gallery and two other locations. In excellent condition. unknown
1934réf. 140948952Hartford CT: James Thrall Soby 1934. First Edition. Fine. A superlative example of the first edition first issue of May Ray's first monograph. 104 pp. with frontispiece portrait of Man Ray by Pablo Picasso the original title page and gravure plates after photographs by Man Ray with text in English and French. Bound in publisher's comb-bound pictorial card wraps. Light wear to wraps with faint marginal soiling to contents else Fine unusual in such nice condition and with spirals intact. Initial sales were so dismal that the publisher recalled most copies of the first printing and replaced the title page with two different fictitious ones claiming "second edition" and "deuxieme edition" in efforts to stoke demand. Copies like this one with the original title page are therefore rare. A fantastic copy of this pioneering work. James Thrall Soby unknown
réf. 0500540799.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1937réf. 170731001Paris: GLM 1937. First Edition. Loose Leaves in Cloth Portfolio. Very Good. First edition. Seventeen loose leaves including 12 halftone plates on coated stock in flexible blue cloth portfolio and outer black die-cut wraps. Near Fine with uneven fading to blue cloth portfolio light general shelf wear and with die-cut intact. A lovely example. GLM unknown
réf. 188491912X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1969réf. 48795Vence.: Galerie Alphonse Chave. 1969. Loose as issued in original publisher's printed thick paper wrappers with flaps colour titles to front cover. 4to. 280 x 230 mm. Half-title title with monochrome lithograph of a 1914 Man Ray self-portrait as frontispiece verso leaf with introductory text by Man Ray and reproductions of original works by Man Ray including four further monochrome lithographs and six tipped-in illustrations in colour final leaf with justification and achevé d'imprimer.Original collage by Man Ray of an original signed and numbered photograph tipped onto sandpaper 6 tipped-in colour images and 3 monochrome images. A presentation copy of the deluxe issue of Man Ray's catalogue with the original signed collage.From the edition limited to 500 copies with this one of 50 on 'beau papier' a smooth laid paper signed and numbered by Man Ray to the justification; also included inserted loose is the original collage signed and numbered from the edition of 50 in black ink.Man Ray's presentation is in pencil to the half-title: 'au Dr. Marcel Zara / bien cordialement / Man Ray'.Man Ray's original collage features an original monochrome photograph 138 x 100 mm with a small stamp at lower left mounted to a sheet of fine sandpaper 239 x 178 mm; the photograph is signed by Man Ray at lower right in black ink and the stamp is numbered also in black ink from the edition of 50 copies.'LES INVENDABLES. Pourquoi Car c'est le nom qui est à vendre. San la signature le tableau ne vaut rien. Il faut prendre l'un et l'autre . Il y a ceux qui retournent le tableau pour voir si c'est de la bonne toile de lin fin . Le peintre tient son bâton à poils comme le barbier son blaireau le musicien son archet le soldat sa mitraillette c;est ainsi qu'ils tiennent leur sexe pour faire pipi ou pour faire l'amour . La vérité Il n'y a plus subversif que la vérité . Man Ray'. Man Ray's introductory text. Galerie Alphonse Chave. unknown
1921réf. 48774Paris.: Au Sans Pareil. 1921 12 Janvier. Folio. 277 x 212 mm. Drop-head title and printed text recto and verso in French with typical dada typography manicules and type variation imprint and list of signatories at foot of verso. A very fine example never folded of this scarce iconoclastic and blasphemous dada manifesto an excellent specimen of dada typography.Tzara's 1921 restatement of dada had a very serious purpose: to reinvigorate and revitalise dada. Tzara was to some extent successful and dada continued albeit with the same troubles that prompted the issue of this manifesto. The document is an outstanding example of the typographical caprice and linguistic inventiveness that made dada so intriguing and appealing. The use of various other schools of art Cubism Expressionism Simultaneism Futurism Unanism Neo-Claissicism Ultraism Creationism Vorticism and Imagism to underline dada's point or rather its lack thereof is classic. Tzara's most iconoclastic and blasphemous slogans were taken up by Van Doesburg for his own later dada poster produced in conjunction with Schwitters 'kleine dada soirée': 'DADA EXISTE DEPUIS TOUJOURS / LA SAINTE VUERGE DÉJÀ FUT DADAÎSTE!'This manifesto was truly international as noted at the head of the sheet: 'Les Signataires de ce manifeste habitent la France l'Amérique l'Espagne l'Allemagne l'Italie la Suisse la Belgique etc. mais n'ont aucune nationalité.'The signatories as listed were: 'E. Varèse Tr. Tzara Ph. Soupault Soubeyran J. Rigaut G. Ribemont-Dessaignes M. Ray sic F. Picabia B. Péret C. Pansaers R. Huelsenbeck J. Evola M. Ernst P. Eluard Suz. Duchamp M. Duchamp Crotti G. Cantarelli Marg. Buffet Gab. Buffet A. Breton Baargeld Arp W. C. Aresnberg L. Aragon.''In 1921 Tristan Tzara found himself battling to sustain Dada's declining popularity. Aesthetic political and social differences among the movement's most prominenet members shook Dada at the doundation. In line with Dada's emphasis on easy distribution Tzara created this one-page flyer presenting a condensed more direct iteration of the Dada Manifesto . The text's inconsistent typefaces orientation and size embody the disorientation and randomness at the heart of the Dadaist philosophy.' From the catalogue of the Art Institute of Chicago.'Dada fait ici le choix d'une composition graphique et d'une typographie affranchies des traditions use de termes saugrenus n'ayant aucun lien logique entre eux recourt aux antonymes «oui = non» aux répétitions «jamais jamais jamais» s'autointerroge «Que fait DADA» affirme et se contredit dans le même temps . La mise en page les différentes tailles de caractères et les polices d'écriture confèrent à l'ensemble un rythme singulier fait d'accélérations de ralentissements de pauses autant d'éléments qui construisent un parcours de lecture heurté discontinu à l'issue duquel renaîtra peut-être un «homme nouveau» purgé de tout espèce de culture.' Anne Delebaree writing in 'Petits Papiers des Avant-Gardes: La Collection Paul Desrtribats'.Destribats Tracts 132 / 133; Ades 8.45; Pompidou 326 / 327. Au Sans Pareil. unknown
1962réf. 2625Paris: Bibliotheque Nationale 1962. First edition. 3 16 pp printed on rectos only. Perfect-bound wrappers lettered in white on the front cover with a mounted photograph. Some slight waviness from mounted image near fine. An uncommon catalogue of an exhibition held at the Bibliotheque Nationale of Man Ray's photographic works including photographs along with books and portfolios. Prefaces by Julien Cain and Jean Adhemar of the BnF; catalogue with notations by Adhemar and Evelyne Pasquet. Bibliotheque Nationale unknown
1963réf. 203202Editions Prisma 1963. First French Edition . Hardcover. VG/Good. 15 pages plus 61 black and white photographic plates. Grey dust jacket with red titles corners are lightly bumped clean white endpapers text and plates are clean and unmarked binding is tight VG. Black and white dust jacket with red titles previous owner has repaired tears to top of spine with clear tape top corners are bumped and lightly worn top edge lightly worn with a few smallt tears Good. Editions Prisma hardcover
1998réf. 74076Paris: Centre Georges Pompidou/Seuil 1998. First edition. 4to. 257 pp w/biography & list of illustrations. Fine in fine dust jacket. Paris: Centre Georges Pompidou/Seuil unknown
1937réf. 19377SSParis: GLM Guy Lévis Mano 1937. First Edition. wrappers. Very Good /Very Good . Man Ray photos. Man Ray / André Breton Photography is not art. Paris: GLM 1937. Portfolio In-8 9.7" x 6.5" 24.5x16.1cm Issued unbound with twelve halftone photo reproduction plates and with five sheets of text by Andre Breton in blue wrappers. Unspecified print run but in small quantities on cream vellum paper. --- --- Original edition of a charming surrealist work published by Guy Lévis Mano with a preface by André Breton under a poem titled Convulsionnaires and complemented by 12 photographs by Man Ray 1890-1976 reproduced in black on beige glossy paper. Beautiful copy. In sheets with a double black and blue cover the first with a window. In excellent condition. Blue cover with no scratches. Impeccable interior. Slightly browned pages. ---- ---- ---- Emmanuel Radnitsky or Rudzitsky known as Man Ray born August 27 1890 in Philadelphia United States and died November 18 1976 in Paris 6th arrondissement was an American painter photographer and filmmaker who became a naturalized French citizen. A figure of Dadaism in New York then of Surrealism in Paris Man Ray perfected Christian Schad's photogram technique and alongside photographer Lee Miller rediscovered the so-called solarization process. GLM (Guy Lévis Mano) unknown
1937réf. 18881Paris: GLM 1937. Paperback. First edition first printing. One of Man Ray's most influential works "La Photographie n'est pas l'Art" marked a turning point in his artistic career. In 1937 the year the book was published he decided to give up photography altogether. "La Photographie" not only tied a ribbon on the artist's photographic career and experimental photography but also summed up his earlier Dada tendencies with its Duchampian puns for the photographs' titles. From then on Man Ray devoted himself to painting. Photographs by Man Ray; text by Andre Breton. 17 unpaginated 6.25- x 9.75-inch leaves printed recto only: title page three leaves with Breton's text a leaf with a list of Man Ray's published works and colophon 12 full-page b&w plates on yellow coated stock with captions beneath all on the same paper stock. Loose as issued in original publisher's blue wrappers with title in black and additional black paper dust-jacket with rectangular die-cut to expose title. Condition: Seventeen loose leaves in original printed flexible blue cloth portfolio and original black die-cut wrapper. The leaves are fine with only a hint of soiling at the outer edges and a touch of blunting to the outer tips; the title page has a small crease at one corner now flattened. The portfolio is Near Fine with sunning to the front through the aperture in the wrapper which is Very Good with a tiny tear light stress marks at the spine and back flap fold and a touch of shelf wear. A nice copy. Ref: Parr & Badger Photobook Vol. 1 p.108-109; Fotografia Publica Photography in Print 1919-1939 p.166-167; 802 Photo Books from the M. M. Auer Collection p.242. Ships the next business day wrapped in padding in a box. GLM paperback
1996réf. 35981Tokyo: Tokyo Station Gallery 1996. Very Good . Tokyo: Tokyo Station Gallery 1996. First Edition. Quarto 26cm; 226pp. Publisher’s stiff black wraps; light grey endsheets. Photographs throughout several in color. Wraps rather bumped and smudged. Binding sound. Textblock endsheets and interior pages clean. Very Good or better. Published in conjunction with a series of posthumous retrospective exhibitions throughout Japan. Interior text in Japanese and French. Tokyo Station Gallery unknown
réf. 0810942771.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1937réf. 001889HHParis France: GLM 1937. First Edition. Fine. A fine copy issued originally unbound now stapled in it's original outer black wrapper. 12 half tone plates in excellent condition and five sheets of text by Andre Brenton. A Nice Copy. GLM unknown
1995réf. 002394Milan: Gio Marconi Gallery 1995. Book. Near Fine. No Binding. Cardboard box 13x9x3 cm. containing a booklet with 35 reproductions of photographs and a collection of 9 facsimile copies taken from photographic contact prints carried out by Man Ray in 1937 from the original negatives. The prints measure approx. 86 x 66 cm. and are individually stored in transparent paper sachets. The box set was issued in a limited edition of 1000 on the occasion of the exhibition 'La Mode au Congo" held in the Gio Marconi Gallery in 1995. This is number 822. The box has light wear and a bit of soiling contents are fine. Rare object. . Gio Marconi Gallery unknown
réf. 2914171056.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback