561 risultati
1935rif. 6326Paris: Bureau de la Revue 1935. First Edition. First Edition. Large quartos. 12 x 9 1/2 inches. 30 numbers in 29 separate issues one is a two-month issue From October 1931 to June 1938 most in very good condition chipping to fragile spines internally near fine. Art et MÈdicine was a ground-breaking high-quality journal of photographs and essays on art and society combined with medical and pharmaceutical advertisements published in France during the 1930s and featuring hÈliogravures by AndrÈ KertÈsz Germaine Krull AndrÈ BrassaÔ and Man Ray among many other well-known photographers of the day. Distributed primarily to physicians as a marketing vehicle for the publisherís pharmaceutical products photographers who were largely unknown but who later became prominent received their earliest assignments and therefore income! in this series. Thus the numerous photogravures contained in the following issues are among the only surviving examples of many of the earliest works by some of the most important photographers of the 20th century. Other prominent photographers whose early work is represented in the journal include Maurice Tabard AndrÈ Steiner Rene Zuber G. L. Manuel frËres Laure Albin-Guillot Pierre Yves-Petit called Yvon Paul Nadar Roger Schall Ergy Landau Eli Lotar Pierre Boucher and Francis Kollar. The MusÈe des Avelines in partnership with the MÈdiathËque de líArchitecture et du Patrimoine MAP is offering to discover the diversity and modernity of AndrÈ KertÈszís photographs 1894-1985 published in the journal Art et MÈdecine. Large groupings of individual numbers are hard to find and sought-after since bound journals make it difficult to visualize some photos. Bureau de la Revue unknown books
1996rif. 196382Copenhagen: Fotografisk Center 1996. First edition. Small oblong softcover. Text in Sanish English and French. Preface by Francois Poli. Essays by Lars Schwander and Andre Breton. Includes a couple color and numerous black and white images. A close to near fine copy in French style wrappers with some light rubbing and minor wear. Internally a clean copy. Fotografisk Center unknown books
1992rif. 196716New York: Kent 1992. First edition. Exhibition brochure for a show that ran January 6 through March 27 1992. Single sheet folded three times to create 6 pages. Features a text by Tristan Tzara from 1934. Includes several illustrations a checklist and brief information about each artist. A clean very near fine copy. Uncommon. Kent unknown books
2010rif. 023910Tokyo: The National Art Center 2010. Book. Near Fine. Hardcover. First Edition. Minimal wear; otherwise a solid clean copy with no marking or underlining; collectible condition; essays in Japanese gathered at front of book; essays in English gathered at back of book; 368 pages; illustrated in both black and white and in color 410 examples of a wide variety of Man Ray's work including photographs drawings and paintings. The National Art Center Hardcover
rif. 69-4346Trenton New Jersey: New Jersey State Museum 1968. 8vo. Staplebound Wraps. 12 pp. B&W Plates. Very Good.Provenance: Richard A. Lorenz 1952 -2001 author art conservator curator and director of the San Francisco Regional Art Conservation Center. As a trustee of The Imogen Cunningham Trust Mr. Lorenz organized and curated exhibitions of Cunningham's photographs and authored four major books on the photographer. Trenton, New Jersey: New Jersey State Museum, 1968 paperback
1983rif. 2111902153301180Misuzushobo 1983. Soft Cover. Fine. Number of books: 1 Misuzushobo paperback
1937rif. 2467Paris Éditions GLM 1937. MAN RAY. La Photographie n'est pas L'Art. Paris: Éditions GLM 1937. Slim octavo 17 loose leaves in original flexible blue cloth portfolio original black die-cut wrapper. First edition of this landmark treatise with 12 full-page halftones of Man Ray's distinctive photographs 'regarded by some as amongst the greatest of the 20th century' Parr & Badger. Jean Cocteau called him 'the poet of the darkroom.' 'It was with Man Ray's arrival in Paris in the summer of 1921 when Dada was at its height that photographic experimentation temporarily leaderless after the disastrous war took a decisive new direction' Frizot 442. 'Man Ray's work introduced a particular note to Dadaism since he used photography and recognized early on that this medium could reproduce the effects of object-based art in two-dimensional form. Photography was in a position to preserve the ordinary and to unleash surreal effects' Icons of Photography 26. 'Although he incorporated photography into his Dadaist practice much of his photographic activity was given over to conventional portrait and fashion commissions. This rankled with him and 'photography is not an art' was a constant theme in his work. La Photographie n'est pas L'Art is one of the most enigmatic yet advanced of all his books. It can be taken as a summation of his experiments in photography and might be said to be his photographic swansong' Parr & Badger 108-09. With text by André Breton. See Roth 80-81 86-87. Interior and images fine. Only light sunning to cover through aperture in wrapper. A fine copy. Scarce. Bauman quote In a contemporary clam shell box in blue cloth. GLM
1937rif. 2467Paris Éditions GLM 1937. MAN RAY. La Photographie n'est pas L'Art. Paris: Éditions GLM 1937. Slim octavo 17 loose leaves in original flexible blue cloth portfolio original black die-cut wrapper. First edition of this landmark treatise with 12 full-page halftones of Man Ray's distinctive photographs 'regarded by some as amongst the greatest of the 20th century' Parr & Badger. Jean Cocteau called him 'the poet of the darkroom.' 'It was with Man Ray's arrival in Paris in the summer of 1921 when Dada was at its height that photographic experimentation temporarily leaderless after the disastrous war took a decisive new direction' Frizot 442. 'Man Ray's work introduced a particular note to Dadaism since he used photography and recognized early on that this medium could reproduce the effects of object-based art in two-dimensional form. Photography was in a position to preserve the ordinary and to unleash surreal effects' Icons of Photography 26. 'Although he incorporated photography into his Dadaist practice much of his photographic activity was given over to conventional portrait and fashion commissions. This rankled with him and 'photography is not an art' was a constant theme in his work. La Photographie n'est pas L'Art is one of the most enigmatic yet advanced of all his books. It can be taken as a summation of his experiments in photography and might be said to be his photographic swansong' Parr & Badger 108-09. With text by André Breton. See Roth 80-81 86-87. Interior and images fine. Only light sunning to cover through aperture in wrapper. A fine copy. Scarce. Bauman quote In a contemporary clam shell box in blue cloth. GLM books
1996rif. 196728Santa Monica CA: Smart Art Press 1996. First edition. Softcover. 127 pages. Features an introduction by Robert Berman essays by Tom Patchett and Dickran Tashijian along with an interview of Man Ray by James and Barbara Byrnes. Includes numerous color and black and white illustrations and images. A clean near fine copy in wrappers. Smart Art Press unknown books
1990rif. 27266new oversize pb International Center of Photography paperback
1968rif. 18989Letter Edged in Black Press Inc. Wiliam Copley and Dmitri Petrov 1968. 1st. Loose items in printed paper folder. vg with minor wear only. Limited edition artist assemblage / portfolio. All inserts included with the exception of a reel-to-reel tape which was included in only a handful of copies. Letter Edged in Black Press Inc. (Wiliam Copley and Dmitri Petrov) unknown
rif. MT12369Alba Editorial Colección Trayectos 2004 Barcelona. . 23x17. Encuadernación editorial con sobrecubierta tapa dura. 486 pgs. Ilustraciones en b/n y color. Firma de anterior poseedor. 710969 Alba Editorial, Colección Trayectos, 2004, Barcelona. unknown
Paris, Robert Laffont, 1964. Grand in-8, broché, couverture noire illustrée d'un portrait couleur or, 352 pp. Édition originale de la traduction. Pas de grand papier. Documents photographiques hors-texte.
1983This is a very good softcover copy in stiff card covers with only light wear. Very clean inside and out. Spine lightly creased, binding tight. Text in German, translated from the English. Illustrated in black & white. Index. 9" high X 6.5" wide, 368 pages. This book will be securely wrapped and shipped with tracking.
1937rif. 18881Paris: GLM 1937. Paperback. First edition first printing. One of Man Ray's most influential works "La Photographie n'est pas l'Art" marked a turning point in his artistic career. In 1937 the year the book was published he decided to give up photography altogether. "La Photographie" not only tied a ribbon on the artist's photographic career and experimental photography but also summed up his earlier Dada tendencies with its Duchampian puns for the photographs' titles. From then on Man Ray devoted himself to painting. Photographs by Man Ray; text by Andre Breton. 17 unpaginated 6.25- x 9.75-inch leaves printed recto only: title page three leaves with Breton's text a leaf with a list of Man Ray's published works and colophon 12 full-page b&w plates on yellow coated stock with captions beneath all on the same paper stock. Loose as issued in original publisher's blue wrappers with title in black and additional black paper dust-jacket with rectangular die-cut to expose title. Condition: Seventeen loose leaves in original printed flexible blue cloth portfolio and original black die-cut wrapper. The leaves are fine with only a hint of soiling at the outer edges and a touch of blunting to the outer tips; the title page has a small crease at one corner now flattened. The portfolio is Near Fine with sunning to the front through the aperture in the wrapper which is Very Good with a tiny tear light stress marks at the spine and back flap fold and a touch of shelf wear. A nice copy. Ref: Parr & Badger Photobook Vol. 1 p.108-109; Fotografia Publica Photography in Print 1919-1939 p.166-167; 802 Photo Books from the M. M. Auer Collection p.242. Ships the next business day wrapped in padding in a box. GLM paperback
2001rif. 336952020-01-01. First Edition; First Printing Pa. hardcover. Used; Like New. Full page color plates throughout. Introduction by Andrew Strauss. Essay by Timothy Baum. Published on the occasion of the exhibition at Maison d'Art Los Angeles April-June 2020. ; Tight clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. hardcover
1977In 8° quadrotto; pp. 14 + 160 tavole in nero fuori testo + pp. 56 n.n. di catalogo; cartonato editoriale con titoli al piatto e al dorso e sovraccoperta illustrata; cucito. CONDIZIONI OTTIME (minime tracce d'uso alla sovraccoperta)
1996rif. 10786Paris & London: Alyscamps Press 1996. Paperback. SIGNED. First English language edition. Fine paperback with French folds. BOOKS SHIP THE NEXT BUSINESS DAY WRAPPED IN PADDING IN A BOX. Poems by Benjamin Peret and Aragon with photographs by Man Ray; edited by Andre Breton though uncredited. 54 pages; 4 b&w plates; 7 x 8.75 inches. Text in English. From an edition limited to 215 copies. SIGNED by the translator Zoltan Lizor-Picon. Originally clandestinely published in 1929 in Brussels in an edition of 215 copies and intended for private distribution most copies were seized by customs at the French border. This is the first edition translated into English. With four sexually explicit images by Man Ray. The colophon notes that of 215 copies printed of this edition ten are signed by the translator and not for sale. It is unclear whether this copy is one of those or a signed copy from the remaining 205. Alyscamps Press paperback
2001rif. 7710new oversize pb expedited and international shipping not available--MAN RAY. Delano Greenridge Editions paperback
2001rif. 8546new oversize pb expedited and international shipping not available Delano Greenridge Editions paperback
1975rif. 112482Ediions S. 1975. Hardcover. Very good/No jacket. #12/75cc signed by Squatriti on the colophon page. With 10 serigraphs each signed and numbered on the back by the artist with a very light hand in pencil. In a damaged box. Ediions S. hardcover
1963rif. 203202Editions Prisma 1963. First French Edition . Hardcover. VG/Good. 15 pages plus 61 black and white photographic plates. Grey dust jacket with red titles corners are lightly bumped clean white endpapers text and plates are clean and unmarked binding is tight VG. Black and white dust jacket with red titles previous owner has repaired tears to top of spine with clear tape top corners are bumped and lightly worn top edge lightly worn with a few smallt tears Good. Editions Prisma hardcover
1984rif. 5619Tokyo: Mainichi Shinbunsha 1984. First edition. soft cover. Very Good. 28 cm; 163 pages mostly illustrations some in color. Text primarily in Japanese with essay "Objects of Critical Reflexion" by Rosalind E. Krauss in English and Japanese and some text in French. Bound in illustrated wraps. Crease mark on spine else fine. Catalog of an exhibition held at Odakyu Grand Gallery Tokyo August 10-22 1984 and subsequently at four other locations in Japan. Includes bibliographical references pages 148-160. Mainichi Shinbunsha paperback
rif. 18-2010Wien: Fotohof Edition 2009. 8vo. 64 pp. New. In publisher’s original shrink wrap with San Francisco Museum of Modern Art price tag on verso. Scarce. Wien: Fotohof Edition, 2009. unknown
1984rif. 5619Tokyo: Mainichi Shinbunsha 1984. First edition. soft cover. Very Good. 28 cm; 163 pages mostly illustrations some in color. Text primarily in Japanese with essay "Objects of Critical Reflexion" by Rosalind E. Krauss in English and Japanese and some text in French. Bound in illustrated wraps. Crease mark on spine else fine. Catalog of an exhibition held at Odakyu Grand Gallery Tokyo August 10-22 1984 and subsequently at four other locations in Japan. Includes bibliographical references pages 148-160. Mainichi Shinbunsha paperback books
