(MAN RAY)ABAA
562 risultati
rif. 11478One black & white illus. Single folded sheet 4 pp. Milan: Galleria Schwarz 1971. The scarce announcement and invitation for Man Ray's retrospective exhibition and book launch at Arturo Schwarz's Milan gallery and two other locations. In excellent condition. unknown books
1956rif. 106101956. One black & white illus. Yellow sheet with five vertical folds. Paris: A L’Etoile Scellée 1956. Scarce A L’Etoile Scellée invitation to a show of works by Man Ray 1890-1976 in April 1956 with a text by André Breton 1896-1966 manager of the Surrealist gallery and check-list of exhibited works. A L’Etoile Scellée located on rue du Pré-aux-Clercs in the 7th arrondissement was an influential exhibition space for the Surrealists from 1952 to 1956. In excellent condition. unknown books
rif. 11546Single folded sheet forming 4 pp. Paris: Galerie Furstenberg 1954. Scarce exhibition catalogue for Man Ray's show of paintings in Paris at the Galerie Furstenberg. This was his first exhibition in Paris since he had left for the United States in 1940. Galerie Furstenberg was run by Simone Collinet née Kahn 1897-1980 ex-wife of André Breton; her program presented exclusively Surrealists. She opened the gallery in 1954 and it closed in 1965. The checklist records 14 "small" paintings and objets and 15 "Equations Shakespeariennes" Man Ray's series of paintings. With a text by political activist and husband of the gallerist Michel Collinet 1904-77. In near fine condition with a horizontal fold. WorldCat records three copies in North America. The Metropolitan Museum of Art's Modern Art Index Project entry for Simone Breton contributed by Vérane Tasseau accessed 9 September 2026. unknown
rif. 11546Single folded sheet forming 4 pp. Paris: Galerie Furstenberg 1954. Scarce exhibition catalogue for Man Ray's show of paintings in Paris at the Galerie Furstenberg. This was his first exhibition in Paris since he had left for the United States in 1940. Galerie Furstenberg was run by Simone Collinet née Kahn 1897-1980 ex-wife of André Breton; her program presented exclusively Surrealists. She opened the gallery in 1954 and it closed in 1965. The checklist records 14 "small" paintings and objets and 15 "Equations Shakespeariennes" Man Ray's series of paintings. With a text by political activist and husband of the gallerist Michel Collinet 1904-77. In near fine condition with a horizontal fold. WorldCat records three copies in North America. The Metropolitan Museum of Art's Modern Art Index Project entry for Simone Breton contributed by Vérane Tasseau accessed 9 September 2026. unknown books
1995rif. 513135West Palm Beach Florida: Norton Museum of Art 1995. Softcover. Fine. First edition. Quarto. Spiral-bound illustrated wrappers. Illustrated. A remainder stamp on the front free endpaper and slight edgewear else fine. Norton Museum of Art unknown books
1982rif. 309247Milan: Gruppo Editoriale Electa 1982. One of 1000. 2 pages of text and 12 images 15 3/4" x 11 3/4". Folio. Portfolio black wrappers. Fine in wrapper. One of 1000. 2 pages of text and 12 images 15 3/4" x 11 3/4". Folio. Gruppo Editoriale Electa unknown
1982rif. 309247Milan: Gruppo Editoriale Electa 1982. One of 1000. 2 pages of text and 12 images 15 3/4" x 11 3/4". Folio. Portfolio black wrappers. Fine in wrapper. One of 1000. 2 pages of text and 12 images 15 3/4" x 11 3/4". Folio. Gruppo Editoriale Electa unknown books
1937rif. 345557Paris: G. L. M. 1937. Originally issued unbound along with twelve other halftone photo reproduction plates and with five sheets of text by André Breton in blue wrappers. 9 3/5 × 6 2/5 in. Single leaf with light foxing and toning to paper else near fine. Originally issued unbound along with twelve other halftone photo reproduction plates and with five sheets of text by André Breton in blue wrappers. 9 3/5 × 6 2/5 in. G. L. M. unknown
1937rif. 345557Paris: G. L. M. 1937. Originally issued unbound along with twelve other halftone photo reproduction plates and with five sheets of text by André Breton in blue wrappers. 9 3/5 × 6 2/5 in. Single leaf with light foxing and toning to paper else near fine. Originally issued unbound along with twelve other halftone photo reproduction plates and with five sheets of text by André Breton in blue wrappers. 9 3/5 × 6 2/5 in. G. L. M. unknown books
2000rif. alyssa054Köln London Madrid Taschen 2000. 2000. folio. pp. 251. numerous b/w. illus. bds. dw. Hardcover. Fine/Dust Jacket Included. Köln, London, Madrid Taschen, [2000]. Hardcover
1989rif. 560444New York: Kent Fine Art 1989. Softcover. Fine. First edition. Quarto. 85pp. Light wear a sticker shadow on the rear cover just about fine. Fully illustrated. "Artist's book compiled by Richard Prince." Works by Richard Artschwager Troy Brauntch Francis Picabia Sigmar Polke Richard Prince Man Ray Gerhard Richter Cindy Sherman and Andy Warhol. From a run of 2742 copies. Kent Fine Art unknown
1989rif. 560444New York: Kent Fine Art 1989. Softcover. Fine. First edition. Quarto. 85pp. Light wear a sticker shadow on the rear cover just about fine. Fully illustrated. "Artist's book compiled by Richard Prince." Works by Richard Artschwager Troy Brauntch Francis Picabia Sigmar Polke Richard Prince Man Ray Gerhard Richter Cindy Sherman and Andy Warhol. From a run of 2742 copies. Kent Fine Art unknown books
rif. 1795Numéro spécial de la N.R.F. en hommage posthume à André Breton. N° 172. Avril 1967. Fort et grand in-8° broché. Paginé pp. 590-964. 16 pages de photos et documents.
rif. EXE004aaIntroduction de Werner Hofmann. Lausanne, Clairefontaine, s.d. (vers 1962). Grand in-4 , reliure en toile noir de l'édition, jaquette illustrée d'un dessin de G. Braque.Edition originale. 2 photographies de l'artiste, l'une de Man Ray, l'autre de Mariette Lachaud, 64 reproductions (y compris la couverture) dont 40 en grandeur originale, 9 planches en couleurs, suivi d'un catalogue de l'oeuvre graphique original, estampes et livres illustrés, avec 67 petites reproductions en noir/blanc.
rif. 18812Paris, Librairie José Corti, Juillet 1930 à mai 1933. 6 volumes reliés, demi-maroquin parme à coins, non rognés, couvertures conservées.
1975rif. 31986Paris, Editions Jean-Michel Place, (1980). Un fort vol. au format in-4 (297 x 208 mm) non paginé. Reliure d'édition de pleine percaline satinée cerise, sous jaquette illustrée.
rif. 6947Paris. 1966-67. Grand in-8° broché. Nombreuses planches hors texte. Non paginé [170 pages]. Textes de Michel Sanouillet, René Wehrli, Bernard Dorival. Est joint le fascicule " Souvenirs et témoignages ", de présentation identique à celle du catalogue, avec des textes de Hans Arp, Hugo Ball, Gabrielle Buffet-Picabia, Serge Charchoune, Raoul Hausmann, Richard Huelsenbeck, Marcel Janco, Man Ray, Georges Ribemont-Dessaignes, Hans Richter, Tristan Tzara.
2014rif. REVUESSS9920125Paris, Editions du Centre Georges Pompidou, 2014, 20,5 x 24,5, 176 pages cousues sous couverture souple illustrée. Iconographie noir & blanc et couleurs. Ouvrage publié à l'occasion de l'exposition présentée au Centre Georges Pompidou du 2 juillet au 8 septembre 2014. "Prenant la direction de la revue Littérature en 1922, André Breton fait appel à Francis Picabia et à Man Ray pour illustrer une revue jusqu'alors presque exclusivement investie par des écrivains. Saisissant l'occasion, Picabia inaugure un nouveau style en concevant les couvertures des neufs numéros de la revue, compositions tour à tour étranges, cocasses ou irrévérencieuses. Pour la première fois depuis leur entrée dans la collection du Centre Pompidou, ce catalogue dévoile les dessins originaux de ces couvertures augmentés de pas moins de dix-sept projets alternatifs, restés inconnus jusqu'à il y a peu. Quant à Man Ray, portraitiste habituel du "groupe Littérature", il publie pour la première fois dans la revue ces deux icônes de la modernité photographique que sont devenus Elevage de poussière et Le Violon d'ingres. En réunissant photographies et dessins originaux, dont ceux de Max Ernst et de Robert Desnos, eux aussi contributeurs de la revue, l'exposition "Man Ray, Picabia et la revue Littérature (1922-1924)" rend compte d'un moment méconnu, entre la fin du mouvement Dada et le début du Surréalisme, qui, malgré sa brièveté, s'est révélé extraordinairement fructueux."
rif. 7034Sans nom d'éditeur. 1989. In-4° broché. Couverture illustrée. 119 pages. Illustrations in et hors texte à chaque page.
1990rif. 21234Celiv 1990 In-4, cartonnage blanc, sous jaquette illustrée, 116 planches pleines pages en noir et en couleurs. Bon état d’occasion.
1968rif. 141901968 Paris Marcel Zerbib 1968 In-8 Broché, couverture couleur or métallisée illustrée d'une pièce de Man Ray. Texte de l'artiste et citations d'André Breton, Tristan Tzara, Paul Eluard, Louis Aragon, Francis Picabia, Max Ernst, Philippe Soupault, Georges Ribemont-Dessaignes, Rrose Selavy, Arp. 14 oeuvres décrites et reproduites en noir et en couleurs. 40 pp bon exemplaire
1997rif. 830641997 Paris, Editions du Centre Pompidou, 1997, in 8° broché, 207 pages ; très importante iconographie ; couverture illustrée.
1971rif. 20544Paris, Eric Losfeld, 1971. In-8 broché de 153-[3] pages, couverture illustrée.
2008rif. 167234Cologne Koln: Steidl 2008. First Edition. Softcover. First Edition. Text in German and English. About Fine in perfect-bound wrappers. Steidl unknown books
1988rif. 27284New York:: Abbeville Press 1988. First Printing of the First Edition. A Fine copy in a Fine dust jacket. Amid the exuberant chaos of the Paris art scene between the world wars among the jarring factions of Dadaists Surrealists Futurists and miscellaneous others Philadelphia-born Man Ray was universally admired yet - it seemed - stubbornly mysterious. Although he looms large in today's standard art histories as a figure of unmistakable importance few people have seen more than a selection of his remarkable photographs or a handful of his enigmatic "objects". Indeed surprisingly little is known about this extraordinary and innovative creator of paintings collages drawings films aesthetic theory and autobiography - as well as photographs and objects. "Perpetual Motif: The Art of Man Ray" is the first major book on this mysterious and eclectic artist and his work" The Bloomsbury Review. It not only examines all aspects of the artist's production in all its forms but also discusses Man Ray's multifarious connections with the artistic and political radicals of pre-World War I New York the underground avant-garde as well as the haute monde of Paris between the wars and the emigre society of Hollywood after World War 11. Illustrated with nearly 300 of the artist's works in full colour and duotone many published for the first time. Abbeville Press, unknown
