MAN RAY-Biblio.com
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Best.-Nr. MT12369Alba Editorial Colección Trayectos 2004 Barcelona. . 23x17. Encuadernación editorial con sobrecubierta tapa dura. 486 pgs. Ilustraciones en b/n y color. Firma de anterior poseedor. 710969 Alba Editorial, Colección Trayectos, 2004, Barcelona. unknown
1990Best.-Nr. 27266new oversize pb International Center of Photography paperback
1968Best.-Nr. 18989Letter Edged in Black Press Inc. Wiliam Copley and Dmitri Petrov 1968. 1st. Loose items in printed paper folder. vg with minor wear only. Limited edition artist assemblage / portfolio. All inserts included with the exception of a reel-to-reel tape which was included in only a handful of copies. Letter Edged in Black Press Inc. (Wiliam Copley and Dmitri Petrov) unknown
1996Best.-Nr. 196728Santa Monica CA: Smart Art Press 1996. First edition. Softcover. 127 pages. Features an introduction by Robert Berman essays by Tom Patchett and Dickran Tashijian along with an interview of Man Ray by James and Barbara Byrnes. Includes numerous color and black and white illustrations and images. A clean near fine copy in wrappers. Smart Art Press unknown books
1937Best.-Nr. 2467Paris Éditions GLM 1937. MAN RAY. La Photographie n'est pas L'Art. Paris: Éditions GLM 1937. Slim octavo 17 loose leaves in original flexible blue cloth portfolio original black die-cut wrapper. First edition of this landmark treatise with 12 full-page halftones of Man Ray's distinctive photographs 'regarded by some as amongst the greatest of the 20th century' Parr & Badger. Jean Cocteau called him 'the poet of the darkroom.' 'It was with Man Ray's arrival in Paris in the summer of 1921 when Dada was at its height that photographic experimentation temporarily leaderless after the disastrous war took a decisive new direction' Frizot 442. 'Man Ray's work introduced a particular note to Dadaism since he used photography and recognized early on that this medium could reproduce the effects of object-based art in two-dimensional form. Photography was in a position to preserve the ordinary and to unleash surreal effects' Icons of Photography 26. 'Although he incorporated photography into his Dadaist practice much of his photographic activity was given over to conventional portrait and fashion commissions. This rankled with him and 'photography is not an art' was a constant theme in his work. La Photographie n'est pas L'Art is one of the most enigmatic yet advanced of all his books. It can be taken as a summation of his experiments in photography and might be said to be his photographic swansong' Parr & Badger 108-09. With text by André Breton. See Roth 80-81 86-87. Interior and images fine. Only light sunning to cover through aperture in wrapper. A fine copy. Scarce. Bauman quote In a contemporary clam shell box in blue cloth. GLM books
1983Best.-Nr. 2111902153301180Misuzushobo 1983. Soft Cover. Fine. Number of books: 1 Misuzushobo paperback
1937Best.-Nr. 2467Paris Éditions GLM 1937. MAN RAY. La Photographie n'est pas L'Art. Paris: Éditions GLM 1937. Slim octavo 17 loose leaves in original flexible blue cloth portfolio original black die-cut wrapper. First edition of this landmark treatise with 12 full-page halftones of Man Ray's distinctive photographs 'regarded by some as amongst the greatest of the 20th century' Parr & Badger. Jean Cocteau called him 'the poet of the darkroom.' 'It was with Man Ray's arrival in Paris in the summer of 1921 when Dada was at its height that photographic experimentation temporarily leaderless after the disastrous war took a decisive new direction' Frizot 442. 'Man Ray's work introduced a particular note to Dadaism since he used photography and recognized early on that this medium could reproduce the effects of object-based art in two-dimensional form. Photography was in a position to preserve the ordinary and to unleash surreal effects' Icons of Photography 26. 'Although he incorporated photography into his Dadaist practice much of his photographic activity was given over to conventional portrait and fashion commissions. This rankled with him and 'photography is not an art' was a constant theme in his work. La Photographie n'est pas L'Art is one of the most enigmatic yet advanced of all his books. It can be taken as a summation of his experiments in photography and might be said to be his photographic swansong' Parr & Badger 108-09. With text by André Breton. See Roth 80-81 86-87. Interior and images fine. Only light sunning to cover through aperture in wrapper. A fine copy. Scarce. Bauman quote In a contemporary clam shell box in blue cloth. GLM
2010Best.-Nr. 023910Tokyo: The National Art Center 2010. Book. Near Fine. Hardcover. First Edition. Minimal wear; otherwise a solid clean copy with no marking or underlining; collectible condition; essays in Japanese gathered at front of book; essays in English gathered at back of book; 368 pages; illustrated in both black and white and in color 410 examples of a wide variety of Man Ray's work including photographs drawings and paintings. The National Art Center Hardcover
Best.-Nr. 69-4346Trenton New Jersey: New Jersey State Museum 1968. 8vo. Staplebound Wraps. 12 pp. B&W Plates. Very Good.Provenance: Richard A. Lorenz 1952 -2001 author art conservator curator and director of the San Francisco Regional Art Conservation Center. As a trustee of The Imogen Cunningham Trust Mr. Lorenz organized and curated exhibitions of Cunningham's photographs and authored four major books on the photographer. Trenton, New Jersey: New Jersey State Museum, 1968 paperback
1992Best.-Nr. 196716New York: Kent 1992. First edition. Exhibition brochure for a show that ran January 6 through March 27 1992. Single sheet folded three times to create 6 pages. Features a text by Tristan Tzara from 1934. Includes several illustrations a checklist and brief information about each artist. A clean very near fine copy. Uncommon. Kent unknown books
1996Best.-Nr. 196382Copenhagen: Fotografisk Center 1996. First edition. Small oblong softcover. Text in Sanish English and French. Preface by Francois Poli. Essays by Lars Schwander and Andre Breton. Includes a couple color and numerous black and white images. A close to near fine copy in French style wrappers with some light rubbing and minor wear. Internally a clean copy. Fotografisk Center unknown books
1935Best.-Nr. 6326Paris: Bureau de la Revue 1935. First Edition. First Edition. Large quartos. 12 x 9 1/2 inches. 30 numbers in 29 separate issues one is a two-month issue From October 1931 to June 1938 most in very good condition chipping to fragile spines internally near fine. Art et MÈdicine was a ground-breaking high-quality journal of photographs and essays on art and society combined with medical and pharmaceutical advertisements published in France during the 1930s and featuring hÈliogravures by AndrÈ KertÈsz Germaine Krull AndrÈ BrassaÔ and Man Ray among many other well-known photographers of the day. Distributed primarily to physicians as a marketing vehicle for the publisherís pharmaceutical products photographers who were largely unknown but who later became prominent received their earliest assignments and therefore income! in this series. Thus the numerous photogravures contained in the following issues are among the only surviving examples of many of the earliest works by some of the most important photographers of the 20th century. Other prominent photographers whose early work is represented in the journal include Maurice Tabard AndrÈ Steiner Rene Zuber G. L. Manuel frËres Laure Albin-Guillot Pierre Yves-Petit called Yvon Paul Nadar Roger Schall Ergy Landau Eli Lotar Pierre Boucher and Francis Kollar. The MusÈe des Avelines in partnership with the MÈdiathËque de líArchitecture et du Patrimoine MAP is offering to discover the diversity and modernity of AndrÈ KertÈszís photographs 1894-1985 published in the journal Art et MÈdecine. Large groupings of individual numbers are hard to find and sought-after since bound journals make it difficult to visualize some photos. Bureau de la Revue unknown books
1935Best.-Nr. 6326Paris: Bureau de la Revue 1935. First Edition. First Edition. Large quartos. 12 x 9 1/2 inches. 30 numbers in 29 separate issues one is a two-month issue From October 1931 to June 1938 most in very good condition chipping to fragile spines internally near fine. Art et MÈdicine was a ground-breaking high-quality journal of photographs and essays on art and society combined with medical and pharmaceutical advertisements published in France during the 1930s and featuring hÈliogravures by AndrÈ KertÈsz Germaine Krull AndrÈ BrassaÔ and Man Ray among many other well-known photographers of the day. Distributed primarily to physicians as a marketing vehicle for the publisherís pharmaceutical products photographers who were largely unknown but who later became prominent received their earliest assignments and therefore income! in this series. Thus the numerous photogravures contained in the following issues are among the only surviving examples of many of the earliest works by some of the most important photographers of the 20th century. Other prominent photographers whose early work is represented in the journal include Maurice Tabard AndrÈ Steiner Rene Zuber G. L. Manuel frËres Laure Albin-Guillot Pierre Yves-Petit called Yvon Paul Nadar Roger Schall Ergy Landau Eli Lotar Pierre Boucher and Francis Kollar. The MusÈe des Avelines in partnership with the MÈdiathËque de líArchitecture et du Patrimoine MAP is offering to discover the diversity and modernity of AndrÈ KertÈszís photographs 1894-1985 published in the journal Art et MÈdecine. Large groupings of individual numbers are hard to find and sought-after since bound journals make it difficult to visualize some photos. Bureau de la Revue unknown
1990Best.-Nr. 2050991Galerie Marion Meyer 1990. Hard cover. Good/No jacket. In French. The cover is slightly shelf worn and rubbed with the front and back cover being slightly worn and rubbed. Binding is tight and inside is clean and unmarked. Galerie Marion Meyer unknown
2002Best.-Nr. 204342Lucca: Fondazione Ragghianti 2002. First edition. Softcover. 64 pages. Published in conjunction an exhibition that ran June 15 through September 8 2002. Features text in Italian with contributions by Man Ray Giovanni Cattani Vittorio Fagone and Janus. A fine copy in wrappers. Fondazione Ragghianti unknown books
2008Best.-Nr. 205557Paris: Ed. Dilecta 2008. First edition. Softcovers. Two booklets. The first booklet features the texts of two lectures by Man Ray in English and French. The second features captions in English and French for photographs by Carlos Munoz Yague along with information about a documentary directed by Francois Levy-Kuentz. Both booklets in fine condition and with a fine dvd and all housed in a fine two part cardboard box with foam insert. Uncommon look at the studio of artist and photographer Man Ray. Ed. Dilecta unknown books
2008Best.-Nr. 205557Paris: Ed. Dilecta 2008. First edition. Softcovers. Two booklets. The first booklet features the texts of two lectures by Man Ray in English and French. The second features captions in English and French for photographs by Carlos Munoz Yague along with information about a documentary directed by Francois Levy-Kuentz. Both booklets in fine condition and with a fine dvd and all housed in a fine two part cardboard box with foam insert. Uncommon look at the studio of artist and photographer Man Ray. Ed. Dilecta unknown
2023Best.-Nr. 199037New York: Da Donna Galleries in collaboration with Timothy Baum 2023. First edition. Oblong hardcover. 163 pages. Exhibition catalog for a show that ran April 26 through June 2 2023. Features texts by Emmanuel Di Donna and Timothy Baum. Includes 70 black and white images and captions/checklist. A fine copy in black cloth boards with image affixed to the front cover. No dust jacket as issued. A nicely printed and designed catalog. Da Donna Galleries in collaboration with Timothy Baum unknown books
Best.-Nr. 16-3192New York: The Letter Edged in Black Press 1968. Index only 23 x 16 cm. Useful for someone who has all or some of the prints from this portfolio. New York: The Letter Edged in Black Press, 1968. unknown
2023Best.-Nr. 199037New York: Da Donna Galleries in collaboration with Timothy Baum 2023. First edition. Oblong hardcover. 163 pages. Exhibition catalog for a show that ran April 26 through June 2 2023. Features texts by Emmanuel Di Donna and Timothy Baum. Includes 70 black and white images and captions/checklist. A fine copy in black cloth boards with image affixed to the front cover. No dust jacket as issued. A nicely printed and designed catalog. Da Donna Galleries in collaboration with Timothy Baum unknown
Best.-Nr. BN68045Man Ray Das photographische Werk Ray Man; Sayag Alain; Herting Sabine and Ecotais Emmanuelle de la unknown
Best.-Nr. 69-9263Steidl Göttingen 2012. 4to. Hard Cover. 213pp. New in publisher's shrinkwrap. Black and White and Color Plates. Text in English and German. Steidl, Göttingen, 2012 hardcover
1937Best.-Nr. B-2022-0928Editions GLM Paris 1937. Man Ray André Breton. Portfolio book presenting the combined work of André Breton and Man Ray. The portfolio loose as issued include twelve sheets of photo-toned reproductions by Man Ray each with a caption and three sheets of surreal texts by André Breton all guarded in the original folder. Good condition please ask for complete report. GLM books
1937Best.-Nr. B-2022-0928Editions GLM Paris 1937. Man Ray André Breton. Portfolio book presenting the combined work of André Breton and Man Ray. The portfolio loose as issued include twelve sheets of photo-toned reproductions by Man Ray each with a caption and three sheets of surreal texts by André Breton all guarded in the original folder. Good condition please ask for complete report. GLM
1934Best.-Nr. 311706Hartford Connecticut; Paris; New York: James Thrall Soby; Cahiers d'Art; Random House 1934. First edition second issue with cancel title with fictitious "Deuxième édition" designation. 101 gravure plates after photographs by Man Ray. 1 vols. 4to. Original spiral-bound photographically illustrated wrappers. Spiral spine split some creasing to covers and light edgewear to textblock. Gift inscription on verso of front wrapper beneath Man Ray inscription. In a custom half black morocco-backed slipcase and chemise. First edition second issue with cancel title with fictitious "Deuxième édition" designation. 101 gravure plates after photographs by Man Ray. 1 vols. 4to. Inscribed first edition of the definitive contemporary collection of Man Ray's photographs with 101 gravure reproductions of photographs and "rayographs" and essays by his contemporaries leading figures of the Dada and Surrealist movements of Paris and New York including Breton Eluard Duchamp written in German under the pseudonym "Rrose Selavy" and Tristan Tzara. With large inscription on the verso of the front wrapper "Man Ray / Paris - Jan 1959." A work almost always encountered in its second issue with the fictitious statement "Deuxième édition" on the title an attempt "to generate demand where none existed by suggesting the edition had sold out.Copies with the original title page are exceedingly rare" Roth. Beneath Man Ray's inscription is a gift inscription to Judy and Julius Rosenwald II. "Dooley" as he was known was the son of the celebrated collector Lessing Rosenwald and the grandson of Julius Rosenwald part owner of Sears Roebuck. Roth 101 p. 80 James Thrall Soby; Cahiers d'Art; Random House unknown books
