Man RayAntiquariat.de
562 Ergebnisse
1971Best.-Nr. 1457321971. Blatt 70x51cm, gerahmt 72,5 x 52,5 cm
Best.-Nr. 46643Framed. #53 of 75 copies. Matted in silver frame with glass. Signed and numbered by the artist in pencil below. Lithograph measures 19 3/4 x 25 3/4". Frame measures 21 1/2 x 28 unknown
Best.-Nr. 46643Framed. #53 of 75 copies. Matted in silver frame with glass. Signed and numbered by the artist in pencil below. Lithograph measures 19 3/4 x 25 3/4". Frame measures 21 1/2 x 28 unknown books
Best.-Nr. ANAIS-188491912XThe Wallach Art Gallery. paperback. Good. 9.5X6.5X1.5. Buy with confidence. Excellent Customer Service & Return policy. The Wallach Art Gallery paperback
Best.-Nr. 188491912X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. PJH34566Columbia University Press 2002. Fine in publishers decorated wrappers. 1st edition. ISBN 188491912X Columbia University Press 2002 unknown
2002Best.-Nr. AM-7188Miriam and Ira D. Wallach Art Gallery New York 2002. paperback. fine. The photographs of Paris were made by Eugène Atget and later assembled into an album by Man Ray. Since 1976 the album has been in the collection of the George Eastman House in Rochester New York. Miriam and Ira D. Wallach Art Gallery, New York unknown
1934Best.-Nr. 140948952Hartford CT: James Thrall Soby 1934. First Edition. Fine. A superlative example of the first edition first issue of May Ray's first monograph. 104 pp. with frontispiece portrait of Man Ray by Pablo Picasso the original title page and gravure plates after photographs by Man Ray with text in English and French. Bound in publisher's comb-bound pictorial card wraps. Light wear to wraps with faint marginal soiling to contents else Fine unusual in such nice condition and with spirals intact. Initial sales were so dismal that the publisher recalled most copies of the first printing and replaced the title page with two different fictitious ones claiming "second edition" and "deuxieme edition" in efforts to stoke demand. Copies like this one with the original title page are therefore rare. A fantastic copy of this pioneering work. James Thrall Soby unknown
Best.-Nr. 32865Hartford Conn: James Thrall Soby. First edition. Man Ray. 104 pp plastic spiral binding. Second issue with the false "second edition" statement. A few small rubs and creases to covers; very good. James Thrall Soby unknown
1934Best.-Nr. 2198Hartford: James Thrall Soby 1934. First edition. Publisher's plastic comb binding stiff wrappers. Minor vertical crease to front cover light chipping to outer edge. Upper and lower portions of the front cover coming loose from the binding but the cover is still held firmly. Internally clean and bright. Now housed in a custom clamshell box. The very rare first issue. As Roth describes the publisher "attempted to generate demand where none existed by suggesting the edition had sold out. After replacing the title pages of these copies- presumably a healthy percentage of the run whose sales had in fact been slow to none- with one stating 'deuxième edition' second edition he returned them for sale. Copies with the original title page are exceedingly rare." Man Ray's first monograph with texts in English and French by Duchamp Tzara Eluard Breton and Man Ray himself. Frontispiece portrait of Man Ray by Picasso. Contains 104 heliogravure images. "Part art part illustration the book was meant to be an inventory of his work a kind of grand promotional catalogue. Man Ray's album was a virtuoso presentation of modern European-style photography. Close-up views distorted angles double exposures night photography negative prints rayographs still lifes nudes portraits fashion photographs and even a painting. were reproduced. Intended for an American more than a European audience the album was Man Ray's means of presenting his career to a homeland that had rarely seen his work." Perpetual Motif: The Art of Man Ray pp. 35-39 Roth pp. 80-81. James Thrall Soby unknown
Best.-Nr. 18-7753New York: Dover 1979. 4to. 104 pp. Very Good. Soft Cover. Illustrated paper wraps. Some shelf wear and curling at bottom corner. B&W plates throughout. From the library of Pasquale Iannetti as indicated by stamp and library card on end papers. Scarce.ISBN: 0486238423 9780486238425.Contents:Portrait / Picasso --The age of light / Man Ray --Photographs : Man Ray / Paul EÌluard --Photographs : The visages of woman / AndreÌ Breton --Photographs : Men before the mirror / Rrose SeÌlavy --Photographs : When things dream / Tristan Tzara --Rayographs 1921-1928 New York: Dover, 1979. paperback
1937Best.-Nr. 170731001Paris: GLM 1937. First Edition. Loose Leaves in Cloth Portfolio. Very Good. First edition. Seventeen loose leaves including 12 halftone plates on coated stock in flexible blue cloth portfolio and outer black die-cut wraps. Near Fine with uneven fading to blue cloth portfolio light general shelf wear and with die-cut intact. A lovely example. GLM unknown
1937Best.-Nr. 170731001Paris: GLM 1937. First Edition. Loose Leaves in Cloth Portfolio. Very Good. First edition. Seventeen loose leaves including 12 halftone plates on coated stock in flexible blue cloth portfolio and outer black die-cut wraps. Near Fine with uneven fading to blue cloth portfolio light general shelf wear and with die-cut intact. A lovely example. GLM unknown books
1934Best.-Nr. 140948952Hartford CT: James Thrall Soby 1934. First Edition. Fine. A superlative example of the first edition first issue of May Ray's first monograph. 104 pp. with frontispiece portrait of Man Ray by Pablo Picasso the original title page and gravure plates after photographs by Man Ray with text in English and French. Bound in publisher's comb-bound pictorial card wraps. Light wear to wraps with faint marginal soiling to contents else Fine unusual in such nice condition and with spirals intact. Initial sales were so dismal that the publisher recalled most copies of the first printing and replaced the title page with two different fictitious ones claiming "second edition" and "deuxieme edition" in efforts to stoke demand. Copies like this one with the original title page are therefore rare. A fantastic copy of this pioneering work. James Thrall Soby unknown books
Best.-Nr. 32865Hartford Conn: James Thrall Soby. First edition. Man Ray. 104 pp plastic spiral binding. Second issue with the false "second edition" statement. A few small rubs and creases to covers; very good. James Thrall Soby unknown books
1934Best.-Nr. 2198Hartford: James Thrall Soby 1934. First edition. Publisher's plastic comb binding stiff wrappers. Minor vertical crease to front cover light chipping to outer edge. Upper and lower portions of the front cover coming loose from the binding but the cover is still held firmly. Internally clean and bright. Now housed in a custom clamshell box. The very rare first issue. As Roth describes the publisher "attempted to generate demand where none existed by suggesting the edition had sold out. After replacing the title pages of these copies- presumably a healthy percentage of the run whose sales had in fact been slow to none- with one stating 'deuxième edition' second edition he returned them for sale. Copies with the original title page are exceedingly rare." Man Ray's first monograph with texts in English and French by Duchamp Tzara Eluard Breton and Man Ray himself. Frontispiece portrait of Man Ray by Picasso. Contains 104 heliogravure images. "Part art part illustration the book was meant to be an inventory of his work a kind of grand promotional catalogue. Man Ray's album was a virtuoso presentation of modern European-style photography. Close-up views distorted angles double exposures night photography negative prints rayographs still lifes nudes portraits fashion photographs and even a painting. were reproduced. Intended for an American more than a European audience the album was Man Ray's means of presenting his career to a homeland that had rarely seen his work." Perpetual Motif: The Art of Man Ray pp. 35-39 Roth pp. 80-81. James Thrall Soby unknown books
1932Best.-Nr. 29081Seule épreuve signée connue par Man Ray [Paris, circa 1950]. 1 tirage sur carte, d'après-guerre, signé « Man Ray » à la mine de plombe en angle inférieur droit. L'épreuve est signée Man Ray à la mine de plomb en angle inférieur droit et contient au dos la mention, de la main de Char, «René Crevel».
1927Best.-Nr. 31574Eluard par Man Ray, 1927 [Paris, 1927]. Tirage noir et blanc sur papier (170 x 230 mm). Tampon au dos « MAN RAY 31 bis, Rue Campagne Première PARIS» et note manuscrite au crayon «Éluard, 1927», mais en tirage postérieur. Tirage avec recadrage du célèbre portrait d'Éluard prit par Man Ray à Paris en 1927 dans son atelier du 31bis rue Campagne Première.
1963Best.-Nr. 4737Paris: Editions Prisma 1963. Cloth. Collectible; Fine/Very Good. A crisp clean copy of the 1963 1st French edition. Near Fine in a bright VG pictorial dustjacket with light fading along the spine. Quarto nicely-reproduced Man Ray portraits thruout. Editions Prisma unknown
1963Best.-Nr. 4737Paris: Editions Prisma 1963. Cloth. Collectible; Fine/Very Good. A crisp clean copy of the 1963 1st French edition. Near Fine in a bright VG pictorial dustjacket with light fading along the spine. Quarto nicely-reproduced Man Ray portraits thruout. Editions Prisma unknown books
Best.-Nr. 107426Turin Luciano Anselmino 1972. . Limited edition one of 100 copies on Velin d'Arches signed and numbered by the artist on the justification; large folio 63.5 x 45 cm; title-page justification and table of contents 10 pochoir prints in colour after Man Ray loose as issued and unbound in plain wrappers minor spotting to wrapper; in the original black cloth solander box with 'Man Ray' on the spine some minor wear to box otherwise a fine example. Limited edition one of 100 copies on Velin d'Arches signed and numbered by the artist The complete portfolio of 10 pochoir prints signed by the artist on the justification. Man Ray created a series of collages of geometric shapes titled 'Revolving Doors' between 1916 and 1917. They were included in his third solo show at the Daniel Gallery in New York and were installed on a rotating pole that the viewer could spin bringing the machine-like anthropomorphic forms to life. The original collages were destroyed but he later reproduced them in this series of pochoirs also including the explicative text which originally accompanied each work. Turin, Luciano Anselmino, 1972. hardcover
1996Best.-Nr. 35981Tokyo: Tokyo Station Gallery 1996. Very Good . Tokyo: Tokyo Station Gallery 1996. First Edition. Quarto 26cm; 226pp. Publisher’s stiff black wraps; light grey endsheets. Photographs throughout several in color. Wraps rather bumped and smudged. Binding sound. Textblock endsheets and interior pages clean. Very Good or better. Published in conjunction with a series of posthumous retrospective exhibitions throughout Japan. Interior text in Japanese and French. Tokyo Station Gallery unknown books
1996Best.-Nr. 35981Tokyo: Tokyo Station Gallery 1996. Very Good . Tokyo: Tokyo Station Gallery 1996. First Edition. Quarto 26cm; 226pp. Publisher’s stiff black wraps; light grey endsheets. Photographs throughout several in color. Wraps rather bumped and smudged. Binding sound. Textblock endsheets and interior pages clean. Very Good or better. Published in conjunction with a series of posthumous retrospective exhibitions throughout Japan. Interior text in Japanese and French. Tokyo Station Gallery unknown
1963Best.-Nr. C3NFnfy-Au081926v1x4Boston: Little Brown and Company in association with The Atlantic Monthly Press 1963. First Edition. Hardcover. Near Fine/Near Fine. Octavo. Man Ray. Near Fine / Near Fine. Unmarked. First Edition. 1963. Little Brown in association w/ The Atlantic Monthly Press; Boston. Hardcover. NF black cloth gold and copper spine lettering corner tips sharp; mild softening. NF dust jacket small chips & nicks creasing to spine ends bit overall light edge shelf wear. Unclipped. Photo frontispiece and 36 halftone illustration plates by Man Ray. Octavo. Man Ray's autobiography from Brooklyn and New York Dada through Paris Surrealism and Montparnasse to his Hollywood years and return to France. Ships in a box insured w/tracking. _____________________________________________________________________________________________________________________________ SYNOPSIS & HISTORY: Self Portrait is the autobiography of the American artist and photographer Man Ray tracing his life from his early years in Brooklyn and Ridgefield New Jersey through his immersion in the Paris Dada and Surrealist circles a ten-year interlude in Hollywood and his return to post-war France. Narrative chapters recount his collaborations w/ Marcel Duchamp his development of camera-less rayographs and solarized darkroom processes his presence in interwar Parisian bohemia and his wartime exile in Los Angeles. The memoir functions simultaneously as personal narrative and as documentation of twentieth-century avant-garde circles. Little Brown and Company published the book in Boston in 1963 in association w/ The Atlantic Monthly Press. A photographic frontispiece captures Man Ray in Hollywood in 1947 complemented by halftone plates reproducing his paintings rayographs assemblages and portraits from across his career. The text records the development of solarization experimental cinema and mechanical sculpture through first-person exposition. First-hand accounts detail central figures of the interwar avant-garde including Marcel Duchamp Francis Picabia Pablo Picasso Gertrude Stein James Joyce and Kiki de Montparnasse. Man Ray born Emmanuel Radnitzky in 1890 contributed to the Dada and Surrealist movements in both New York and Paris and his darkroom experimentation fashion and portrait photography and subversive object-making expanded twentieth-century photographic technique. The book is a first-person record of one of the more versatile American modernists studied today across modern art Dadaism and photographic history. Little, Brown and Company in association with The Atlantic Monthly Press hardcover
Best.-Nr. 75-5635Boston: Little Brown and Company 1988. 4to. Hard Cover. ca. 300 pp. B&W and Color Plates. Very Good Dust Jacket also Very Good with Creasing. Provenance: From the library of the San Francisco Gallerist Pasquale Iannetti. Boston: Little, Brown and Company, 1988 hardcover
