527 risultati
1975rif. 31986Paris, Editions Jean-Michel Place, (1980). Un fort vol. au format in-4 (297 x 208 mm) non paginé. Reliure d'édition de pleine percaline satinée cerise, sous jaquette illustrée.
1975rif. 237611975 Collection complète, du N° 1 (1er décembre 1924) au N° 12 (15 décembre 1929) - Reprint des Editions Jean-Michel Place - 1975 - In-4, pleine toile rouge sous jaquette de l'éditeur, reproduisant la couverture originale du premier numéro de la revue - Pagination non continue - Illustrations et reproductions photographiques en N&B in et hors texte - Contenant une postface de Marie-Claire Blancquart, intitulée "1924-1929, une année mentale" et une série d'index in fine
1926rif. 015584Paris Librairie Gallimard 1926 In-4 Broché Ed. originale
rif. 18657Paris : Jacques Damase, 1986 - Un volume 24,3x22cm broché sous couverture à rabats illustrée (par Jonathan Borofsky) - 120 pages abondamment illustrées dans et hors texte - quatrième de couverture sinon bon état -
rif. 52144NRF.1924.IN-12 carré br.rouge.E.O.Ex:372.Portrait par Man Ray.BE.Ex-libris à l'encre de Jean Carrrive.
1948rif. 006759Paris Galerie Nina Dausset, La Dragonne 1948 In-12 Agrafé Edition originale
in-8 étroit, 138 p., broché, couverture illustrée [STR]
rif. 1821in 8 broché étroit couverture illustrée faux-titre,titre, 78 pages,Seghers 1960 édition numérotée sur hélioneige Libert.couverture un portrait de Nusch Eluard par MAN RAY
rif. 006825Paris 0 3 fascicules in-4 brochés, couv. illustrées Edition originale
1962rif. ABE-158350245445822 PAGES-APRES LA CONDAMNATION DE SALAN A LA DETENTION PERPETUELLE-LE VERDICT: RAOUL SALAN EST CONDAMNE A LA DETENTION CRIMINELLE A PERPETUITE, 4 PAGES-L'EVOLUTION DE LA SITUATION EN ALGERIE-LE COURRIER DES ARTS: LE SURREALISME INSTALLE, ACTUALITE DE "MINOTAURE", QUART DE PAGE, COUTAUD, LABISSE, COUTURIER AU MUSEE GALLIERA, QUART DE PAGE-RETROSPECTIVE MAN RAY-COMPLET
1972rif. ABE-156720325754028 PAGES-35 CM X 50 CM-MAHALIA JACKSON EST MORTE-MAN RAY CINEASTE-TELEVISION, PAR JACQUES SICLIER MOATI ET LA SOUFFRANCE DU SAGOUIN, FRANCOIS MAURIAC-AUTOMOBILE: PREMIERE "MINI" FRANCAISES LES RENAULT 5 SERONT MISES EN VENTE AU DEBUT DE FEVRIER, PHOTO, TIERS DE PAGE-AU PEROU MME BEATE KLARSFELD ENTEND DEMASQUER L'ANCIEN CHEF DE LA GESTAPO DE LYON-COMPLET
1982rif. 7009Paris, Editions Jannink, 1982, Relié, Jaquette jaunie, sinon très bon état.
1980rif. 62791980 Paris, Jacques Damase, 1980, in-4, 80pp, cartonnage de l'éditeur, illustré en noir et blanc, En 1926, Cocteau écrit un important essai sur la nature et l'artifice du théâtre appelé "Le Numéro Barbette" qui est publié dans la Nouvelle Revue Française. Parfait état
1980rif. 52585Paris, Jacques Damase, 1980, in-4, 80pp, cartonnage de l'éditeur, illustré en noir et blanc, En 1926, Cocteau écrit un important essai sur la nature et l'artifice du théâtre appelé "Le Numéro Barbette" qui est publié dans la Nouvelle Revue Française. Barbette (Van der Clyde, 1905-1973) était un travesti, danseur et trapéziste, de qui Cocteau était très admirateur. Le texte de Cocteau est accompagné de photographies inédites en noir et blanc de Man Ray, qui a capturé non seulement les aspects de la performance de Barbette, mais aussi son processus de transformation en son personnage féminin. Très bel exemplaire. Couverture rigide
rif. 20958Dessins de Chas Laborde gravés sur bois par Robert Dill. P., Editions de la Banderole, *Collection d'Œuvres Originales*, 1920, in-12, relié demi-maroquin brique à coins, tête dorée, couv et dos conservés, dos à 5 nerfs, tête dorée, non rogné (Marcel Day), 150 p. Edition originale num. sur Lafuma teinté. Exceptionnel exemplaire enrichi de 10 dessins originaux à l’encre de Pierre Mac Orlan montés sur onglets ou contrecollés sur papier blanc, tous en début de volume, ainsi que d’une PHOTOGRAPHIE ORIGINALE de MAN RAY en tirage argentique d’époque, format 9,8 × 7,4.Les dessins ont été reproduits dans des ouvrages illustrés par Mac Orlan comme *Les Pattes en l’air* (1911), les *Contes de la pipe en terre* (1914), *U-713 ou les Gentilshommes d’infortune* (1917) ou encore dans des revues et plus probablement dans La Baïonnette. La photographie de Man Ray date du tout début des années 20. Elle est prise en buste, Mac Orlan est élégamment vêtu et porte un nœud papillon.
1933rif. 88275Neuilly-sur-Seine: Le Phare de Neuilly 1933. Fine. One of the rarest and most iconic Surrealist magazines Le Phare de Neuilly Neuilly-sur-Seine S.d. 1933 18.20 x 25.10 cm 3 volumes brochés First edition of this important and very rare magazine complete with 4 issues in 3 volumes. Complete collection of this luxurious Surrealist magazine edited and funded by Lise Deharme and characterized by its emphasis on photography. Covers illustrated by Man Ray illustrations in black. Contributions by Salvador Dali Hans Arp Dora Maar Oscar Dominguez Brassaï Lee Miller Jacques Lacan James Joyce Georges Ribemont-Dessaignes Ilarie Voronca Nathalie Barney Benjamin Fondane Pierre Drieu La Rochelle Alejo Carpentier Eugène Jolas Lise Hirtz Lise Deharme Raymond Queneau Claude Sernet Roger Vitrac Robert Desnos Jean Follain Léon-Paul Fargue Pierre Keffer Jacques Baron Gottried Benn Céline Arnauld Monny de Boully Georgette Camille André de Richaud Jules Supervielle Claire Goll Paul Laforgue David Herbert Lawrence Marcel Jouhandeau Paul Dermée Jean Painlevé Nadar Pétrus Borel and Stendhal. Sunned spine on the No. 3/4 issue. Spine-ends and corners slightly rubbed otherwise a wonderfully preserved copy. A very fine example of this rare avant-garde magazine which ""came into being over the course of a few dinners that brought together the dissidents of Surrealism and other poets in this hospitable abode of Lise Deharme. Robert Desnos provided the title. Georges Ribemont-Dessaignes was the editor. Man Ray had designed the cover: a silhouette of a lighthouse against a photographic background of sailing boats. . It contains curiosities: a tale by Petrus Borel a photo by Nadar popular songs an investigation into the neurosis of war epitaphs taken from a cemetery of animals. Among other curiosities a sonnet by the famous psychoanalyst Jacques Lacan. It is entitled Hiatus irrationalis."" Jacques Baron Cahiers de l'Herne Raymond Queneau p. 333. Le Phare de Neuilly unknown
1933rif. 88275Le Phare de Neuilly | Neuilly-sur-Seine S.d. [1933] | 18.20 x 25.10 cm | 3 volumes brochés
1933rif. 0053231933 Neuilly-sur-Seine, 1933. Grand in-8 (185 X 253 mm) broché, premier plat de la couverture illustré par Man Ray. Quelques petites traces de frottements et griffures en tête du premier plat.
2002Mm 165x205 Brossura editoriale di pp. 128, con illustrazioni in bianco e nero e colori, testo in francese. In ottimo stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1953rif. 5594Editions Arcanes 1953. Fort in-8 broché de 282 pages au format 14 x 4 x 19 cm. Couverture avec photographie de Man Ray. Dos resté carré, malgré de légères pliures de lecture. Plats avec de très légères brunissures. Intérieur frais. Coins avec infimes frottis et tassements. Avant-propos de Jean Ferry. Très nombreuses photos hors texte. Filmographie.ndex des titres de films et des auteurs. Très bel état général. Edition originale.
rif. 18812Paris, Librairie José Corti, Juillet 1930 à mai 1933. 6 volumes reliés, demi-maroquin parme à coins, non rognés, couvertures conservées.
rif. 4567In-4° broché. André Breton, Marcel Duchamp, Salvador Dalí, Paul Eluard, Benjamin Péret, Pierre Yoyotte, Paul Nougé, Roger Caillois, Alberto Savinio, Gilbert Lély, Joe Bousquet, Alberto Giacometti Hors-textes de Marcel Duchamp, Max Ernst, Salvador Dalí, Man Ray
rif. 4577In-8° à l'italienne, broché. Couverture photographique de Pierre Molinier. Textes d'André Breton, Benjamin Péret, Julien Gracq, Fernando Pessoa, Leonora Carrington, Joyce Mansour Illustrations de Leonora Carrington, Man Ray, Remedios, Wolfgang Paalen, Toyen, Jean Degottex
1964rif. 7327Paris, Galerie Charpentier, [1964]. Brochure in-8 non paginée, couverture illustrée en couleurs. Quelques salissures au premier plat.
1947rif. 91779Paris: Editions Cahier d'art 1947. Fine. Dora Maar Signs Her Own Work Editions Cahier d'art Paris 1947 18.50 x 24.50 cm broché First edition which supposedly had an issue of 500 numbered copies. Gallimard donated the paper required for the production of this book but only 258 copies could be printed rather than the 500 announced in the justification from a note by Paul Éluard. A slight crease to the covers slight marginal sunning primarily affecting the rear cover. Illustrated with 11 photographs of Nusch Éluard by Man Ray and Dora Maar. Le temps déborde is a collection of eleven poems published in 1947 a few months after the sudden and unexpected death of Paul Éluards wife Nusch. A poignant ode to their seventeen years of life together the work is illustrated with striking portraits of Nusch. This exceptional copy is signed by Dora Maar beneath or directly on each of her five photographs. We are aware of only one other copy signed by the photographer and none signed by Man Ray. A rare and beautiful copy. In 1965 paying tribute to his friend Aragon recalled his discovery of this masterpiece: He signed it with an invented name Didier Desroches because he had killed Paul Éluard. I let him talk. What he had shown me of Didier was of a confounding beauty. This slender book which was to appear as the work of an unknown to say merely that in my eyes it surpasses everything Éluard ever signed with his own name is to say too little. I thought so then and I think so today. The attribution of each photograph in the collection to either Man Ray or Dora Maar has long been a source of confusion. Strangely the question seems to attract little scholarly attention: as Mary Ann Caws notes Dora Maars portraits of the Surrealists muse were originally attributed to Man Ray since they were so clearly superb in their construction and realization These photographing women: The scandal of genius Angels of anarchy: women artists and surrealism 2009. This misattribution was also a consequence of the systematic erasure of Dora Maars photographic work which she abandoned at Picassos request. The two series by Dora Maar and Man Ray are further entwined by their shared style and by both artists fascination with Nusch. Audacious framing and subtle interplay of shadow and light reflect the two Surrealist photographers formal innovation. Beyond aesthetic alchemy the three of them were very close at the time of these photographs 1935-1938. For several years they all took part with their partners Ady Fidelin and Paul Eluard in late-summer gatherings in the rustic village of Mougins overlooking Cannes at the invitation of Picasso where they indulged in role play identity and couple exchanges Alicia Ortiz Dujovne Dora Maar. Some of the collections illustrations are well known: Man Rays Nusch with mirror his diptych with her eyes closed and open and the celebrated portrait by Dora Maar illustrating the poem LExtase with her carefully lit face floating in darkness supported only with her fingers an elusive expression in her eyes. In one unforgettable version of the same image Les années vous guettent The years lie in wait. Maar superimposes a silvery spiders web over Nuschs features Louise Baring Dora Maar: Paris in the time of Man Ray Jean Cocteau and Picasso. The resonance of the photograph is all the more powerful since Nusch died early of a heart attack just on the day she was to lunch with Dora Maar for whom it was an irreparable loss. Mary Ann Caws For other photographs attribution had remained uncertain notably the portrait of Nusch bare-breasted and draped in foliage illustrating En vertu de lamour: the absence of a signature supports the attribution to Man Ray. A sublime poetic and artistic tribute featuring the finest portraits of Nusch central figure in Man Ray and Éluards shared imagery and graceful model for Dora Maars most accomplished portraits at last restored to their right Editions Cahier d'art unknown
