Man Ray

MAN RAY - Salvador DALI - Hans ARPBiblio.com

Le Phare de Neuilly Complete Collection

1933Best.-Nr. 88275Neuilly-sur-Seine: Le Phare de Neuilly 1933. Fine. One of the rarest and most iconic Surrealist magazines Le Phare de Neuilly Neuilly-sur-Seine S.d. 1933 18.20 x 25.10 cm 3 volumes brochés First edition of this important and very rare magazine complete with 4 issues in 3 volumes. Complete collection of this luxurious Surrealist magazine edited and funded by Lise Deharme and characterized by its emphasis on photography. Covers illustrated by Man Ray illustrations in black. Contributions by Salvador Dali Hans Arp Dora Maar Oscar Dominguez Brassaï Lee Miller Jacques Lacan James Joyce Georges Ribemont-Dessaignes Ilarie Voronca Nathalie Barney Benjamin Fondane Pierre Drieu La Rochelle Alejo Carpentier Eugène Jolas Lise Hirtz Lise Deharme Raymond Queneau Claude Sernet Roger Vitrac Robert Desnos Jean Follain Léon-Paul Fargue Pierre Keffer Jacques Baron Gottried Benn Céline Arnauld Monny de Boully Georgette Camille André de Richaud Jules Supervielle Claire Goll Paul Laforgue David Herbert Lawrence Marcel Jouhandeau Paul Dermée Jean Painlevé Nadar Pétrus Borel and Stendhal. Sunned spine on the No. 3/4 issue. Spine-ends and corners slightly rubbed otherwise a wonderfully preserved copy. A very fine example of this rare avant-garde magazine which ""came into being over the course of a few dinners that brought together the dissidents of Surrealism and other poets in this hospitable abode of Lise Deharme. Robert Desnos provided the title. Georges Ribemont-Dessaignes was the editor. Man Ray had designed the cover: a silhouette of a lighthouse against a photographic background of sailing boats. . It contains curiosities: a tale by Petrus Borel a photo by Nadar popular songs an investigation into the neurosis of war epitaphs taken from a cemetery of animals. Among other curiosities a sonnet by the famous psychoanalyst Jacques Lacan. It is entitled Hiatus irrationalis."" Jacques Baron Cahiers de l'Herne Raymond Queneau p. 333. Le Phare de Neuilly unknown

Rare Books Le Feu Follet - Edition-Originale.com · Frankreich5.750,00 €

Egger AnneMareMagnum

Le Surrealisme La Revolution Du Regard

2002Mm 165x205 Brossura editoriale di pp. 128, con illustrazioni in bianco e nero e colori, testo in francese. In ottimo stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.

Salvalibro Snc · Italien8,00 €

MAN RAY - Dora MAAR - [Paul ELUARD as] Didier DESROCHESBiblio.com

Le temps déborde Time overflows

1947Best.-Nr. 91779Paris: Editions Cahier d'art 1947. Fine. Dora Maar Signs Her Own Work Editions Cahier d'art Paris 1947 18.50 x 24.50 cm broché First edition which supposedly had an issue of 500 numbered copies. Gallimard donated the paper required for the production of this book but only 258 copies could be printed rather than the 500 announced in the justification from a note by Paul Éluard. A slight crease to the covers slight marginal sunning primarily affecting the rear cover. Illustrated with 11 photographs of Nusch Éluard by Man Ray and Dora Maar. Le temps déborde is a collection of eleven poems published in 1947 a few months after the sudden and unexpected death of Paul Éluards wife Nusch. A poignant ode to their seventeen years of life together the work is illustrated with striking portraits of Nusch. This exceptional copy is signed by Dora Maar beneath or directly on each of her five photographs. We are aware of only one other copy signed by the photographer and none signed by Man Ray. A rare and beautiful copy. In 1965 paying tribute to his friend Aragon recalled his discovery of this masterpiece: He signed it with an invented name Didier Desroches because he had killed Paul Éluard. I let him talk. What he had shown me of Didier was of a confounding beauty. This slender book which was to appear as the work of an unknown to say merely that in my eyes it surpasses everything Éluard ever signed with his own name is to say too little. I thought so then and I think so today. The attribution of each photograph in the collection to either Man Ray or Dora Maar has long been a source of confusion. Strangely the question seems to attract little scholarly attention: as Mary Ann Caws notes Dora Maars portraits of the Surrealists muse were originally attributed to Man Ray since they were so clearly superb in their construction and realization These photographing women: The scandal of genius Angels of anarchy: women artists and surrealism 2009. This misattribution was also a consequence of the systematic erasure of Dora Maars photographic work which she abandoned at Picassos request. The two series by Dora Maar and Man Ray are further entwined by their shared style and by both artists fascination with Nusch. Audacious framing and subtle interplay of shadow and light reflect the two Surrealist photographers formal innovation. Beyond aesthetic alchemy the three of them were very close at the time of these photographs 1935-1938. For several years they all took part with their partners Ady Fidelin and Paul Eluard in late-summer gatherings in the rustic village of Mougins overlooking Cannes at the invitation of Picasso where they indulged in role play identity and couple exchanges Alicia Ortiz Dujovne Dora Maar. Some of the collections illustrations are well known: Man Rays Nusch with mirror his diptych with her eyes closed and open and the celebrated portrait by Dora Maar illustrating the poem LExtase with her carefully lit face floating in darkness supported only with her fingers an elusive expression in her eyes. In one unforgettable version of the same image Les années vous guettent The years lie in wait. Maar superimposes a silvery spiders web over Nuschs features Louise Baring Dora Maar: Paris in the time of Man Ray Jean Cocteau and Picasso. The resonance of the photograph is all the more powerful since Nusch died early of a heart attack just on the day she was to lunch with Dora Maar for whom it was an irreparable loss. Mary Ann Caws For other photographs attribution had remained uncertain notably the portrait of Nusch bare-breasted and draped in foliage illustrating En vertu de lamour: the absence of a signature supports the attribution to Man Ray. A sublime poetic and artistic tribute featuring the finest portraits of Nusch central figure in Man Ray and Éluards shared imagery and graceful model for Dora Maars most accomplished portraits at last restored to their right Editions Cahier d'art unknown

Rare Books Le Feu Follet - Edition-Originale.com · Frankreich13.800,00 €

Livre Rare Book

Les Feuilles libres. Hommage à Léon-Paul FARGUE. N°s 45-46.

1927Best.-Nr. 012372Paris Les Feuiles libres - Librairie de l'Etoile 1927 In-8 Broché

Librairie-Galerie Emmanuel Hutin · Paris, Frankreich50,00 €

Livre Rare Book

Les Années U A M 1929 . 1958

1988Best.-Nr. 014517Paris Musée des Arts Décoratifs 1988 In-4 carré Reliure éditeur

Librairie-Galerie Emmanuel Hutin · Paris, Frankreich90,00 €

[REVUE]. LES FEUILLES LIBRES.Livre Rare Book

LES FEUILLES LIBRES. N° 40. (Mai-juin 1925).

Best.-Nr. 9962LES FEUILLES LIBRES. Paris (81, avenue Victor-Hugo). Directeur : Marcel Raval. Secrétaire de rédaction : W. Mayr, puis (à partir du n° 34) Jacques Porel. Dépositaire général : Office Artistique et Littéraire (pour la première série), puis Au Sans Pareil, puis (à partir du n° 32) Librairie Stock. Grand in-8° broché. La première série a produit 24 numéros en 24 livraisons, de décembre 1918 à décembre 1921. La seconde série poursuit la numérotation de la série précédente et débute donc par le n° 25 ; elle compte 24 numéros (dont un double, le n° 45-46) parus en 23 livraisons, de février 1922 à juin 1928. Le seconde série, parce qu'elle accorde une large place aux artistes surréalistes et d'autres avant-gardes, correspond mieux au goût contemporain et est aujourd'hui la plus recherchée. (Vasseur, p. 43) (Destribats, 122)

Librairie du Scalaire · Lyon, Frankreich110,00 €

[REVUE]. LES FEUILLES LIBRES.Livre Rare Book

LES FEUILLES LIBRES. N° 26. Avril-mai 1922.

Best.-Nr. 12476Marcel Proust, Jean Cocteau, Max Jacob, Max Ernst, Paul Eluard, Jean Epstein, Blaise Cendrars, etc. 12 dessins inédits de Pablo Picasso. Photographie originale de Man Ray sur planche volante. Déchirure à la pliure du dos et du premier plat ; très propre à part ce défaut réparable.

Librairie du Scalaire · Lyon, Frankreich80,00 €

ARAGON Louis.Livre Rare Book

Les Collages.

Best.-Nr. 1296Hermann. 1965. In-8° oblong broché. Illustrations in et hors texte. 148 pages.

Librairie du Scalaire · Lyon, Frankreich20,00 €

CENDRARS Blaise; COCTEAU Jean; DRIEU LA ROCHELLE; HUGNET Georges; ARLAND Marcel; MAN RAY; RIBEMONT-DESSAIGNE G:Livre Rare Book

Les feuilles libres. N° 40.

1925Best.-Nr. 21059Paris, Les Feuilles libres, mai-juin 1925. In-8 broché de [2]- page 219 à 284.

ILLIBRAIRIE | Bombadil SA · Genève, Schweiz220,00 CHF≈ 238,17 €

CollectifLivre Rare Book

LES FEUILLES LIBRES.N°33

Best.-Nr. 52208Raval.Paris.Sept-Oct.1923.In-8 br.E.O.10 dessins de Robert Delaunay.Portrait de Darius Milhaud par Man Ray.BE.

Librairie Ancienne Laurencier · Bordeaux, Frankreich150,00 €

ELUARD Paul - MAN RAYLivre Rare Book

Les mains libres. Dessins de Man Ray, textes de Paul Eluard.

2014Best.-Nr. 148357Couverture souple. Format de poche. Environ 150 pp.

Librairie et Cætera · Belin-Beliet, Frankreich6,30 €

MAN RAY. DUBOIS (Hubert). BERTAUX (Félix). TCHEKOV (Anton). CLOSSON (Hermann). ALEXANDRE (Maxime). CHABROL (Henri). BALLARD (Jean). BOURGUET (Georges). GAILLARD (André). BRION (Marcel).Livre Rare Book

Les Cahiers du Sud. N°98, février 1928.

Best.-Nr. 46692Marseille, directeur: Jean Ballard. Un volume 16,5x25,5cm agrafé, de 100 pages illustrées de 8 reproductions photographiques, notamment de Man Ray. Exemplaire en bon état.

Le Livre à Venir · Chantelle, Frankreich40,00 €

MAN RAY - Salvador DALÍ - Oscar DOMINGUEZLivre Rare Book

Les Mannequins - Résurrection des mannequins

1966Best.-Nr. 91822Jean Petithory | Paris 1966 | 26.5 x 30.2 cm | Relié sous étui

Librairie Le Feu Follet – Edition-Originale.com · Paris, Frankreich20.000,00 €

MAN RAYLivre Rare Book

Les invendables Quarante uvres invendables de Man Ray

1969Best.-Nr. 91841Galerie Alphonse Chave | Vence 1969 | 20.3 x 25.5 cm | En feuilles sous couverture

Librairie Le Feu Follet – Edition-Originale.com · Paris, Frankreich400,00 €

Michel Collomb. Photographies de Atget, Kertesz, Germaine Krull, Lartigue, Man Ray, Seeberger...Livre Rare Book

Les Années Folles

1986Best.-Nr. 45526Paris, Belfond/Paris Audio-Visuel, 1986, in-4, relié, jaquette éditeur, 280 pages. Très bon état.

Librairie Christian Chaboud · Bruxelles, Belgien30,00 €

Paul ELUARDLivre Rare Book

Les mains libres

Best.-Nr. 6174in 8 (22 x 17 cm), 125 pages + 12 ff. Illustration de 66 gravures en noir pleine page d'après des dessins à l'encre de chine de Man Ray. Tirage limité à 2375 exemplaires celui ci est le no 326 sur les 350 "numerotés hors commmerce". 1947. Reliure demi maroquin noir, plat toilés rouges , dos lisse titre et auteurs dorés . couverture souple conservée . Superbe dedicace de Paul Eluard à Emile Roux .

Antiquités Duvert Martial · Crest, Frankreich500,00 €

RavalLivre Rare Book

LES FEUILLES LIBRES. N°40.

Best.-Nr. 52216Stock.Mai-Juin 1925.In-8 br.6 dessins et planches photographiques de Man Ray.Qques rousseurs.

Librairie Ancienne Laurencier · Bordeaux, Frankreich150,00 €

VIRMAUX (Alain et Odette) - BRETON (André) - ARTAUD (Antonin) - SOUPAULT (Philippe) - DESNOS (Robert) - MAN RAY - BUNUEL (Luis) - PREVERT (Pierre et Jacques) - PERET (Benjamin) - CLAIR (René) - ALEXANDRE (Maxime) -Livre Rare Book

Les surréalistes et le cinéma -

Best.-Nr. 45422Paris : Seghers, 1976 - un volume 14x20cm broché de 341 pages avec un cahier de planches photographiques - Bibliographie in-fine - Exemplaire en bon état - Edition originale de cet ouvrage de référence par les meilleurs spécialistes français du sujet.

Le Livre à Venir · Chantelle, Frankreich10,00 €

MAN RAY; ISHIHARA, TeruoBiblio.com

Les Doigts Enchainés.

1993Best.-Nr. 182589Kyoto: Gingami shobo 1993. Signed limited edition number 16 of 20 copies signed by the author additionally with a presentation inscription from the author on the half-title "For Roger Wicker. Thank you very much. Teruo Ishihara. September 27 1993." This attractive publication by a leading Japanese collector of Man Ray art and archives is accompanied by a selection of material sent by Ishihara to Wicker concerning other exhibitions of the artist in Japan. Wicker was the proprietor of Berkeley's Turtle Island Book Shop. Loosely inserted in the catalogue is a typed letter signed from Ishihara dated the same day as the presentation thanking Wicker for helping him source material related to Man Ray. The related ephemera includes Ishihara's 1994 folding change of address notice number 2 of 20 signed copies with a laid-down colour photograph a typed letter signed with eight colour photographs of a December 1996 exhibition in Nagoya a further typed letter signed two loose exhibition photographs assorted flyers and a booklet for the 1987 show at Kodama Gallery Osaka. Items from Ishihara's collection appeared in "Man Ray of Our Affections: An Exhibition Celebrating the 135th Anniversary of His Birth" 11 January - 23 March 2025 Tokyo Fuji Art Museum. Quarto 32 pp. With 16 colour photographs laid down on folding card leaves 2 colour photographs laid down on acetate leaf; title page guarded with acetate with laid-down photograph pink paper silhouette of hand and arm and printed title label; bound-in colour bifolium advert for 1991 exhibition; in-text explanatory keys identifying exhibits in photographs. Text in Japanese. Original green card wrappers front cover with window looking through to title page. Sunning to spine of catalogue light general creasing: a fine collection. unknown

Peter Harrington · Vereinigtes Königreich750,00 £≈ 892,56 €

MAN RAYBiblio.com

Les invendables true The Unsellables

1969Best.-Nr. 91841Vence: Galerie Alphonse Chave 1969. Fine. ""Without the Signature the Painting Is Worth Nothing"" Galerie Alphonse Chave Vence 1969 20.3 x 25.5 cm En feuilles sous couverture First edition one of 500 copies of this catalogue for the exhibition Les invendables The Unsellables featuring 40 drawings and paintings at the Galerie Alphonse Chave. Illustrated with 5 full-page black lithographs and 6 tipped-in colour plates. In his characteristically provocative style Man Ray opens with a preface mocking collectors' tendency to purchase names on canvas rather than the artworks themselves. Among the pieces selected for this book are several examples from his series of automatic paintings called ""Peintures naturelles "" including the cover created without the use of a brush. Among the other artworks one can find subtle allusions to famous painters: a Déjeuner sur l'herbe a markedly Picassian Centaure disjointed marionette figures Antipolis evoking the compositional language of de Chirico and an Observatoire reminiscent of a Braque still life. Galerie Alphonse Chave unknown

Rare Books Le Feu Follet - Edition-Originale.com · Frankreich460,00 €

MAN RAY; Paul ELUARD (illustrator).Biblio.com

Les mains libres.

1937Best.-Nr. 21205811937. Paris: Jeanne Bucher 1937 4to. Original pictorial red and white wrappers lettered in red to spine; pp. 176 30 with pictorial title and 66 full-page illustrations by Man Ray; pages partially uncut; very minor creasing to lower corners and spine a little frayed otherwise near fine copy; author's presentation inscription to half-title 'a Georges Mouton tres amicalement Paul Eluard' see below.First edition number 319 of 650 copies printed on Chester verge of a total edition of 675 copies presented by Eluard to the Surrealist writer Georges Mouton. Les mains libres is the second collaborative work between Man Ray a pioneer of the Surrealist movement and Paul Eluard poet and one of the movement's founders. During the 1930s Man Ray made numerous drawings in Paris and the South of France. He shared them with Eluard who requested to keep them temporarily. Adhering to the Surrealist tradition the poet 'illustrates' the images not the opposite: upon Man Ray's return Eluard had paired each drawing with a poem. This collaboration resulted in the publication of Les mains libres featuring fifty-four illustrations by Man Ray facing as many poems by Eluard and three appendices 'Sade' 'Portraits' and 'Details' which include Man Ray's portraits of Pablo Picasso Andre Breton and Eluard. Provenance: This copy was presented by Eluard to the writer Goerge Mouton. Connected to Surrealist circles in the 1930s Mouton was a member of the Contre-Attaque group led by Georges Bataille and Andre Breton during 1935-1936. unknown

Henry Sotheran Ltd. · Vereinigtes Königreich3.500,00 £≈ 4.165,28 €

RAY, MAN; Eluard; MAN RAYBiblio.com

Les Mains Libres.

1937Best.-Nr. 1704521937. MAN RAY. Les Mains Libres. By Paul Eluard. 208 pp. with 66 reproductions of drawings by Man Ray. 4to 280 x 225 mm. bound in the original illustrated wrappers in a new slipcase with morocco backed chemise. Paris: Editions Jeanne Bucher 1937. A pristine copy of this celebrated collaboration between Man Ray and Paul Eluard inscribed by Man Ray to Souzouki. Man Ray had moved to Paris in 1921 and in the 1930s was one of André Breton's surrealist circles. Unlike most illustrated books where the pictures illustrate the text this book uses the poems to illustrate the drawings which are important documents of Man Ray's non-photographic output. One of 650 printed on Chester Vergé of a total edition of 675 copies. From Manet to Hockney 104. unknown

Ursus Books · Vereinigte Staaten7.500,00 $≈ 6.687,47 €

RAY, MAN; Eluard; MAN RAYABAA

Les Mains Libres.

Ursus Books · Vereinigte Staaten7.500,00 $≈ 6.687,47 €

MAN RAY - Salvador DALI - Oscar DOMINGUEZBiblio.com

Les Mannequins - Résurrection des mannequins

1966Best.-Nr. 91822Paris: Jean Petithory 1966. Fine. Man Ray shoots Surrealist Mannequins Jean Petithory Paris 1966 26.5 x 30.2 cm Relié sous étui First edition one of 37 numbered copies ours one of a few hors commerce copies for collaborators and friends signed by Man Ray on the justification. 15 photographs on watermarked vélin Montgolfier mounted on guards each bearing Man Rays printed studio stamp Épreuve originale atelier Man Ray Paris. The copy exceptionally contains the original subscription prospectus and an invitation to the book launch exhibition opening night organised by Simone Loliée. Publishers binding by the renowned bookbinder Mercher bearing his signature in the negative of the photographic paper on each endpaper and pastedown flat black shagreen spine title author and date stamped in gilt lengthwise photographic boards with gilt background after an original composition by Man Ray specially designed for this work original wrappers preserved black paper slipcase. Illustrated with 15 original photographic prints of the mannequins photographed by Man Ray at the 1938 International Exhibition of Surrealism. The mannequins had been transformed by Man Ray himself Salvador Dalí Oscar Dominguez Marcel Duchamp Max Ernst Espinoza Maurice Henry Marcel Jean Léo Malet André Masson Sonia Mossé Joan Miró Wolfgang Paalen Kurt Seligmann and Yves Tanguy. They were presented within a Surrealist staging by Marcel Duchamp and lighting designed by Man Ray himself. During the 1930s the European Surrealists had a fetishistic interest in simulated woman-female mannequins that they transformed into playful sculptural works of art. In 1938 Man Ray photographed a series of their work at the Exposition Internationale du Surréalisme presented in the unsettling half-light of the Galerie des Beaux-Arts on the rue du Faubourg Saint-Honoré. Visitors walking down a corridor on the Rue Surréaliste saw a series of dressmakers mannequins inhabitants of a dreamlike Paris scantily clad or adorned with a jumble of incongruous objects and flanked by street signs bearing highly symbolic names: some real such as the Rue des Vieilles Lanternes where Gérard de Nerval took his own life or the Rue Vivienne where Lautréamont once lived alongside invented ones such as the Rue aux Lèvres the Rue de Tous-les-Diables and the Rue de la Transfusion-de-Sang. The installations of this first international Parisian Surrealist exhibition organised by André Breton and Éluard marked a decisive moment in the history of the movement. For the first time the event dispensed with a straightforward retrospective of individual artists in favour of a series of phantasmagorical stagings live performances and ephemeral artworks prefiguring the modern concepts of installation and happening. Nearly 3000 visitors are said to have thronged to this 1938 Paris exhibition by the light of electric torches: One has the feeling of leaning over certain exhumed walls and of being the first to decipher their signs. Jean Fraysse Le Figaro littéraire 29 January 1938. From Hausmanns sculpture and de Chiricos paintings to the works of Hans Bellmer the mannequin had long occupied a central place in the Dada and Surrealist artistic vocabulary and was cited in Bretons 1924 Manifeste. These woman-objects staged in the spirit of the Musée Grévin offered infinite possibilities for the transformation of the body and the exploration of the unconscious. Some have remained enduringly celebrated such as Le Bâillon vert à bouche de pensée André Massons mannequin enclosed in a birdcage or Duchamps considered the only three-dimensional version of his alter ego Rrose Sélavy taking the form of a man cross-dressed as a woman in the style of Claude Cahun. The mannequin of lesbian artist Sonia Mossé friend of Artaud and photographed by Man Ray with Nusch is her only known artwork and the sole mannequin in the installation created by a woman artist. Man Ray had incorporated Jean Petithory hardcover

Rare Books Le Feu Follet - Edition-Originale.com · Frankreich23.000,00 €

Man Ray

Jahrhundert

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Jahrhundert

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Land des Anbieters

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Themen

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Jahrhundert

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