ELUARD Paul - MAN RAYLivre Rare Book
562 résultats
2014réf. 148357Couverture souple. Format de poche. Environ 150 pp.
1966réf. 91822Paris: Jean Petithory 1966. Fine. Man Ray shoots Surrealist Mannequins Jean Petithory Paris 1966 26.5 x 30.2 cm Relié sous étui First edition one of 37 numbered copies ours one of a few hors commerce copies for collaborators and friends signed by Man Ray on the justification. 15 photographs on watermarked vélin Montgolfier mounted on guards each bearing Man Rays printed studio stamp Épreuve originale atelier Man Ray Paris. The copy exceptionally contains the original subscription prospectus and an invitation to the book launch exhibition opening night organised by Simone Loliée. Publishers binding by the renowned bookbinder Mercher bearing his signature in the negative of the photographic paper on each endpaper and pastedown flat black shagreen spine title author and date stamped in gilt lengthwise photographic boards with gilt background after an original composition by Man Ray specially designed for this work original wrappers preserved black paper slipcase. Illustrated with 15 original photographic prints of the mannequins photographed by Man Ray at the 1938 International Exhibition of Surrealism. The mannequins had been transformed by Man Ray himself Salvador Dalí Oscar Dominguez Marcel Duchamp Max Ernst Espinoza Maurice Henry Marcel Jean Léo Malet André Masson Sonia Mossé Joan Miró Wolfgang Paalen Kurt Seligmann and Yves Tanguy. They were presented within a Surrealist staging by Marcel Duchamp and lighting designed by Man Ray himself. During the 1930s the European Surrealists had a fetishistic interest in simulated woman-female mannequins that they transformed into playful sculptural works of art. In 1938 Man Ray photographed a series of their work at the Exposition Internationale du Surréalisme presented in the unsettling half-light of the Galerie des Beaux-Arts on the rue du Faubourg Saint-Honoré. Visitors walking down a corridor on the Rue Surréaliste saw a series of dressmakers mannequins inhabitants of a dreamlike Paris scantily clad or adorned with a jumble of incongruous objects and flanked by street signs bearing highly symbolic names: some real such as the Rue des Vieilles Lanternes where Gérard de Nerval took his own life or the Rue Vivienne where Lautréamont once lived alongside invented ones such as the Rue aux Lèvres the Rue de Tous-les-Diables and the Rue de la Transfusion-de-Sang. The installations of this first international Parisian Surrealist exhibition organised by André Breton and Éluard marked a decisive moment in the history of the movement. For the first time the event dispensed with a straightforward retrospective of individual artists in favour of a series of phantasmagorical stagings live performances and ephemeral artworks prefiguring the modern concepts of installation and happening. Nearly 3000 visitors are said to have thronged to this 1938 Paris exhibition by the light of electric torches: One has the feeling of leaning over certain exhumed walls and of being the first to decipher their signs. Jean Fraysse Le Figaro littéraire 29 January 1938. From Hausmanns sculpture and de Chiricos paintings to the works of Hans Bellmer the mannequin had long occupied a central place in the Dada and Surrealist artistic vocabulary and was cited in Bretons 1924 Manifeste. These woman-objects staged in the spirit of the Musée Grévin offered infinite possibilities for the transformation of the body and the exploration of the unconscious. Some have remained enduringly celebrated such as Le Bâillon vert à bouche de pensée André Massons mannequin enclosed in a birdcage or Duchamps considered the only three-dimensional version of his alter ego Rrose Sélavy taking the form of a man cross-dressed as a woman in the style of Claude Cahun. The mannequin of lesbian artist Sonia Mossé friend of Artaud and photographed by Man Ray with Nusch is her only known artwork and the sole mannequin in the installation created by a woman artist. Man Ray had incorporated Jean Petithory hardcover
1966réf. 91822Jean Petithory | Paris 1966 | 26.5 x 30.2 cm | Relié sous étui
réf. 45422Paris : Seghers, 1976 - un volume 14x20cm broché de 341 pages avec un cahier de planches photographiques - Bibliographie in-fine - Exemplaire en bon état - Edition originale de cet ouvrage de référence par les meilleurs spécialistes français du sujet.
2006réf. BN654334Fundació Caixa de Girona. 2006. 2006. Softcover. Llums i somnis. Col-lecció Goldberg / D'Afflitto Nova York des 7 d'abril al 21 de maig de 2006. Llums i somnis. Col-lecció Goldberg / D'Afflitto Nova York des 7 d'abril al 21 de maig de 2006. Man Ray Fundació Caixa de Girona. paperback
1997réf. 118491Marval, coll. « Portraits d’Auteurs » 1997 In-12 cartonnage éditeur souple. 17,5 cm sur 12,5. Non paginé. Photographies en noir et blanc hors-texte. Très bon état d’occasion.
réf. 2703Magazine Mensuel, Lui n° 52, d'avril 1967. In-4 agrafé de 156 pages au format 27,5 x 22 cm. Couverture avec photo de Brigitte Bardot par Sam Levin. Dos avec agrafes solidaires, mais avec un petit peu de jeu et de minuscules frottis. Plats et intérieur frais. Important dossier photographique de 8 pages sur Brigitte Bardot par Sam Levin et de 6 pages sur Ursula Andress par John Derek. Entretien inédits avec Bona et André Pieyre de Mandiargues, accompagné de photos en noir par Man Ray. Nombreuses contributions, dont Jean Lartéguy, Siné, Tomi Ungerer, Jacques Lanzmann, Gérard Lauzier, Hoviv, Trez, Bosc, et une nouvelle fantastique de Robert Bloch, intitulée " Terreur sur la Colline ". Nombreuses et pulpeuses créatures dénudées. Complet du poster central et la Pin-Up d'Aslan. Très bel état général. Edition originale. Rare.
1987réf. 649ACR, Paris 1987-2001. Fort volume in-4 carré (280 X 260 mm), relié et cartonné, jaquette illustrée en couleurs, sous étui rigide illustré. 588 pp. Ouvrage abondamment illustré en noir et en couleurs : tableaux, aquarelles, encres, dessins, gravures, bois, lithographies, livres illustrés et de nombreux documents publiés ici pour la première fois. MONOGRAPHIE et "CATALOGUE RAISONNÉ" : de 1894 à 1967, plus de 1100 références décrites, datées et illustrées. Expositions, bibliographie et index. Remarquablement documenté, écrit avec clarté et précision, voici le premier volume (sur 3) de ce formidable travail de référence sur le plus célèbre peintre japonais du XXe siècle. 1987年 、パリ、ACR出版。280 X 260 mm、588ページ、厚い表紙、ジャケット、箱にカラーの絵。白黒、カラーの図版多数。油彩、水彩、インク、デッサン、木版、リトなど、初めて収録される資料も多い。1894年から1967年までの収録図版、写真は、1100点以上にのぼり、全て年数、解説付き。藤田に関する展覧会、本のリスト、インデックス。フランス語による解説は正確で明快。全三巻からなる、20世紀日本の最も有名な画家に関する優れた解説書の一巻目。新品同様。
réf. 11300Mercure de France. 1961. In-8° broché. Couverture rempliée. 261 pages. E.O. Exemplaire nominatif sur pur fil Johannot, seul grand papier, " imprimé spécialement pour Félix Labisse ". [25 vélin pur fil Johannot + quelques exemplaires nominatifs et HC sur le même papier]. Envoi autographe de Patrick Waldberg. Très bon état.
1961réf. 007930Paris Mercure de France 1961 In-8 Broché Edition originale
1973réf. 011528Paris Editions Filipacchi - Collection «La Septième face du Dé» 1973 In-4 Cartonnage et emboitage toilés de l'éditeur Ed. originale
1980Mm 140x230 Brossura editoriale di pp. 180, con tavole in bianco e nero fuori testo, rarissimi interventi a amtita. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
2011réf. 94895Skira. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 328 pages; 369 illustrations including 149 in color. -- with a bonus offer--; An exciting monograph dedicated to an extraordinary figure and one of last century’s most famous and influential artists. Man Ray 1890-1976 was a photographer painter and creator of objects experimental films and images which were at times enigmatic. This catalog which presents more than 200 works and compares and contrasts images with biographical details is divided into three main sections: Man Ray’s formative years spent between New York and an artists’ colony in Ridgefield New Jersey; the Paris period; and the period spent between Hollywood and Paris France-the city he ultimately chose to adopt as his home. The publication describes the creation of some of his most famous pieces and the motifs-very often of females-that inspired the works. Man Ray’s life was marked by a succession of love affairs with famous and intriguing women and this catalog dedicates several sections to this topic. The book also deals with the themes permeating Man Ray’s work throughout the years such as his passion for chess the relationship between reality and illusion and experimental photography and film. Comparisons are also made with the works of some of the most important artists of the twentieth century such as Pablo Picasso Marcel Duchamp Constantin Brancusi Jean Arp and Francis Picabia. . 2011. 8857209741 . Skira hardcover
1972réf. 016192Paris Ministère des Affaires culturelles - Réunion des musées Nationaux RMN 1972 In-4 Broché, couverture illustrée
1986réf. 125851986. Paris Centre National de la Photographie coll. Photo Poche n°33 1988 - Broché 12 5 cm x 19 cm 63 photos noir et blanc de Man Ray présentation de Merry A. Foresta biographie bibliographie expositions - Très bon état
1977réf. 011637Paris Centre Culturel Américain 1977 In-4 broché, couverture illutrée
1981réf. 200698Paris: Centre Georges Pompidou 1981. First edition. Softcover. 15 pages. Exhibition catalog for a show that ran December 10 1981 through April 12 1982. Text in French. Includes numerous black and white illustrations. A near fine copy in stapled wrappers with some light wear and with laid in checklist. Centre Georges Pompidou unknown books
1977réf. 196722Paris: Centre Culturel Americain 1977. First edition. Softcover. 12 pages. Exhibition catalog for a show that ran May 17 through June 30 1977. Features excerpts from notes by Man Ray in English and French. Includes with the covers 6 images and some bibliographic information. A near fine copy in stapled wrappers. Centre Culturel Americain unknown books
1972réf. 198680Paris: Galerie Francoise Tournie 1972. Paperback. Good Wraps have general edgewear/scuffing/foxing/toning; interior is very clean but lightly toned; binding is solid. B&W illustrated stapled wraps; 30 unnumbered pp.; richly illustrated. [Galerie Francoise Tournie] paperback books
1975Paris, Editions du Chêne 1975. In-8 relié pleine toile éditeur sous jaquette illustrée rempliée de 208 pages. 20 planches hors texte en couleurs et 133 illustrations en noir. Index en fin. Bel exemplaire.
1975réf. 15047Editions du Chêne Paris, Editions du Chêne 1975. In-8 relié pleine toile éditeur sous jaquette illustrée rempliée de 208 pages. 20 planches hors texte en couleurs et 133 illustrations en noir. Index en fin. Bel exemplaire.
1984réf. 1233341984 Centre Natioonal des Arts Plastiques, Villa Arson / Ministère de la Culture - 1984 - In-4 en feuilles sous chemise cartonnée
1929réf. 006901Paris Collection "Peintres Nouveaux", N.R.F. 1929 In-12 Broché, couv. illustrée Edition originale
2001réf. 7710new oversize pb expedited and international shipping not available--MAN RAY. Delano Greenridge Editions paperback
2001réf. 8546new oversize pb expedited and international shipping not available Delano Greenridge Editions paperback
