Man RayBiblio.com
562 résultats
1988réf. Q-0821217054New York Graphic Society 1988-09-01. Hardcover. New. In shrink wrap. Looks like an interesting title! New York Graphic Society hardcover
1988réf. MK-4CLO-3TSTNew York Graphic Society 1988-09-01. Hardcover. Very Good. original 1963 Atlantic Little Brown hard cover - 1st edition 1st printing - minor wear to edge of dust jacket now in mylar cover some staining to closed page edge and end papers - otherwise cover fine binding strong contents clean - enjoy New York Graphic Society hardcover
réf. 18-3791New York McGraw-Hill 1979. 8vo. 398 pp. Good. Soft Cover. Printed stiff paper wraps. Some wear on covers. Pages fine. B&W plates throughout.This autobiography of Man Ray photographer painter and maker of objects and films follows his life from his birth in Philadelphia in 1890 to his death in Paris in 1976.ISBN: 0070512485 9780070512481.From the Collection of the Art Historian Peter Selz. New York McGraw-Hill 1979. paperback
1963réf. 00535299Atlantic Monthly / Little Brown 1963. First Edition. Hardcover. Very Good/Very Good. Signed and inscribed by Man Ray with an original drawing of his trademark floating eye and face. This copy is inscribed on the half title to Frank Goodman 'one of the last of the old-time Broadway press agents a star handler and headline hustler' New York Times. The drawing and inscription are on the half title. The inscription which is bordered by and incorporates the drawing reads 'For Mr. Frank Goodman Man Ray April 2 1963'. The floating eye is above Ray's signature and the nose and mouth extend beneath the inscription. CONDITION: Nice copy in the original black cloth in gilt and copper in first issue jacket complete with $7.95 price slight surface wear to jacket with wrinkle at top; book has been recased with new endpapers; some light staining to top and bottom edges of text. Man Ray born Emmanuel Radnitzky 1890-1976 American painter photographer and conceptual artist active in France a leading light of the Dada and Surrealist movement. Jess McKinley's obituary in the New York Times offers a brilliant look back at Goodman's career: 'In an era when movies like 'Sweet Smell of Success' made Broadway seem like the most glamorous and gritty terrain in entertainment Mr. Goodman was as reliable a presence as broken hearts and dreams come true. From 1939 when he started his career to 1961 Mr. Goodman represented more than 50 Broadway productions including eight shows in 1960 alone. Over the years Mr. Goodman would act as a booster and sometimes as a baby sitter for every type of show person and show personality from the volatile genius Jerome Robbins of 'Gypsy' to the delicate ingénue Audrey Hepburn in 'Gigi' in 1951 to the predictably haunted playwrights William Inge and Clifford Odets among others. Summing up his career in his unpublished memoir Mr. Goodman started with an adage about the publicity game: 'You don't get paid for the work you do; you get paid for the grief you take.' Mr. Goodman seemed to believe that but only to a point. 'Still and all' he wrote 'there's worse ways to make a living'.'B/w Illustrations. Atlantic Monthly / Little Brown hardcover
1963réf. 001467BOSTON: LITTLE BROWN 1963. FIRST. . Hardcover. Fine/Very Good. PHOTOGRAPH. THE BOOK IS STATED FIRST AND IN FINE CONDITION TOP EDGES STAINED PURPLE GOLD ON COVER IN VERY GOOD CONDITION TINY PIECE MISSING FROM BOTTOM OF BACK COVER AND SOME WEAR AROUND JACKET EDGES ORIGINAL PRICE OF $7.95 LITTLE BROWN hardcover
1963réf. 071511-VNew York: Alantic Little Brown 1963. Book. Illus. by Man Ray. Fine. Hardcover. 1st Edition. 1st.Edition 1st. printing 1963 Black cloth hardcover in the dust jacket 402 page book with black & white photo illustrations. Condition : Fine DJ is Very Good with edge rubs see image Size: 8vo - over 7¾" - 9¾" tall. Alantic Little Brown Hardcover
1988réf. ABE-300660906Boston: A New York Graphic Society Book Little Brown and Company 1988. 1988. 4to. pp. 319 1. 35 colour illus. on 15 double-sided plates & numerous text illus. index. bds. 1 plate creased. dw. Second Edition with an afterword by Juliet Man Ray. Hardcover. Boston: A New York Graphic Society Book, Little, Brown and Company, [1988]. Hardcover
1963réf. 28819BOSTON: ATLANTIC-LITTLE BROWN. Near Fine. 1963. First Edition. Prolific T.V. film director Glenn Jordan's copy with his signature on front endpaper. Near fine in a Nf. dj. Red hue at top edge lightly sunned with faint damp spot. A few small edge tears & one tiny sliver chip at mid-spine on dj. Nice copy. . ATLANTIC-LITTLE, BROWN. unknown
1988réf. 4999978Boston Massachusetts U.S.A.: New York Graphic Society 1988. Bound in blue cloth stamped in gold. This is a reprint of the book that was originally done in 1963. Laid in is a tri-fold exhibit folder from the 1989 show at the Phila. Art Museum. Tight clean copy in bright dust jacket. . Second Edition. Hard Cover. Near Fine/Near Fine. 4to - over 9¾" - 12" tall. New York Graphic Society Hardcover
1963réf. 53521963 London: André Deutsch, 1963. In-8 relié: 16 x 24 cm, 7 ff., 398 pp. Edition originale britanique illustrée d'un frontispice et de 35 photographies documentaires reproduites en noir dans et hors-texte. Reliure d'éditeur en toile chocolat. Bien complet de la célèbre jaquette illustrée noir et or. Rares traces d'usage aux coiffes.
2010réf. TN254800Didier London 2010. 1st Edition. SOFTCOVER. 4to in stiff glossy card covers 64pp on thick art paper colour plates etc __CONDITION : A well preserved AS NEW unmarked copy. . . . . . . . . . . . . . To see more of our books on jewellery etc type DbbGEMS in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Didier, London paperback
1996réf. 35981Tokyo: Tokyo Station Gallery 1996. Very Good . Tokyo: Tokyo Station Gallery 1996. First Edition. Quarto 26cm; 226pp. Publisher’s stiff black wraps; light grey endsheets. Photographs throughout several in color. Wraps rather bumped and smudged. Binding sound. Textblock endsheets and interior pages clean. Very Good or better. Published in conjunction with a series of posthumous retrospective exhibitions throughout Japan. Interior text in Japanese and French. Tokyo Station Gallery unknown
1935réf. 102196Paris Les Editions Véga 1935 1 vol. Broché in-4, broché, 63 pp. Edition originale ornée de deux portraits hors-texte contrecollés : une photographie solarisée par Man Ray et un dessin par Derain. Tirage limité à 243 exemplaires, celui-ci sur papier Offset de Ruysscher est enrichi d'un envoi autographe signé de l'autrice "à Jacques Baron, en souvenir des "Peines perdues" - avec l'émotion d'un début... Rosemonde, novembre 1934". Curieusement cet exemplaire provient de la bibliothèque de Georges Bataille avec tampon à l'encre noire sur le premier feuillet "Bibliothèque de Georges Bataille". Rosemonde Wilms était la belle-fille du peintre Antonio de La Gandera, elle possédait une villa à Mougins et fréquentait les milieux d'avant garde, elle apparaît dans la première séquence du court-métrage de Man Ray "La Garoupe" en compagnie d'Eluard, Nusch, Picasso, Roland et Valentine Penrose (information aimablement communiquée par M. Gilles Bion). Quant au surréaliste Jacques Baron, il collabora notamment à la revue Documents dans les années 1930. Couverture un peu salie.
1935réf. 102196Paris Les Editions Véga 1935 1 vol. Broché in-4, broché, 63 pp. Edition originale ornée de deux portraits hors-texte contrecollés : une photographie solarisée par Man Ray et un dessin par Derain. Tirage limité à 243 exemplaires, celui-ci sur papier Offset de Ruysscher est enrichi d'un envoi autographe signé de l'autrice "à Jacques Baron, en souvenir des "Peines perdues" - avec l'émotion d'un début... Rosemonde, novembre 1934". Curieusement cet exemplaire provient de la bibliothèque de Georges Bataille avec tampon à l'encre noire sur le premier feuillet "Bibliothèque de Georges Bataille". Rosemonde Wilms était la belle-fille du peintre Antonio de La Gandera, elle possédait une villa à Mougins et fréquentait les milieux d'avant garde, elle apparaît dans la première séquence du court-métrage de Man Ray "La Garoupe" en compagnie d'Eluard, Nusch, Picasso, Roland et Valentine Penrose (information aimablement communiquée par M. Gilles Bion). Quant au surréaliste Jacques Baron, il collabora notamment à la revue Documents dans les années 1930. Couverture un peu salie.
1996réf. 35981Tokyo: Tokyo Station Gallery 1996. Very Good . Tokyo: Tokyo Station Gallery 1996. First Edition. Quarto 26cm; 226pp. Publisher’s stiff black wraps; light grey endsheets. Photographs throughout several in color. Wraps rather bumped and smudged. Binding sound. Textblock endsheets and interior pages clean. Very Good or better. Published in conjunction with a series of posthumous retrospective exhibitions throughout Japan. Interior text in Japanese and French. Tokyo Station Gallery unknown books
1926réf. 1696841926. MAN RAY. Revolving Doors. Comprised of 10 pochoir plates ca. 580 x 380 mm. Folio loose in original publisher's black portfolio with ties laid into a new folding box. Paris: Editions Surréalistes 1926. A fine copy of this legendary Surrealist publication. Between 1916 and 1917 the artist and photographer Man Ray created a series of collages he called "Revolving Doors." He included the series in his third solo exhibition at the Daniel Gallery in New York in 1919. The collages whose geometric shapes combine machine-like and anthropomorphic forms were framed and installed on a rotating pole that the viewer could spin. The original collages were destroyed but he later reproduced them in this series of pochoir prints published by Éditions Surréalistes in Paris. This publication represents an important contribution to avant-garde art and together with Jazz and the Prose du Transsibérien comprise the Holy Trinity of great pochoir books of the twentieth century. Complete sets in fine condition are extremely rare. One of 105 copies signed on the colophon by Man Ray. Reynolds 71. unknown books
1926réf. 1696841926. MAN RAY. Revolving Doors. Comprised of 10 pochoir plates ca. 580 x 380 mm. Folio loose in original publisher's black portfolio with ties laid into a new folding box. Paris: Editions Surréalistes 1926. A fine copy of this legendary Surrealist publication. Between 1916 and 1917 the artist and photographer Man Ray created a series of collages he called "Revolving Doors." He included the series in his third solo exhibition at the Daniel Gallery in New York in 1919. The collages whose geometric shapes combine machine-like and anthropomorphic forms were framed and installed on a rotating pole that the viewer could spin. The original collages were destroyed but he later reproduced them in this series of pochoir prints published by Éditions Surréalistes in Paris. This publication represents an important contribution to avant-garde art and together with Jazz and the Prose du Transsibérien comprise the Holy Trinity of great pochoir books of the twentieth century. Complete sets in fine condition are extremely rare. One of 105 copies signed on the colophon by Man Ray. Reynolds 71. unknown
réf. 33198Editions Jean-Jacques Pauvert - Revue trimestrielle Bizarre n° 1 de 1955. In-4 broché de 100 pages au format 27 x 19 cm. Superbe couverture illustrée par Maurice Henry. Dos carré. Plats et intérieur frais. Numéro avec textes, illustrations et photographies de Eugène Ionesco, J. M. A. Paroutaud, John B. L. Goodwin, Gisèle Prassinos, Lise Deharme, Alphonse Allais, Henri Storck, Saki, Marcel Schneider, Souzouki, Man Ray, Maurice Henry, Francis Rose, etc. Edition originale en très bel état général.
1957réf. 6493Editions Jean-Jacques Pauvert 1957. In-8 broché carré de 167 pages au format 19,5 x 19,5 cm. Superbe couverture illustrée par Pierre Molinier. Dos carré avec titre. Plats et avec petits frottis aux coins. Intérieur frais, malgré l'absence des pages 114 à 143 qui contenaient l'encart " Le royaume de la terre ", scénario inédit par Abel Gance et Nelly Kaplan. Cet encart malheureusement manque très souvent. Tirage sur couché. Revue dirigée par André Breton et dont il ne parut que 5 numéros. Textes inédits de : André Breton, Gérard Legrand, Joyce Mansour, Julien Gracq, Benjamin Péret, Léonora Carrington, Jean Schuster, Pierre de Massot, Jean-Jacques Lebel, etc. Portraits photographiques de quelques uns des auteurs. Très nombreuses illustrations par Léonora Carrington, Man Ray, Toyen, Wolfang Paalen, Adrien Dax, Pierre Molinier, etc. Assez bel état général. Edition originale, peu courante.
1977réf. 4379Paris ARC 2, Musée d'art moderne de la ville de Paris 1977 in-4 dépliant Paris, ARC 2, Musée d'art moderne de la ville de Paris, 1977. 32 x 23 cm, in-4, 2 ff. n. ch. (4 pp.), illustrations en noir, plaquette pliée en 2.
1929réf. 104668Prague Odeon 1929 Prague, Odeon, avril 1929, 235x182mm, 32p. numérotées de 237 à 268, broché sous couverture illustrée d'une composition de Karel Teige (104668)
1970In 8, cm. 15,5 x 21, pp. 126 + (2) con 45 illustrazioni in bianco e nero a piena pagina nel testo. Brossura editoriale illustrata. Leggere tracce di polvere alla coperta. In ottimo stato. Volume n. 4 della collana: 'Nadar' ricerche sull'arte contemporanea. Il volume continene molte opere e un testo di Man Ray oltre alle testimonianze di Aragon, Breton, Duchamp, Eluard, Richter, Tzara. Nel 1922 Man Ray produce i suoi primi fotogrammi, che chiama (rayographs), ovvero immagini fotografiche ottenute poggiando oggetti direttamente sulla carta sensibile. L'artista scopri' per caso le rayografie nel 1921: mentre sviluppava alcune fotografie in camera oscura, un foglio di carta vergine, accidentalmente, fini' in mezzo agli altri e dato che continuava a non comparirvi nulla, poggio', piuttosto irritato, una serie di oggetti di vetro sul foglio ancora a mollo e accese la luce. L'artista ottenne cosi' delle immagini deformate, quasi in rilievo sul fondo nero. Attraverso i suoi rayographs, termine costruito sul suo cognome, ma che contemporaneamente evoca il disegno luminoso, poteva sondare ed esaltare il carattere paradossale e inquietante del quotidiano.
1989réf. 213330Udine: Art& 1989. Rilegato sovracoperta hard cover dust jacket. Molto buono Very Good. Testo di Cesare de Seta. Numerose fotografie in bianco e nero di Man Ray. 4to cm 29x305. pp. 144. Molto buono Very Good. Sovracoperta con leggere abrasioni Slight abrasions to dustjacket. Prima edizione First Edition. "Prima di fare il fotografo sono stato per molti anni pittore. Poi un giorno mi comprai una macchina fotografica perchè non ero soddisfatto delle riproduzioni del mio lavoro fatte dai fotografi professionisti. Invece di dipingere cominciai a fotografare le persone e non volli più fare ritratti. Alla fine decisi che non c'era alcun rapporto tra pittura e fotografia.Certo tutto è gioco. Il motivo Cosa cerco Prima di tutto la libertà. Quando mi dicevano che ero in anticipo sui tempi rispondevo 'Non è vero io sono nel mio tempo siete voi che siete rimasti indetro'" da un'intervista a Man Ray - Caméra. Art&, hardcover
in-8 etroit, 178 pages, broche, couverture illustree plastifiee (photo de MAN RAY). Tres bel exemplaire. [JU-1]
réf. L3581Londres. London Gallery Editions, 1944. In-12 br. Jaquette typo. Portrait de P. Eluard par Man Ray. Édition bilingue de Poésie et Vérité 1942, traduction de R. Penrose & E.L.T. Mesens. E.O. Bel envoi autographe de E.L.T. Mesens. Justification autographe de Roland Penrose et E.L.T. Mesens au colophon.
