Man RayBiblio.com
527 Ergebnisse
1963Best.-Nr. 4737Paris: Editions Prisma 1963. Cloth. Collectible; Fine/Very Good. A crisp clean copy of the 1963 1st French edition. Near Fine in a bright VG pictorial dustjacket with light fading along the spine. Quarto nicely-reproduced Man Ray portraits thruout. Editions Prisma unknown
1927Best.-Nr. 31574Eluard par Man Ray, 1927 [Paris, 1927]. Tirage noir et blanc sur papier (170 x 230 mm). Tampon au dos « MAN RAY 31 bis, Rue Campagne Première PARIS» et note manuscrite au crayon «Éluard, 1927», mais en tirage postérieur. Tirage avec recadrage du célèbre portrait d'Éluard prit par Man Ray à Paris en 1927 dans son atelier du 31bis rue Campagne Première.
1932Best.-Nr. 29081Seule épreuve signée connue par Man Ray [Paris, circa 1950]. 1 tirage sur carte, d'après-guerre, signé « Man Ray » à la mine de plombe en angle inférieur droit. L'épreuve est signée Man Ray à la mine de plomb en angle inférieur droit et contient au dos la mention, de la main de Char, «René Crevel».
1976Best.-Nr. 002474Paris Chene 1976 In-4 Broché, couv. illustrée
1934Best.-Nr. D7445Hartford Connecticut: James Thrall Soby 1934. First Edition First Issue. Fair. Spiral bound full-color wraps with b/w photo-illustrations heliogravure throughout; pp. 4 104 2 blank colophon complete. First edition first issue including the rare original title-page. Covers and final blank detached; first and last few leaves a little loose with chip out of bottom corner of last leaf pp. 103-104 near the gutter not affecting the images. Certainly a much-used copy but complete uncommon and with nice clean images overall. Sold as is. James Thrall Soby paperback books
1934Best.-Nr. 2198Hartford: James Thrall Soby 1934. First edition. Publisher's plastic comb binding stiff wrappers. Minor vertical crease to front cover light chipping to outer edge. Upper and lower portions of the front cover coming loose from the binding but the cover is still held firmly. Internally clean and bright. Now housed in a custom clamshell box. The very rare first issue. As Roth describes the publisher "attempted to generate demand where none existed by suggesting the edition had sold out. After replacing the title pages of these copies- presumably a healthy percentage of the run whose sales had in fact been slow to none- with one stating 'deuxième edition' second edition he returned them for sale. Copies with the original title page are exceedingly rare." Man Ray's first monograph with texts in English and French by Duchamp Tzara Eluard Breton and Man Ray himself. Frontispiece portrait of Man Ray by Picasso. Contains 104 heliogravure images. "Part art part illustration the book was meant to be an inventory of his work a kind of grand promotional catalogue. Man Ray's album was a virtuoso presentation of modern European-style photography. Close-up views distorted angles double exposures night photography negative prints rayographs still lifes nudes portraits fashion photographs and even a painting. were reproduced. Intended for an American more than a European audience the album was Man Ray's means of presenting his career to a homeland that had rarely seen his work." Perpetual Motif: The Art of Man Ray pp. 35-39 Roth pp. 80-81. James Thrall Soby unknown books
Best.-Nr. 32865Hartford Conn: James Thrall Soby. First edition. Man Ray. 104 pp plastic spiral binding. Second issue with the false "second edition" statement. A few small rubs and creases to covers; very good. James Thrall Soby unknown books
1934Best.-Nr. 140948952Hartford CT: James Thrall Soby 1934. First Edition. Fine. A superlative example of the first edition first issue of May Ray's first monograph. 104 pp. with frontispiece portrait of Man Ray by Pablo Picasso the original title page and gravure plates after photographs by Man Ray with text in English and French. Bound in publisher's comb-bound pictorial card wraps. Light wear to wraps with faint marginal soiling to contents else Fine unusual in such nice condition and with spirals intact. Initial sales were so dismal that the publisher recalled most copies of the first printing and replaced the title page with two different fictitious ones claiming "second edition" and "deuxieme edition" in efforts to stoke demand. Copies like this one with the original title page are therefore rare. A fantastic copy of this pioneering work. James Thrall Soby unknown books
1934Best.-Nr. 106030Hartford James Thrall Soby 1934 31x25cm Hartford, James Thrall Soby, 1934, 31x25cm,112p, reliure peigne plasrique, couverture photographique en couleurs.104 photographies de Man Ray reproduites en héliogravure par Draeger Frères, textes de Man Ray, André Breton, Paul Eluard, Rrose Sèlavy et Tristan Tzara, en français, anglais et allemand. Mention de deuxième édition.
1937Best.-Nr. 170731001Paris: GLM 1937. First Edition. Loose Leaves in Cloth Portfolio. Very Good. First edition. Seventeen loose leaves including 12 halftone plates on coated stock in flexible blue cloth portfolio and outer black die-cut wraps. Near Fine with uneven fading to blue cloth portfolio light general shelf wear and with die-cut intact. A lovely example. GLM unknown books
1937Best.-Nr. 2467Paris Éditions GLM 1937. MAN RAY. La Photographie n'est pas L'Art. Paris: Éditions GLM 1937. Slim octavo 17 loose leaves in original flexible blue cloth portfolio original black die-cut wrapper. First edition of this landmark treatise with 12 full-page halftones of Man Ray's distinctive photographs 'regarded by some as amongst the greatest of the 20th century' Parr & Badger. Jean Cocteau called him 'the poet of the darkroom.' 'It was with Man Ray's arrival in Paris in the summer of 1921 when Dada was at its height that photographic experimentation temporarily leaderless after the disastrous war took a decisive new direction' Frizot 442. 'Man Ray's work introduced a particular note to Dadaism since he used photography and recognized early on that this medium could reproduce the effects of object-based art in two-dimensional form. Photography was in a position to preserve the ordinary and to unleash surreal effects' Icons of Photography 26. 'Although he incorporated photography into his Dadaist practice much of his photographic activity was given over to conventional portrait and fashion commissions. This rankled with him and 'photography is not an art' was a constant theme in his work. La Photographie n'est pas L'Art is one of the most enigmatic yet advanced of all his books. It can be taken as a summation of his experiments in photography and might be said to be his photographic swansong' Parr & Badger 108-09. With text by André Breton. See Roth 80-81 86-87. Interior and images fine. Only light sunning to cover through aperture in wrapper. A fine copy. Scarce. Bauman quote In a contemporary clam shell box in blue cloth. GLM books
1925Best.-Nr. 22149Paris ca1925. As issued. Very good. Silver halide photographic print ca1925 that meas. appx. 173 x 230 mm. Signed in the lower right: Man Ray / Paris. It is spot mounted to a sheet of heavy weight paper. The mount bears the following unidentified inscription: "To our old friend Carles / Helen & Guy". Carles is Arthur Beecher Carles a Philadelphia artist who on several occasions prior to 1930 had lengthy stays in Paris and/or at Edward Steichen's home in the village of Voulangis with the financial help of Tyson and friends. Tyson was a one time student of the artist who later established a reputation for his nature studies. Helen was Carroll Tyson's wife. unknown books
1934Best.-Nr. 140948952Hartford CT: James Thrall Soby 1934. First Edition. Fine. A superlative example of the first edition first issue of May Ray's first monograph. 104 pp. with frontispiece portrait of Man Ray by Pablo Picasso the original title page and gravure plates after photographs by Man Ray with text in English and French. Bound in publisher's comb-bound pictorial card wraps. Light wear to wraps with faint marginal soiling to contents else Fine unusual in such nice condition and with spirals intact. Initial sales were so dismal that the publisher recalled most copies of the first printing and replaced the title page with two different fictitious ones claiming "second edition" and "deuxieme edition" in efforts to stoke demand. Copies like this one with the original title page are therefore rare. A fantastic copy of this pioneering work. James Thrall Soby unknown
1934Best.-Nr. 2198Hartford: James Thrall Soby 1934. First edition. Publisher's plastic comb binding stiff wrappers. Minor vertical crease to front cover light chipping to outer edge. Upper and lower portions of the front cover coming loose from the binding but the cover is still held firmly. Internally clean and bright. Now housed in a custom clamshell box. The very rare first issue. As Roth describes the publisher "attempted to generate demand where none existed by suggesting the edition had sold out. After replacing the title pages of these copies- presumably a healthy percentage of the run whose sales had in fact been slow to none- with one stating 'deuxième edition' second edition he returned them for sale. Copies with the original title page are exceedingly rare." Man Ray's first monograph with texts in English and French by Duchamp Tzara Eluard Breton and Man Ray himself. Frontispiece portrait of Man Ray by Picasso. Contains 104 heliogravure images. "Part art part illustration the book was meant to be an inventory of his work a kind of grand promotional catalogue. Man Ray's album was a virtuoso presentation of modern European-style photography. Close-up views distorted angles double exposures night photography negative prints rayographs still lifes nudes portraits fashion photographs and even a painting. were reproduced. Intended for an American more than a European audience the album was Man Ray's means of presenting his career to a homeland that had rarely seen his work." Perpetual Motif: The Art of Man Ray pp. 35-39 Roth pp. 80-81. James Thrall Soby unknown
Best.-Nr. 18-7753New York: Dover 1979. 4to. 104 pp. Very Good. Soft Cover. Illustrated paper wraps. Some shelf wear and curling at bottom corner. B&W plates throughout. From the library of Pasquale Iannetti as indicated by stamp and library card on end papers. Scarce.ISBN: 0486238423 9780486238425.Contents:Portrait / Picasso --The age of light / Man Ray --Photographs : Man Ray / Paul EÌluard --Photographs : The visages of woman / AndreÌ Breton --Photographs : Men before the mirror / Rrose SeÌlavy --Photographs : When things dream / Tristan Tzara --Rayographs 1921-1928 New York: Dover, 1979. paperback
1937Best.-Nr. 170731001Paris: GLM 1937. First Edition. Loose Leaves in Cloth Portfolio. Very Good. First edition. Seventeen loose leaves including 12 halftone plates on coated stock in flexible blue cloth portfolio and outer black die-cut wraps. Near Fine with uneven fading to blue cloth portfolio light general shelf wear and with die-cut intact. A lovely example. GLM unknown
1934Best.-Nr. D7445Hartford Connecticut: James Thrall Soby 1934. First Edition First Issue. Fair. Spiral bound full-color wraps with b/w photo-illustrations heliogravure throughout; pp. 4 104 2 blank colophon complete. First edition first issue including the rare original title-page. Covers and final blank detached; first and last few leaves a little loose with chip out of bottom corner of last leaf pp. 103-104 near the gutter not affecting the images. Certainly a much-used copy but complete uncommon and with nice clean images overall. Sold as is. James Thrall Soby paperback
1937Best.-Nr. 2467Paris Éditions GLM 1937. MAN RAY. La Photographie n'est pas L'Art. Paris: Éditions GLM 1937. Slim octavo 17 loose leaves in original flexible blue cloth portfolio original black die-cut wrapper. First edition of this landmark treatise with 12 full-page halftones of Man Ray's distinctive photographs 'regarded by some as amongst the greatest of the 20th century' Parr & Badger. Jean Cocteau called him 'the poet of the darkroom.' 'It was with Man Ray's arrival in Paris in the summer of 1921 when Dada was at its height that photographic experimentation temporarily leaderless after the disastrous war took a decisive new direction' Frizot 442. 'Man Ray's work introduced a particular note to Dadaism since he used photography and recognized early on that this medium could reproduce the effects of object-based art in two-dimensional form. Photography was in a position to preserve the ordinary and to unleash surreal effects' Icons of Photography 26. 'Although he incorporated photography into his Dadaist practice much of his photographic activity was given over to conventional portrait and fashion commissions. This rankled with him and 'photography is not an art' was a constant theme in his work. La Photographie n'est pas L'Art is one of the most enigmatic yet advanced of all his books. It can be taken as a summation of his experiments in photography and might be said to be his photographic swansong' Parr & Badger 108-09. With text by André Breton. See Roth 80-81 86-87. Interior and images fine. Only light sunning to cover through aperture in wrapper. A fine copy. Scarce. Bauman quote In a contemporary clam shell box in blue cloth. GLM
1983Best.-Nr. 2081502111703631Misuzushobo 1983. Soft Cover. Fine. Number of pages: 256p Size: 31cm Misuzushobo paperback
1997Best.-Nr. ABE-1635342162772146 PAGES-EN COUVERTURE, CLAUDIA SCHIFFER-30 ANS DE L'HISTOIRE DE PHOTO-30 ANS D'AGENCES PHOTO-30 ANS DE MAGAZINE, A TRAVERS LES COUPS DE COEUR DE LA PRESSE DU MONDE ENTIER-LES TOPS DE LA MODE PAR PENN, HIRO, HORST, NEAL BARR, SIEFF, BILL KING, PARKINSON, ELGORT, RITTS-30 ANS DE PUB, A TRAVERS LES COUPS DE COEUR DES DIRIGEANTS DES VINGT-QUATRE PLUS GRANDES AGENCES-30 ANS D'ACTUALITE-30 ANS DE VENTES AUX ENCHERES, ENTRETIEN AVEC PHILIPPE GARNER SUR LE MARCHE DE LA PHOTO-30 ANS D'APPAREILS PHOTO-LE CADEAU DE PETER BEARD-LE CADEAU DE LUC BESSON, PORTRAIT DE BRUCE WILLIS ET LES PLUS BELLES IMAGES NOIR ET BLANC DU "5E ELEMENT" REALISEES PAR JACK ENGLISH-POSTER REPRESENTANT 357 COUVERTURES-30 ANS DE PHOTOJOURNALISME, RETOUR SUR LES GRANDS EVENEMENTS DE 1967 A 1997-
1937Best.-Nr. 1030791937 Tokyo, ARS, 1937, 260x190mm, 7 pp. d’index, 160pp. de planches photographiques, 22 pp. de texte. Broché, couverture illustrée avec titre.Index des images en japonais et en anglais, les données techniques figurant sous les images en japonais.Quelques-uns des photographes: Heinz Perckhammer, René-Jacques, Andreas Feininger, Man Ray, Florence Henri, Alfred Eisenstaedt, Hans Kammerer, Karl Sanders, Tsugio Moriata, Berenice Abbott. (103079)
1983Book is in near fine condition with creaseless covers and spine, very light scuffing of covers. Binding is solid and square, exterior shows no other blemishes, text/interior is clean and free of marking of any kind. 130 pages. Exhibition catalog at the Victoria and Albert Museum, March - May 1983 showing the results of the choices of a panel of 30 distinguished "photographers, painters and writers" such as David Bailey, Bryn Campbell, David Hockney, R. B. Kitaj, Aaron Scharf, Roy Strong, et al, who caption each full page photo with why they love the work. Includes works by 45 photographers, including Ansel Adams, Diane Arbus, Cecil Beaton, Walker Evans, Eikoh Hosoe, Josef Koudelka, Jacques-Henri Lartigue, Irving Penn, Man Ray, Alfred Stieglitz, Joel-Peter Witkin, Max Yavno, and others. Introduction by Mark Haworth-Booth; includes bibliographical references and index of photographers. A great collaboration of artists admiring and appreciating other artist's work.
Best.-Nr. 3137New York. Delano Greenidge editions. 2000. Album in-4° broché. Couverture photographique. 120 pages. 104 planches photographiques hors texte.
Best.-Nr. 12716Tous nos exemplaires de PARIS-MAGAZINE sont en bon état (avec parfois des agrafes rouillées, sans atteinte aux pages).
Best.-Nr. 12715Tous nos exemplaires de PARIS-MAGAZINE sont en bon état (avec parfois des agrafes rouillées, sans atteinte aux pages).
