4,217 results
ref. 1211Book. Philadelphia: Clark & Raser 1827. 8vo original stiff wrappers printed title label. Pp. 178. Folding frontispiece and 3 plates of 4. Spine worn some browning but a nice copy in original uncut state. Sole edition very scarce. A compilation from original and published sources both English and American almost entirely devoted to short-horn cattle and sheep and their food crops. The large folding engraved frontispiece showing "Matilda one of Mr. Whitake r's Improved Short Horn Cows" in a rural setting with sheep and agricultural implements in the foreground is a handsome piece of work by the noted en graver Francis Kearny after the original work of Philadelphia landscape and still-life painter John Woodside. Rink 1333; Imprints 30185. unknown books
ref. 06505Paris: Viginet 1860. A Jewel of French Decorative Lithography Édouard Lièvre's Vision of the Twelve Months LIÈVRE Édouard Lièvre. Les Douze Mois. Paris: Vignet n.d. ca. 1860s. First edition. Oblong quarto 8 15/16 x 12 1/8 inches; 227 x 308 mm. Title-page printed in gold black and green. With twelve fine hand-colored lithograph plates each accompanied by a protective leaf. Publisher's green pebbled boards front cover elaborately decorated and lettered in gilt. Binding bright gilt crisp with only minor wear at extremities; an unusually well-preserved example in original boards. A beautifully conceived decorative suite representing the twelve months. The twelve hand-colored lithographs are conceived as intimate seasonal vignettes each centered on young children engaged in quiet domestic or outdoor activities appropriate to the month. Rather than formal allegorical figures Lièvre presents scenes of childhood observation and gentle narrative - reading tending resting or playing - imbued with a sense of calm order and refinement. The children are depicted in elegant period costume their gestures natural and unforced often set within carefully rendered interiors or garden settings. Each composition balances figure and environment with subtle attention to furnishings textiles and seasonal detail reflecting Lièvre's background as a designer in the decorative arts. The coloring is delicate and restrained favoring soft tonal washes over bold saturation lending the series a unified atmospheric quality. The result is less overtly didactic than traditional "months" iconography and instead offers a poetic vision of childhood framed by the passage of the year. The elaborate publisher's binding with its gilt decoration echoing the sophistication of the plates within makes this an especially appealing survival in original form. Paris: Viginet, 1860 unknown
ref. 06505Paris: Viginet 1860. A Jewel of French Decorative Lithography Édouard Lièvre's Vision of the Twelve Months LIÈVRE Édouard Lièvre. Les Douze Mois. Paris: Vignet n.d. ca. 1860s. First edition. Oblong quarto 8 15/16 x 12 1/8 inches; 227 x 308 mm. Title-page printed in gold black and green. With twelve fine hand-colored lithograph plates each accompanied by a protective leaf. Publisher's green pebbled boards front cover elaborately decorated and lettered in gilt. Binding bright gilt crisp with only minor wear at extremities; an unusually well-preserved example in original boards. A beautifully conceived decorative suite representing the twelve months. The twelve hand-colored lithographs are conceived as intimate seasonal vignettes each centered on young children engaged in quiet domestic or outdoor activities appropriate to the month. Rather than formal allegorical figures Lièvre presents scenes of childhood observation and gentle narrative - reading tending resting or playing - imbued with a sense of calm order and refinement. The children are depicted in elegant period costume their gestures natural and unforced often set within carefully rendered interiors or garden settings. Each composition balances figure and environment with subtle attention to furnishings textiles and seasonal detail reflecting Lièvre's background as a designer in the decorative arts. The coloring is delicate and restrained favoring soft tonal washes over bold saturation lending the series a unified atmospheric quality. The result is less overtly didactic than traditional "months" iconography and instead offers a poetic vision of childhood framed by the passage of the year. The elaborate publisher's binding with its gilt decoration echoing the sophistication of the plates within makes this an especially appealing survival in original form. Paris: Viginet, 1860 unknown books
ref. 038081942 New York HARE David editor. 28 x 215 cm - 72 pgs - original cover soft cover cover illustration by Max Ernst - articles by Callois Masson Péret Ernst BretonCh.H. Ford Séligmann PenroseMotherwell Jarry ao - ills by de Chirico Ernst Masson Matta Picasso Tanguy eo - spine a litte bit faded name in handwriting on tittle-page otherwise very fine copy - see Bolliger III 241 with illustration: n° 1 W. S. Rubin: Dada and Surrealistic Art pg 343 470 1942 New York HARE David editor paperback
ref. Z1-M-008-02055Macmillan. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Macmillan unknown
1840ref. 5847Philadelphia ca1840. First Separate Edition. Original blue paste paper boards. Fine; occasional spotting; untrimmed. 8vo 2 1 - 37 1 1 - 11 1 pp. The volume collates: A - F4 H2. There are several text illustrations. A scarce tract. Appended to the main text are two other papers by Hare : A Brief Account of the Theory of Ampere; An Examination of the Question . of Mechanical Electricity. Hare also included a preface: To the Students Drop title not noted by Gartrell that is a most interesting account of the development of electrical studies as an adjunct to chemistry and chemical instruction at the Univ. of Penn. See Gartrell #767; absent from Cole. hardcover books
1978ref. 3725New York: Aperture 1978. First edition of this classic work. Oblong quarto original cloth illustrated throughout. Lengthily inscribed by Chauncey Hare on the title page. Near fine in a very good dust jacket. As noted historian and social observer Theodore Roszak wrote "these images chronicle not just the spiritual desolation at the heart of an industrial society but also reflect Hare's own despair. Prior to taking up photography he worked as an oil industry engineer for over 20 years becoming increasingly alienated from his work and the attitudes it forced him to take. A chilling body of work that is a harsh indictment of the consequences of industrial production and the alienation it produces in the lives of individuals." "An interesting figure who deserves a renewed focus of critical attention" Parr & Badger. Aperture hardcover
1827ref. 17049Philadelphia: J G Auner 1827. First Edition. Full contemporary calf. Good; spine restored and hinges strengthened in amateurish manner; internally bright and clean. 8vo xx 310 48 40 pp. 19 plates. This according to Cole is the first issue of the textbook that replaced the inadequate syllabus Minutes of the Course of Chemical Instruction.The entire book was re-written by Hare and originally issued in parts. The main text 310 pages was ready in October of 1827; the Appendix bound in this copy and Essay on Electricity also present appeared in Nov. 1828. The work is important and notable for its many illustrations and plates that include apparatus specifically designed or modified by Hare; description of the use of the apparatus is given in some detail. An important book. Cole # 590. J G Auner unknown books
1923ref. 009512Paris: Le Livre du Bibliophile G & R. Briffaut Editeurs 1923. Hardcover. Good. André Lambert. Special limited edition of Ovid's Art of Love with the Latin text and a French translation by Lievre. With 23 tissue guarded engraved plates and frontisplates in colour by Andre Lambert. Limited to 500 copies in total this being one of 50 that contain the illustrations in two states b/w in addition to colour. No. 82. Printed on special watermarked Velin d'Arches paper. Rebound in red cloth with original DJ bound in to rear. 4to. Fore edge rough cut. Offsetting from plates light spotting to rear of plates. Very good. Le Livre du Bibliophile, G & R. Briffaut Editeurs hardcover
1947ref. 0015431947 Paris, Plume & Presse (Thiébaud), 1947-1948. Quatre volumes in-quarto (231 X 283) brochés, couverture rempliée, titre imprimé en noir au dos et sur le premier plat ; les volumes sont regroupés dans deux étuis et chemises éditeurs. Tome I : XXV-164 pages. Tome II : 182 pages. Tome III : 164 pages. Tome IV : 159 pages.
2013ref. Manohar-9780415591126Routledge 2013. Hardcover. New. Routledge hardcover
2013ref. Manohar-9780415591126Routledge 2013. Hardcover. New. Routledge hardcover
2002ref. x-0415274702Routledge 2002. Hardcover. New. 1st edition. 168 pages. 8.50x5.75x0.75 inches. Routledge hardcover
ref. 49562In-8 demi-relié. Avec 3 éditions dans une même reliure. I: Texte de "La Chasse Royale composée par le Roy Charles IX et dédiée à Louis XIII.A Paris.Veuve Bouchard-Huzard.1858.Frontispice.136 p./ II: René de Maricourt.Traicté et Abrégé de la Chasse du Lièvre et du Chevreuil.Chez Veuve Bouchard-Huzard en 1858.143 p.3 blasons.III: Hardouin,Seigneur de Fontaines-Guérin.Rousseau-Pallez en 1856.134 p.Gravures à l'eau-forte.TBE.Rares.
1832ref. 46422Cambridge: printed by J. Smith . for Deightons Cambridge; Rivingtons London; and Parker Oxford 1832. First edition volumes I and II all published; pp. 2 iv iii-iv 706; iv 706; light spotting else a fine set in original green cloth and unusual thus gilt-lettered spine; engraved bookplates of Alexander Thomson of Banchory 1798-1868 the 19th-century Scottish advocate agriculturalist antiquary author philanthropist and traveler. "Most members of the Etymological Society wrote for the Philological Museum and in our effort to get at the community of background outlook and philological interest shared by the influential Cambridge scholars we may briefly consider that publication. Hare who shared the editorship with Thirwell explained in the Preface to the first of the only two volumes that were published that English scholars in the 1820's had contributed little more than a 'mite' to the knowledge of classical antiquity . it became the purpose of the Museum to foster the 'spirit of philological criticism' . Actually the majority of the articles were on classical subjects with Thirwell the most prolific contributor. But the Museum also contained several articles on English and the new philology of which Kemble's 'On English Praeterites and Genitives' was the most important being the first exposition in English of Grimm's analysis of the forms of the verb in Germanic" Aarsleff The Study of Language in England 1780-1860 pp. 219-20. Also with articles on 'On English Orthography' and 'On English Diminutives.'. printed by J. Smith ... for Deightons, Cambridge; Rivingtons, London; and Parker, Oxford unknown
1832ref. 46422Cambridge: printed by J. Smith . for Deightons Cambridge; Rivingtons London; and Parker Oxford 1832. First edition volumes I and II all published; pp. 2 iv iii-iv 706; iv 706; light spotting else a fine set in original green cloth and unusual thus gilt-lettered spine; engraved bookplates of Alexander Thomson of Banchory 1798-1868 the 19th-century Scottish advocate agriculturalist antiquary author philanthropist and traveler. "Most members of the Etymological Society wrote for the Philological Museum and in our effort to get at the community of background outlook and philological interest shared by the influential Cambridge scholars we may briefly consider that publication. Hare who shared the editorship with Thirwell explained in the Preface to the first of the only two volumes that were published that English scholars in the 1820's had contributed little more than a 'mite' to the knowledge of classical antiquity . it became the purpose of the Museum to foster the 'spirit of philological criticism' . Actually the majority of the articles were on classical subjects with Thirwell the most prolific contributor. But the Museum also contained several articles on English and the new philology of which Kemble's 'On English Praeterites and Genitives' was the most important being the first exposition in English of Grimm's analysis of the forms of the verb in Germanic" Aarsleff The Study of Language in England 1780-1860 pp. 219-20. Also with articles on 'On English Orthography' and 'On English Diminutives.'. printed by J. Smith ... for Deightons, Cambridge; Rivingtons, London; and Parker, Oxford unknown books
ref. 51-7172London: Carington Bowles December 1786. Engraved broadside with various images of the attempted assassination and of female representatives of the various virtues with ornate calligraphy by David Hare. Very rare. 45.5 x 35cm.Missing part of blank lower margin' tears in other blank margins. .On August 2 1786 Margaret Nicholson attempted to assassinate King George III with a dessert knife at St. James's Palace but the blade broke on her second thrust. The king escaped unharmed reportedly stating "The poor creature is mad; do not hurt her!". Nicholson was declared insane and confined to Bedlam. The Incident: Nicholson 36 approached King George III as he arrived at the palace pretending to present a petition before lunging with an ivory-handled knife. The "Guardian": The "guardian angel" was effectively the King's own composure and physically the immediate action of the palace attendants who tackled Nicholson before she could cause injury. Aftermath: The attack a major news event led to depictions of the scene by artists like Robert Dighton. Margaret Nicholson: She was committed to Bethlehem Hospital Bedlam where she remained until her death in 1828 becoming a figure in literature. London: Carington Bowles, December, 1786. unknown
ref. 04399London: Holloway and Son 1873. One of a Very Few Copies Specially Bound by Holloway LIÈVRE Édouard. Works of Art in the Collections of England. Drawn by Édouard Lièvre author of: "Collections Célébres D' Oeuvres D'Art en France" and engraved by Bracquemond Courtry Flameng Greux Le Rat Lhermitte J. Lièvre Muzelle Rajon Randall and Valentin. London: Holloway and Son 1873. One of 100 Proof Copies printed on fine paper. Large folio 19 15/16 x 13 5/8 inches; 507 x 345 mm. i half-title ii limitation leaf iii title-page printed in red and black with India Paper portrait affixed iv photograph of lady on horseback affixed to page v-viii list of subscribers printed in red and black ix-x contents leaf printed in red and black 1-50 text leaves printed in red and black. Fifty proof plates on India Paper each one interleaved with a blank. Some very light intermittent foxing to a few leaves otherwise fine. Publisher's Deluxe Binding of full green morocco stamp-signed in black on front turn-in "Bound by Holloway". Covers very elaborately decorated in gilt spine with five raised bands also elaborately decorated and lettered in gilt in compartments. Double-ruled gilt board edges elaborate gilt tooled wide turn-ins all edges gilt. Armorial Shield "Advance With Courage" stamped in gilt on front paste-down. Slight fading to front cover edges and spine still a very fine example. "The objects of art selected for representation are from many of our most famous collections including those of Her Majesty Sir Richard Wallace Sir Dudley Marjoribanks Barons Lionel and Anthony de Rothschild and the British and South Kensington Museums. The examples have been chosen with judgment and what with the exquisite beauty of the original objects and the wondrous accuracy and art of their reproduction on paper this rare portfolio is well worthy of a place among the chief treasures of any art library public or private." "This very beautiful book was issued for Subscribers only; a few copies were printed in excessof which there remains a limited number. The objects suitable for reproduction have been carefully selected from the celebrated Collections several of the most distinguished Amateurs having placed their treasures at the disposal of the artists and publishers." Published 1873 @ £15.15.00. Bernard Quaritch's October 1883 Catalogue of Works on the Fine Arts the Galleries etc. This copy was a sometime purchased from Bernard Quaritch of London their collation marks in pencil at back. London: Holloway and Son, 1873 unknown
ref. 04399London: Holloway and Son 1873. One of a Very Few Copies Specially Bound by Holloway LIÈVRE Édouard. Works of Art in the Collections of England. Drawn by Édouard Lièvre author of: "Collections Célébres D' Oeuvres D'Art en France" and engraved by Bracquemond Courtry Flameng Greux Le Rat Lhermitte J. Lièvre Muzelle Rajon Randall and Valentin. London: Holloway and Son 1873. One of 100 Proof Copies printed on fine paper. Large folio 19 15/16 x 13 5/8 inches; 507 x 345 mm. i half-title ii limitation leaf iii title-page printed in red and black with India Paper portrait affixed iv photograph of lady on horseback affixed to page v-viii list of subscribers printed in red and black ix-x contents leaf printed in red and black 1-50 text leaves printed in red and black. Fifty proof plates on India Paper each one interleaved with a blank. Some very light intermittent foxing to a few leaves otherwise fine. Publisher's Deluxe Binding of full green morocco stamp-signed in black on front turn-in "Bound by Holloway". Covers very elaborately decorated in gilt spine with five raised bands also elaborately decorated and lettered in gilt in compartments. Double-ruled gilt board edges elaborate gilt tooled wide turn-ins all edges gilt. Armorial Shield "Advance With Courage" stamped in gilt on front paste-down. Slight fading to front cover edges and spine still a very fine example. "The objects of art selected for representation are from many of our most famous collections including those of Her Majesty Sir Richard Wallace Sir Dudley Marjoribanks Barons Lionel and Anthony de Rothschild and the British and South Kensington Museums. The examples have been chosen with judgment and what with the exquisite beauty of the original objects and the wondrous accuracy and art of their reproduction on paper this rare portfolio is well worthy of a place among the chief treasures of any art library public or private." "This very beautiful book was issued for Subscribers only; a few copies were printed in excessof which there remains a limited number. The objects suitable for reproduction have been carefully selected from the celebrated Collections several of the most distinguished Amateurs having placed their treasures at the disposal of the artists and publishers." Published 1873 @ £15.15.00. Bernard Quaritch's October 1883 Catalogue of Works on the Fine Arts the Galleries etc. This copy was a sometime purchased from Bernard Quaritch of London their collation marks in pencil at back. London: Holloway and Son, 1873 unknown books
2003ref. 27000Upstairs no text on spine a5: Serendipity 2003. Paperback. Good. Signed by Author. Inscription by Author Paperback in good condition Serendipity paperback
ref. GOR001755917Paperback. Acceptable. paperback
ref. GOR001517350Paperback. Very Good. paperback
1889ref. 005046New York NY: Thomas Whittaker 1889 Thomas Whittaker New York. 1889. Hardcover. Probably the 5th printing of the 1884 original. Book is tight square and unmarked but for name of former owner who received the book as gift on 12/25/1886-gift card is laid in. The book is written in the transliterated English letters of the Dakota language. Book Condition: VG maybe Near Fine; from what can be seen under the hand-made Indian book cover. No DJ. Black boards and spine with gilt lettering on spine and embossed cross on the front board. The book has a hand-made bead dyed porcupine quill and animal hide book cover that slips over the boards; has stitched leather closure on the front and Millie written on the spine. This is very likely turn of the century genuine Indian work. There is no foxing; the hinges are not split; the boards are not worn; there is no marking on the pages; there is no moisture damage. This book contains in the Dakota language the following subjects; The Christian Year; The Communion of Saints; the Church; The Sacraments; Offices of the Church; Missions and Charities; Special Seasons; Redemption; The Christian Life; The Judgment; Heaven and Miscellaneous. A clean beautiful book in an original Indian hand-made religious cover for the book. Thomas Whittaker hardcover
2000ref. SBBI-mon0000155190Element Books 2000. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Element Books paperback
2004ref. SBBI-mon0000034317Pan 2004. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Pan paperback