3,106 results
ref. 4368Bayeux, Imprimerie Deslandes, sans date, [1880], 1 Volume broché, 180 x 113 mm. 48 pp. Plan dépliant de Bayeux monté en tête, 2 Planches photographiques N & B,Renseignements touristiques, historiques et pratiques.quelques écritures à la plume au second plat, du reste, bonne condition.
1882ref. 45671882 Bayeux, Typographie Octave Payan, 1882, 1 Volume broché, 180 x 115 mm. 124 pp. Usures d'usage, rare.
1927ref. 130038Le divan A Paris, Le Divan 1929. In-8 broché, covuerture orange de 238 pages non coupées. Valéry Larbaud. Paul Valéry. Louis Codet. Maurras. André Gide. Marcel Schwob. Paul Morand. Collection Saint Germains des Prés N° 9. Tirage limité numéroté. Exemplaire n° 250 sur Alfa. Hors des rousseurs sur la première page blanche, bel exemplaire.
1960ref. 4401Paris, Les Quatre fils Aymon, 1960, 18 X 24 cm., broché, 148 pages. Edition originale. Jolies illustrations en couleurs contrecollées du vicomte Jehan de CONNY. Préface de Jacques Chevalier. Des traces sur les couvertures, intérieur propre et frais.
1946ref. 169254London: Faber and Faber 1946. First UK Edition. A mystery featuring the lawyer Francis Pettigrew and Inspector Mallet. Slight lean page edges foxed overall Very Good in a Very Good dust jacket. Jacket toned to the extremities with some foxing to the flap folds front and rear panels and verso. Faber and Faber unknown books
1876ref. 11441Paris, Viginet, [Circa 1876]. 1 vol. in-8 oblong. Broché, couverture titrée. Douze planches.
ref. 2598. Le divan Paris, 1925, in-12 br, 121pp., coll. Les soirées du divan n°13, EO, ex. n°202 sur 800 ex. sur bel alfa bouffant. Très bon état.
ref. 13743Société française d'édition d'art / L. Henry May Paris, sans date (vers 1880) , in-folio, catonnage pleine toile crème à la bradel imprimée rouge. 1f.-200pp.-2ff. 27 planches hors-texte gravées à l'eau-forte sur beau papier vergé sous serpente (collationné complet à partir de la table) . Nombreuses gravures in texte. Catalogues des peintures d'Holbein présentes dans les principales collections publiques et privées. Index des noms cités. Très bel exemplaire, sans rousseur. La qualité de reproduction à l'eau-forte est incomparable. Les illustrations pour l'Eloge de la folie d'Erasme sont reproduites sur neuf pages. Superbe monographie sur ce peintre humaniste.
1914ref. 114431914 plaquette (booklet) in-octavo carré, couverture saumon imprimée (cover printed, illustrations de Gauguin et de Bonnard, 80 pages, 1914 à Paris Les Marges,
1885ref. 28611Paris, Le Divan, 1930. Un vol. au format in-16 (158 x 103 mm) de xxviii - 358 pp., broché.
1939ref. 53908New York: New York World's Fair 1939. Very good. Original peepshow of the 1939 New York World's Fair - opening to a detailed three-dimensional illustration of the exhibition with colorful crowds mingling across from the iconic Trylon and Perisphere. The talents of New York-based artists Elizabeth Sage Hare a painter and Warren Chappell an illustrator with a focus on type design are beautifully displayed in this peepshow from the 1930s. When opened accordion-style it shows a 3D depiction of the Grand Concourse with a lively scene by the fountains of various patrons awaiting the exhibition. A lovely survival. peepshow 6.75" x 5"; envelope 5.25" x 7.25". 6 color-lithographed panels with cutaways to view scene in accordian style reveal including front panel. Housed in tan envelope. Soiling to front and back boards spotting and sunning near bellows edges. Closed tear to first bellow detached bellow to last panel. A touch fragile but still vibrant. (New York World's Fair) unknown books
ref. 06505Paris: Viginet 1860. A Jewel of French Decorative Lithography Édouard Lièvre's Vision of the Twelve Months LIÈVRE Édouard Lièvre. Les Douze Mois. Paris: Vignet n.d. ca. 1860s. First edition. Oblong quarto 8 15/16 x 12 1/8 inches; 227 x 308 mm. Title-page printed in gold black and green. With twelve fine hand-colored lithograph plates each accompanied by a protective leaf. Publisher's green pebbled boards front cover elaborately decorated and lettered in gilt. Binding bright gilt crisp with only minor wear at extremities; an unusually well-preserved example in original boards. A beautifully conceived decorative suite representing the twelve months. The twelve hand-colored lithographs are conceived as intimate seasonal vignettes each centered on young children engaged in quiet domestic or outdoor activities appropriate to the month. Rather than formal allegorical figures Lièvre presents scenes of childhood observation and gentle narrative - reading tending resting or playing - imbued with a sense of calm order and refinement. The children are depicted in elegant period costume their gestures natural and unforced often set within carefully rendered interiors or garden settings. Each composition balances figure and environment with subtle attention to furnishings textiles and seasonal detail reflecting Lièvre's background as a designer in the decorative arts. The coloring is delicate and restrained favoring soft tonal washes over bold saturation lending the series a unified atmospheric quality. The result is less overtly didactic than traditional "months" iconography and instead offers a poetic vision of childhood framed by the passage of the year. The elaborate publisher's binding with its gilt decoration echoing the sophistication of the plates within makes this an especially appealing survival in original form. Paris: Viginet, 1860 unknown books
ref. 06657London: Eyre and Spottiswoode. One of Only Fifty Signed - Cecil Aldin at His Most Characteristic Handsomely Bound by Sangorski & Sutcliffe ALDIN Cecil Aldin illustrator. HARE Kenneth. Roads and Vagabonds. London: Eyre and Spottiswoode 1930. Signed Limited Edition. One of only 50 numbered copies this being no. 42 signed by both Cecil Aldin and Kenneth Hare. Large quarto 10 3/4 x 7 3/4 inches; 273 x 187 mm. viii 189 1 blank pp. Two inserted full-color plates and numerous color-tinted illustrations throughout the text. Handsomely bound ca. 1960 by Sangorski & Sutcliffe in full maroon crushed morocco covers ruled in gilt spine with five raised bands elaborately tooled and lettered in gilt in compartments gilt-ruled board edges and turn-ins marbled endpapers top edge gilt. A fine elegant copy. A particularly charming example of Cecil Aldin's mature work Roads and Vagabonds captures the artist's enduring fascination with the English countryside - its inns lanes sporting life and gently comic rural characters. Aldin's illustrations at once affectionate and keenly observed helped define the visual language of early 20th-century British sporting and travel books. The limitation of just fifty signed copies places this among the scarcest of Aldin's illustrated books seldom encountered on the market and almost always in lesser bindings. The present example is significantly enhanced by its later binding by Sangorski & Sutcliffe the great London firm associated with some of the finest decorative bindings of the modern era here executed in a restrained but luxurious style that complements the work beautifully. London: Eyre and Spottiswoode, unknown books
1846ref. 1412286Philadelphia 1846. Original 1846 University of Pennsylvania Doctor of Medicine diploma issued to Joel E. Turner featuring an extraordinary group of signatures from some of the most important physicians and medical educators in 19th century America. Signees include founding president of American Medical Association Nathaniel Chapman chemist Robert Hare surgeon William Gibson anatomist William E. Horner physician George B. Wood obstetrician Hugh L. Hodge and noted clinician Samuel Jackson. Executed entirely in ornate Latin manuscript with elaborate calligraphic flourishes the diploma represents the golden age of Philadelphia medicine when the University of Pennsylvania stood at the forefront of medical education in the United States. In Very Good condition overall with age toning creasing wear along edges and small closed tear to bottom left corner. Only a portion of original ribbon remains missing usual seal. Shelved at Rockville Room J tube storage. 1412286. Special Collections - Upstairs. unknown books
1930ref. 23692Gaylordsville CT: The Slide Mountain Press 1930. Limited edition. Folio. 104pp. Black cloth gilt spine title. Finely printed by James and Hilda Wells at the Slide Mountain Press on Bishopstoke handmade paper in a numbered edition of 450 copies. This is number 352 signed by the author and the illustrator. Light wear to the hinges and edges a trace of offsetting mainly from the illustrations and a short crease at the bottom of the front free endpaper else in very good condition. Illustrated with 10 woodblock prints by Esherick a noted illustrator of fine press books as well as other endeavors. This copy inscribed by Hare on the front free endpaper to A. Conger Goodyear in 1935 the industrialist and philanthropist who became the first director of the Metropolitan Museum of Art. The story of Tristram and Isolde or Iseult is generally considered of Irish origin though only retellings of the story--sometimes with varying details--have reached us in the later manuscript writings of Béroul Thomas of Britain Gottfried of Strasburg and others. By the 13th century Tristram has become one of the outstanding knight of the Round Table. Hare's dramatic rendering relies on Joseph Bédier's version which was translated by Belloc into English. THree acts with a total of 10 scenes complete with stage directions. Surprising scarce in commerce. . The Slide Mountain Press unknown books
ref. 25775Le Divan Collection Les Soirées du Divan -N° 13,, Paris, 1925. Edition originale. Un des 800 exemplaires numérotés sur bel alfa bouffant. Bel ex.
1920ref. 49249Bibliothèque des Marges 1920 1 vol. broché in-8, broché, 63 pp. Edition originale ornée de 2 portraits par Charles Camoin et Raoul Dufy, et un fac-similé. Bon état.
1920ref. 49249Bibliothèque des Marges 1920 1 vol. broché in-8, broché, 63 pp. Edition originale ornée de 2 portraits par Charles Camoin et Raoul Dufy, et un fac-similé. Bon état.
1909ref. 51154Paris Stock 1909 1 vol. broché in-16, broché, 127 pp. Edition originale avec un envoi de l'auteur. Dos légèrement gauchi. Bon état.
1909ref. 51154Paris Stock 1909 1 vol. broché in-16, broché, 127 pp. Edition originale avec un envoi de l'auteur. Dos légèrement gauchi. Bon état.
1940ref. 53151Paris Le Divan 1940 1 vol. broché in-12, broché, 189 pp., illustrations in et hors-texte, bibliographie. Très bon état.
1940ref. 53151Paris Le Divan 1940 1 vol. broché in-12, broché, 189 pp., illustrations in et hors-texte, bibliographie. Très bon état.
1920ref. 53460Paris Bibliothèque des Marges 1920 1 vol. relié in-8, demi-basane racinée fauve, dos lisse, 63 pp., 2 portraits par Charles Camoin et Raoul Dufy et un fac-similé. Edition originale.
1920ref. 53460Paris Bibliothèque des Marges 1920 1 vol. relié in-8, demi-basane racinée fauve, dos lisse, 63 pp., 2 portraits par Charles Camoin et Raoul Dufy et un fac-similé. Edition originale.
1929ref. 64250Le Divan, coll. "Saint-Germain-des-Prés" n° 9 1929 1 vol. broché petit in-8, broché, 238 pp., index. Dos frotté et sali. Intérieur très frais, non coupé.