HARE, NathanABAA
4,198 results
1970ref. 615093New York / London: Collier Macmillan 1970. Softcover. Fine. First edition by this publisher and with a new foreword by Floyd McKissick. First published in 1965. Illustrated wrappers. Fine. Signed by Hare. Collier Macmillan unknown books
ref. ADH37AP
ref. BEI42AP
1957ref. R100086037Imprimerie Gouin. 1957. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Papier jauni. 284 pages - quelques phrases soulignées au crayon à papier, quelques traces de stylo en marges à l'intérieur de l'ouvrage ne gênant pas la lecture.. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues
1998ref. 584096New York: Grove Press 1998. Softcover. Near Fine. First American edition. Pictorial wrappers. Margins lightly toned near fine. Hare's interpretation of the relationship between Oscar Wilde and Lord Alfred Douglas. Grove Press unknown books
1989ref. 595368London: Faber and Faber 1989. Softcover. Near Fine. Third printing. Small octavo. 82pp. Pictorial wrappers. Wraps with just a bit of wear very near fine. Faber and Faber unknown books
1974ref. 594865London: Samuel French 1974. Softcover. Near Fine. Acting edition. Octavo. 62pp. Stapled printed wrappers. A couple of spots of foxing on the front wrap else near fine. Samuel French unknown books
1974ref. 594866London: Samuel French 1974. Softcover. Near Fine. Acting edition. Octavo. 62pp. Stapled printed wrappers. Toning at the extremities of the front wrap else near fine. Publisher's complimentary stamp on the front wrap. Samuel French unknown books
1848ref. 41546London: Taylor and Walton 1848. Second Edition. Hardcover. g- to vg. Inscribed on front free endpaper "From the Author". Small Octavo. 383pp. 20pp. of advertisements. Original broth cloth boards with blind stamped illustrations on front and back cover. Gilt lettering on spine. The work was published anonymously and is a collection of essays aphorism and literary studies. The title page states "Second Edition" & "Second Series". Binding with some sunning and smudging to boards. Some bumping rubbing staining to spine as well as some chipping to head and tail. Binding in good- interior in very good condition. Taylor and Walton hardcover books
1951ref. 31562Lisbon: Oxford University Press 1951. Hardcover. vg. Octavo. VI 4 307 1pp. Original decorative dust-jacket over green cloth with gold lettering on spine. Frontispiece. This remarkable study concentrates on a number of representative Russian personalities ranging from the ultra-conservative Chaadayev and the pagan Byzantine Leontiev to the violently radical Chernyshevsky and the political sceptic Herzen whose outlook and activities despite their obvious divergence to right and left reveal many striking points of similarity. This book contains 9 b/w photographic reproductions of portraits. Dust-jacket binding and interior in overall very good condition. Oxford University Press hardcover books
ref. 11330London: J. M. Dent n/a. n/a. Hardcover. g. Herbert Cole. 8vo. xvi. 256pp. Retold from the old Chronicles of the Loyal Servitor and others. Illustrated blue boards and spine. Head and tail of spine bumped. Corners rubbed. Spine sunned. Illustrated endpapers. Hinges starting. With the bookplate of Bruce Bryan the noted author. Color frontispiece. In good condition. J. M. Dent hardcover books
1930ref. 3245941930. 27 photos mounted on board approx. 14 x 18 inches. Prints range from approx. 5 x 6-1/2 inches to 13 x 10 inches. 8 Kodak color prints mounted on board 3 of them signed on the mount; 18 silver gelatin prints mounted on 15 boards; 1 Kodachrome slide; 1 black and white negative transparency. Some soiling to the 2 sets of nude photos on board otherwise general slight toning overall very good. With Portfolio case labeled I-A. 27 photos mounted on board approx. 14 x 18 inches. Prints range from approx. 5 x 6-1/2 inches to 13 x 10 inches. Subjects include: Portraits of Yves Tanguy two different Mabel Dodge Luhan and Robinson Jeffers; six color and black and white portraits; three surrealist photo collages one with a severed head and two others incorporating Pueblo art; a group of nudes; three commercial images; and a group of surrealist-photographs of everyday items. David Hare 1917-1992 was born into modern art. His mother Elizabeth Sage Goodwin was a collector friends with Brancusi and Duchamp and one of the backers of the 1913 Armory Show. When Hare was 10 the family relocated to the Southwest and he grew up in Santa Fe and Colorado Springs. After studying biology and chemistry at Bard he dropped out and founded a commercial photography studio specializing in Kodak's new color dye transfer process in Roxbury Connecticut in 1937. There he met Arshile Gorky Alexander Calder and Yves Tanguy who was married to his cousin Kay Sage and began experimenting with automotatist techniques to create surrealist photographs on the side. He was sent on assignment by the Museum of Natural History to take portraits of the "village" Indians in New Mexico eventually publishing the limited portfolio Pueblo Indians of New Mexico As They Are Today twenty color photos that combined ethnography studio portraiture and surrealist phenomenology. Editor of Duchamp's magazine VVV and a contributor to Sartre's Le Temps Moderne Hare was a pivotal figure in the American phase of surrealism and in the words of Clement Greenberg one of the two preeminent sculptors of nascent Abstract-Expressionism. That he began as a photographer and not as did so many of his peers as a draughtsman and how this may have effected his mature art has not been explored. unknown books
2004ref. R100081090Bréal / Gallimard Educaction. 2004. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 645 pages - couverture contrepliée - nombreuses illustrations en couleurs et en noir et blanc dans le texte.. . . . Classification Dewey : 372.6-Livre scolaire : français
1975ref. 597579London: Cockpit Theatre 1975. Unbound. Near Fine. Theater handbill. Measuring approximately 6" x 8½". Horizontal crease else fine. The verso prints a full page of text about Fanshen and the Pandora Theatre. Cockpit Theatre unknown books
ref. 202646New York: Stokes ND. Hardcover. Very Good. Very good Book cover has three small stains on front cover on bottom. Stokes hardcover books
1921ref. 180002IL: Denison 1921. Very Good. First edition. Very good. Cloth lightly soiled bumped at edges and corners/. Denison unknown books
1962ref. 220128London: Oxford University Press 1962. Very Good. First edition. Very good Clean text ex-library copy with markings on gold stamped spine envelope and stamps mild wear on cover corners plate on front inside panel. Oxford University Press unknown books
1949ref. 162305London: H.F. & G. Witherby Ltd 1949. Hardcover. First edition. Owner name blind stamp Very good with some additional light wear no dustwrapper. H.F. & G. Witherby Ltd hardcover books
1928ref. 212932PA: Lea 1928. Very Good. Ninth edition. Very good Browning with bookplate. Cover rubbed. Lea unknown books
ref. 21571Tchou, "Bibliotheque des Introuvables", 2002. Format 19x26 cm, broche, 225 pages. Tres bon etat, exemplaire neuf.
ref. 21572Tchou, "Bibliotheque des Introuvables", 2002. Format 19x26 cm, broche, 204 pages. Tres bon etat, exemplaire neuf.
ref. 33312Dunod, collection "Finance et economie appliquee" n.42, 1972. Format 16x24 cm, cartonnage sous jaquette illustree, 558 pages. Jaquette abimee, livre intact mais provenant d'une bibliotheque, avec cachets. Bon etat, petites traces d'usage sur un livre d'occasion.
ref. 35037Revue mensuelle, 1962. Format 15x23 cm, broche, 128 pages. Bon etat.
ref. 35418Revue mensuelle, 1961. Format 15x23 cm, broche, 128 pages. Tres bon etat.
