Hare, TrevorBiblio.com
4,198 results
1995ref. Q-1877856533Western Natl Parks Assoc 1995-12-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Western Natl Parks Assoc paperback
ref. 1168758106.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 0656510935.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 1330417070.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. B9781168758101New. unknown
1930ref. ROD0010677Jules TALLANDIER. 1930. In-12. Broché. Bon état, Coins frottés, Coiffe en pied abîmée, Intérieur bon état. 224 pp., dos plié et fané. Ouvrage dédicacé.. . . . Classification Dewey : 97.2-Dédicace, envoi
1930ref. R320031953TALLANDIER. 1930. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 224 pages.. . . . Classification Dewey : 300-SCIENCES SOCIALES
1940ref. 23793New York: The Macmillan Company. Very Good in Very Good dj. 1940. First American Edition. Hardcover. nice clean book minor wear at top of spine; jacket has various small nicks along top and bottom edges some diagonal creasing at bottom of front panel Uncommon novel by an Irish-born author a woman by the way concerning the experiences of three children -- a 15-year-old boy and his two younger sisters -- who are shipped off to stay with a distant relative in Poland while their parents' oh-so-civilized divorce is pending. The relative interestingly is "employed cataloguing the treasures in the Baths Palace at Warsaw aka the Lazienki Palace and lives with his family in the Orangery near the Palace." The dust jacket art by the way is an accurate albeit stylized depiction of the Palace. The focus of the novel is on "the always fascinating contrast between two civilizations and two ways of life" and at least one contemporary reviewer likened the Polish family in the novel to the wacky Sycamore clan in Kaufman & Hart's "You Can't Take It With You." According to the New York Times the book was written in Warsaw between November 1938 and June 1939 and the narrative ends in the spring of 1939 mere months before the Nazi blizkrieg was to overrun Poland; according to the same review there is no allusion to the looming war-clouds but "the air of the book is charged with the imminence of catastrophe." The author was married to a Polish army officer and they made their home in the Carpathian Mountains; one has to wonder whether they might have been in residence there in September 1939. In any event Ms. Hare had churned out books pretty regularly throughout the 1930s; per the jacket blurb this was her seventh but it also appears to have been her last at least as Martin Hare the novelist. I haven't been able to uncover any specific information about her subsequent life or death although there is one additional title credited to her that's held by the British Library a 1959 translation of a collection of Polish fairy tales. . The Macmillan Company hardcover
1940ref. 23793New York: The Macmillan Company. Very Good in Very Good dj. 1940. First American Edition. Hardcover. nice clean book minor wear at top of spine; jacket has various small nicks along top and bottom edges some diagonal creasing at bottom of front panel Uncommon novel by an Irish-born author a woman by the way concerning the experiences of three children -- a 15-year-old boy and his two younger sisters -- who are shipped off to stay with a distant relative in Poland while their parents' oh-so-civilized divorce is pending. The relative interestingly is "employed cataloguing the treasures in the Baths Palace at Warsaw aka the Lazienki Palace and lives with his family in the Orangery near the Palace." The dust jacket art by the way is an accurate albeit stylized depiction of the Palace. The focus of the novel is on "the always fascinating contrast between two civilizations and two ways of life" and at least one contemporary reviewer likened the Polish family in the novel to the wacky Sycamore clan in Kaufman & Hart's "You Can't Take It With You." According to the New York Times the book was written in Warsaw between November 1938 and June 1939 and the narrative ends in the spring of 1939 mere months before the Nazi blizkrieg was to overrun Poland; according to the same review there is no allusion to the looming war-clouds but "the air of the book is charged with the imminence of catastrophe." The author was married to a Polish army officer and they made their home in the Carpathian Mountains; one has to wonder whether they might have been in residence there in September 1939. In any event Ms. Hare had churned out books pretty regularly throughout the 1930s; per the jacket blurb this was her seventh but it also appears to have been her last at least as Martin Hare the novelist. I haven't been able to uncover any specific information about her subsequent life or death although there is one additional title credited to her that's held by the British Library a 1959 translation of a collection of Polish fairy tales. . The Macmillan Company hardcover books
ref. 9788573677584VIDA EDITORA. new. Por que devemos nos preocupar em ser honestos Como podemos ser moralmente virtuosos Como podemos ser independentes se vivemos sob a autoridade do chamado de Deus In�dito e estimulante este livro � uma excelente introduo filosofia da moral. John Hare analisa a natureza da bondade a condio humana o papel da razo e do valor da comunidade no desenvolvimento moral e mostra como tudo isso se relaciona com as doutrinas de redeno justificao e santificao. O autor teve o cuidado de usar uma linguagem clara e did�tica para ajudar os leitores a encontrar novas formas de pensar a respeito de sua f�. Eles sero capazes de associar a �tica aos mais relevantes textos filos�ficos dos ltimos dois mil anos. Descubra que � poss�vel ser bom antes mesmo de perguntar por que deveria ser! VIDA EDITORA unknown
1930ref. 3245941930. 27 photos mounted on board approx. 14 x 18 inches. Prints range from approx. 5 x 6-1/2 inches to 13 x 10 inches. 8 Kodak color prints mounted on board 3 of them signed on the mount; 18 silver gelatin prints mounted on 15 boards; 1 Kodachrome slide; 1 black and white negative transparency. Some soiling to the 2 sets of nude photos on board otherwise general slight toning overall very good. With Portfolio case labeled I-A. 27 photos mounted on board approx. 14 x 18 inches. Prints range from approx. 5 x 6-1/2 inches to 13 x 10 inches. Subjects include: Portraits of Yves Tanguy two different Mabel Dodge Luhan and Robinson Jeffers; six color and black and white portraits; three surrealist photo collages one with a severed head and two others incorporating Pueblo art; a group of nudes; three commercial images; and a group of surrealist-photographs of everyday items. David Hare 1917-1992 was born into modern art. His mother Elizabeth Sage Goodwin was a collector friends with Brancusi and Duchamp and one of the backers of the 1913 Armory Show. When Hare was 10 the family relocated to the Southwest and he grew up in Santa Fe and Colorado Springs. After studying biology and chemistry at Bard he dropped out and founded a commercial photography studio specializing in Kodak's new color dye transfer process in Roxbury Connecticut in 1937. There he met Arshile Gorky Alexander Calder and Yves Tanguy who was married to his cousin Kay Sage and began experimenting with automotatist techniques to create surrealist photographs on the side. He was sent on assignment by the Museum of Natural History to take portraits of the "village" Indians in New Mexico eventually publishing the limited portfolio Pueblo Indians of New Mexico As They Are Today twenty color photos that combined ethnography studio portraiture and surrealist phenomenology. Editor of Duchamp's magazine VVV and a contributor to Sartre's Le Temps Moderne Hare was a pivotal figure in the American phase of surrealism and in the words of Clement Greenberg one of the two preeminent sculptors of nascent Abstract-Expressionism. That he began as a photographer and not as did so many of his peers as a draughtsman and how this may have effected his mature art has not been explored. unknown
1930ref. 3245941930. 27 photos mounted on board approx. 14 x 18 inches. Prints range from approx. 5 x 6-1/2 inches to 13 x 10 inches. 8 Kodak color prints mounted on board 3 of them signed on the mount; 18 silver gelatin prints mounted on 15 boards; 1 Kodachrome slide; 1 black and white negative transparency. Some soiling to the 2 sets of nude photos on board otherwise general slight toning overall very good. With Portfolio case labeled I-A. 27 photos mounted on board approx. 14 x 18 inches. Prints range from approx. 5 x 6-1/2 inches to 13 x 10 inches. Subjects include: Portraits of Yves Tanguy two different Mabel Dodge Luhan and Robinson Jeffers; six color and black and white portraits; three surrealist photo collages one with a severed head and two others incorporating Pueblo art; a group of nudes; three commercial images; and a group of surrealist-photographs of everyday items. David Hare 1917-1992 was born into modern art. His mother Elizabeth Sage Goodwin was a collector friends with Brancusi and Duchamp and one of the backers of the 1913 Armory Show. When Hare was 10 the family relocated to the Southwest and he grew up in Santa Fe and Colorado Springs. After studying biology and chemistry at Bard he dropped out and founded a commercial photography studio specializing in Kodak's new color dye transfer process in Roxbury Connecticut in 1937. There he met Arshile Gorky Alexander Calder and Yves Tanguy who was married to his cousin Kay Sage and began experimenting with automotatist techniques to create surrealist photographs on the side. He was sent on assignment by the Museum of Natural History to take portraits of the "village" Indians in New Mexico eventually publishing the limited portfolio Pueblo Indians of New Mexico As They Are Today twenty color photos that combined ethnography studio portraiture and surrealist phenomenology. Editor of Duchamp's magazine VVV and a contributor to Sartre's Le Temps Moderne Hare was a pivotal figure in the American phase of surrealism and in the words of Clement Greenberg one of the two preeminent sculptors of nascent Abstract-Expressionism. That he began as a photographer and not as did so many of his peers as a draughtsman and how this may have effected his mature art has not been explored. unknown books
ref. 63-9468Mentone CA: Dennis Hare 2013. Portfolio case with TLS by Hare to Peter Selz typed list of works included 18 Color Prints letter-sized. VG. Mentone, CA: Dennis Hare, 2013. unknown
1975ref. x-0837180635Praeger Pub Text 1975. Hardcover. New. 9.00x6.00x1.25 inches. Praeger Pub Text hardcover
ref. 0837180635.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1959ref. 359229London; New York: Oxford University Press 1959. 1st Edition. Hardcover. Near fine copy in the original gilt-blocked cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. Ex-library copy. Physical description: viii 360 pages: portraits; 23 cm. Contents: A plebeian conservative of the reform period A.V. Nikitenko -- An aristocratic anarchist Michael Bakunin -- Ivan Turgenev -- F.M. Dostoyevsky -- The young Leo Tolstoy -- Tolstoy after War and peace -- Representative Narodniks -- Three religious-minded intellectuals -- Three thinking statesmen -- Peter Kropotkin. Subjects: Revolutionaries Russia; Biography. Authors Russian 19th century; Biography. Social reformers Soviet Union. Social sciences History Soviet Union. London; New York: Oxford University Press hardcover
1975ref. 359228Westport Conn. : Greenwood Press 1975. Reprint. Hardcover. Fine copy in the original title-blocked cloth. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: viii 360 pages 8 leaves of plates: portraits; 22 cm. Subjects: Social reformers Soviet Union. Social sciences History Soviet Union. Soviet Union Social conditions. Westport, Conn. : Greenwood Press hardcover
1960ref. mon0000115675OUP 1960-01-01. Hardcover. Very Good. in x in x in. 1959 Oxford FIRST EDITION with dust jacket - rare and collectable - will send out 1 st class post within 12 hours of receipt of order OUP hardcover
ref. ria9780837180632_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
ref. A9780837180632Hardback. New. hardcover
ref. 38861Yours truly" showing her three quarters length full face wearing an elaborate coat and hat with a muff 5½" x 3½" no place postmarked 21st March unknown
ref. 1359139826.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 0483805947.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2019ref. Adhya-9781788012249RSC 2019. Hardcover. New. RSC hardcover
