Hare KrishnaBiblio.com
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2012ref. ASAP-9789387813731Studium Press India Pvt. Ltd. 2012. New. Studium Press (India) Pvt. Ltd. unknown
ref. 0879754265New. hardcover. New. Satisfaction Guaranteed or your money back. hardcover
1971ref. G0571092861I3N10Faber and Faber Ltd 1971. Paperback. Good. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Faber and Faber Ltd paperback
1894ref. 12416London: George Allen 1894. Sixth edition. Hardcover. Very good-. Small octavo 2 volumes 364pp. 368pp. illustrated. Bound in contemporary full crushed brown morocco by Zaehnsdorf with gilt titles raised bands gilt dentelles raised bands and all edges gilt. Rubbing to edges especially the joints which are tender and have extremly thin partial splits but still holding strong. Notable scuff/chip to the middle of the spine on volume I at the front joint. Still about very good with the contents bright and clean. Zaehsndorf's tiny stamp appears on the verso of the front free endpaper and a contemporary receipt from the binder is hinged to the next leaf. Not an especially rare set of books but uncommon in this handsome binding. George Allen hardcover
1978ref. 327207London: Faber and Faber 1978. First edition thus new edition/ revised; 1978 revised edition "This text incorporates changes made in rehearsal and performance which did not appear in the original edition" originally published by Faber in 1974. vii 53pp. 8vo. Glossy green and white wrappers. A near fine copy; covers are slightly rubbed at extremities else fine. First edition thus new edition/ revised; 1978 revised edition "This text incorporates changes made in rehearsal and performance which did not appear in the original edition" originally published by Faber in 1974. vii 53pp. 8vo. David Hare British playwright screenwriter and director for stage and film was born in 1947 in East Sussex UK. He won the 1979 BAFTA Award for Licking Hitler Best Single Play 1983 NY Drama Critics Circle Award for Plenty Best Foreign Play 1985 Berlin Film Festival Golden Bear for Wetherby his play Racing Demon won the 1990 Laurence Olivier Award for Best New Play and the London Theatre Critics' Award for Best Play and the 1995 Evening Standard Award for Pravda for Best Play and the 2011 PEN/ Pinter Prize. His screenplay adaptations of The Hours 2002 and The Reader 2008 were nominated for Academy Awards. Faber and Faber unknown
1978ref. 327199London: Faber and Faber 1978. First edition. A near fine copy; covers are slightly rubbed at extremities else fine. First edition. An elusive title when inscribed by the author. David Hare British playwright screenwriter and director for stage and film was born in 1947 in East Sussex UK. He won the 1979 BAFTA Award for Licking Hitler Best Single Play 1983 NY Drama Critics Circle Award for Plenty Best Foreign Play 1985 Berlin Film Festival Golden Bear for Wetherby his play Racing Demon won the 1990 Laurence Olivier Award for Best New Play and the London Theatre Critics' Award for Best Play and the 1995 Evening Standard Award for Pravda for Best Play and the 2011 PEN/ Pinter Prize. His screenplay adaptations of The Hours 2002 and The Reader 2008 were nominated for Academy Awards. Faber and Faber unknown
2002ref. 000717Miramax Films 2002. Book. Original Wraps. The Screenplay ACADEMY AWARD SUBMISSION by Miramax SIGNED BY HARE AND CUNNINGHAM on the first page. The cover states "For Your Consideration". The screenplay is by Hare based on Cunningham's novel. Large 4to size in glossy cardstock covers FINE COPY. Miramax Films Hardcover
1978ref. 327207London: Faber and Faber 1978. First edition thus new edition/ revised; 1978 revised edition "This text incorporates changes made in rehearsal and performance which did not appear in the original edition" originally published by Faber in 1974. vii 53pp. 8vo. Glossy green and white wrappers. A near fine copy; covers are slightly rubbed at extremities else fine. First edition thus new edition/ revised; 1978 revised edition "This text incorporates changes made in rehearsal and performance which did not appear in the original edition" originally published by Faber in 1974. vii 53pp. 8vo. David Hare British playwright screenwriter and director for stage and film was born in 1947 in East Sussex UK. He won the 1979 BAFTA Award for Licking Hitler Best Single Play 1983 NY Drama Critics Circle Award for Plenty Best Foreign Play 1985 Berlin Film Festival Golden Bear for Wetherby his play Racing Demon won the 1990 Laurence Olivier Award for Best New Play and the London Theatre Critics' Award for Best Play and the 1995 Evening Standard Award for Pravda for Best Play and the 2011 PEN/ Pinter Prize. His screenplay adaptations of The Hours 2002 and The Reader 2008 were nominated for Academy Awards. Faber and Faber unknown books
1978ref. 327199London: Faber and Faber 1978. First edition. A near fine copy; covers are slightly rubbed at extremities else fine. First edition. An elusive title when inscribed by the author. David Hare British playwright screenwriter and director for stage and film was born in 1947 in East Sussex UK. He won the 1979 BAFTA Award for Licking Hitler Best Single Play 1983 NY Drama Critics Circle Award for Plenty Best Foreign Play 1985 Berlin Film Festival Golden Bear for Wetherby his play Racing Demon won the 1990 Laurence Olivier Award for Best New Play and the London Theatre Critics' Award for Best Play and the 1995 Evening Standard Award for Pravda for Best Play and the 2011 PEN/ Pinter Prize. His screenplay adaptations of The Hours 2002 and The Reader 2008 were nominated for Academy Awards. Faber and Faber unknown books
1939ref. 53908New York: New York World's Fair 1939. Very good. Original peepshow of the 1939 New York World's Fair - opening to a detailed three-dimensional illustration of the exhibition with colorful crowds mingling across from the iconic Trylon and Perisphere. The talents of New York-based artists Elizabeth Sage Hare a painter and Warren Chappell an illustrator with a focus on type design are beautifully displayed in this peepshow from the 1930s. When opened accordion-style it shows a 3D depiction of the Grand Concourse with a lively scene by the fountains of various patrons awaiting the exhibition. A lovely survival. peepshow 6.75" x 5"; envelope 5.25" x 7.25". 6 color-lithographed panels with cutaways to view scene in accordian style reveal including front panel. Housed in tan envelope. Soiling to front and back boards spotting and sunning near bellows edges. Closed tear to first bellow detached bellow to last panel. A touch fragile but still vibrant. (New York World's Fair) unknown
1939ref. 53908New York: New York World's Fair 1939. Very good. Original peepshow of the 1939 New York World's Fair - opening to a detailed three-dimensional illustration of the exhibition with colorful crowds mingling across from the iconic Trylon and Perisphere. The talents of New York-based artists Elizabeth Sage Hare a painter and Warren Chappell an illustrator with a focus on type design are beautifully displayed in this peepshow from the 1930s. When opened accordion-style it shows a 3D depiction of the Grand Concourse with a lively scene by the fountains of various patrons awaiting the exhibition. A lovely survival. peepshow 6.75" x 5"; envelope 5.25" x 7.25". 6 color-lithographed panels with cutaways to view scene in accordian style reveal including front panel. Housed in tan envelope. Soiling to front and back boards spotting and sunning near bellows edges. Closed tear to first bellow detached bellow to last panel. A touch fragile but still vibrant. (New York World's Fair) unknown books
1821ref. WAS44059Longman Hurst Rees Orme and Brown London 1821. Some soiling and foxing to plates and text leaves untrimmed. 9 x 5 1/2 inches boards with leather spine discoloration and wear to boards and leather Xii 300 4 pages of advertisements plus 2 engraved plates. Longman, Hurst, Rees, Orme, and Brown, London hardcover
1821ref. WAS44059Longman Hurst Rees Orme and Brown London 1821. Some soiling and foxing to plates and text leaves untrimmed. 9 x 5 1/2 inches boards with leather spine discoloration and wear to boards and leather Xii 300 4 pages of advertisements plus 2 engraved plates. Longman, Hurst, Rees, Orme, and Brown, London hardcover books
1921ref. 537123Boston: Walter H. Baker Company 1921. Softcover. Very Good. First edition. Octavo. P.2 83-95. Illustrated red stapled wrappers with illustration signed in print by "A.W.". Pencil name of a woman and light stains on front wrap very good of better. Script for black face minstrels mildly unusual in that it is aimed towards women. Walter H. Baker Company unknown
1921ref. 537123Boston: Walter H. Baker Company 1921. Softcover. Very Good. First edition. Octavo. P.2 83-95. Illustrated red stapled wrappers with illustration signed in print by "A.W.". Pencil name of a woman and light stains on front wrap very good of better. Script for black face minstrels mildly unusual in that it is aimed towards women. Walter H. Baker Company unknown books
1866ref. 34828Paris: Goupil & Cie 1866. Hardcover. Very Good. Hardcover. Folio. Bound in three quarter red leather over marbled paper covered boards with minor rubbing and wear to hinges edges boards and corners. A few minor pulls to leather. Includes 51 plates with a two page description proceeding each plate. Text is printed with large woodcut initials in various colors. Occasional light smudge marks and small spots of foxing to margins but very clean and bright overall. Tight binding. Top edge gilt and marbled endpapers. Unpaginated. ART/011821. Goupil & Cie hardcover
1866ref. 34828Paris: Goupil & Cie 1866. Hardcover. Very Good. Hardcover. Folio. Bound in three quarter red leather over marbled paper covered boards with minor rubbing and wear to hinges edges boards and corners. A few minor pulls to leather. Includes 51 plates with a two page description proceeding each plate. Text is printed with large woodcut initials in various colors. Occasional light smudge marks and small spots of foxing to margins but very clean and bright overall. Tight binding. Top edge gilt and marbled endpapers. Unpaginated. ART/011821. Goupil & Cie hardcover books
1856ref. 15849New York: Harper & Brothers Publishers 1856. 1 vols. 8vo. Original brown cloth. Some rubbing fraying of extremities endpapers browned text browned in margins else a good copy. With booklabels of "From Plummer's Cheap Bookstore Davenport Iowa" and "Baldwin's Original Antiquarian Cheap Book Store 199 East Madison St. Chicago" on endpapers also bookplate of Russel van Arsdale Lee. 1 vols. 8vo. Testimony into the validity of mesmerism with chapters devoted to writing of the "causes that have made mesmerism unpopular" on the Mesmeric consciousness and Mesmeric sensation as well as the Mesmeric Medium. A very interesting look into this subject. Harper & Brothers, Publishers unknown
1856ref. 15849New York: Harper & Brothers Publishers 1856. 1 vols. 8vo. Original brown cloth. Some rubbing fraying of extremities endpapers browned text browned in margins else a good copy. With booklabels of "From Plummer's Cheap Bookstore Davenport Iowa" and "Baldwin's Original Antiquarian Cheap Book Store 199 East Madison St. Chicago" on endpapers also bookplate of Russel van Arsdale Lee. 1 vols. 8vo. Testimony into the validity of mesmerism with chapters devoted to writing of the "causes that have made mesmerism unpopular" on the Mesmeric consciousness and Mesmeric sensation as well as the Mesmeric Medium. A very interesting look into this subject. Harper & Brothers, Publishers unknown books
1987ref. BN348677Faber & Faber 1987. 1987. Tenant for Death Tenant for Death Cyril Hare Faber & Faber unknown
ref. BN416412Uitgeverij Van In. Psychomotricité au service de l'enfant de l'adolescent et de l'adulte : Notions et applications pédagogiques Psychomotricité au service de l'enfant de l'adolescent et de l'adulte : Notions et applications pédagogiques De Lièvre Bruno Uitgeverij Van In unknown
2019ref. x-1350005444Bloomsbury USA Academic 2019. Hardcover. New. 240 pages. 9.50x6.50x1.00 inches. Bloomsbury USA Academic hardcover
ref. 19546Hare autograph letter: The Athenaeum Pall Mall S.W. London ; 9 February 1897. Hare copy letters: Holmhurst St. Leonard's on Sea; 10 and 11 December 1896. Harington's two draft letters: Whitbourne Court Worcester; 8 and 12 February 1897. Four items in good condition lightly aged and worn. An interesting correspondence casting light on the proprieties of Victorian biographical writing. Hare's 'The Story of my Life' was published in six volumes between 1896 and 1900 and was described by the original DNB as ‘a long tedious and indiscreet autobiography’. The Oxford DNB remarks that 'By the late twentieth century however Hare was undergoing something of a revival. A society of enthusiasts and collectors of his works was formed: a one-volume condensed edition of his autobiography was edited by A. Miller and J. Papp in 1995 and it and the original proved a useful source for those interested in country-house life in the later nineteenth century.' The 'defamatory' passage that is the subject of the complaint by Harington and the family of Dean Smith in the present correspondence is paraphrased by Harington in Item Four below. ONE: Manuscript 'Copies' presumably by Henry Smith or a member of his family see Item Three of two letters from Hare to Henry Smith. Both from Holmhurst St Leonards on Sea the first on cancelled letterhead of the Shire Hall Worcester; 10 and 11 December 1896. On the same bifolium. Totalling 4pp. 12mo. In the letter of 10 December he states that he is 'sorry to learn from you that anyone has been pained by anything in the “Story of my Life” The story you mention was told me as quoted from a letter to my mother by a lady who was intimate with your family. She was certainly unconscious of doing anything unkind in repeating a well known & popular anecdote which I have since often heard at dinner tables both in Oxfordshire & Yorkshire – so often that I imagined everyone considered it historic'. He continues with his defence pointing out that the anecdote is responsible for 'the well known nick name of Dean Smith – so familiar still at Ch Ch'.' As he is 'unwilling to cause the slightest pain the passage shall certainly be omitted henceforth'. In a postscript he writes: 'My publishers are in no sense responsible for my books as I pay for them entirely. I alone am to blame if there is blame.' Letter of 11 December begins: 'On looking again at yr. letter today it strikes me in quite a different light. It is possible that you thought that I or my readers or the readers of the story where it has appeared elsewhere or the many who say they heard Dr. Smith narrate it regarded the story as true! - that never occurred to me before! As far as I know it has been universally regarded as such a story as an elderly lover of anecdote would tell against himself evolving it from his own imagination with a very considerable sense of humour & no idea of any serious construction being placed upon it – and certainly with little idea of who would be the first to place such a construction. From what I have heard he was always himself amused by the soubriquet which arose from the story. Besides regretting anything that has given you pain I regret that I did not insert the words “wholly imaginary” - “told this wholly & sic imaginary story against himself”'. TWO: Hare to Harington. 5pp. 12mo. He begins by thanking him for his 'very kind letter' and expresses sorrow 'for any pain your uncle has felt through the “Story of my Life”.' He explains that 'the earlier volumes' of the book were written seventeen years before and that it had been 'printed some years – though with no intention of publication till long after my death; an arrangement which last year circumstances induced me to alter'. Publication has allowed him to 'correct errors – the story of Alexander the Great for instance which I had already been made aware that I had most stupidly spoilt.' When he agreed to publication he had 'no idea of the possibility of a son & daughters of Dean Smith being alive: indeed the latter seemed to me quite old ladies when I saw them above thirty years ago'. He recalls that after he took his degree he lived 'much at Oxford with my cousin Canon Stanley' and that he 'often heard the story which was an especial favourite with him' and that when he 'went to Doncaster I was taken to see the ladies because of their supposed connection with the story'. He has 'expunged' the anecdote from 'the second edition not out yet'. He has been assured by 'several young men' to whom he has mentioned Harington's uncle's letter that 'they have heard it before – always of course as an old gentlemans story told in obliviousness of the construction which his hearers might place upon it'. He ends by claiming to be well acquainted with Harington's son: 'I think he would let me say that he was a friend of mine'. Both of the autograph drafts of Harington's letters to Hare are signed with initials. THREE: Draft of Harington to Hare. 8 February 1897. 4pp. 12mo. With deletions and emendations. Begins: Dear Sir My Uncle Henry Smith has shown me the correspondence which passed between himself & you last December with reference to the defamatory anecdote which you related in your autobiography touching my grandfather Dr Gaisford's predecessor as Dean of Ch. Ch.' He accepts Hare's 'assurance that the story was inserted without any intention of giving the pain & annoyance which it undoubtedly has to his descendants & that it will be omitted in future editions but I must protest against your speaking of it or the sobriquet which you have attached to him as familiar still at Ch Ch.' He points out that he is himself 'an old Student of Ch Ch. of within a month or two exactly the same University standing as yourself & Oxford has been the home of my boyhood since 1842.' Hare's story was 'perfectly well known' in Harington's time 'but told not of Dr Smith but of another man – an old gentleman nearly in his dotage himself quite as incapable of such an act as my grandfather but of whom it was told in <> of his imbecility.' He boasts of 'an unbroken succession of descendants of my grandfather at Ch Ch or living in Oxford for more than 70 years down to my son Edward whom you have met in County & know. My Father was a Ch Ch man my father in law an old Student of Ch Ch.' He presents further information repudiating the anecdote before pointing out how Hare has lost the point of 'the Alexander the Coppersmith story of Dean Gaisford'. FOUR: Draft of Harington to Hare. 12 February 1897. 4pp. 12mo. With extensive deletions and emendations. Continuing in the same vein with reference to his 'undergraduate days' and with biographical information relating to Smith's family. He recounts the anecdote as it was 'really told in the thirties' and 'associated with no name in particular': 'Two men went out in a boat – one fell overboard & was drowned. The survivor called upon the mother of the drowned man & said Madam I have something important to communicate. As your son & I were out in a boat he unfortunately fell overboard. He clung to the side of the boat & would have upset it had I not had the presence of mind to hit him on the hand with the stretcher. Failing this we should both have perished. As it is your son was drowned & I have escaped to bring you the news.' The letter concludes: 'Thank you much for the manner in which you received my letter. I had the pleasure of showing yours to Mr William Rose Smith the present head of the family who happened to be on a visit here when it arrived and he was much pleased with it'. From the Harington family papers. Hare autograph letter: The Athenaeum, Pall Mall, S.W. [ London ]; 9 February 1897. Hare copy letters: Holmhurst, St. Leonard's o unknown
1893ref. 110356Hare & Company. London. 1893. Hare & Company. London. 1893. First edition. Small slim square 8vo. No DW. Green cloth with paper label to front cover. Boards slightly worn and rubbed spine faded. 37 coloured plates of couples or a man and animal in some cases in national costume each plate separated by a tissue guard. The verses and the illustrations are representative of the humour and context of the late 19th century and are not acceptable to us now. Blank pages at end - probably for writing your own notes or drawing costumes. Light foxing and browning to contents otherwise a clean and sound copy. hardcover
1996ref. x-027594896XGreenwood Press 1996. Hardcover. New. 276 pages. 9.50x6.25x1.00 inches. Greenwood Press hardcover
