2.192 Ergebnisse
1932Best.-Nr. 51183n.p. i.e. Paris: privately printed at the Lecram-Press n.d. 1932. Second edition limited to 700 copies after 300 copies in the first square 8vo pp. 225 3; gray paper-covered boards printed labels on upper cover and spine paper cracking at the bottom of the spine underlining in pencil throughout; very good. A privately printed pseudonymous and erotic novel from the author publisher and lexicographer Eric Partridge. He requested that his authorship of the book be kept secret until his death stating in a letter to William R. Cagle "When I'm gone I'd like it slipped unobtrusively among my books. It belongs to an unregenerate period of my life; not that I'm ashamed of it." privately printed [at the Lecram-Press], n.d. hardcover books
1961Best.-Nr. 52397London: Routledge & Kegan Paul Ltd 1961. Fifth edition the first in 2 volumes; small 4to pp. xvi 974; v 1 975-1362; text in double column; some spotting to the covers else a very good set in original blue cloth gilt-lettered spine. Both volumes inscribed by Partridge to his friend and sometimes collaborator John W. Clark dated June 26 1961. Covers words and phrases from the fifteenth century to the present day. Laid in is a lengthy newspaper article on Partridge from the N.Y. Times Magazine Oct. 2 1977. Routledge & Kegan Paul Ltd hardcover books
1961Best.-Nr. 51545London: Andre Deutsch 1961. Second impression slim 8vo pp. 70 2; original gray cloth orange-printed dust jacket near fine. Forms part of the Language Library edited by Partridge. This copy inscribed by Partridge "Dear Norman It's quite readable. Regards! Eric. Christmas 1963." Additionally Partridge has crossed out the price on the dust jacket and made two corrections to the list of books published in The Language Library series and 8 or so other corrections to the list of his own books at the back. Norman is likely Norman Davis a fellow New Zealander and a professor of English at Oxford. Andre Deutsch hardcover books
1961Best.-Nr. 44227London: Andre Deutsch 1961. Second impression slim 8vo pp. 70 2; original boards in orange price-clipped dust jacket; jacket spine a bit faded else about fine. Forms part of the Language Library edited by Partridge. Signed author inscription dated 25 September 1969 on front free endpaper with Partridge's manuscript annotations on the author bibliography pp. 71-72 and on the rear jacket cover of the list of books in the Language Library. Andre Deutsch hardcover books
1958Best.-Nr. 52451New York: Macmillan Co 1958. First American edition small 4to pp. xix 1 970; about fine in a slightly chipped dust jacket and with one longer tear in the back panel without loss. Laid in is a 1-page A.L.s. from Partridge to "Amici cari mei" enclosing a 'corrigenda' and an 'addenda' which "will make your copies of Origins as 'good' as the 2nd edition." These corrigenda and addenda are not printed but typed presumably by Partridge on 8" x 11" paper and contain a few amendations in pencil and ink. Macmillan Co unknown books
1974Best.-Nr. 52398London: Routledge 1974. 8vo pp. vii 3 223 1; blue pictorial paper wrappers spine creased and spotted top edge spotted very good. With a long inscription by Partridge to Laurie Atkinson on half title explaining his reasons for writing the book and wishing Atkinson a good Christmas. Laid in are three postcards and a 2-page autograph letter the postcards from Patridge and the letter from Atkinson concerning a few contributions from Atkinson of some British slang. Routledge unknown books
1918Best.-Nr. Partridge6The Art of the Illustrator 1918. Print. New. Bernard Partridge. Set of Lithograph prints by Bernard Partridge on Card. PRINT. Size: 11" x 16" 279mm x 406mm. The Art of The Illustrator by Percy V Bradshaw was published in 1918 by The Press Art School Forest Hill London. In 1918 Percy Bradshaw contacted 20 of the leading illustrators of the day and commissioned each of them for a special illustration. Each artist was given an entirely free hand as to subject the only stipulation being that the painting or drawing should be representative of his/her technique and that each stage in its composition should be shown. Bradshaw then reproduced in 6 plates each step in the artistic process and published the 6 lithographs in a portfolio with a 12 page introduction and description of the process within a card folder. 'The Road to Victory' is the pen and ink drawing demonstrated by Bernard Partridge chief cartoonist at Punch. Artists in this series are Lawson Wood F.H. Townsend Fortunino Matania Harry Rountree Claude A Shepperson Bert Thomas William Heath Robinson Frank Reynolds Cyrus Cuneo William Russell Flint Charles Brock Spenser Pryse Warwick Reynolds Edmund Sullivan Balliol Salmon H.M. Bateman Louise Wright W Hatherell Dudley Hardy and Bernard Partridge. Highly sought after these portfolios were a ground breaking idea and very popular at the time. A great way to discover the secrets and techniques of some of the worlds' greatest illustrators. The Art of the Illustrator unknown
Best.-Nr. 24615527like new. unknown
Best.-Nr. 24615525-nnew. unknown
Best.-Nr. 24615527-nnew. unknown
Best.-Nr. 24615526-nnew. unknown
Best.-Nr. 16-6008San Francisco: S. F. Bay Exposition Co. Operating Golden Gate International Exposition. Publishers Crocker-Union S. F. 1940. Squarish folio. 30 x 32cm. Original spiral bound wraps and thic plastic jacket. Fold mark iin lower corner. A survey of photography published in conjunction with the highly influential exhibition of the same name curated by Ansel Adams and held at the Palace of Fine Arts in 1940 as part of the Golden Gate International Exposition. This was the first major show In California of photography as an art form. The publication was directed by Ansel Adams and edited by T. J. Maloney Chairman of U.S. Camera. Grace McCann Morley Director of the San Francisco Museum of Art contributed an essay on The Motion Picture and worked closely with Adams on both the exhibition and the book. Focused almost exclusively on American photography A Pageant of Photography highlighted many significant California photographers of the 19th and 20th centuries. Notably there was an entire section devoted to California Women Photographers female photographers from California were featured in many of the other sections as well and Dorothea Lange contributed an essay on documentary photography. The people landscape and built environment of California also figured largely in the subject matter of the photographs. .Diego Rivera's oil painting "The Flower Vendor" one of the most significant works in the Albert M. Bender Collection at the San Francisco Museum of Art now SFMOMA was exhibited as part of a display on color reproduction by Crocker Union the San Francisco-based publisher of the catalog.Ownership stamp of Roi Partridge Berkeley. San Francisco: S. F. Bay Exposition Co. Operating Golden Gate International Exposition. Publishers, Crocker-Union, S. F., 1940 paperback
1929Best.-Nr. 64566London: The Scholartis Press 1929. Presumed first U.K. edition/first printing. Hardcover. Good. 405 1 p. Includes maps. Glossary. Occasional footnotes. No dust jacket. Cover is worn and soiled. Some edge rubbing and corners slightly bumped. Another U.K. edition was apparently entitled "Three Men's War". These three writers have each documented their experiences in the Great War. Mottram says in the opening of his section of the book: 'It is not autobiography for the War of 1914-1918 was not something that happened to a man or men but something in which the major part of a generation was involved. It is what the title says it is a personal record.' John Easton an English writer and soldier who was held as a prisoner of war. "Ralph Hale Mottram 30 October 1883 16 April 1971 was an English writer known as a novelist particularly for the Spanish Farm books and as a war poet of World War I. Mottram went from being a bank clerk in Norwich before the war to becoming lord mayor there in 1953. The Spanish Farm won the 1924 Hawthornden Prize. He also wrote a biography of John Galsworthy." "Eric Honeywood Partridge 6 February 1894 1 June 1979 was a New Zealand British lexicographer of the English language particularly of its slang. His writing career was interrupted only by his service in the Army Education Corps and the RAF correspondence department during World War II. Partridge was born in Waimata Valley near Gisborne on the North Island of New Zealand to John Thomas Partridge a grazier and his wife Ethel Annabella Norris. In 1907 the family moved to Queensland Australia where he was educated at the Toowoomba Grammar School. He then studied first classics and then French and English at the University of Queensland. During this time Partridge also taught for three years as a school teacher before enrolling in the Australian Imperial Force in April 1915 and serving in the Australian infantry during the First World War serving in Egypt Gallipoli and on the Western Front before being wounded in the Battle of Pozières. His interest in slang and the "underside" of language is said to date from his wartime experience. Partridge returned to university between 1919 and 1921 when he received his BA. After receiving his degree Partridge became Queensland Travelling Fellow at Balliol College Oxford where he worked on both an MA on eighteenth-century English romantic poetry and a B. Litt in comparative literature. He subsequently taught in a grammar school in Lancashire for a brief interval then in the two years beginning September 1925 took lecturing positions at the Universities of Manchester and London. From 1923 he "found a second home" occupying the same desk K1 in the British Museum Library as it was then known for the next fifty years. In 1925 he married Agnes Dora Vye-Parminter who in 1933 bore a daughter Rosemary Ethel Honeywood Mann. In 1927 he founded the Scholartis Press which he managed until it closed in 1931 publishing over 60 books during this time. From 1932 he commenced writing in earnest. His first major work on slang Slang Today and Yesterday appeared in 1933 and his well-known Dictionary of Slang and Unconventional English followed in 1937. During the Second World War Partridge served in the Army Education Corps later transferring to the RAF's correspondence department before returning to his British Museum desk in 1945. Partridge wrote over forty books on the English language including well-known works on etymology and slang. He also wrote novels under the pseudonym Corrie Denison and books on tennis which he played well. His papers are archived at the University of Birmingham British Library King's College Cambridge the Royal Institute of British Architects the University of Exeter the University of San Francisco Warwickshire Record Office and William Salt Library." From the Australian Dictionary of Biography entry: He Eric Partridge eventually himself published 'Frank Honywood Private' as part of Three Personal Records of the War London 1929 which ranks as a classic of war literature. He was concerned to commemorate his mate Corporal Howard Phillips who had died at Mont St Quentin to attempt to describe the terrible battle of Pozières to expose himself as an example of a soldier broken but somehow carrying on under appalling stress and to write the war out of his system." The Scholartis Press hardcover
1823Best.-Nr. 10556NY: Wallis & Co. for the author 1823. First Edition. 8vo pp. 288. Includes a single folding table and an advertisement for Dye Stuffs being sold by Partridge at his store in New York. Bound in chipped full calf front cover loose some knawing to the lower foredge of the title page but a good copy. Rink 1864 Imprints 13674. Taking knowledge from the English experience Partridge wrote this book for Americans. Wallis & Co., for the author unknown
Best.-Nr. 6761Offered here is an offprint 8 x 5 inches on laid paper of a poem by William Ordway Partridge sculptor and sometimes poet printed in the Boston Evening Transcript Feb 19 1887 inscribed to F. Holland Day "Oct 3rd Dear Day Accept with my respect this sonnet to your Keats. Partridge." The poem dedicated to Louise Chandler Moulton has the first stanza subtitle "Keats" and the second "Shelley." Day was an avid Keats collector amassing a large and important collection. Very nice association copy of a scarce offprint. unknown
Best.-Nr. 29344895-nnew. unknown
1937Best.-Nr. 174511New York: Arcadia 1937. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Owner name bookplate on FEP. Few small open tears along pnael edges. Arcadia hardcover
Best.-Nr. 42575Church Hanborough Oxford: The Inky Oartridge Press 2010. 4to 56pp. one of twelve signed and numbered copies this being no. 1 however LACKING the original watercolour issued with this special limitation remains of previous owners paper label to front endpaper coloured illustrations throughout prospectus loosely inserted bound by Ludlow Bookbinders in decorated boards with green morocco spine lettered in gilt slip-case a fine copy. Church Hanborough, Oxford: The Inky Oartridge Press, 2010 hardcover
1967Best.-Nr. 473622London : Routledge & Kegan Paul 1967. 5th edition reprint. Hardcover. Near fine cloth copy in a very good if slightly edge-nicked and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: 2 v. xvi1476p ; 26cm. London : Routledge & Kegan Paul hardcover
Best.-Nr. 20900290-nnew. unknown
Best.-Nr. 4153001like new. unknown
1932Best.-Nr. 51183n.p. i.e. Paris: privately printed at the Lecram-Press n.d. 1932. Second edition limited to 700 copies after 300 copies in the first square 8vo pp. 225 3; gray paper-covered boards printed labels on upper cover and spine paper cracking at the bottom of the spine underlining in pencil throughout; very good. A privately printed pseudonymous and erotic novel from the author publisher and lexicographer Eric Partridge. He requested that his authorship of the book be kept secret until his death stating in a letter to William R. Cagle "When I'm gone I'd like it slipped unobtrusively among my books. It belongs to an unregenerate period of my life; not that I'm ashamed of it. privately printed [at the Lecram-Press], n.d. unknown
1961Best.-Nr. 52397London: Routledge & Kegan Paul Ltd 1961. Fifth edition the first in 2 volumes; small 4to pp. xvi 974; v 1 975-1362; text in double column; some spotting to the covers else a very good set in original blue cloth gilt-lettered spine. Both volumes inscribed by Partridge to his friend and sometimes collaborator John W. Clark dated June 26 1961. Covers words and phrases from the fifteenth century to the present day. Laid in is a lengthy newspaper article on Partridge from the N.Y. Times Magazine Oct. 2 1977. Routledge & Kegan Paul Ltd unknown
1961Best.-Nr. 51545London: Andre Deutsch 1961. Second impression slim 8vo pp. 70 2; original gray cloth orange-printed dust jacket near fine. Forms part of the Language Library edited by Partridge. This copy inscribed by Partridge "Dear Norman It's quite readable. Regards! Eric. Christmas 1963." Additionally Partridge has crossed out the price on the dust jacket and made two corrections to the list of books published in The Language Library series and 8 or so other corrections to the list of his own books at the back. Norman is likely Norman Davis a fellow New Zealander and a professor of English at Oxford. Andre Deutsch unknown
