4 085 résultats
Small folio. 3 vols. (2 vols. of text and 1 plate vol.). 288 pp. 256 pp. 64 plates. Contemporary half calf on raised bands, red morocco spine labels, black volume numbers. Marbled endpapers. First edition, one of 125 copies. - The learned Italian abbot and orientalist Michele Angelo Lanci (1779-1867) taught Arabic at the Sapienza in Rome. For his "Trattato", Lanci studied Islamic artefacts such as the famous "Vaso Vescovali" (now in the British Museum), of which he provided the first scholarly account. Includes engravings of inscriptions on talismans, amulets, arms and armour, metalwares and textiles. - Some foxing. From the library of the Ducs de Luynes at the Château de Dampierre: their bookplate reproducing the arms of Charles Marie d'Albert de Luynes (1783-1839), 7th Duc de Luynes, on pastedown. - Of the utmost rarity, no copies recorded at auctions since decades. No copy in the US. ICCU UBO\3282249. OCLC 41653985. Cf. Gay 2094. Brunet III, 809. Graesse IV, 93 (1846 ed.).
Oil on wood. Signed and dated. Framed (455 x 258 mm). Museum-quality panoramic painting of Istanbul with steamships and sailboats on the Golden Horn and the Hagia Sophia in the background. The foreground is dominated by the Grand Vezier Hüseyin Avni Pasha in a coach, escorted by horsemen, surrounded by a crowd. - The Regensburg-born Heinrich Lang, noted painter of horses and battles as well as writer and illustrator, studied with Karl Steffek in Berlin, Friedrich Voltz and Franz Adam in Munich and Adolf Schreyer in Paris. He travelled to Greece and Turkey and proved himself a careful observer of Ottoman costume and culture. His colourful paintings of Turkish tradesmen, camel drivers, donkey-drawn wagons and splendidly decorated carriages show his great attention to detail and were greeted by contemporaries as a much-welcomed relief from the grey military scenes that had dominated the previous years (cf. ADB Ll, 551).
Royal folio (380 x 506 mm). Persian manuscript on paper. 140 pp., 9 lines in 2 columns to the page, first leaf and final 3 pp. blank save for the borders. Large Nasta'liq calligraphy in black ink, chapter headings in red. Text enclosed within blue, black, gilt and red borders. Title in red to fol. 2r, large 'unwan headpiece on fol. 2v, column separator decorated with gilt floral designs on fols. 2v-3r, 2 meticulous gilt and coloured colophon decoration on fol. 69r. With a total of 18 coloured illustrations of the Holy Sites (7 full-page, the remainder half-page or larger). Splendidly ornamented embroidered cloth binding with pink morocco edges and pastedowns and fore-edge flap. Monumental manuscript copy of the first Islamic guidebook for the pilgrimage to Mecca and Medina, which Muhi al-Din Lari (d. 1526/27) completed in India in 1505/06. The book provides instructions on the Hajj pilgrimage rituals and descriptions of important sites that Muslim pilgrims can visit, including of the Kaaba in Mecca. Whilst no early illustrated Indian copies are known, the work began to be widely copied with often lavish illustrations from the later 16th century onwards, mostly in in Ottoman Turkey. - The 18 large-scale illuminations in the present manuscript show the holy sites, locations between Medina and Mecca, and the various stages of the Hajj. The illustration of the Masjid al-Haram in Mecca shows the Kaaba, the areas assigned for worship by the various branches of Islam, as well as the doors to the sanctum, minarets, and two rows of colonnades. - In excellent state of preservation throughout.
3 vols. and 1 vol of plates. (2), II ff., 388 pp. (6), 222, (6) pp. (4), VI, 326 pp. With 14 lithogr. plates (4 in colour). Printed original wrappers. Folio (390 x 295 mm). Atlas: (4) pp., 85 plates (some double-page-sized), including 65 photogravures by Charles Nègre after Louis Vignes. Original half cloth portfolio. Ties. Rare travel report describing the scientific expedition to Palestine undertaken by the French archaeologist de Luynes (1802-67) in 1864. First edition, very rarely encountered complete: only two copies sold at international auctions during the past decades (both incomplete; the last set wanting plate 44: Sotheby's, 15 Oct. 2003, lot 676, GBP 8500; only 40 plates from the set, including glass and collodium negatives, fetched 21,450 EUR at Sotheby's Paris, 22 March 2003, lot 583). - The work is sought for its splendid illustrations based on photos by Henri Sauvaire and the Naval Lieutenant Louis Vignes. Vol. 1 contains the Duke's travel diary; vol. 2 contains the reports "De Petra à Palmyre" by L. Vignes and "Voyage de Jérusalem, à Karak et à Chaubak" by Mauss and Sauvaire; vol. 3 contains the "Géologie" by L. Lartet (with its own set of plates at the end). The atlas is divided into two parts with a total of 85 plates (thus complete): 67 plates pertain to the Duke's report (3 unnumbered and 64 numbered: 1 map and 1 itinerary in colours, 1 engr. double plate, and 64 photogravures by Charles Nègre after photos by Vignes (views of sites, towns, ruins, etc.); Mauss's report is illustrated by 18 numbered plates: 1 double-page-sized itinerary, 3 plans (2 in colour), and 14 lithogr. plates by Cicéri after photos by Vignes and Sauvaire (views of Karak, Zat-Raz, etc.). - Occasional slight foxing (esp. in vol. 3); plates clean and spotless throughout. A fine, complete set in the original printed wrappers as issued; text vols. are uncut and wide-margined. Röhricht (Bibl. Pal.) 515f., no. 2824. Röhricht (Pilgerreisen) 637, no. 872. Henze III, 312. Parr/Badger, The Photobook I, 33.
Folio. 3 unnum. leaves, 40 original photographs on albumenized paper (approx. 245 x 180 mm) on stiff cardboard mounted on hinges, and 42 unnum. leaves of explanations. Publisher's half brown hard-grained morocco, blind stamped calico boards, with gilt title and figures, raised bands. Edges gilt. Beautiful photographic album made in Cairo, the first illustrated catalogue of the first Egyptian Museum. While copies dated 1871 exist, both copies preserved in the French National Library bear the date 1872. The photographs by Hippolyte Délié and Émile Béchard show the halls and antiques of the Bulaq Museum, founded in Cairo in 1863 by the great Egyptologist Auguste Mariette (1821-81). The Museum was created by Auguste Mariette, who in 1858, following his appointment as head of the Antiquities Service, moved the banks of the Nile, in Bulaq, where he assigned four rooms in his residence for exhibitions. Mariette obtained permission to settle in Bulaq in the abandoned offices of the River Company. On these dilapidated premises, where he lived with his family, the "Director of the Historical Monuments of Egypt and the Cairo Museum" converted the first four exhibition halls with the assistance of his faithful assistants Bonnefoy and Floris. The period photographs, published in this 'Album du musée de Boulaq', show the low buildings by the river, almost completely devastated during the flood of 1878. In the preface dated November 1, 1871, Mariette explains the origins of this monumental album: "Mr. Hippolyte Délié and Mr. Béchard requested permission from the Directorate of the Bulaq Museum to reproduce by photography some of the monuments on display in our galleries. Not only the application [...] was explicitly welcomed, but the Director of the Museum feels he must promote the work of the great photographers from Cairo, opening up for them the cabinets of the Museum and choosing among the objects it contains those that appeared to him most worthy of inclusion in the proposed Album. Mr. Délié and Mr. Béchard have followed, for the classification and arrangement of their proofs, the order adopted in the Notice sommaire, which is for sale at the entrance of the Museum. The three plates showing the interior and exterior of the Museum serve as an introduction to the Album. The monuments are then classified into religious, funerary, civilians, historical, Greek and Roman sections. The photographic Album [...] is thus an illustrated catalogue of the Museum. The remarkable execution of the plates allows us also to recommend to everyone this album by Mr. Délié and Mr. Béchard. Travelers will indeed use it as a souvenir of their visit to the Bulaq Museum. Scholars will find the hieroglyphic texts reproduced with such clarity as if they were in direct presence of the monuments. Finally artists will not study from any other work on Egyptology as well as from the beautiful proofs delivered from the apparatus used by Mr. Délié and Mr. Béchard, the difficult problems that relate to the history of art in Egypt". The French photographer Émile Béchard was active during the years 1869-90: "Béchard arrived in Egypt probably together with his partner Délié. He collaborated with him in the production of the Album du Musée Boulaq and in the carte de visite photographs of native types and costumes. There is little information on the life of Béchard. It is known that he was awarded a first class gold medal at the Exposition Universelle of 1878 in Paris, and his images appear in many of the travel and topographic albums until almost the end of the century. His major achievement was no doubt his monumental album of photographs of the most important archaeological sites and antiquities of Egypt […]. It is worthy to note that Béchard did have a great deal of talent in picturing architecture. The neatness of the execution and printing of the final image adds tremendously to the monumentality he was able to reflect in them" (cf. Perez, p. 123). "Délié arrived in Egypt the year the Suez Canal was opened and settled in Cairo. Until the mid-1870s he was in partnership with Émile Béchard. The two collaborated on a major photography album on the Boulaq Museum that was very highly praised as one of the most luxurious and finely printed books of the period. […] Délié's photographs were known already in 1869, and some of them were used that early for woodcuts illustrating articles in Le Tour du Monde. In 1876, he became a member of the Société Française de Photographie, and in 1878 he was awarded a bronze medal at the Exposition Universelle in Paris. For some reason, Délié's images, although equal in quality, are much rarer than those by Béchard, even though both continued to work after they dissolved their partnership. His photographs are exclusively of Egypt, mainly ruins, antiquities, and cityscapes, with a few genre studies" (p. 153f.). Perez also devotes a long notice to the archaeological activity of Mariette, a familiar to photography: "Best known as Mariette Bey, this famous Egyptologist became an archaeologist almost by chance. He was a young schoolteacher in the provincial town of Boulogne-sur-Mer, writing bad novels and chairing the local fishing-club, when he happened across the papers of a relative, Nestor L'Hote. L'Hote's writings of Egypt aroused Mariette's interest, and he turned to the study of Coptic writings and hieroglyphs. He published a number of papers that attracted the attention of Charles Lenormant, who sent him to Egypt in 1850 to hunt down Coptic manuscripts, which were at the time actively collected by British scholars. He remained in Egypt four years, during which time he realized the importance of finding and saving the archaeological treasures still buried in Egypt. Mariette shared his conviction with Ferdinand de Lesseps, whom he met in 1857. The latter appealed to the Viceroy of Egypt, and Mariette was appointed head of the department of Antiquities, a post he created and held until his death in Cairo in 1881. During his years there he displayed an unusual instinct in finding excavation sites; his contribution to Egyptology is invaluable. He was also founder of the Boulaq museum. Photography became an inseparable part of his activity. He mainly employed professional photographers such as Délié, Béchard, and Brugsch, but he himself also photographed, using an 8x10'' camera, newly found artefacts and ancient structures in remote parts of the Egyptian desert. It is interesting to note that, although technically not perfect, Mariette's photographs have a certain precision of angle and composition that makes the image 'right' and authentic. This is no doubt the result of his love and understanding of the objects he was photographing" (p. 194). - Spine scuffed, some foxing. Cf. Nissan N. Perez, Focus East, 1988. On Mariette cf. also J.-M. Carré, "Voyageurs et écrivains français en Égypte", p. 223-249.
8 parts in one vol. Titles within wide woodcut borders and numerous woodcut illustrations throughout. Contemporary speckled calf, rebacked preserving original label on spine, 8vo. Second edition of this important manual of riding, breeding, hunting, farriery and veterinary matters (following the first of 1607), by one of the earliest western owners of and dealers in Arabian horses. Markham praises the virtues of Turkish and Barb horses, which are said to be "beyond all horses whatsoever for delicacie of shape and proportion, insomuch that the most curious painter cannot with all his Art amend their naturall lineaments. They are to be knowne before all horses by the finenesse of their proportions, especially their heades and necks, which Nature hath so well shap'd, and plac'd, that they commonly save Art his greatest labour: they are swift beyond other forraigne horses, and to that use in England we only imploy them [...]". With notes on saddles and bits (several illustrated), as well as numerous cures for horse ailments. - "Divided into eight books with separate titles. The 2nd and 3rd books bear the date of 1616" (Huth). The title page itself bears no imprint, but rather has the word "Cavalarice" sandwiched between the dates "16" and "17". - Occasional slight browning or marginal waterstaining; several small wormholes to margins near end. Title with dated 1745 inscription, 17th century ink annotation to title verso (traced by a later hand), 20th century ink annotation and tipped-in auction catalogue description to front free endpaper. From the library of Francis McIlhenny Stifler with his bookplate to front pastedown. Scarce; only three copies of this edition sold at auction in the last 30 years. BM-STC 17335. Poynter 19.2. OCLC 18813278. Cf. Huth 15. Podeschi/Mellon 18. Graesse IV, 403. Mennessier de la Lance II, 156. Not in Wellcome.
Folio (422 x 528 cm). Lithographed title-page and 60 lithographed plates, all in original hand colour, captions often raised in gilt. With 10 leaves of letterpress text. Half calf with giltstamped spine. (Includes): Die Uebergangsländer von Asien und Afrika, begreifend: Arabien nebst Mesopotamien und Syrien und das Nilgebiet. Munich, C. Wenng, 1845. Engraved map with contemporary border colour. 640 x 544 mm. Scale 1:7,000,000. Only edition of the rare variant with all the plates and in their splendid original colour: "Published in ten parts. The plates show costume of the period and also that of earlier times, taken from paintings" (Hiler). The picturesque views, which include Cairo, Alexandria, Jerusalem, La Valletta, Luxor, and Thebes, genre scenes and landscapes, are all framed within a decorative border and arranged as a small painting. The Nuremberg artist Mayr, known especially for his depictions of battle scenes and horses, was personal painter to Duke Maximilian, whom he accompanied on his 1838 journey of the Orient. The group had departed from Munich on January 20 with a small entourage, travelling via Venice, Korfu, Patras, Athens, Alexandria, and Cairo to the Holy Land. They returned to Munich after eight months on 17 September 1838; the following year, Maximilian was made honorary member of the Bavarian Academy of Sciences. - Some foxing, otherwise splendidly preserved. Includes the extremely rare map of the Arabian Peninsula and the Middle East which was published only in 1845, at the instigation of the naturalist Gotthilf Heinrich von Schubert (1780-1860) and the geologist Joseph von Russegger (1802-63), to satisfy this frequently noted lack in Mayr's production (some foxing, but also finely preserved). Ibrahim-Hilmy II, 26. Gay 90 (only 36 plates). Lipperheide Ma 22 (= 1589). Hiler 578. Tobler 161. Graesse IV, 457. Engelmann 124. Kainbacher 265 ("a rarity"). Thieme/Becker XXIV, 477. Nagler VIII, 498f. ("highly memorable drawings"). ADB XXI, 139ff. Not in Blackmer or Abbey (Travel). Not in Colas.
4to. 2 vols. (12), 264 pp. (4), 265-643 pp., final blank. With frontispiece portrait and 8 photographic plates. Contemporary stamped cloth with cover and spine titles. Second printing of the equally scarce 1919 first edition of this notable work of travel literature by the British Army officer S. B. Miles, who served as a diplomat in various Arabic-speaking countries, notably Oman, which he came to know better than any other European of the time. His intent to revise the notes he had "jotted down on odd bits of paper as he rode through the desert on his camel" (Preface) was rendered impossible due to his failing eyesight. Five years after his death his widow decided to publish the manuscript as she found it, enriching it with Miles's travelogue of Mesopotamia as well as an index. The work includes the political and economic history of Oman and the Gulf as well as the history and geography of Dhofar, Arab tribes, and pearl fishing. The plates show the forts at Bahila, Yabreen, and Rostak, as well as the house of Seyyid Hamed Bin Azzar at Rostak, a group of locals, and date palms, while the frontispiece depicts Miles resting in a chair wearing his sunglasses. - Binding slightly rubbed and soiled, cockling to upper cover of vol. 2, rebacked. A good copy of this popular work that saw re-issues in 1966 and 1994. Cf. Ghani 250 (1966 reprint only).
4to (195 x 165 mm). (191) ff., including paste-downs and about 55 blanks. The journal with an engraved view as frontispiece, 15 full-page, 1 nearly full-page and 1 smaller manuscript maps and coastal profiles, plus a small engraved view mounted on 1 page. The lecture notes with a matching pair of engravings of a scull on and facing the title-page, and 27 pencil and/or ink anatomical drawings (including 2 full-page), some also with red. - Including: [Anatomical manuscript]. Morse, Edward George. Lecture Book [notes on anatomical lectures by Joseph Constantine Carpue]. [London], November-December 1828. Contemp, sheepskin parchment. A manuscript ship's journal kept by Edward George Morse (Bromyard 1805?-Deal post 1850?), who no doubt served, among other functions, as the ship's surgeon. Morse reflects on Arabian navigation and Arabian explorers, including the deservedly famous Ibn Battuta. "The Arabians like the Chinese are said to have employed the compass to guide them through the trackless sands of the desert or to enable them at the hours of prayer to direct their faces with precision towards the city of Mecca and tomb of the prophet. In the sixteenth century moreover when the Portuguese first visited the Indian seas they found that the Arabians are the chief navigators of those seas [...]". - Morse made his earliest dated entries in April 1831 at the island Mauritius in the Indian Ocean and others at Madagascar and its surrounding islands from May to August 1831. Those around Madagascar indicate he was on the barque Manchester, but from at least 11 December 1831 to his arrival back in England on 14 March 1833 he was on the barque Sarah, a 600 ton ship sailing out of London. In it he spent a year in the Seychelles 11 December 1831-15 December 1832, including Make Island, Bird Island, Praslin Island and La Digue. - In very good condition. The binding is soiled and rubbed, and the boards slightly warped, but it remains structurally sound. A fascinating and unusual ship's journal with numerous maps, kept in the unused leaves of the author's illustrated anatomical lecture notes of a few years earlier.
5 glass positive lantern slides (85 × 100 mm), each with a black paper mask, paper tape around the edges, a letterpress slip at the foot giving the publisher's name and city, and a slip at the head with the manuscript title. Stored in a contemporary purpose-made wooden box with brass fittings, with the word "Mekka" on the top of the hinged lid. Five of the earliest and best photographs of Mecca and Medina, beautifully preserved as silver gelatin glass plates, including the first photograph of the Ka'ba in Mecca's Masjid al-Haram (Great Mosque). Two of the photographs were taken by the first person to photograph Mecca and Medina, the Egyptian Colonel Muhammad Sadiq Bey (1832-1902), who made them in 1880 for the Ottoman Sultan Abdülhamid II. The others were taken by the first European to photograph Mecca, Christiaan Snouck Hurgronje, and Al-Sayyid 'Abd al-Ghaffâr, who worked closely with him. Snouck Hurgronje (1857-1936), one of the greatest pioneering Dutch Arabists, converted to Islam and lived in Mecca from January to about July 1885. The photographs by these three men are best known and most frequently reproduced from the published collotype facsimiles, while the rare surviving early albumen prints are usually faded or otherwise in bad condition. The present five plates, sold as lantern slides for magic lantern presentations, are therefore of the greatest importance as well-preserved high quality specimens of these famous photographs, providing the best early images of the mosques of Mecca and Medina. - All five slides are in very good condition, with only a bit of dust and the occasional smudge on the glass. They show: 1) The Masjid al-Haram in Mecca (the Great Mosque); 2) a closer view of the Ka'ba in Mecca; 3) the portrait of an unidentified Mu'ezzin in Mecca; 4) a portrait of an unidentified East Indian pilgrim; 5) the al-Masjid an-Nabawi in Medina (the Prophet's Mosque). Cf. D. v.d. Wal, Christiaan Snouck Hurgronje (2011); J. J. Witkam, new introduction to the 2007 reprint of the 1931 English translation of Hurgronje, Mekka.
4to. (10), 171, (1) pp. William Brodrick's copy with 3 original watercolours by him, heightened with gum arabic. 28 hand-coloured lithographed plates after William Brodrick, some heightened with gum arabic. Contemporary half green morocco, gilt. Second edition, revised and enlarged: the best edition of this handsome work. This copy, with an impeccable provenance, is enriched by the inclusion of three fine original watercolours by the eminent William Brodrick (1814-88), falconer, taxidermist, physician, and artist, whose works of avian portraiture set the standard of their times. - Provenance: "Wm. Brodrick, Little Hill, 1873" (ink inscription to front free endpaper, and a partially erased pencil inscription to title). - Occasional spotting, heavier to endpapers and half-title; spine faded to brown, corners worn, rubbed. Harting 67. Nissen IVB 147. Schwerdt II, 145.
Folio (208 x 289 mm). 3 parts in 1 volume: 4 (instead of 8?) pp. of preliminaries (blank, alif, ba, gim); 131, (1 blank) pp. and 80 pp. (bound alternatingly), with 56 etched plates; 39, (1 blank) pp.; 283, (1 blank) pp. Contemporary half calf with gilt-stamped spine and marbled covers. The first edition of the first illustrated medical book ever printed in the Muslim world: the pioneering Ottoman physician Sanizade's (1771-1826) medical compendium, the first three books (on anatomy, physiology, and internal medicine) of what would later be known as "Sani-zade's Canon of Five", "Kitâb ül-evvel fi t-tesrihât" ("Mir'âtül-ebdân fî tesrih-i a'zâil-insân"), "Kitab üs-sânî fi 't-tabîyat", and "Kitâb üs-sâlis Miyâr ül-etibbâ". This was one of the earliest Turkish medical works to draw thoroughly on western, Paracelsian and Vesalian science: indeed, it is modelled on and partly translated from Italian and German sources, such as Anton Störck, Bartolomeo Eustachi, Gabriele Fallopio, and Costanzo Varolio, reproducing anatomical illustrations from a variety of sources including Vesalius. - "[B]y and large Ottoman medicine remained [...] attached to its Galenic roots. [...] Real paradigmatic change began to appear only with the upheavals of 19th-century reforms, when translations and adaptations of new European knowledge made their way to the core of the medical profession. One of the first books to spark this revolution was Ataullah Sanizade's compendium 'Hamse-i sanizade', a series of five books published in Ottoman Turkish from 1820 onward, incorporating new medical knowledge from Europe. Sanizade was a brilliant and innovative physician and theorist (as well as musician, astronomer, and historian) who did much to integrate new medical knowledge with the old. His views on medicine encountered much opposition, mainly because of his support for surgery-based study of anatomy. As a result his request to dedicate his chef d'oeuvre to Sultan Mahmud II was denied. In time, however, the compendium came to replace the earlier canonic texts, and was fondly named 'kanun-i sanizade' (Sanizade's canon), referring, of course, to the old master's 'Qanun'. Although the compendium formally adhered to the humoral system and other concepts of ancient medicine, it was here that blood circulation was mentioned for the first time as a scientific concept and as part of a different medical theory. Some of the terminology included in this book formed the basis for a new medical profession that was beginning to take shape" (D. Ze'evi, Producing Desire [2006], p. 20f.). A five-volume Arabic edition appeared at Bulaq in 1828 by direct order of Mehmet Ali. - Part 1 bound as follows (agreeing with the copy in the BSB Munich): 4 pp. of prelims (blank, alif, ba, gim); 3, (1) pp., (2 plates), 2 pp. [index], 5-34 pp., (17 plates), 3-22 pp. [index], 35-68 pp., (9 plates), 23-35 pp. [index; pp. 25-28 numbered 3-6 in error], 1 bl. p., 69-94 pp., (12 plates), 37-48 pp. [index], 95-100 pp., (6 plates), 49-55 pp. [index], 1 bl. p., 101-106 pp., (3 plates), 57-60 pp. [index], 107-120 pp., (5 plates), 61-70 pp. [index], 121-128 pp., (2 plates), 71-80 pp. [index], 129-131 pp., 1 bl. p. Some dampstaining throughout, more prominently so in several plates. In all, a good copy of this rare work, the only edition published during the author's lifetime. OCLC 608102180.
Albumen print (vintage), hand-coloured and raised in gilt and opaque white. Matted (ca. 280 x 360 mm) and framed (ca. 530 x 640 mm). Signed "Lafayette" on the mat. His Royal Highness Saud of Saudi Arabia, second son of and immediate successor to Abdulaziz Ibn Saud, the founder of Saudi Arabia, as a young prince. A fine, splendidly hand-coloured portrait by Lafayette Studios, Photographers Royal and among the world's most prestigious studios of the early 20th century. - In immaculate condition.
8vo (154 x 208 mm). Arabic manuscript on paper. 267 ff. (final 6 leaves are supplied in a 19th century hand). Naskh script in black and red, with many numerical charts and calculations in text and margins. Rebacked contemporary red morocco, ruled and stamped in blind. Commentary on a work by the Egyptian mathematician Ahmad ibn Muhammad ibn al-Ha'im (ca. 1352-1412), the "Murshidat al-talib ila asna al-matalib fi ilm al-hisab" ("A student's guide to the summit of learning on the science of mathematics"). Al-Ha'im is famous for his contributions to mathematics, especially in the field of early algebra. The author of the commentary, Baha al-Din Muhammad al-Shinshawri (d. 1590), finished this work in 1587. The present copy was completed by the scribes Abd al-Rahman bin Wali Allah and Shihab al-Din al-Wiqay al-Shinway al-Shafi' on Friday, the 18th of Rabi' al-Thani 1023 AH at Cairo's Al-Azhar Mosque in Ottoman Egypt. - The text incorporates several small mathematical charts as well as marginal calculations, which provide a key insight into the development of mathematical notation and visual organization in the early 17th century. - Covers rebacked and spine replaced, along with final six leaves which were probably completed in Western Asia in the 19th century. Several small waqf stamps. A few paper repairs and marginal wormholes, otherwise well-preserved. Cf. GAL II, 125.
8vo (194 x 130 mm). Arabic manuscript on paper. 90 leaves, 15 lines per page written in more than one hand in cursive script with several words in red; numerous diagrams and tables. Contemporary limp red morocco. The three works comprise: - 1. "Al-Durr al-manthur fi'l-'amal bi-rub' al-dustur". A treatise on calculating time with the aid of the sine quadrant, for any region (GAL II, p. 218, 1, attributed by Brockelmann to Sibt al-Maridini's grandfather, the astronomer Abdallah ibn Khalil ibn Yusuf Jamaladdin al-Maridini al-Qahiri, d. 1406). - 2. "Raqa'iq al-haqa'iq fi hisab al-daraj wa'l daq'iq" ("Subtleties of Truths on Arithmetic of Degrees and Minutes"). Instructions for the calculation of celestial motions with the aid of minute proportions (GAL II, p. 217, 11). A commentary on a work by his teacher, the Egyptian mathematician and astronomer Shihab al-din Abu'l-'Abbas Ahmad ibn Rajab ibn Tibugha 'Ibn al-Majdi' (1365-1447), entitled "Kashf al-haqa'iq fi hisab al-daraj wa'l-daq'iq" ("Opening Truths on Arithmetic of Degrees and Minutes"). - 3. A commentary, "Risalah [al-Fathiyya (al-Shihabiyya)] fi'l-'amal al-jaybiyya" ("Treatise on [Fath al-Din (Shihab al-Din)]". Operations with the sine quadrant (GAL II, p. 216f., 7). - Sibt (Ibn Bint) al-Maridini (the Elder, 1423-1506) lived in Cairo and Damascus. He served as the muwaqqit (time-keeper) of the al-Azhar mosque in Cairo, and was a pupil of Ibn al-Majdi. His works are often conflated with those of his grandfather, and with those of his like-named son, who died in 1527 (GAL II, p. 468). - A few old repairs occasionally affecting letters; altogether very well preserved. Provenance: from the property of Dr. Eugene L. Vigil (b. 1941), of Lynden, Washington, USA. For Sibt al-Maridini see B. A. Rosenfeld & E. Ihsanoglu, Mathematicians, Astronomers & Other Scholars of Islamic Civilisation and their Works, Istanbul 2003, pp. 276f., no. 815, and pp. 293-298, no. 873.
8vo (116 x 180 mm). Arabic manuscript on paper. 52 pp. on 28 ff. of very fine polished paper (8 ff. on pink paper), complete. Meticulous Naskh in black ink with occasional red; numerous diagrams in red in the margins and occasionally within the text itself. Bound with an astronomical treatise in Persian. 50 pp. Black ink with occasional red; several diagrams in red throughout the text. Altogether 59 ff. 18th century red morocco, ruled in gilt and stamped in blind, modern rebacking. A 16th century Arabic manuscript of the "Sphaerics" by the Greek astronomer and mathematician Theodosius of Bithynia (ca. 169-100 BCE). Unknown in the West during the Middle Ages, the "Sphaerics" proved instrumental in the restoration of Euclidean geometry to Western civilization when the book was brought back from the Islamic world during the crusades and translated from Arabic into Latin. - The text is decorated throughout with geometric diagrams drawn in red ink with a delicate and exacting hand. Each is labelled, and many are quite intricately detailed, showing the geometric qualities of the sphere and progress to astronomical diagrams exploring orbits and planetary movement. This present manuscript was copied by Muhammad Taqi bin Aqa Jalal al-Kilani, dated to Sha'ban 1000 H. - Bound with another astronomical treatise, in Persian, written on somewhat coarser paper stock. Covers worn and rebacked, some dampstaining, otherwise very well preserved. A fine piece in the history of mathematics.
Small 4to (21 x 15 cm). (16), 410, (6) pp. With woodcut arms of the Dominican order (with the IHS and cross covering the centre) on title-page, and a variant version on the last page, and 3 woodcuts in text (2 saints and the Cross). Further with 24 decorated woodcut initials in two series, including 11 repeats. Contemporary gold-tooled mottled calf, each board with the coat of arms of the French Seguier family and with the monogram PSMF (Pierre Seguier and his wife Madeleine Fabry) repeated 6 times on the spine, rebacked (on recessed cords) with original gold-tooled backstrip laid-down, a later spine label (between the 1st and 2nd monogram), the year of publication 1611 at the foot of the spine, later endpapers. First and only edition, in Spanish, of an early work on Ethiopia by the Spanish Dominican monk Luis de Urreta (ca. 1570-1636), who wrote two volumes glorifying his own order's accomplishments in Ethiopia while diminishing those of the Jesuits (his Dominican coat of arms incorporates the IHS with cross, often used by the Jesuits). In the present work, the second of the two, he deals specifically with the Dominican presence in Ethiopia and the history of the Ethiopian saints. Like the first work, the "Historia ecclesiastica" published in 1610, it is a late example of a stream of geographical fantasies where Ethiopia was presented as the wondrous utopian kingdom of Prester John, and Urreta makes the case for an ancient Dominican presence in the country, arguing that they should thus be given precedence over the Jesuits as Catholic missionaries in that country. On pp. 88-90 it gives the information from a report to Pope Gregory XIII (1502-85) on two Dominican monks (Blackfriars) from the Alleluya monastery, who entered Mecca around 1580 and had contact with a Faqih and a Marabout. Everyone who travelled from Africa to Mecca supposedly had to travel by way of the Alleluya monastery as the rest of the region was considered uninhabitable (p. 61). - From the library of Pierre Seguier, Lord Chancellor of France from 1635 to 1672, best known for his appearance in The three musketeers, with his arms and monogram stamped in gold on the binding. And with an owner's inscription of the 17th-century French scholar Etienne Baluze ("Stephanus Baluzius Tutelensis") on title-page. With a faint water stain in the lower margin of four leaves in the introduction, a tiny corner torn from the title-page and two tiny tears in the margins of the main text, otherwise in very good condition. Binding heavily restored, but with the gold-tooled coat of arms still very clear. Olivier, 271(4). Finger & Piccolino, The shocking history of electric fishes, p. 117; Palau 345993; Salva 3417; cf. Gay, Bibl. de l'Afrique et l'Arabe 2690.
Folio (368 x 255 mm). Etched and engraved title and 31 etched plates (numbered 1-30 and one unnumbered). Contemporary French red morocco gilt, arms of Louis-François-Armand de Vignerot du Plessis, duc de Richelieu et de Fronsac on covers (Olivier 407, fer 15), within gilt border of Richelieu’s repeated motif of two crossed batons intertwined with an ornamental “R”, repeated with coronet within arabesques at the corners, spine gilt in compartments with same motif. First edition; a large-paper copy with Richelieu's arms. Vien's charming series of etchings depicts the costumes worn by members of the French Academy in Rome for a "Turkish masquerade" held during the Carnival celebrations of 1748. This masque is an outstanding example of the influence the orient exerted on western style during the late-Baroque era, showcasing the degree to which cultural transfer was possible and even a matter of enthusiastic adoption by the west but little more than half a century after the siege of Vienna. The elaborate masquerades at the French Academy constituted an important fixture in the Roman calendar. As director of the Academy, Vien organised the masque of 1748, the fabulous costumes of which are presented here, designed, drawn and etched by Vien himself. The costumes in the present suite are "a curious mixture of authentic Turkish habits and European invention" (Blackmer), showing the stock figures of the Turkish court liberally enhanced with elements of Vien's own concoction. The fantastical nature of the creations is a far cry from the sober neo-classical style with which Vien is commonly associated (his pupils included some of the foremost artists of the period, notably Jacques-Louis David). Vien's original drawings and oil paintings for the Mascarade are held by the Musée du Petit Palais; they were exhibited in Berlin in 1989. - Some marginal dampstaining and foxing, binding rebacked retaining most of original spine, corners repaired. This copy commanded $26,000 at Christie's New York in 1997. - Provenance: from the library of Louis-François-Armand de Vignerot du Plessis, duc de Richelieu et de Fronsac (1696-1788), a close friend of Louis XV of France, though critical of Madame de Pompadour. He is supposedly the model for the character of Valmont in Choderlos de Laclos' "Les Liaisons dangereuses". Atabey 1288. Lipperheide Sm 10. Colas 3005 (suggesting the plates are un-numbered). Hiler 879. Le Blanc II, 122, 8-39. Cohen/R. 1014f. Brunet V, 1211. Cf. Blackmer 1730. Cf. Gay 3644. Graesse VI/2, 311 (Paris, Bassan et Poignan).
4to (140 x 190 mm). Complete Arabic manuscript on strong Chinese paper. 165 ff. (337 numbered pages), leaf size ca. 132 x 182 mm, written space ca. 82 x 128 mm). 6 lines, per extensum (except 4 lines on pp. 3-4; 11 lines on pp. 11-34). Illustrations of the Kaaba in Mecca and the burial sites of the first three Rashidun Caliphs on pp. 47-48. Text written in "sini" calligraphy typical of Chinese Muslims, in an archaic form oscillating between naskh and muhaqqaq. Black ink, various sections highlighted in red, text within single or double red rules; sporadic notes or corrections on the margins. Contemporary black, red and gold painted and lacquered over paper and cloth. Painted boards show floral designs in black and gold on a red background, all within a black border with red wave designs. With remnants of leather on the brown cloth spine. Extremely rare specimen of the famous Sunni prayerbook "Dala'il al-khayrat": an Arabic manuscript written in what is today Xinjiang, China. - The "Dala'il al-khayrat" ("Waymarks of Benefits" or "Proofs of Good Deeds"), an extensive book of poems in praise of the Prophet Muhammad, was compiled by the Moroccan Sufi scholar Muhammad ibn Sulaiman al-Jazuli (807-870 H / 1405-1465 CE) and was quickly received throughout the Islamic world, functioning as a kind of Muslim catechism. Al-Jazuli's inspiration for the book is said to have come before he left Fez to spend forty years in Mecca, Medina and Jerusalem, but he completed it in Fez during the last years of his life. The present manuscript, written in so distant an Islamic community as that of Eastern Turkestan, a territory dominated throughout by Mongols or Chinese, where Muslims were commonly viewed as strangers, gives striking evidence of the range and scope of a tradition lasting for almost six centuries: the utopia of Islam as the Religion of Oneness, aiming to unite all the Muslim peoples in a single community reaching from Europe to the Far East. - The text begins with an introductory praise of Muhammad, followed by the 99 names of Allah (leaves 1-46) and a compilation of eulogies and prayers divided into seven subsequent chapters (each referred to as "juz", or "section"): 1, pp. 46-113; 2, pp. 113-136; 3, pp. 136-181; 4, pp. 181-217; 5, pp. 217-236; 6, pp. 236-256; 7: pp. 256-end. Interestingly, the double page 47/48 does not show Mecca and Medina, as is typical for manuscripts of this text, but rather presents naive illustrations of the "Ka’ba of Allah" (!) and the burial sites of the first three Caliphs. No date in colophon, written in the form of prayer. Leaves 12 to 19, extraneous to the text proper and containing additional prayers and the 99 Names of Allah, are inserted on contemporary Chinese paper. Edges worn; lower corner rounded and fingerstained from long use, but very well legible and altogether well preserved.
2 vols. Folio (328 x 447 mm). (8) pp.; (4) pp. of text; a total of 76 photographs on plates by Francis Frith (sizes ca. 145-165 x 215-230 mm), each with a separate leaf of text. Contemporary red morocco, spines and covers gilt. Marbled endpapers; all edges gilt. First edition of this important and early photobook on the Near East. During the years 1856-59, Frith (1822-98) made three visits to Egypt and the Holy Land; this selection of his photographs, from wet-collodion 9 x 7 negatives taken with an 8-by-10 inch camera, was published in 25 fascicles of 3 prints each, a work hailed as "one of the most renowned nineteenth-century photobooks" (The Photobook). Most of these images are dated 1857 either in the plate or the printed caption. They include a portrait of the artist in oriental costume and views of Abu Simbel, Aswan, Baalbek, Bethlehem, Damascus, Giza, Hebron, Jerusalem, Karnak, Luxor, Nazareth, Philae, Tiberias, Wadi Kardassy etc. The preliminaries of vol. 1 include title, introduction, table of contents, and subscribers, those of vol. 2 encompass title and contents. Each plate is accompanied by a full-page letterpress description. "Francis Frith is undoubtedly one of the best-known photographers to work in the Near East. His trips to the Levant were a brilliant commercial success as well as an artistic one" (Perez 163). - Some foxing to blank margins, as well as to a few photographs. Modern bookplate of the German anthropologist Jasper Köcke. Bindings very slightly rubbed, but hinges somewhat brittle; unobtrusive chafe-mark to upper cover of vol. 2. Overall a fine, appealingly bound copy. The Photobook I, 28. Blackmer 1942. Hannavy 561. Gernsheim, History 286. Perez, Focus East 165. Van Haaften-White XII & XV.
4to (ca. 160 x 216 mm). Arabic manuscript on polished paper. 8 parts. 93 leaves, final blank leaf. Written in black ink throughout with red chapter headings, 19 lines, two columns and single column. Contemporary brown leather binding with gilt borders and recessed and gilt central ornament, stamped in relief. A fine, complete collected medical manuscript, including pharmacological and alchemical material. The principal section is formed by the "Urjuza fi l-tibb", or "Medical Poem" of Ibn Sina, which can be considered a poetic summary in 1326 verses of the author's great encyclopedic textbook, the Qanun. The verse form made it popular as a mnemonic in the process of transmitting the Canon's medical knowledge from master to student. The second part of the work is more directly concerned with anatomical matters, but also discusses the pulse and urine. - The following section is "Al-Maqala al-Aminiya fi 'l-fasd", a treatise in ten chapters on phlebotomy. It was written by Abul-Hasan Hibatallah ibn Said ibn al-Tilmidi (d. 1165 CE), the Christian physician to the Abbasid caliph Al-Muqtafi, hailed as one of the greatest medical men of his age. - A subsequent essay treats the refinement of chemical substances by burning and washing, also discussing the characteristics of the combustion of various metals, including gold, silver, steel, copper, and lead. Further parts concern the refinement of medicines (by Al-Hasan ibn Bahram al-Mutatabbib) and the treatment of poisonings in general, but also offering an alphabetical pharmacopoeia. - Leather covers professionally restored; modern marbled pastedowns. Internally quite clean; a few leaves show edge tears but without loss to text. Altogether a fine Arabic medical manuscript comprising a wide range of relevant material. GAL I, 457, 81 ("Manzuma fi 't-tibb"); GAL S I, 823. For al-Maqala al-Aminiya see GAL I, 487.
Large folio. Half morocco, retaining the original cloth covers and gilt cover label. 11 (instead of 21) plates. Author's Edition. Landmark collection of Muybridge's revolutionary "instantaneous photography", a self-developed technique that allowed for high-precision series of high shutter speed stop-motion photographs. He began his work with photographing horses, but in time it would also include athletes, birds, lions, and even camels. Muybridge first photographed a horse with all 4 hooves off the ground in 1872, after Leland Stanford (later the Governor of California) hired Muybridge to determine whether a horse leaves the ground completely when running, a hotly debated issue at the time. (Stanford believed they did, and Muybridge won Stanford a $25,000 bet.) By 1885, Muybridge had accumulated over 20,000 photographic negatives, or 781 sequential series of photo-plates, shot from multiple cameras at carefully planned locations and angles, each of which showed a human and/or animal engaged in a continuous motion. This required Muybridge to develop cameras for faster shutter closure. In cases where a human or animal moved any great distance, photographing the movement required a team of photographers, rather than a single photographer. Muybridge and H. Allen, a physiology professor at the University of Pennsylvania, published 37 eleven-volume sets which contained a collotype of every one of the 781 photographic series. This "Author's Edition" consists of a selection of the most important collotypes contained in the full work; the present set includes all the plates to show animals: No. 565. Horse trotting. - 616. Horse and rider, trotting more rapidly. - 626. A third horse and rider, running, including several frames with all 4 hooves off the ground. - 647. A horse jumping a hurdle at high speed, with a bareback jockey. - 659. Mule jumping and kicking with his hind limbs. - 710. Race hound at high speed, including frames with all 4 feet off the ground. - 721. Lion circling along the wall of a small enclosure. - 739. Camel walking. - 755. Bird flying, including swoops down. - 3. Runner. - 152. Runner jumping a hurdle. - The combined illustrated area of any given plate varies, but is typically about 21 x 30 cms. Muybridge had focused his early photographic work on San Francisco and Yosemite, but had later been sent by the Federal Government to photograph Alaska for the High Sierra Survey. (The latter project was in 1868, shortly after the territory was purchased. He was later sent on a second trip to Alaska to photograph the Tlingit tribe and the Modoc War.) During his time as a photographer, Muybridge owned a racetrack. Late in life, he invented the zoopraxiscope, a primitive forerunner of the motion picture camera. Analyses made possible by the technique later had a wide range of implications for sports, podiatry, physical therapy, vertebrate paleontology, and other fields. - Pastedowns and spine renewed, otherwise an excellent, clean copy in the original boards. Grolier, Truthful Lens, 123. Parr/Badger, The Photobook I, 52.
Oblong album (320 x 410 mm). Album with 50 photographic prints of various sizes (135 x 95 to 290 x 215 mm), each pasted on thick paperboard. Half black leather with title in gold lettering on front board. Album with 50 albumen prints of scenes in Algeria and Tunisia, made by an unknown photographer. Most of the photographs have a caption naming the place photographed, but only 5 indicate place of production or publication of the photos. These were all produced in Tunis, at least some by the French photographer J. Garrigues, printed and published at his studio. Notable photographs in this album are the first, showing a veiled woman, a barber at work in the streets, riders on their horses, camels with riders and luggage, the Notre Dame d’Afrique in Algiers. Other subjects include city views, (fairly) candid photos of people in the streets, landscapes and the exterior and interior of a mosque. - The most remarkable print in this album actually does not fit in with the other images of places in North Africa. It is a photograph of pilgrims before the Great Mosque and Kaaba in Mecca, modern day Saudi Arabia with a caption in Arabic. This photograph was taken by the first Arab photographer Al-Sayyid ‘Abd al-Gaffar ca. 1887, making it one of the first photographs of Mecca. The present album contains this picture in its original form, including the Arabic caption. An edited version of the photograph (in which remnants of the Arabic caption are visible) can be found in Hurgronje’s "Bilder aus Mekka". - With a small Antwerp bookseller’s ticket on the front paste-down. The binding shows some signs of wear, slight foxing/browning of the outer edges of the paper boards (not affecting the photographic prints), some prints have slightly faded edges, which does not interfere with the actual image. Overall in good condition.
Folio (210 x 335 mm). Publisher's original blue printed boards. First edition. A separate annual "Administration Report" on the Gulf region which the British Political Residents submitted to the Indian Viceroy and Governor. The bland official title belies the true value of the series, which has been called "a mine of information on the development of the modern Gulf" (Cambridge Archive Editions). Regularly the reports contain political details of the local sheikhdoms as well as trade information. - The present issue offers a detailed introduction by the resident British Consul and Political Agent C. A. Kemball, commenting on the Sultan, his tours, customs and taxes, slave trade, and an outbreak of disease ("small-pox of a severe type appeared at Shargah in the first week of April, causing, it was reported, about 500 deaths"). Kemball further reports on a "Pearl Dispute" in which "the Sultan was interested, connected with the discovery and sale of a pearl of extraordinary value", which has "at last been amicably settled by a committee consisting of certain of the Trucial Chiefs". The Consul "visited the Arab Coast in December and met the Chiefs of Shargah [Sheikh Saqr bin Khalid Al Qasimi] and Ajman [Sheikh Abdulaziz bin Humaid Al Nuaimi]. The Chief of Abu Dhabi [Sheikh Zayed bin Khalifa Al Nahyan] was away in the interior, but I saw his son [Khalifa bin Zayed bin Khalifa Al Nahyan] and other principal men [...]". He also discusses the dispute between the Chiefs of Abu Dhabi, Sharjah and Ajman over the colonisation of Al Zorah by the Al-Suwaidi, the July 1900 coup by which Sheikh Abdulaziz bin Humaid Al Nuaimi seized power in Ajman, and the newly established joint rulership of Sharjah and Ras Al Khaimah by Sheikh Saqr bin Khalid Al Qasimi, which would last until 1914. - The "Administration Report on the Persian Gulf" was published under various titles annually between 1875 and 1957. Original specimens are almost unobtainable in the trade. - Binding rebacked with tape. Provenance: removed from the London Library, with their printed label on the upper cover and their stamps (in blind and printed) on title-page and final leaf, accompanied by cancel stamps. Macro, p. xii (s.v. "RAPA": Report on the Administration of the Persian Gulf Political Residency and Muscat Political Agency). OCLC 224558510. ZDB-ID 768652-3. Cf. the 1989 Cambridge Archive Editions reprint.
4to (200 x 144 mm). 81 pp. French manuscript, black ink on watermarked laid paper. 19th century blindstamped half calf with smooth spine, title lettered in gilt. A hitherto unknown French translation of an Arabic medical and philosophical text by a 13th century author from Al-Andalus: part of the first sections of the third chapter from the "Kitab al-Aghdiya", or the "Book of Food and the Preservation of Health", by Ibn Khalsun (ca. 1203-88). This chapter discusses general hygiene and personal health, that is to say, the body and spirit in their entirety. The present manuscript fragment is entitled "Traicté des choses non naturelles" ("Treatise on matters not natural"), meaning the things necessary for human life that are part of the external, material world, such as air, food and drink, including paragraphs on wine and sleep. It provides no information as to its source, but there was at the time no French edition of the work, and this would appear to be an entirely original, albeit unfinished, effort at translating an Arabic manuscript. The first published French translation was that included with the critical edition published in Damascus in 1996. - According to the Andalusian scholar Ibn al-Khatib (1313-74), Ibn Khalsun was originally from Rueda in Spain and lived in Malaga and Granada where he was part of the Nasrid ruler Abu 'Abdallah Muhammad bin Muhammad bin Yusuf's court (1272-1302). This is his only recorded work on medicine. - Some worming to the wide margins. Binding slightly rubbed at extremeties. Provenance: from the library of the French writer Jules Claretie (handwritten note dated 1919); subsequently owned by Dr. René-Albert Gutmann (1885-1981), and acquired from his heirs.