4 075 résultats
4to. (4) pp. With 2 woodcut vignettes. Sewn. Extremely scarce pamphlet on a naval battle in the Mediterranean near Cabo de Gata (Andalusia). It describes the destruction of a ship of corsairs from Algiers by the Spanish vessel "San Pedro" on 7 January 1621, killing 70 men. The victory proved important for the Spaniards, as the surviving corsairs provided them with useful intelligence, including information regarding the deployment of 30 Algerian vessels in the area, all seeking to rob other ships. However, the Ottomans were ignorant of any Royal Navy galleys which the Spanish suspected in the area, rather presuming them near Mallorca or Sardinia. - Large Jesuit woodcut vignette to the otherwise blank final page. Somewhat browned. Near-contemporary foliation in ink (205-206), suggesting the work was originally part of a larger volume. No copies traceable in libraries worldwide. Not in OCLC.
4to. (3) pp., final blank page. With woodcut illustration on the title-page. Sewn. Scarce account of a naval battle in the Mediterranean that took place near Cap de Begur (Catalonia) between a Spanish vessel and a ship of corsairs from Algiers in April 1623. The latter, carrying "50 Turcs, 4 captured Christians, a black Moorish woman, and a Mallorcan renegade", went up in flames. Allegedly the copy of a letter by a soldier of the Spanish Armada. The illustration shows the Ottoman vessel features 11 sailors at the helms wearing turbans. - Slightly dampstained. Near-contemporary foliation in ink (137-138), suggesting the work was originally part of a larger volume. Palau 61131. Not in OCLC.
4to. (8) pp. Later marbled boards with shelfmark label to front cover. Extraordinary account of a fire in the port of Algiers planted by the British pirate-hunter Richard Gifford. Of the utmost rarity: "unknown to Lowndes, and other bibliographers" (Libri). Only two library copies traceable internationally (St. Pancras Library, London, and Amsterdam University Library). - On Holy Tuesday 1604, in the service of the Duke of Tuscany and under the pretext of becoming a pirate, Gifford set the Algerian galley fleet on fire in the notorious pirate-ridden port of Algiers, causing fierce retaliation by the Algerians. "Although he escaped and there was not much damage done, about a dozen Englishmen including his abandoned crew members were all executed. Furthermore, the pasha banned English ships, Janissaries seized English citizens and arrested English merchants, confiscating their goods for the damage done by Gifford" (Güvenç). - "During the Anglo-Spanish wars Captain Richard Gifford had served under Sir Francis Drake and Sir John Hawkins [...] after the wars he became a pirate-hunter, a freelance mercenary hired by the grand Duke of Florence to extirpate the infamous nest of sea rovers at Algiers" (Bak). - Spine rubbed; somewhat foxed throughout. Handwritten date "1825" to flyleaf, likely the date of acquisition. The celebrated library of M. Guglielmo Libri 184. Senlen Güvenç, "A Foe to All Christians": The Notorious English Corsair Captain and Ottoman Reis John Ward", Çanakkale Arastirmalari Türk Yilligi 29 (2020), 35-54, at p. 41. Bak, Barbary Pirate, Stroud 2006, 47.
Together with a lithographic portrait (315:243 mm). In Arabic to King Louis-Philippe I, requesting recruitment of men and horses. Together with an autograph translation signed by Joseph-Marie Jouannin, the king's interpreter of Arabic (Paris, 14 Feb. 1837).
4to. 1 p. on bifolium. In Arabic, to General Viala Charon, French governor in Algeria. Includes contemporary French translation.
Large 4to. 2 pp. Together with a contemporary transcription into French. To the Crown prosecutor of Algeria, describing a case of child murder under Sharia law.
147 albumen and silver gelatin print photographs, mounted on loose cardstock (recto and verso). Some with inked captions in contemporary hand. Included is a typewritten military communication, also laid down on two sides of cardstock. Over one hundred photographs of French exploration of the Sahara by airplane and automobile in the first decade of flight, set against the backdrop of WWI, the first years of aviation, the Kaocen revolt, and French colonization of Algeria. - Thirty-two aerial photographs show not only towns and oases of the M'zab region of Saharan Algeria such as El Guerrara and Melika, but likely the landmarks by which early pilots were learning to navigate in vast tracts of desert; other photographs feature the Farman F.41 biplane, briefly in use in French North Africa in 1917. The goal to traverse the Sahara was not without dangers: two disasters appear in the record. One is a plane crash, shown in four photographs of a group of men inspecting the wreckage of a downed plane, possibly one of the Farman F.41s, though its state makes identification difficult. The second involves an altercation with local Tuareg people, with whom the French were at war at the time, in the midst of the larger conflict of WWI. The skirmish is described in a typed military communique. Addressed from the Gouvernement General de l'Algerie, 19th Corps d'Armee, Territoire du Sud, Territoire des Oasis, it reads: "Le commandant Militaire fait part aux Troupes du Territoire de la mort glorieuse due Personnel de l'Aviation Saharienne parti de Ouargla en reconnaissance automobile sure In-Salah le 27 Janvier [...] A leur arrivée dans les gorges d'Ain-Guettara; le Ier Février, les deux automobiles sont tombées dans une embuscade tendue par un rezzou de 80 Touaregs dissidents. Après une lutte héroique et après avoir épuisé toutes ses munitions, la petite troupe a été anéantie. Ce sont les premières victimes de la pénétration automobile et aérienne au Sahara [...] L'Escadrille Saharienne nouse aidera un jour à les venger". - Altogether, the collection provides a unique window into a series of historical moments: early aviation, exploration of the Sahara, French colonialism in Algeria, the Tuareg resistance, and the First World War. - A touch of wear, otherwise well preserved.
Oblong album (320 x 410 mm). Album with 50 photographic prints of various sizes (135 x 95 to 290 x 215 mm), each pasted on thick paperboard. Half black leather with title in gold lettering on front board. Album with 50 albumen prints of scenes in Algeria and Tunisia, made by an unknown photographer. Most of the photographs have a caption naming the place photographed, but only 5 indicate place of production or publication of the photos. These were all produced in Tunis, at least some by the French photographer J. Garrigues, printed and published at his studio. Notable photographs in this album are the first, showing a veiled woman, a barber at work in the streets, riders on their horses, camels with riders and luggage, the Notre Dame d’Afrique in Algiers. Other subjects include city views, (fairly) candid photos of people in the streets, landscapes and the exterior and interior of a mosque. - The most remarkable print in this album actually does not fit in with the other images of places in North Africa. It is a photograph of pilgrims before the Great Mosque and Kaaba in Mecca, modern day Saudi Arabia with a caption in Arabic. This photograph was taken by the first Arab photographer Al-Sayyid ‘Abd al-Gaffar ca. 1887, making it one of the first photographs of Mecca. The present album contains this picture in its original form, including the Arabic caption. An edited version of the photograph (in which remnants of the Arabic caption are visible) can be found in Hurgronje’s "Bilder aus Mekka". - With a small Antwerp bookseller’s ticket on the front paste-down. The binding shows some signs of wear, slight foxing/browning of the outer edges of the paper boards (not affecting the photographic prints), some prints have slightly faded edges, which does not interfere with the actual image. Overall in good condition.
Albumen prints: 3 cabinet cards (ca. 14 x 10 cm) and 3 cartes-de-visite (ca. 9 x 5 cm, including 1 repeat), all mounted on cardboard, two with Geiser's studio imprint. A collection of rare portraits by the Algiers-based photographer Jean Geiser (1848-1923) showing Algerian women in traditional dress, both veiled and with uncovered faces. - Occasional light staining, but well preserved.
Tall 8vo (172 x 252 mm). 4 vols. Arabic text throughout apart from titles in English (lacking in second volume) and 4 pp. subscribers' list in vol. 4. Modern half calf over marbled boards with blindstamped spine title. The rare and celebrated first complete edition of the Arabic text, printed in Calcutta at the Baptist Mission Press. Also known as the "Calcutta II" version, this is described on the title as "now, for the first time, published complete in the original Arabic, from an Egyptian manuscript brought to India by the late Major Turner Macan, editor of the Shah-Nameh". - The original scattered Arabic texts were collected in four corpora: the so-called Calcutta I or Shirwanee edition (1814-18, 2 vols.), the Bulaq or Cairo edition (1835, 2 vols.), the Breslau edition (1825-38, 8 vols.), and the present one, the "Calcutta II" or the "MacNaghten" edition. Considered the most comprehensive text of the Arabian Nights, this is also the basis for the best-known translations including the English editions by John Payne and Richard F. Burton. - "Première édition complète du texte arabe [...] Elle a été donnée d'après un manuscrit égyptien pris dans l'Inde par le major Turner Macan, et elle a eu pour éditeur sir W.-H. Macnaghten" (Brunet). "It was only in 1839-1842 that the Arabic text [of the 1001 Nights] was edited in its entirety, by Macnaghten" (cf. Fück). - Browned and brownstained. Intermittent worming throughout, occasionally with extensive loss and stabilized with translucent paper, especially concerning the beginning and end of vol. 2. An extraordinary survival. Chauvin IV, p. 17, 20B. Brunet III, 1715. Graesse IV, 523. Fück, p. 139, n. 365.
8vo. (4), XII, 265 (but: 255), (1) pp. With an engraved frontispiece. Contemporary half calf with gilt-stamped label to florally gilt spine. Only edition thus of this collection of Arabic tales in the manner of the 1001 Nights. Anonymously edited by Jean-Baptiste Decourdemanche; attributed by Chauvin to the abbé Marie Nicholas Silvestre Guillon. - Slight traces of worming to upper cover; a very light waterstain near the end, otherwise fine. From the collection of the Swedish goldsmith Christian Hammer (1818-1905) with his wood-engraved bookplate on the front pastedown over an earlier engraved armorial bookplate, monogrammed "H.U.D.G." in ink. Chauvin IV, 96. OCLC 47704430.
8vo. 128 pp. Original printed yellow wrappers (spine repaired). First separate edition of this tale from the Thousand and One Nights. The Arabic text, printed here in its entirety with a French translation by the editor, is taken from the six-volume Constantinople edition. - Lower corner a little buckled, still a good, sound copy. Removed from the "Institut für Geschichte und Kultur des Nahen Orients an der Universität München" with their stamp on the title-page. Rare. Chauvin VI, p. 18. OCLC 4447422.
8vo. VI, (7)-69, (1) pp. Publisher's original green printed wrappers. First edition of the story of Nur al-Din and Shams al-Din, edited by the French oriental scholar (Jacques-)Auguste Cherbonneau (1813-82), professor at the Collège Arabe Française in Algier. Arabic text with French notes. - Well preserved. Chauvin VI, 102, no. 270, 2. OCLC 4432899.
8vo. 2 parts (instead of 4) in one volume. 320 pp.; 320 pp. Illustrated throughout. Early 20th century grey half calf with giltstamped spine. Mid-20th century Egyptian edition of the "Thousand and One Nights" ("with their strange incidents and singing stories, their nights and details of love, infatuation, tales, humorous and literary anecdotes, with amazing, wonderful pictures of the most creative and miraculous scenes of the wonders of time", as the subtitle claims), published by Muhammad Ali Sabih & Sons for Al-Azhar University. This edition follows that published in Bulaq in 1863 by the Sa'idiyya Press, down to the interestingly naive line-cut illustrations. - Only the first two jilds (parts) of four published. Binding a little rubbed, interior browned as common, but very well preserved. Cf. Chauvin IV, p. 18, no. 20L.
12mo. XXX, 161, 113 pp. Modern brown calf preserving original marbled covers. First edition of "Sind-Bâd" and the first independent printing of any part of the Arabian Nights in Arabic. Although traditionally included in the corpus of the Thousand and One Nights (Alf layla wa-layla) as told by Scheherazade, it is thought that the series of stories that make up the voyages of Sindbad have older and separate origins, incorporating elements of Homer, Panchatantra, other Persian, Arab and Indian literary material as well as historical material relating to trade and navigation. Set traditionally during the reign of Haroun al-Rashid, Sindbad undertakes seven voyages from Basra, each leading one to the other, encounters fabulous creatures, faces exhaustive ordeals and amasses fabulous wealth. The publisher of the present edition, Louis-Mathieu Langlès (1763-1824), an important figure in the study of Middle-Eastern and Oriental languages and literature, was a correspondent of William Jones in Calcutta, co-founder of the École des Langues Orientales Vivantes in Paris, and the keeper of the Indian manuscript department in the Bibliothèque Nationale in Paris. "Un ouvrage classique, et d'une certaine importance sous le point de vue scientifique, historique ou littéraire" (preface). - Some browning and waterstaining throughout; occasional paper defects to edges (no loss to text); an Arabic stamp to p. 90 of the French text. Chauvin VII, p. 2. Brunet III, 820. OCLC 4433261.
12mo. XXX, 161, 113 pp. Contemporary half calf with title to giltstamped spine and marbled boards. Endpapers and edges marbled. First edition of "Sind-Bâd" and the first independent printing of any part of the Arabian Nights in Arabic. Although traditionally included in the corpus of the Thousand and One Nights (Alf Layla wa Layla) as told by Scheherazade, it is thought that the series of stories that make up the voyages of Sindbad have older and separate origins, incorporating elements of Homer, Panchatantra, other Persian, Arab and Indian literary material as well as historical material relating to trade and navigation. Set traditionally during the reign of Haroun al-Rashid, Sindbad undertakes seven voyages from Basra, each leading one to the other, encounters fabulous creatures, faces exhaustive ordeals and amasses fabulous wealth. The publisher of the present edition, Louis-Mathieu Langlès (1763-1824), an important figure in the study of Middle-Eastern and Oriental languages and literature, was a correspondent of William Jones in Calcutta, co-founder of the École des Langues Orientales Vivantes in Paris, and the keeper of the Indian manuscript department in the Bibliothèque Nationale in Paris. "Un ouvrage classique, et d'une certaine importance sous le point de vue scientifique, historique ou littéraire" (preface). Chauvin VII, p. 2. Brunet III, 820. OCLC 4433261.
Small 8vo. 6 vols., uniformly bound in contemporary brown half cloth with giltstamped spine titles. Still early printing of this revised edition of Habicht's German translation, based on a complete French translation prepared by Antoine Galland (1646-1715) and expanded by Gauttier. The manuscript which Galland had bought in 1701 is the oldest Arabic text extant (dating from 1450 or later). The German editor Maximilian Habicht (1775-1839) lived in Paris for a decade as a member of the Prussian delegation. He knew vernacular Arabic well and separately published an edition of the Arabic text of the "Nights" (cf. Fück). - Slight browning. Volumes 1 and 2 have old colour vignettes applied to the half-titles; pencil ownership of Marianne Alschech to second volume, otherwise fine. Hayn/Gotendorf V, 276. Chauvin IV, 249 (note). Cf. Fück 157.
8vo. 2 parts in 1 volume. (8), 119, (1) pp. (4), 158, (2) pp. Publisher's original printed auburn cloth with gilt spine. Second edition of the original Arabic text, revised and corrected; first published in 1874. "Chaque page entourée d'un double filet vermillon" (Chauvin). The text and vocabulary, lithographed throughout, are hand-drawn by E. Ducret, "Diplomé de première classe". A clean copy. Chauvin VII, p. 3. NYPL Arabia Coll. 187. OCLC 4433368.
Small 8vo. 2 vols. VIII, 320 pp. 406, (2) pp. With 2 engraved frontispieces. Somewhat later brown cloth with giltstamped spine titles. Edges sprinkled. First edition; very rare. This is the earliest "édition pour la jeunesse" cited by Chauvin, containing such popular episodes as "Haroun al Raschid" and "Ali Baba". The editor chose not to tamper with Galland's century-old text, since modernisations would have compromised the "naïveté de narration". Contemporary reviewers, however, were quick to point out that any parts unfit for juvenile consumption had been omitted, while difficult passages referring to oriental customs were elucidated by editor's notes. A second edition (enlarged by a glossary) was published in 1825; a German translation would appear in 1828. - Bindings slightly rubbed. Interior evenly browned with light spotting. From the library of the Bohmian lawyer and amateur naturalist Ludwig Grasse of Reichenbach, with his repeated ownership stamps (ca. 1900). Rare; OCLC lists only three copies in libraries internationally (Cleveland; Weimar; Erlangen-Nuremberg). Chauvin IV, 76. OCLC 4433944.
12mo. 8 vols. XXIV, 334; (4), 356; (4), 356; (4), 353, final blank; (4), 348, (2); (4), 353, (3); (4), 425, (3); (4), 410, (2) pp. With 36 engraved plates, including 8 frontispieces. Contemporary half calf over marbled boards with giltstamped spine and spine-title. All edges marbled. Illustrated edition of Galland's highly influential French translation of the Arabian Nights, complete in eight volumes. Published simultaneously with the slightly more common 1832 edition by Hiard. Not a single copy of the Ledentu edition traceable at auction within the last decades. - Adapted to Parisian tastes, Galland's translation of the "Nights" had been first published in 12 volumes between 1704 and 1717, and "was quickly translated into English and German. It enjoyed a most remarkable success throughout Europe, perceptible even in children's literature, and contributed significantly to the new image which enlightened Europeans entertained of the Islamic East: after Galland, this was no longer the home of the Antichrist and of accursed heresy, but rather the ever-constant Orient beneath an eternally fair sky, boasting splendid colours and unheard-of wealth, Caliphs, Viziers, and Kadis, harems, fairy-tale princes, fairies and genies, sorcerers and sages, a world of fantastic adventure and outrageous incidents" (cf. Fück). - Extremities slightly rubbed; occasional light spotting and a few minimal edge flaws; pp. 47-50 of volume VII loose. A charming set. Chauvin IV, 24. Cf. Fück 101. OCLC 82688412.
12mo. 4 vols. (12), 320 pp. 314, (2) pp. 301, (3) pp. 312 pp. Contemporary full mottled calf, spine, covers and leading edges gilt. A rare, early English edition based on Galland's liberal but highly influential French translation. Adapted to Parisian tastes, it had been first published in 12 volumes between 1704 and 1717. "Even before the last of Galland's volumes had been published in France, some of his stories had been translated into English and were circulating as cheap chap-books on the popular market" (R. Irwin, The Arabian Nights: A Companion, p. 19). "Galland's translation [...] was quickly translated into English and German. It enjoyed a most remarkable success throughout Europe, perceptible even in children's literature, and contributed significantly to the new image which enlightened Europeans entertained of the Islamic East: after Galland, this was no longer the home of the Antichrist and of accursed heresy, but rather the ever-constant Orient beneath an eternally fair sky, boasting splendid colours and unheard-of wealth, Caliphs, Viziers, and Kadis, harems, fairy-tale princes, fairies and genies, sorcerers and sages, a world of fantastic adventure and outrageous incidents" (cf. Fück, p. 101). - Hinges and spines professionally repaired in places. Light browning and reading marks; old auction lot ticket on vol. 2; clean cuts into the side of three leaves of vol. 4 (no loss to text). A well-preserved set with the blocks intact, all the same edition and uniformly bound. Only three copies listed via COPAC (British Library; Trinity College, Connecticut; Bryn Mawr, Pennsylvania). ESTC N15877. OCLC 504545353. Cf. Chauvin IV, 185 D (1713: 4th ed.), 185 G (1769); 185 L (1778: 14th ed.).
Folio (330 x 413 mm). (2), 99, (1) pp. With 17 India-proof mounted engravings with tissue guards. Contemporary half calf over marbled boards with blind-and gilt-tooled ornamentation, spine recently rebacked. First separate edition: the story of the Hunchback from "The Arabian Nights' Entertainment", in the translation by the Rev. Edward Foster initially published in 1802, with engravings by William Daniell (1769-1837) after paintings by Robert Smirke (1752-1845). "What Brian Alderson has called the 'cocoa-table book' formula was applied to the 'Nights' as early as 1814, when William Daniell's 'The Adventure of Hunch-back' appeared, a handsome selection from Forster's adult version (Wiliam Miller, 1802, repr. 1810) intended as a juvenile complement to the adult book. The latter was produced in a small as well as large format, but, with their magnificent engravings by, among others, William Daniell from Robert Smirke's paintings, all three publications must have been beyond the pocket of most readers" (Caracciolo). - Some brownstaining and foxing throughout. Chauvin V, p. 181 (& cf. IV, p. 92, no. 239). Caracciolo, Arabian Nights In English Literature (1988), p. 39, with illustration (fig. 3). OCLC 2925884.
8vo. 5 vols. With 24 engr. plates after Robert Smirke. Contemporary full straight-grained blue morocco, Greek key patterned boards, spine gilt in compartments, all edges gilt. First edition of this early translation by Edward Forster (1769-1828), based on the French version of Antoine Galland, which had first appeared between 1704 and 1717. "Galland's translation [...] was quickly translated into English and German. It enjoyed a most remarkable success throughout Europe, perceptible even in children's literature, and contributed significantly to the new image which enlightened Europeans entertained of the Islamic East: after Galland, this was no longer the home of the Antichrist and of accursed heresy, but rather the ever-constant Orient beneath an eternally fair sky, boasting splendid colours and unheard-of wealth, Caliphs, Viziers, and Kadis, harems, fairy-tale princes, fairies and genies, sorcerers and sages, a world of fantastic adventure and outrageous incidents" (cf. Fück, p. 101). - After having studied law and medicine at Balliol and St Mary Hall, Oxford, Forster decided to enter the clergy. He soon "entered into an engagement with a bookseller, William Miller [...], to issue tastefully printed editions of the works of standard authors, illustrated by the best artists of the day" (DNB). The series was inceived with "Don Quixote" in 1801. His "Arabian Nights" were frequently reprinted, seeing five editions by 1854. The present set is distinguished by the beautiful illustrations after Smirke, "whom every person of correct taste will acknowledge to be second to none in this range of art" (I, vii), as well as by the elegantly gilt navy blue morocco bindings. Some occasional spotting due to paper, some slight wear and scuffing, but a beautiful set altogether. Chauvin IV, 239. Brunet III, 1716. Graesse IV, 524. Lowndes/Bohn I, 59. DNB VII, 453. OCLC 5782874. Thieme/B. XXXI, 164 (illustrations).
Large 4to. 3 vols. (4), VIII, 602, (2) pp. (4), 598, (2) pp. (4), 634, (2) pp. Contemporary half leather with marbled covers and giltstamped spines. Illustrated throughout with nearly 2000 wood-engravings. A finely illustrated Dutch edition by the bookseller, publisher and writer Hendrik Frijlink (1800-86), first issued in 1829. - Slight browning and foxing, but well preserved. Chauvin IV, p. 65, no. 168 ("1847-1849"). Burton VIII, 238. OCLC 63831066.
Small 4to. Disbound, spine lined with a strip of black paper. Extremely rare second edition of a rare Portuguese translation of the History of Ganem, the slave of love, a story from the Arabian Nights. The story tells of Ganem, a son of a merchant from Damascus, who upon his father's death travels to Baghdad to sell his father's leftover stock. Once in Baghdad, the young Ganem falls in love with the favourite concubine of the caliph. The story is translated into Portuguese from Jean Antoine Galland's early 18th century French translation. - With spots on the first and last leaves, a stain on leaf B1 and a couple tiny holes in the outer margin of the last leaf. In good condition. OCLC 62187442. Cf. Rodrigues, Novelística estrangeira 268. Not in Chauvin (cf. VI, 188).
