9.964 resultados
1878ref. 27095Paris, G. Charpentier, 1878. Un vol. au format in-12 (188 x 123 mm) de 2 ff. bl., 1 frontispice gravé n.fol., 238 pp., 1 f. n.fol. et 1 f. bl. Reliure de l'époque de demi-chagrin maroquiné cerise, dos à nerfs orné de filets gras à froid, filet en pointillés dorés sur les nerfs, doubles caissons d'encadrement dorés, fleurons dorés, filets dorés, titre doré, tranches mouchetées.
1910ref. 20859Paris DEVAMBEZ 1910 1 Estampe, pochoir en couleurs, Paris, Devambez, datée et signée dans la planche, 1910, 27.5 x 45.5 cm.
1910ref. 19547Paris DEVAMBEZ 1910 1 Estampe, pochoir en couleurs, Paris, Devambez, datée et signée dans la planche, (1910-1940), 27.5 x 45.5 cm.
1957ref. 0044031957 Nantes, Imprimerie Moderne, Beuchet & Vanden Brugge, sans date [décembre 1957]. In-quarto oblong (310 X 251 mm) broché, couverture rempliée, gardes illustrées en sépia, chemise et étui toile grise de l'éditeur ; 305 pages, (1) page, (1) f. de table et d'achevé d'imprimer.
1828Sm. 8vo., First Edition, on laid paper, with 3 engraved plates of flies (two with original tissue guards present) and several wood-engraved illustrations in the text, title and first plate lightly age-soiled; attractively bound in mid-nineteenth century green full morocco, sides with double frame border in gilt stopped at corners by rosettes, back gilt extra with four flat bands, second compartment lettered in gilt, all other compartments tooled with a multiple floral design and ruled in gilt, gilt doublures, very neatly rebacked with new endpapers to style, old backstrip laid down, a most attractive copy. FIRST EDITION OF ONE OF THE MOST IMPORTANT ANGLING BOOKS OF THE NINETEENTH CENTURY. 'Salmonia ranks high in the scale of angling literature' (Westwood & Satchell). The wood-engraved illustrations are by the author. The first and second editions were anonymous. A fourth edition was reached by 1851; the first US edition appeared in 1832. The first edition is very scarce, especially in this condition. Westwood & Satchell, p. 77.
1960Sm. 8vo., First Edition, with numerous diagrams and plans in the text, title and fore-edges lightly spotted; handsomely bound in blue full morocco, upper board lettered in gilt, original photographic wrappers preserved (minor loss on front wrapper), a most attractive copy ideal as a gift or for presentation. Nicely bound copy of an extremely scarce work.
18238vo., First Major Edition, with copper-engraved portrait frontispiece, engraved title-vignette, 13 fine copper-engraved plates (including 2 of music scores) and 77 woodcut illustrations and decorations in the text, some light offsetting from frontispiece to title, some very light and inoffensive spotting to some margins, neat later nineteenth century inscription on blank preliminary; most attractively bound in mid-nineteenth full speckled brown calf, boards with decorative gilt frame border, back with five raised bands tooled in gilt, second compartment with black leather label framed and lettered in gilt, all other compartments elaborately ruled and tooled in gilt, marbled edges, gilt doublures, marbled endpapers, joints lightly rubbed, short splits in joints at head and tail (but binding wholly sound), an attractive copy of a perennial classic in period binding. The first Major edition is based on the fifth edition of 1676, the last published during Walton's lifetime, and printed by Nicol at the Shakespeare Press. Major's typically extensive notes occupy pp.395-406. The plates are engraved by Cook and Pye from the old drawings by Wale which had been 'greatly heightened in the effect, by the pencil of Mr. Frederick Nash' (W&S). Coigny 23; Oliver 23; Slater p.28; Westwood & Satchell p.225.
1695ref. e7007London: Charles Brome. G : in good condition. 1695. 2nd impression. Grey stiched paper cover. 160mm x 100mm 6" x 4". 20pp. 'Re-printed at the request of the Undertakers of the Royal Fishery.'. . Charles Brome unknown
1724ref. d0683London: W Mears & S Tooke. Worn condition. Cover rubbed with loss to leather. Front board detached. Loss to corner of fold-out plate not impinging. Some foxing but content in overall good condition. 1724. First Edition. Brown hardback leather cover. 170mm x 100mm 7" x 4". vi 234pp. Fold-out copper plate of fishing scene. . W Mears & S Tooke hardcover
1797ref. wal797aLondon: F & C Rivington G G and J Robinson J & J Taylor R Faulder W Bent J Scatcherd E Jefferey T N Longman. G : in good condition. Modern rebind with new eps. Slight foxing. 1797. Sixth Edition. Hardback marbled boards with brown leather spine. 190mm x 120mm 7" x 5". viii lxxii 262ppxxxii 111pp x plates. 5 b/w plates vignettes. . F & C Rivington, G G and J Robinson, J & J Taylor, R Faulder, W Bent, J Scatcherd, E Jefferey, T N Longman hardcover
1847ref. 33587Longman Brown Green and Longmans 1847. Sm. 8vo. First Edition with woodcut illustrations in the text; original green ribbed cloth boards with multiple frame borders in blind gilt back uncut cream endpapers a remarkably well-reserved bright crisp copy. With personal armorial bookplate on front paste-down and binder's ticket of Westley & Clark on rear paste-down. CRISP ELEGANT COPY OF AN ANGLING CLASSIC IN WHOLLY UNRESTORED PUBLISHER'S BINDING. 'Highly esteemed. The chapters on fly-fishing are unusually clear and comprehensible' Westwood & Satchell. Westwood & Satchell pp. 85-6. Longman Brown Green and Longmans, hardcover
1828ref. 11102John Murray 1828. Sm. 8vo. First Edition on laid paper with 3 engraved plates of flies two with original tissue guards present and several wood-engraved illustrations in the text title and first plate lightly age-soiled; attractively bound in mid-nineteenth century green full morocco sides with double frame border in gilt stopped at corners by rosettes back gilt extra with four flat bands second compartment lettered in gilt all other compartments tooled with a multiple floral design and ruled in gilt gilt doublures very neatly rebacked with new endpapers to style old backstrip laid down a most attractive copy. FIRST EDITION OF ONE OF THE MOST IMPORTANT ANGLING BOOKS OF THE NINETEENTH CENTURY. 'Salmonia ranks high in the scale of angling literature' Westwood & Satchell. The wood-engraved illustrations are by the author. The first and second editions were anonymous. A fourth edition was reached by 1851; the first US edition appeared in 1832. The first edition is very scarce especially in this condition. Westwood & Satchell p. 77. John Murray, unknown
La caccia in Italia, a cura di Francesco Chioccarelli, Edizioni Italiane, Roma 1967, 2 voll., pp. 906, ill. b.n. e col., CLXII c. di tavv. ill. col., cm 30, tela ed. con titoli al dorso, decorazione al piatto e sovraccoperta. Opera ideata e realizzata da Antonio Domenico Pozzi. Testi di: Giorgio Cannella, Vittorio Caroli, Alberto Chelini, Francesco Chioccarelli, Edoardo Scoffa, Silvano sorichetti, Gian Giacomo Tornabuoni. Disegni di Vittorio Caroli. Fotografie di Enzo Pirozzi. Volume I: Parte prima. Armi da tiro e munizioni (I fucili da caccia a canna liscia – I fucili da caccia a canna rigata) – Parte seconda. I cani da caccia (I gruppi – La scelta del cane da caccia – Come si tiene un cane – Le razze – Addestramento del cane da caccia) – Parte terza. La selvaggina stanziale (Premessa – La selvaggina da pelo – La selvaggina da penna). Volume II: Parte quarta. La selvaggina migratoria (Premessa – Le migrazioni – I migratori maggiori – I migratori minori ) – Parte quinta. I nocivi (Premessa – Criteri generali – Animali di rapina – Orme e andature – Mezzi e sistemi di cattura) – Appendice: L’allevamento e il ripopolamento della selvaggina (L’allevamento – Il ripopolamento ) – Nozioni di tassidermia. Lievi tracce d’uso alle sovraccoperte, con due strappetti senza mancanze, minima brunitura della carta, per il resto volumi in eccellente stato con legature solide. Estremamente raro.
1823ref. 21796John Major Fleet-Street adjoining Serjeant's-Inn 1823. 8vo. First Major Edition with copper-engraved portrait frontispiece engraved title-vignette 13 fine copper-engraved plates including 2 of music scores and 77 woodcut illustrations and decorations in the text some light offsetting from frontispiece to title some very light and inoffensive spotting to some margins neat later nineteenth century inscription on blank preliminary; most attractively bound in mid-nineteenth full speckled brown calf boards with decorative gilt frame border back with five raised bands tooled in gilt second compartment with black leather label framed and lettered in gilt all other compartments elaborately ruled and tooled in gilt marbled edges gilt doublures marbled endpapers joints lightly rubbed short splits in joints at head and tail but binding wholly sound an attractive copy of a perennial classic in period binding. The first Major edition is based on the fifth edition of 1676 the last published during Walton's lifetime and printed by Nicol at the Shakespeare Press. Major's typically extensive notes occupy pp.395-406. The plates are engraved by Cook and Pye from the old drawings by Wale which had been 'greatly heightened in the effect by the pencil of Mr. Frederick Nash' W&S. Coigny 23; Oliver 23; Slater p.28; Westwood & Satchell p.225. John Major, Fleet-Street, adjoining Serjeant's-Inn, hardcover
1837ref. 14126Paris MOUTARDIER 1837 1 Paris, Moutardier, 1836, in-8, demi-basane bleu, pièce de titre rouge, dos à 5 nerfs, 422 pp.
ref. 6809Paris, Lbrairie des amateurs A. Ferroud, 1929, in-12 de VIII-102 pages relié demi-basane bordeaux à coins, titre or sur dos à nerfs passé, couvertures et dos conservés.
In-8° grande, legatura coeva in Mezzo Marocchino con nervi, titolo e fregi oro al dorso, conservate le copp. originali in bross. illustrate a colori, sguardie policrome, pp. 176 completamente illustrate da belle cromolitografie; le prime 113 di cani da caccia, a piena pagina con testo a fronte; poi con disegni a colori illustranti la teoria della caccia sotto forma di strisce con didascalia in basso. Segue pubblicità di fucili da caccia con 5 tavole a colori ripiegate, pubblicità di biciclette con una tav. a colori ripieg., ed infine tavole a colori figuranti sistemi di pesca. Bellissima pubblicazione le cui illustrazioni sono a firma del pittore P. Mahler, celebre per i suoi acquerelli di animali, con descrizione minuziosa di razze e loro caratteristiche. Opera poco comune in esemplare molto bello. Thiébaud, 623.
ref. 015419Nellie Melba (1861-1931), soprano colorature australienne pour qui Auguste Escoffier créa la fameuse pêche Melba. L.A.S., Hermitage, Monte-Carlo, sd, 1pœ in-12. « Chère Madame, Je serai enchantée de vous voir. Quand et où ? Voulez-vous luncher un jour ici ? Lundi Mercredi ou Mardi je suis libre. Je vous prie de m'envoyer l'adresse de Gabriel Fauré. Je voudrais beaucoup le voir. Votre dévouée Nellie Melba ». Peu commun. [353-2]
1862ref. 2481ALondon, Longman, 1862. Gr. 8°. XVI, 132 S. Mit 20 handkolor. Tafeln. Gepr. OLn. mit Deckel- u. RVg. Hint. Deckel leicht fleckig. Rü. oben und unten gering berieben. Vorderes Gelenk aufgeplatzt. 6. Auflage.
1950Sm. 8vo., First Edition, with frontispiece, and illustrations and diagrams in the text; green cloth, gilt back, backstrip lightly faded else a very good, bright, clean copy in price-clipped, very lightly browned dustwrapper. A remarkably bright, crisp copy of one of BB's most sought-after titles. VERY SCARCE IN THIS CONDITION.
1943ref. 20BG1943 Federlithographie. Bildgrösse 38.2 x 26.4 cm. Scheidegger 42.
ref. 012569Nellie Melba (1861-1931), soprano colorature australienne pour qui Auguste Escoffier créa la fameuse pêche Melba. L.A.S., sd [1904?], 1pœ in-12. Beau chiffre avec devise en tête de la lettre. « Chère Madame, Hélas j'ai une répétition d'Hamlet à l'Orchestre mardi soir. Je suis donc forcée de renoncer à mon désir d'aller à votre concert. Je suis désolée. Mille souvenirs. Nellie Melba ». Melba joua le rôle d'Ophélie dans l'opéra Hamlet d'Ambroise Thomas en 1904. Peu commun. [251]
18168vo., Fourth Edition, with a wood-engraved frontispiece, a wood-engraved plate and 33 woodcut illustrations (5 full-page including a map of the Thames) in the text, frontispiece and title mildly age-stained, some very light and occasional spotting to text; contemporary half calf, marbled boards, back with six flat gilt rules, second compartment lettered in gilt, very neatly rebacked with old backstrip laid down, fore-edges a little dusty else a most attractive copy in period binding. The engraved plate shows hooks baited for trolling; the full-page engravings depict an epitaph in Stepney Church, sniggling apparatus, mackerel and bank-fishing. The work includes a glossary of terms. The first edition of this angling classic appeared in 1814. Second and third editions, respectively expanded, appeared in the following year. 'This edition contains a new method of fishing for salmon in the River Lea, which has been attended with much success, and called by the author dragging or snatching for salmon'. (Author's Preface). SCARCE IN ANY CONDITION. Westwood & Satchell, p.186.
1818ref. j9950aEdinburgh: Archibald Constable & Co. G : in good condition. 20th century binding with new eps. Light foxing. Title page clipped with previous owner inscriptions. 1818. First Edition. Brown hardback leather cover. 200mm x 130mm 8" x 5". viii 128pp plates. 12 hand-coloured plates. . The Whole Represented in Twelve Coloured Plates: To which is Added a Description of the Different Baits Used in Angling and where Found. Signature of W H Aldam author of 'A Quaint Treatise On "Flees And The Art a Artyfichall Flee Making"'. . Archibald Constable & Co hardcover
1905ref. wal905aChiswick London: The Caradoc Press. VG : in very good condition. Teg. 1905. Limited Edition 38/364. Brown hardback leather cover. 220mm x 150mm 9" x 6". viii 155pp. Frontispiece illustration etchings and vignettes. Reprinted from the first editon by H.G. Webb. . The Caradoc Press hardcover
