9.965 resultados
1940
1940Mm 140x220 Brossura editoriale di pagine 276 con16 tavole fuori testo, prefazione del conte Felix von Luckner. Opera in buone condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
1940(Codice CP/0025) In 8° (20 cm) 284 pp. Prima edizione italiana. Prefazione di Felix Von Luckner. Cfr. Ceresoli, 555: "Emozionanti avventure di caccia agli squali: pochi libri di caccia alle fiere di terra possono offrire tanta varietà di episodi." L'Autore, veterano di questa caccia ed esperto conoscitore degli squali, racconta qui molte delle catture da lui compiute in tutti i mari del mondo. Con 14 tavole fotografiche fuori testo e 8 con disegni. Brossura editoriale. Piccola firma e timbrno ex libris, normale ingiallitura. Ottimo volume. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
1940Brossura, cm14x20, pp 276 (8); 14 illustrazioni in nero ft.
1992(Codice GA/3692) In 8º (24 cm) 52 pp. Originali piatti a base di pesce, gamberetti, rane ecc. illustrati da Umberto Sgarzi con numerosi disegni, molti a piena pagina. Brossura editoriale, ottimo stato. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
1950Giulio Colombo Trialer!. , Ed. Olimpia 1950, Copertina cartonata sporca e ingiallita. Tagli e pagine ingialliti. Raro. Buono (Good) .
ref. RO20015944Félix Juven. sans date. In-8. Cartonnage d'éditeurs. Etat passable, Couv. légèrement passée, Mors fendus, Intérieur frais. 125p, illustré de gravures dans le texte de Ch. Clérice, plats et dos décorés, gros manque sur le dos, coiffes abimées, 2 ème plat est taché, en l'état. . . . Classification Dewey : 799.1-Pêche
1986Mémoire de Monsieur Yves Fauvel , Directeur de recherches , chargé de mission à Ifremer de Sète en 1986 . Nombreuses illustrations , dessins , cartes , photographies de métiers de pêches , de pêcheurs . Document de travail pour chercheurs . Pêche , Conchyliculture . Languedoc . - 100 p. 550 gr .
1927(Roma, Ministero della Marina, 1927), stralcio con copertina posticcia muta, pp. 167/169 - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
2018(Codice PC/0482) In 8° (23 cm) 84 pp. Con illustrazioni e foto a colori, una carta a doppia pagina. Varie ricette. Brossura originale con ampi risvolti. Come nuovo. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
1957159 p. con alcune tav. fuori testo e una carta ripiegata; 23 cm. Tutta tela artigianale, conservata la copertina originale. Dedica autografa dell'autore
1863ref. 20522E. Dentu | Paris 1863 | 12 x 19 cm | relié
1863- E. Dentu, Paris 1863, 12x19cm, relié. - Edition originale, un des rares exemplaires sur Hollande dont il n'est fait nulle mention. Reliure en demi chagrin rouge, dos à cinq nerfs orné de filets à froid, quelques petites traces de frottements sur les tranches, reliure de l'époque. [ENGLISH DESCRIPTION ON DEMAND]
ref. 12334Paris, E. Dentu, 1863, fort in-12 de XII (fx-t. & t. compris)-520 pp.-4 ff. de catalogue éd. ; relié demi-maroquin tabac à la Bradel, titre or sur dos lisse à filets à froid, papier à la colle sur les plats et aux gardes (reliure de Loutrel, non signée).
1952Broch?. 270 pages. Jaquette r?par?e.
ref. 6565,Paris, Amiot Dumont 1952, 270 pp., 1 vol. in 8 br. illustrations hors-texte
PARIS, Amiot Dumont - Coll. "Bibilothèque de la Mer" - 1952 - In-8 - Broché - Sous jacquette illustrée, avec léger manque en coiffe - Carte, illustrations NB HT - 270 pages - Très propre
ref. 13009PARIS, Amiot Dumont - Coll. "Bibilothèque de la Mer" - 1952 - In-8 - Broché - Sous jacquette illustrée, avec léger manque en coiffe - Carte, illustrations NB HT - 270 pages - Très propre
In-8, 270p. Illustré de quelques planches hors texte. En parfaite condition.
ref. 22982Paris, Amiot - Dumont (coll. "Bibliothèque de la Mer"), 1951. In-8°, 270p. Broché, sous jaquette illustrée.
CELIB, 1974 - In-4 - Broché - Frontispice - 144 + 26 & 5 cartes PP HT - Très propre
ref. 8611CELIB, 1974 - In-4 - Broché - Frontispice - 144 + 26 & 5 cartes PP HT - Très propre
1985VHS video tape with case. "Large fish can be caught using ultra-light lines with downriggers. Learn the methods of how to troll with no weight or flasher to drag or impede the fight of the fish!. You will see a new method of enjoying the ultimate challenge of sports fishing. How to fish deep for big fish on light lines!" - from case. Undated. Circa 1980s? Average wear. Usual library markings. Book
1951ref. 238461951. Clearwater Florida fishing boat leisure and sporting photo archive circa 1951 to 1957 documenting the charter boats trophy catches fishing tournaments family recreation and marina culture that accompanied the Gulf Coast city's explosive postwar growth as a Sunbelt tourist destination. Photographed by Clearwater commercial photographer George Fulmer the archive records sport fishing as Clearwater entered the decade with 15581 residents and reached 34653 by 1960 an increase of roughly 122 percent during the most dramatic decade of population growth in the city's twentieth century history. Fishing supplied Clearwater with more than recreation: charter captains sold access to the Gulf tournaments converted catches into civic competition marina displays turned fish into public spectacle and photographs allowed visitors and residents to preserve and circulate the experience. By 1956 Clearwater's Fun in the Sun Festival incorporated fishing contests into its public programming placing angling beside beauty contests and other organized expressions of the city's tourist identity. Fulmer photographed the waterfront culture through which Clearwater converted marine abundance into leisure civic identity and tourist value. Photo archive of approximately 101 items comprising 51 silver gelatin photographs and 50 corresponding large format negatives contained in 19 original George Fulmer studio job envelopes Clearwater Florida circa 1951 to 1957. Ranging from 4 x 5 inches to 2.5 x 4 inches. The photographs repeatedly return to Clearwater's docks and charter fleet. Anglers pose beneath the large "Clearwater Florida Marina" sign with racks of grouper and other catches; captains and passengers stand beside large fish suspended from dockside hoists; and parties gather aboard the Flo Jo where a sign identifies "Capt. Nick Lopez" and gives a ship to shore telephone number. Several photographs record enormous individual catches as public events including a tarpon identified on its Fulmer envelope as weighing 143 pounds a shark suspended beside the charter boat Doolie Brook and men and women displaying fish large enough to dominate the composition. Fulmer also photographed the social organization surrounding the catch including Clearwater Fishing Club tournament boards listing snapper grouper red fish trout and other categories. Women appear as anglers and participants posing aboard charter boats beside trophy catches and with fishing parties. Other photographs extend the recreational setting beyond deep sea fishing including Crest Lake outings tour boats crowded with passengers and children gathered along the water for organized fishing. Fulmer's numbered studio envelopes preserve names dates boats addresses catch information and assignment descriptions among them "Flo Jo" "red fish contest" "Crest Lake fishing" "two manfish" and "143 lb tarpon" connecting the photographs to the commercial photography operation that recorded Clearwater's sporting life. Fishing had formed part of Clearwater's tourist identity for decades before Fulmer made these photographs. A city promotional booklet from the late 1920s described fishing as a "favorite sport" singled out tarpon as the Gulf Coast's premier game fish and noted that fishermen traveled to Clearwater specifically for the spring tarpon season with boats and guides available to take them onto the water. The early 1950s gave that established regional pastime a new mass scale. Motorboats charter services tackle organized tournaments tourism and rising disposable income turned recreational fishing into a consumer culture built around access to the Gulf while the 1950 Federal Aid in Sport Fish Restoration Act reflected the national expansion of sport fishing by directing fishing equipment excise taxes toward state fisheries programs and recreational access. Fulmer's photographs record the local expression of that postwar transformation: fish are caught weighed ranked suspended from marina racks surrounded by spectators awarded prizes and photographed as evidence of an experience that Clearwater could repeatedly sell. The trophy photograph itself became part of the tourist economy converting a day on the Gulf into a visible record of Florida abundance. Light surface wear occasional handling marks and curling to photographs with expected wear and toning to the original studio envelopes; negatives generally preserved in their corresponding sleeves. Overall in very good condition. A concentrated visual record of how fishing boating tournament competition and dockside display made the Gulf a central arena of leisure and tourist culture during Clearwater's defining postwar Sunbelt boom. unknown
1951ref. 238461951. Clearwater Florida fishing boat leisure and sporting photo archive circa 1951 to 1957 documenting the charter boats trophy catches fishing tournaments family recreation and marina culture that accompanied the Gulf Coast city's explosive postwar growth as a Sunbelt tourist destination. Photographed by Clearwater commercial photographer George Fulmer the archive records sport fishing as Clearwater entered the decade with 15581 residents and reached 34653 by 1960 an increase of roughly 122 percent during the most dramatic decade of population growth in the city's twentieth century history. Fishing supplied Clearwater with more than recreation: charter captains sold access to the Gulf tournaments converted catches into civic competition marina displays turned fish into public spectacle and photographs allowed visitors and residents to preserve and circulate the experience. By 1956 Clearwater's Fun in the Sun Festival incorporated fishing contests into its public programming placing angling beside beauty contests and other organized expressions of the city's tourist identity. Fulmer photographed the waterfront culture through which Clearwater converted marine abundance into leisure civic identity and tourist value. Photo archive of approximately 101 items comprising 51 silver gelatin photographs and 50 corresponding large format negatives contained in 19 original George Fulmer studio job envelopes Clearwater Florida circa 1951 to 1957. Ranging from 4 x 5 inches to 2.5 x 4 inches. The photographs repeatedly return to Clearwater's docks and charter fleet. Anglers pose beneath the large "Clearwater Florida Marina" sign with racks of grouper and other catches; captains and passengers stand beside large fish suspended from dockside hoists; and parties gather aboard the Flo Jo where a sign identifies "Capt. Nick Lopez" and gives a ship to shore telephone number. Several photographs record enormous individual catches as public events including a tarpon identified on its Fulmer envelope as weighing 143 pounds a shark suspended beside the charter boat Doolie Brook and men and women displaying fish large enough to dominate the composition. Fulmer also photographed the social organization surrounding the catch including Clearwater Fishing Club tournament boards listing snapper grouper red fish trout and other categories. Women appear as anglers and participants posing aboard charter boats beside trophy catches and with fishing parties. Other photographs extend the recreational setting beyond deep sea fishing including Crest Lake outings tour boats crowded with passengers and children gathered along the water for organized fishing. Fulmer's numbered studio envelopes preserve names dates boats addresses catch information and assignment descriptions among them "Flo Jo" "red fish contest" "Crest Lake fishing" "two manfish" and "143 lb tarpon" connecting the photographs to the commercial photography operation that recorded Clearwater's sporting life. Fishing had formed part of Clearwater's tourist identity for decades before Fulmer made these photographs. A city promotional booklet from the late 1920s described fishing as a "favorite sport" singled out tarpon as the Gulf Coast's premier game fish and noted that fishermen traveled to Clearwater specifically for the spring tarpon season with boats and guides available to take them onto the water. The early 1950s gave that established regional pastime a new mass scale. Motorboats charter services tackle organized tournaments tourism and rising disposable income turned recreational fishing into a consumer culture built around access to the Gulf while the 1950 Federal Aid in Sport Fish Restoration Act reflected the national expansion of sport fishing by directing fishing equipment excise taxes toward state fisheries programs and recreational access. Fulmer's photographs record the local expression of that postwar transformation: fish are caught weighed ranked suspended from marina racks surrounded by spectators awarded prizes and photographed as evidence of an experience that Clearwater could repeatedly sell. The trophy photograph itself became part of the tourist economy converting a day on the Gulf into a visible record of Florida abundance. Light surface wear occasional handling marks and curling to photographs with expected wear and toning to the original studio envelopes; negatives generally preserved in their corresponding sleeves. Overall in very good condition. A concentrated visual record of how fishing boating tournament competition and dockside display made the Gulf a central arena of leisure and tourist culture during Clearwater's defining postwar Sunbelt boom. unknown books
