974 résultats
1951réf. 20731951 Année 1951 - Revue illustrée - In-8, broché couverture illustrée par Paul Ordner - 224 pages - Nombreuses illustrations en N&B in et hors texte
1950réf. 20761950 Année 1950 - Revue illustrée - In-8, broché couverture illustrée par Paul Ordner - 224 pages - Nombreuses illustrations en N&B in et hors texte
1949réf. 20771949 Année 1949 - Revue illustrée - In-8, broché couverture illustrée par Paul Ordner - 224 pages - Nombreuses illustrations en N&B in et hors texte
1948réf. 646481948 Année 1948 - Revue illustrée - In-8, broché couverture illustrée par Paul Ordner - 224 pages - Nombreuses illustrations en N&B in et hors texte
1947réf. 646491947 Année 1947 - Revue illustrée - In-8, broché couverture illustrée par Paul Ordner - 192 pages - Nombreuses illustrations en N&B in et hors texte
in-8°, 102 pages, illustrations, index, broche, couv. Bel exemplaire (couverture legerement defraichie, papier leg. jauni). [MI-7]
1974réf. BK0156N.p.: N.p. 1974. Blue felt pennant approximately 27 inches long printed in gold light blue and white. Light creasing and curling toward the point; very good. A souvenir pennant supporting Muhammad Ali in his heavyweight championship fight against George Foreman-known as the "Rumble in the Jungle"-in Kinshasa Zaire. The design places "Ali for Champ" above a map of Africa with Zaire marked flanked by the fighters' names and their respective titles: Ali as "The People's Champ" and Foreman as "World Heavyweight Champ." The printed date of October 29 reflects the American viewing date. The fight began at approximately four in the morning on October 30 in Kinshasa timed to reach evening audiences in the United States. Ali entered the bout seeking to regain the heavyweight title he had lost in 1967 after refusing induction into the U.S. armed forces. The undefeated Foreman was heavily favored but Ali's strategy of absorbing punches against the ropes allowed him to conserve energy while tiring his opponent. Ali knocked Foreman out in the eighth round becoming heavyweight champion for the second time. . N.p. unknown books
1974réf. BK0156N.p.: N.p. 1974. Blue felt pennant approximately 27 inches long printed in gold light blue and white. Light creasing and curling toward the point; very good. A souvenir pennant supporting Muhammad Ali in his heavyweight championship fight against George Foreman-known as the "Rumble in the Jungle"-in Kinshasa Zaire. The design places "Ali for Champ" above a map of Africa with Zaire marked flanked by the fighters' names and their respective titles: Ali as "The People's Champ" and Foreman as "World Heavyweight Champ." The printed date of October 29 reflects the American viewing date. The fight began at approximately four in the morning on October 30 in Kinshasa timed to reach evening audiences in the United States. Ali entered the bout seeking to regain the heavyweight title he had lost in 1967 after refusing induction into the U.S. armed forces. The undefeated Foreman was heavily favored but Ali's strategy of absorbing punches against the ropes allowed him to conserve energy while tiring his opponent. Ali knocked Foreman out in the eighth round becoming heavyweight champion for the second time. . N.p. unknown
1951Copertina illustrata a colori in fascicolo originale completo de "La Domenica del Corriere" del 18/03/1951
1978réf. 131531978. Ali Muhammad signed photograph documents the public image of the African American heavyweight champion whose athletic career intersected with civil rights politics antiwar dissent religious identity and twentieth-century mass media. Ali became the first fighter to win the world heavyweight championship on three separate occasions a boxing milestone confirmed by his 1978 victory over Leon Spinks and his career remains central to research on Black celebrity sports activism masculinity and political speech in the Vietnam era. Glossy photographic print undated signed in blue felt tip by Muhammad Ali. The photograph measures 8 x 10 inches and shows Ali in a pugilistic pose during his prime presenting the composed combative ring persona that shaped his public recognition beyond boxing. The quickly executed blue felt-tip signature adds autograph value while leaving the image's central focus on Ali's physical bearing as heavyweight champion and public figure. Glossy surface with no stated defects signature visible in blue felt tip near fine. Signed images of Ali in a boxing stance offer compact documentary value for collections focused on African American sports history twentieth-century protest culture celebrity and the visual construction of athletic authority. unknown books
1940réf. 215031940. Archive of three photographs from the 1930s-1940s captures three African American boxers. One photo shows two boxers the "Gold Dust Twins" in action in the ring while another shows "Black Jack Lorenzo Pack" posing with fists clenched in the ring. Black and white silver gelatin photographs measuring 10" x 8". The first photograph features two muscular African American boxers standing side by side in a boxing ring both wearing classic boxing trunks and laced-up gloves. Their expressions are serious reflecting the intensity of their profession. A handwritten inscription on the back identifies them as the "Gold Dust Twins." This moniker was historically used to describe dynamic duos however specific information about African American boxers using this nickname in the 1940s is unclear. Very good condition overall. unknown books
1940réf. 215031940. Archive of three photographs from the 1930s-1940s captures three African American boxers. One photo shows two boxers the "Gold Dust Twins" in action in the ring while another shows "Black Jack Lorenzo Pack" posing with fists clenched in the ring. Black and white silver gelatin photographs measuring 10" x 8". The first photograph features two muscular African American boxers standing side by side in a boxing ring both wearing classic boxing trunks and laced-up gloves. Their expressions are serious reflecting the intensity of their profession. A handwritten inscription on the back identifies them as the "Gold Dust Twins." This moniker was historically used to describe dynamic duos however specific information about African American boxers using this nickname in the 1940s is unclear. Very good condition overall. unknown
1978réf. 131531978. Ali Muhammad signed photograph documents the public image of the African American heavyweight champion whose athletic career intersected with civil rights politics antiwar dissent religious identity and twentieth-century mass media. Ali became the first fighter to win the world heavyweight championship on three separate occasions a boxing milestone confirmed by his 1978 victory over Leon Spinks and his career remains central to research on Black celebrity sports activism masculinity and political speech in the Vietnam era. Glossy photographic print undated signed in blue felt tip by Muhammad Ali. The photograph measures 8 x 10 inches and shows Ali in a pugilistic pose during his prime presenting the composed combative ring persona that shaped his public recognition beyond boxing. The quickly executed blue felt-tip signature adds autograph value while leaving the image's central focus on Ali's physical bearing as heavyweight champion and public figure. Glossy surface with no stated defects signature visible in blue felt tip near fine. Signed images of Ali in a boxing stance offer compact documentary value for collections focused on African American sports history twentieth-century protest culture celebrity and the visual construction of athletic authority. unknown
1947Copertina illustrata a colori in fascicolo originale completo de "La Domenica del Corriere" del 10/08/1947
1976réf. 2082702114601175Fixed 9400 Yen Kasama Shoin 1976. Soft Cover. Fine. Number of books: 1 Fixed 9400 Yen Kasama Shoin paperback
réf. 776302Citadel Press New Jersey 1987 FLEISCHER Nat et ANDRE Sam A Pictorial History of Boxing.Citadel Press. New Jersey. 1990.Cartonnage éditeur in-4 ( 285 /225 mm ).Jaquette illustrée en couleurs.399 pages.Importante iconographie en noir.
1975384pp. 28 cm. Hardcover Very good condition
1913Copertina illustrata a colori in fascicolo originale completo de "La Domenica del Corriere" del 5/10/1913
1932Roma, 1932, 3 luglio, cop. a colori de La Tribuna Illustrata, con fasc. completo di 16 pp.
1958Roma, 1958 maggio 11, copertina illustrata a colori in fascicolo originale completo di pp. 32 de "La Tribuna illustrata" .
1962Roma, 1962, 25 febbraio, copertina illustrata a colori in fascicolo originale completo di pp. 40 de "La Tribuna illustrata" .
1957réf. 66844Various places circa 1957. Fine. Among the news photos present: Sept. 20 1957 "Moore Swings a Hard Right"; Sept. 4 1957 "Heavyweight Champ in Accident" Floyd Patterson; and five others. Among the photographs of boxers signed in the images: "Learn to Box / Willie Pep"; "Good Luck and Good Health Billy Graham"; "I know you will enjoy our course Kid Gavilan"; "To my Pal - Paddy De Marco"; and one other. unknown
197112mo, 144 pages, illustrated. With an introduction by Henry Cooper. Binding fragile. eng
réf. 247310Smith London 1992 MULLAN Harry ARNOLD PeterA boxing companionLondon Smith 1992Cartonnage éditeur fort in-8 ( 240 /180 mm ) pleine toile verteJaquette en couleurs478 pages
2018ill., br. Il padre, che fin da bambino gli raccontava le imprese del grande Rocky Marciano; un'amica di famiglia che un giorno gli regala un paio di guantoni rossi. Nasce così la passione per la boxe di Mario Bambini, maestro di pugilato, direttore tecnico de "La Nobile Arte", team che sta forgiando il talento di tanti giovani. Per tutti loro, la figura del maestro è fondamentale sia come guida tecnica, sia come prezioso riferimento nella vita di tutti i giorni. Perché salire sul ring vuol dire metterci la faccia, accettare la vittoria e la sconfitta con la stessa determinazione a migliorarsi. Tra le dodici corde come nella vita. Gli autori di questo libro riescono a dare "un assaggio di quello che può essere il groviglio di emozioni, sensazioni, energia e sentimenti che l'angolo di qualsiasi ring riesce a sprigionare: tutto questo ho ritrovato sfogliando A bordo ring, rivivendo nel racconto dell'amico Mario la sua e la mia passione per la Nobile Arte". (Maurizio Stecca) "Mario fa parte di quella generazione di maestri che hanno saputo interpretare al meglio il pugilato, attualizzandolo per le nuove generazione di atleti ma senza mai perdere di vista quei princìpi che lo caratterizzano". (Vittorio Lai). Introduzione di Maurizio Stecca. Prefazione di Vittorio Lai. Note personali a margine di Massimo Scioti.