1.574 Ergebnisse
Best.-Nr. 46635Paris.Brunet.1775.4 vols.in-8 reliés.Traduction de M.d'Ussieux.Portrait. 93 gravures.2ème édition parue la mème année que l'originale. Belles reliures en veau marbré.Encadrement des plats avec filets,dents de rat,motifs dorés.Dos richement décorés avec pièce de titre et de tomaison.Tranches marbrées.Quelques rousseurs et brunissures.
Best.-Nr. 997573Chez Brunet - Chez Laporte Paris 1775 - 1783 4 volumes in-8 ( 230 X 155 mm ) de 321 391 407 et 410 pages, veau fauve marbré, dos ornés d'un superbe décor doré "aux petits fers", pièces de titre de maroquin rouge et de tomaison de maroquin vert et rouge, belles dentelles dorées d'encadrement sur les plats, coupes et coiffes filetées d'or, tranches dorées ( Reliures vers 1810 ). Célèbre et belle édition ornée d'un portrait et de 92 figures gravés sur acier en épreuve avant la lettre, à savoir: le portrait-frontispice et les 46 figures de la suite dite Baskerville, dessinés par Cipriani, Cochin, Eisen, Greuze, Monnet et Moreau, et la suite des 46 compositions dessinées par Cochin et gravées par De Launay, Lingée et Ponce. Bel exemplaire dans des reliures très décoratives.
1802in-4, pp. 268, leg. in m. pelle, tassello granata al dorso. Completo di un ritratto inciso in antiporta e di 5 tavole f.t. raffiguranti: il monumento traslato, la casa, il calamaio, la sedia e la grafia di Lodovico Ariosto. In fine vignetta di medaglia commemorativa. Incisioni di Giuliano Zuliani su disegni di Aloys Passega Ferrar. e Jo. Carri Ferrar. Prima ed unica edizione, tirata in pochi esemplari, su carta forte. Si tratta della descrizione della festa organizzata dalla città di Ferrara, seguita da una lunga serie di testi poetici encomiastici, di letterati in prevalenza ferraresi, in italiano, latino, greco ed ebraico, di vari autori, quali: C. Arici, G. Baruffaldi, B. Benincasa, S. Bettinelli, L. Cicognara, L. Lamberti, L. Minzoni, G. Signorelli e altri. Ottimo esemplare, freschissimo, a pieni margini.. .
1565In Venetia, Apresso Vincenzo Valgrissi 1568. In-4 relié demi-basane à petits coins de l'époque, dos lisse, pièce de titre de maroquin rouge, fleurons dorés. Titre frontispice gravé sur bois à la marque de Vincent Valgrissi, 7 feuillets non chiffrés, 654 pages, 16 feuillets de table, 1 feuillet blanc. 51 planches à pleines pages gravées sur bois à chaque chant (46 pour Orlando Furioso et 5 pour Il Cinque Canti), lettrines et vignettes. Texte sur 2 colonnes. Impression en italique. Con le Annotationi, gli Avertimenti, & le Dichiarationi di Jeronimo Ruscelli. La Vita dell'Autore descritta dal Signor Giovan Battista Pigna. Gli Scontri de' luoghi mutati dall'Autore dopo la prima impressione. La dichiaratione di tutte le Istorie, & Fauole toccate nel presente libro, fatte da M. Nicolò Eugenico. Di nuouo aggiuntoui. Li Cinque Canti, del medesimo Autore. Et una Tavola de' principii di tutte le Stanze. Con altre cose utili, & necessarie. Mouillure pale en fin des derniers feuillets de table, quelques feuillets restaurés sinon Bel exemplaire.
1542In-8°; molto raro; cc. 36, al frontespizio grande ritratto di ariosto di prfofilo inciso su legno. .Legatura in piena pelle moderna. Una leggera gora di umidità. Agnelli-Ravegnani (II, p. 87) “rarissima”.
1643In-12°; pp. (8), 317, (5), un legno al frontespizio, finalini tipografici nel testo. Legatura moderna in mezza pelle con titolo in oro al dorso. Edizione originale. XVI canti in ottava rima, che in tono burlesco si prendono piacevolmente gioco delle avventure dei paladini, cantati nei grandi poemi romanzeschi del tempo. I personaggi del titolo sono infatti personaggi dell’Ariosto. Michelangelo BUONARROTI il Giovane nipote del grande Michelangelo, con Piero de' Bardi aveva iniziato scherzosamente una prima stesura dell'Avinavoliottoneberlinghieri (componevano a canti alterni, ma il B. non terminò il suo terzo canto) (DBI voce Michelangelo il Giovane). A woodcut on title. Original edition of these parodies of knightly poetry: the characters are from the Ariosto poem. Melzi, Romanzi e poemi cavallereschi, 709.
1536In-8°; cc. XXXII, , al frontespizio grande ritratto di ariosto di prfofilo inciso su legno, ALL’ULTIMA PAGINA marca tipografica incisa su legno. Legatura in piena pergamena. un foro di tarlo all’ultima carta.
1967Best.-Nr. 045947Milan: Electa 1967. First Edition. Softcover. Near Fine Condition. Fabrizio Clerici. 3 volumes in slightly worn slipcases 1 text volume and 2 plate volumes. In English Heroical Verse by John Harington 1560-1612. 158 finely executed illustrations many double page - a few tiny creases and marks generally fine internally chemises with very slight wear modest wear to slipcases. A very fine edition of Orlando Furioso with a remarkable array of illustrations by Clerici; one of 150 copies. The racy beginnings of Harington's translation of Orlando Furioso got him banished from Queen Elizabeth's court until he finished his translation which it was assumed he would be unable to do but he completed it in 1591 and returned. Size: Folio. Illustrator: Fabrizio Clerici. Quantity Available: 1. Shipped Weight: Over 3 kilos. Category: Literature & Literary; Poetry. Inventory No: 045947. Electa paperback
1787Best.-Nr. 18758Paris, Chez Plassan, Libraire, 1787. 10 volumes in-16, demi-veau glacé rouge, dos lisses ornés de motifs et encadrements dorés.
1879Best.-Nr. 55489Paris: Librairie Hachette 1879. Grande in-folio cm. 49 pp. 4 viii 658. Frontespizio in rosso e nero moltissime incisioni nel testo e su tavole fuori testo. Solida legatura coeva in mezza pelle dorso a nervi con titoli in oro. Piatti e sguardie marmorizzate taglio di testa dorato. Qualche spellatura superficiale al dorso ma complessivamente esemplare genuino e ben conservato. Si tratta della rara tiratura di testa in 40 esemplari numerati su carta Whitman ns. esemplare n. 1. Librairie Hachette unknown
1879Grande in-folio (cm. 49), pp. (4) viii, 658. Frontespizio in rosso e nero, moltissime incisioni nel testo e su tavole fuori testo. Solida legatura coeva in mezza pelle, dorso a nervi con titoli in oro. Piatti e sguardie marmorizzate, taglio di testa dorato. Qualche spellatura superficiale al dorso, ma complessivamente esemplare genuino e ben conservato. Si tratta della rara tiratura di testa in 40 esemplari numerati su carta Whitman (ns. esemplare n. 1).
1603Best.-Nr. 004548Venice: F. Valgrisi and N. Moretti 1603. Early Printing. Hardcover. Some of the impressions are weak but most are quite presentable. Trimmed at the top close to the text and plate lines affecting one line of text in the dedication; other margins quite adequate. Vellum soiled. Very Good or better. Large octavo 7" x 10" bound in early full vellum 16 654 32 pages. The complete and corrected ORLANDO FURIOSO with Ruscelli's dedication to the Duke of Ferrara dated 1556 and an account of the life of Ariosto by Battista Pigna. Illustrated with an engraved title page 51 full-page woodcuts ornamental headpieces and initial letters. The woodcuts within decorative borders are after the designs of Dossa Dossi the Ferrarese painter and are printed from the blocks of the first Valgrisi quarto editon of 1556. First published in 1516 this classic Italian romantic epic influenced many later works including Spenser's THE FAERIE QUEENE and Shakespeare's MUCH ADO ABOUT NOTHING. The action takes place against the background of the war between Charlemagne and his Christian paladins and the Saracen army which is attempting to invade Europe. However Ariosto has little concern for historical or geographical accuracy and the poem wanders at will from Japan to the Hebrides as well as including many fantastical and magical elements such as a trip to the moon and an array of fantastical creatures including a gigantic sea monster called the orc and the hippogriff. The poem grew in popularity as well in size after Ariosto's death increasing from 40 to 46 cantos in 1532 and finally to the finished form of 51 cantos. F. Valgrisi and N. Moretti hardcover
1535In-8°; seconda edizione, pp. (64), al frontespizio grande ritratto di ariosto di prfofilo inciso su legno. Legatura in piena pelle moderna. all’ultima pagina nota manoscritta e leggero timbro a inchiostro. AGNELLI-RAVEGNANI II,110
Best.-Nr. 51-4484Paris: Brunet: 1779-1783. 8vo. Contemporary qtr. calf. with gilt spine and marbled boards. 14 x 22cm. Cohen-De Ricci p. 98: gives collation; I: 6 321pp. & 23 engravings; II: 391pp. & 24 engravings: III: 407pp. & 24 engravings; IV: 410pp. & 22 engravings. 92 engraved plates and one portrait total. Very good with wide margins. .OCLC Number: 743010755 vol. 1; 836322936 vol. 2; 630260289 vol. 3; 992535130 vol. 4; .in-8 frontispice 321 391 407 410 pp. reliure du 19ème siècle demi-veau box brun dos lisse orné tranches jaspées. Les 4 volumes. Édition illustrée d'un portrait de l'auteur par Eisen et de 92 figures gravées. En fait 46 gravures par Cipriani Cochin Eisen et Moreau ainsi que 46 gravures par Cochin. Parmi les beaux livres illustrés du 18ème siècle.Très bon état. Paris: Brunet: 1779-1783 hardcover
1795Best.-Nr. RO80051947PLASSAN P.. 1795. In-8. Cartonné. Etat passable, Couv. défraîchie, Mors fendus, Intérieur acceptable. 360 + 452 + 448 + 452 pages. Nombreuses planches de gravures en noir et blanc, avec serpentes. Pièces de titre bordeaux. Papier à la Forme. Coins frottés. Coiffes légèrement frottées. Mors fendus sur le 2nd Tome.. . . . Classification Dewey : 470-Langues italiques. Latin
1551Best.-Nr. 8514Vinegia (Venise) appresso Gabriel Giolito de Ferrari 1551 In-8 (15,5 X 23 cm) veau havane clair, triple filet doré encadrant les plats, enserrant un cadre constitué de deux filets et fleuron d'angle dorés, dos à nerfs, caissons ornés d'un double filet or en encadrement et petits fers dorés au centre, pièce de titre de veau noir, roulette dorée sur les chasses et à l'intérieur des plats, tranches dorées. (Reliure XIXe signée Lanne). 2 feuillets non chiffrées, titre illustré + 264 feuillets.
Best.-Nr. 12608Venetia (Venice, Venise), Appresso Vincenzo Valgrisi, 1568. Fort in-8, (16)-654-(32) pp., reliure (XVIIe) plein veau brun, dos orné, tranches mouchetées (manques aux coiffes, bords frottés ; tache sur la page de titre, mouillures et rousseurs).
1536In-8°; cc. XXXII, , al frontespizio grande ritratto di ariosto di prfofilo inciso su legno, ALL’ULTIMA PAGINA marca tipografica incisa su legno. Qualche foro di tarlo passante, piccola lacuna alla marca tipoografica, un angolo di una carta restaurato. Legatura in piena pergamena.
1556Best.-Nr. 001310Lyons: Bastiano di Bartholomeo Honorati 1556. Full Calf. Very Good Plus. 511 40 pp. 8vo 17 by 11 cm 6.5 by 4 inches. With woodcut illustrations for each canto above the "Argomento". 52 woodcuts in text plus title illustration plus a few header/footers and ornamented letter at beginning of each canto. Also Exposition by Ludovico Dolce and useful table or index. Brunet I 433. Light dampstaining to early pages hardly distinguishable from general age toning which is moderate in this copy. Small inkstain on title page corner and some occasional minor spotting elsewhere. Some wear to calf boards with minor chipping along edges. Rebacked sympathetically. Attractive modern marbled endpapers. Tight copy. Bastiano di Bartholomeo Honorati unknown
1556Best.-Nr. 001310Lyons: Bastiano di Bartholomeo Honorati 1556. Full Calf. Very Good Plus. 511 40 pp. 8vo 17 by 11 cm 6.5 by 4 inches. With woodcut illustrations for each canto above the "Argomento". 52 woodcuts in text plus title illustration plus a few header/footers and ornamented letter at beginning of each canto. Also Exposition by Ludovico Dolce and useful table or index. Brunet I 433. Light dampstaining to early pages hardly distinguishable from general age toning which is moderate in this copy. Small inkstain on title page corner and some occasional minor spotting elsewhere. Some wear to calf boards with minor chipping along edges. Rebacked sympathetically. Attractive modern marbled endpapers. Tight copy. Bastiano di Bartholomeo Honorati unknown books
1585In-quarto (cm. 24,5), pp. (16) 654, 57 (33). Frontespizio interamente figurato, molti capolettera, cornice xilografica a contornare gli argomenti di ciascun canto e molte belle incisioni in legno nel testo. Legatura d'inizio Settecento in piena pelle, dorso a nervi con ricchi fregi e titoli in oro. Filetto in oro ad inquadrare i piatti. Sguardie marmorizzate. Un paio di ex libris. Mancanze reintegrate alle cuffie, margine alto a tratti un po' rifilato, due carte dell'indice finale fuori posto ed un difetto di un paio di cm. (dall'origine?) a p. 375. Esemplare peraltro ben conservato. Celebre edizione illutrata a proposito della quale Agnelli-Ravegnani così si esprime: "Edizione in-4, veramente pregiata, e ignota al Brunet, Per la disposizione del contenuto, può dirsi simile alle ultime impressioni del Valgrisi".
1582Best.-Nr. CLL-354Venezia, appresso Domenico & Giovanni Battista Guerra, 1582 In-8 de (336) ff., maroquin vert, triple filet doré en encadrement sur les plats, dos à nerfs orné de caissons de fleurons dorés, pièce de titre de maroquin rouge, coupes et bordures décorées, tranches dorées sur marbrure (reliure française du XVIIIe siècle).
1603Best.-Nr. 247181603 En Vénétie, Appresso Felice Valgrisi, 1603, in-4 (25 x 18 x 4 cm.), vélin, pièce de titre en maroquin rouge sur le dos, tranches mouchetées.
1730Best.-Nr. 046661Venice: Tefano Orlandini 1730. Hardcover Vellum. Very Good Condition. Giuseppe Filosi and Giuliano Giampicoli. Full contemporary vellum worn through at corners tear to vellum at tail of spine soiled but sound. Scattered minor foxing and browning a few minor creases - mostly quite clean. Portrait of the author by Orsolini and 51 engraved plates. l 576; iv 400pp. The second book contains other works by Ariosto. Brunet I 437 An attractive and monumental edition with plates by Giuseppe Filosi and Giuliano Giampicoli Size: Folio. Illustrator: Giuseppe Filosi and Giuliano Giampicoli. Quantity Available: 1. Shipped Weight: 2-3 kilos. Inventory No: 046661. Tefano Orlandini hardcover
1556Best.-Nr. c15-1-43ARIOSTO Lodovico. Orlando Furioso di M. Lodovico Ariosto tutto ricorretto et di nuove figure adornato. Al quale di nuovo sono aggiunte le Annotationi gli Avvertimenti & le Dichiarationi di Girolamo Ruscelli la Vita dell'Autore descritta dal Signor Giovambattista Pigna gli Scontri de' luoghi mutati dall'Autore doppo la sua prima impressione la Dichiaratione di tutte le favole il Vocabolario di tutte le parole oscure & altre cose utili & necessarie. In Venetia: Appresso Vincenzo Valgrisi nella bottega d'Erasmo 1556. Two parts in one volume quarto. First Valgrisi quarto edition and the first edition of Orlando Furioso to contain Girolamo Ruscelli's extensive editorial and interpretive apparatus. Valgrisi's 1556 edition represents an important development in the publication history of Ariosto's poem combining Ruscelli's revised text and explanatory material with a new and ambitious program of full-page illustration. Illustrations Complete with all 46 full-page woodcut illustrations one for each of Ariosto's 46 cantos. The large narrative woodcuts are surrounded by elaborate Renaissance borders incorporating figures putti grotesques armor trophies and ornamental motifs. Individual compositions employ perspective and simultaneous narrative to depict multiple episodes from a canto within a single image. The canto arguments argomenti appear within smaller decorative woodcut cartouches accompanied by historiated and ornamental initials. The 1556 Valgrisi edition introduced these full-page illustrations which proved influential and were reused in later Valgrisi editions. The attribution of the illustrations has varied. They have historically been associated with Dosso Dossi and Battista Dossi and have also been connected with Donato Bercelli; more recent scholarship cautions that they may instead represent the collaborative work of artists associated with Valgrisi's workshop. The elaborate main title page is enclosed within an architectural woodcut incorporating a portrait medallion of Ariosto allegorical and ornamental figures and Valgrisi's distinctive serpent-and-staff device with VIN CENT. The Valgrisi device appears again within the volume. Contents: In addition to Ariosto's poem the volume contains the extensive scholarly apparatus prepared by Girolamo Ruscelli who sought to clarify the complex narrative and language of Orlando Furioso. His contributions include explanatory and interpretive material annotations discussions of difficult passages and a vocabulary of less familiar or obscure words. Ruscelli also standardized aspects of Ariosto's spelling and grammar. The supplementary section has its own 1556 title page: Annotationi et Avvertimenti di Girolamo Ruscelli sopra i luoghi difficili et importanti del Furioso. Also present is the Vocabolario di tutte le parole che sono nel Furioso le quali potessero essere oscure together with other explanatory and critical material associated with the edition. The breadth of Ruscelli's apparatus—annotations explanations allegorical interpretations and glossary—was a distinctive feature of Valgrisi's new edition. Importantly this copy retains the concluding Tavola de' principii di tutte le stanze del Furioso raccolta da Meser Giovan Battista Rota Padovano an extensive alphabetical index to the opening lines of the stanzas. The Tavola continues through the alphabet to its final leaf which concludes "IL FINE." The separately issued final Tavola is sometimes absent from surviving copies of this edition. Condition: Early vellum binding with exposed lacing at the spine. Vellum shows considerable age-related wear including staining and soiling small holes and marks and worn and bumped corners and edges. Text-block edges stained blue. Internally scattered age toning foxing staining occasional fingerprints/handling marks and marginal wear. Several leaves have old or professional paper restoration and reinforcement primarily along the outer margins and edges; in places the repair extends to the border of a woodcut. The illustrated portions remain substantially intact and the complete suite of all 46 full-page canto woodcuts is present generally with strong and detailed impressions. The main 1556 title page has undergone extensive restoration and has been backed/laid down onto a supporting sheet the restoration being clearly visible from the verso. A later tissue guard has been inserted between the later portrait of Ariosto and the original title page. Additional professional paper repairs are present on some leaf edges and margins. An early handwritten bibliographical annotation in Italian appears on a preliminary leaf. Despite the restoration and age-related defects the volume retains the features of greatest importance to this edition: all 46 full-page canto woodcuts; the separate 1556 Ruscelli Annotationi et Avvertimenti section; the vocabulary and supplementary material; and Rota's concluding Tavola through the final "IL FINE" leaf. Vincenzo Valgrisi hardcover