Ludovico AriostoBiblio.com
984 résultats
réf. BN130813Countumax GmbH. Der rasende Roland Band 1 und 2 Der rasende Roland Band 1 und 2 Ludovico Ariosto Countumax GmbH unknown
1720réf. mon0001004508Avec Approbation 1720. Hardcover. Very Good. in x in x in. French edition. Pages clean no markings wear to edges. Avec Approbation hardcover
1825réf. 14096Milano: Bettoni 1825. Cinque volumi di cm. 215 pp. 1.800 ca. complessive. Buona legatura coeva in cartonato rigido marmorizzato con titoli in oro su tasselli ai dorsi. Qualche sezione di carte un po' brunita peraltro ben conservato e marginoso. Precede la vita dell'autore. Esemplare impreziosito da un certosino lavoro eseguito dall'antico proprietario dei volumi il quale con nitida e bella grafia ottocentesca ha aggiunto a ciascun canto un foglio con il riassunto dell'argomento forse copiato da altra edizione. Cfr. Agnelli Ravegnani p. 224 che cita un ritratto qui non presente come in molte delle copie censite. Bettoni unknown
1931réf. 41531Spoleto: Argentieri 1931. Quattro volumi di cm. 31 pp. 1.500 ca. complessive. Con il ritratto dell'autore all'acquaforte all'antiporta del primo volume. Leg. orig. in cart. con titoli a stampa. Esemplare in ottimo stato di conservazione a fogli chiusi. Edizione a tiratura limitata di 500 esemplari numerati ns. n. 478. Argentieri unknown
1746réf. 3555454París.: Prault. 1746. Hardcover. Cubierta deslucida. Good. 14 cm. 4 v. Encuadernación en tapa dura artesanal en plena piel. Idioma italiano . Cubierta deslucida. Literatura.82 82 Prault. hardcover
2002réf. BN530214Stuttgart Hiersemann 2002. 2002. Die Historia vom rasenden Roland. Übers. von Diederich von dem Werder. Hrsg. und kommentiert von Achim Aurnhammer und Dieter Martin Die Historia vom rasenden Roland. Übers. von Diederich von dem Werder. Hrsg. und kommentiert von Achim Aurnhammer und Dieter Martin Barockliteratur - Ariosto Ludovico Stuttgart Hiersemann unknown
1818réf. 26781818. : 75 Cover chipped and pages undulated. Small corner of white margin missing on page 207. Uncut folio paper between pages 413-415. . 3 Blank pages / 1 Portret / 1 Title Page / 1 Blank pages / 36 Roman numbered pages / 547 Pages / 1 NNP / 2 Blank pages Binding: Contemporary Half Leather Folio Height cm: 333 CM Width cm: 244 CM Thickness cm: 58 CM hardcover
1836réf. 001289Paris: Presso Baudry Libreria Europea 1836. Hardcover. Very Good -. 4 volumes: frontispiece portrait of the author in vol. 1; 21 cm. Half black morocco with marbled paper over boards. Five spine compartments between raised bands with "Ariosto" in the second compartment and the volume number in the fourth. All page edges speckled red. Marbled endpapers matching that on the boards. Frontispiece engraving is signed: "Geoffroy sc." The fourth volume includes additional short poems by the author. Text is entirely in Italian. In Very Good- Condition: bindings archivally repaired; covers are lightly rubbed with some loss of leather at spine ends; the frontispiece engraving has left a shadow on the title page of vol. 1; frontispiece and facing title page as well as parts of vol. 3 also lightly foxed; otherwise pages are clean and tight. Presso Baudry, Libreria Europea hardcover
1832réf. 403278Londra : Presso Treuttel Wurtz e Richter 1832. 2nd London edition. Hardcover. Goof copies only in half cloth over paper-covered boards. Spine bands and panel edges rubbed and bumped as with age. Internally bright and clean. Remains a quite-well preserved set overall. Physical description; 3 volumes. Subjects; Italian poetry. Roland Legendary character. Knights and knighthood. Epic poetry. Londra : Presso Treuttel, Wurtz, e Richter hardcover
1844réf. 254387Paris: J. Mallet et Cie 1844. First Edition. Hardcover. Finely bound in quarter contemporary gilt-blocked aniline-calf over marble boards. Remains preserved overall; tight bright clean and sharp-cornered. Physical description; 614 pages. Subjects; Lodovico Ariosto 1474-1533. French fiction. Paris: J. Mallet et Cie hardcover
1832réf. 036257Venice Italy: Giuseppe Antonelli 1832. Hardcover. Near Fine/No Jacket. Octavo. Two volume set. In Italian. Volume 2 is L'Orlando furioso di Lodovico Ariosto. In near fine condition. Plenty of foxing to the pages. Shipped from the Calico Cat Bookshop a brick and mortar bookshop established in1975. Giuseppe Antonelli hardcover
1865réf. 72579Bulogna: Stampari Real 1865. Cm. 29 pp. 10 414 2. Legatura di poco posteriore in mezza percallina rossa con titoli impressi in oro al dorso. Esemplare marginoso in barbe ed in ottimo stato di conservazione. Stampato su due colonne su carta forte. Stampari Real unknown
1950réf. bing15mm011Giulio Einaudi editore 1950. Hardcover. Collectible; Very good. Prompt shipment with tracking. we ship in CLEAN SECURE NEW boxes Very good three volume hardcover set in lightly worn sleeve. Pages clean. Bindings tight. Light foxing. In Italian. Giulio Einaudi editore hardcover
2006réf. 20148Florence Leo S. Olschki 2006. First edition thus. 2006. Edizione critica a cura di Marco Doriogatti con la collaborazione di Gerarda Stimato. Premessa di Gianni Venturi. 8vo. clxxx 1071 pp. Illustrated with one color plate printed on coated paper. Original red cloth binding stamped and decorated in gilt. All edges bright gilt; ribbon marker. Unprinted cream-colored DJ. In the publisher's brown cardboard box with printed paper spinal label. Text in Italian. A truly beautiful sumptuous production of the first critical edition of Ariosto's epic poem Orlando Furioso. This is a splendid like new book and box. Uncommon. 1st Edition. Hardcover. As New/Dust Jacket Included. [Florence] Leo S. Olschki, 2006. First edition thus. hardcover
1823réf. 154750London: John Murray 1823. Original. Hardcover. Contents all VG- a hint of general age wear but ALL UNREAD; page tops uncut; covers mostly faded to brown; spines brittle and with some wear; both covers to Vol. I are detached but present. Bindings however are tight. Maroon/brown embossed cloth/boards. Gilt lettering on spines. Each volume numbered individually around 260-275 each; Vols. III and V have slightly over 300 pages each and none include any illustrations. A complete set of this classic epic poem which is a parody of the legends of chivalry of Charlemagne and the Saracen invasion of France. A very scarce edition. With helpful notes by William Stewart Rose prominent British poet and translator. Last 8th volume includes a Dramatis Personae and general index. Notes follow each canto in every volume. John Murray hardcover
1980réf. BN100263München : Winkler Verlag 1980. 1980. Der rasende Roland.- 2 Bände: Band 1 : Gesänge 1-25. Band 2 : Gesänge 26-46. Aus dem Italienischen von Johann Diederich Gries. Textredaktion Susanne Eversmann. Zeittafel sowie Erläuterungen und einem Nachwort von Horst Rüdiger. Ariost. In d. Übertr. von Johann Diederich Gries Der rasende Roland.- 2 Bände: Band 1 : Gesänge 1-25. Band 2 : Gesänge 26-46. Aus dem Italienischen von Johann Diederich Gries. Textredaktion Susanne Eversmann. Zeittafel sowie Erläuterungen und einem Nachwort von Horst Rüdiger. Ariost. In d. Übertr. von Johann Diederich Gries München : Winkler Verlag unknown
1810réf. FB5630(1&2) /17Tomes 1-2 & Tomes 3 - 4. bound as two books. Red calf spine with marbled boards. Gilt title and banding. Dimensions are for one book. Four books encapsulated into two volumes. The interior of all four books is good and clean. The 19th century bindings have seen better days. F.B.A. debated whether to have these two volumes rebound into four books that said the economy of time suggested these volumes are first offered in their acquired condition. Orlando furioso The Frenzy of Orlando is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516 although the poem was not published in its complete form until 1532. Orlando furioso is a continuation of Matteo Maria Boiardo's unfinished romance Orlando innamorato Orlando in Love published posthumously in 1495. In its historical setting and characters it shares some features with the Old French Chanson de Roland of the eleventh century which tells of the death of Roland. The story is also a chivalric romance which stemmed from a tradition beginning in the late Middle Ages and continuing in popularity in the 16th century and well into the 17th. Orlando is the Christian knight known in French and subsequently English as Roland. The story takes place against the background of the war between Charlemagne's Christian paladins and the Saracen army that has invaded Europe and is attempting to overthrow the Christian empire. The poem is about war and love and the romantic ideal of chivalry. It mixes realism and fantasy humor and tragedy.The stage is the entire world plus a trip to the Moon. The large cast of characters features Christians and Saracens soldiers and sorcerers and fantastic creatures including a gigantic sea monster called the Orc and a flying horse called the hippogriff. Many themes are interwoven in its complicated episodic structure but the most important are the paladin Orlando's unrequited love for the pagan princess Angelica which drives him mad; the love between the female Christian warrior Bradamante and the Saracen Ruggiero who are supposed to be the ancestors of Ariosto's patrons the House of Este of Ferrara; and the war between Christian and Infidel. The poem is divided into forty-six cantos each containing a variable number of eight-line stanzas in ottava rima a rhyme scheme of abababcc. Ottava rima had been used in previous Italian romantic epics including Luigi Pulci's Morgante and Boiardo's Orlando Innamorato. Ariosto's work is 38736 lines long in total making it one of the longest poems in European literature. Ludovico Ariosto 8 September 1474 – 6 July 1533 was an Italian poet. He is best known as the author of the romance epic Orlando Furioso 1516. The poem a continuation of Matteo Maria Boiardo's Orlando Innamorato describes the adventures of Charlemagne Orlando and the Franks as they battle against the Saracens with diversions into many side plots. The poem is transformed into a satire of the chivalric tradition. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work. Ariosto also coined the term "humanism" in Italian umanesimo for choosing to focus upon the strengths and potential of humanity rather than only upon its role as subordinate to God. This led to Renaissance humanism. Gioacchino Avesani. hardcover
2016réf. 2-8806185977Nuova Raccolta Di Classici It. Annotati 2016. Paperback. New. Italian language. 9.29x5.83x3.39 inches. Nuova Raccolta Di Classici It. Annotati paperback
réf. SONG0859898512Used: Good unknown
réf. 38918PARIS LEFEVRE 1825. EIGHT VOLUMES. A CABINET EDITION 48mo. 10 by 7 cm. ATTRACTIVELY BOUND IN HALF LEATHER MARBLED BOARDS FRONTIS. ARMORIAL BOOKPLATE. ITALIAN TEXT. SLIGHT FOXING BUT CLEAN AND TIGHTLY BOUND. SCARCE. PARIS, LEFEVRE, 1825 hardcover
1865réf. 62176Bulogna: Stampari Real 1865. Cm. 29 pp. 10 414 2. Legatura novecentesca in piena canapa con titoli impressi al dorso. Brossura originale decorata preservata all'interno. Entro custodia in cart. rigido marmorizzato. Esemplare marginoso ed in ottimo stato di conservazione. La nostra copia presenta al verso del frontespizio una dicitura manoscritta: n. 252 Sig. Montalti Franco come se si trattasse di un esemplare ad personam. Testo su due colonne. Stampari Real unknown
1732réf. 11208Hamburg: Abram Vandenhoek 1732. Frontispiece portrait. Contemporary half-calf over marbled boards worn hinges cracked; interior good. Ownership inscription on fly-leaf booklabel of James Vivian Tippet. Later edition edited by Rolli tutor to the Prince of Wales who also wrote libretti for Handel and other composers translated Milton and Shakespeare and generally did much to introduce Italian literature to an English audience. Abram Vandenhoek unknown
1814réf. 435523Londra: Presso Romualdo Zotti No.16 Broad-Street Golden-Square 1814. Hardcover. Good. Four volumes. 12mos. Volume one illustrated with an engraved frontispiece plate. Text in Italian. Bound in contemporary full parchment gold tooling on both covers and spine plain endpapers edges sprinkled. Owner's name in ink on front free endpaper of volume one only. The parchment covers are dust soiled and splaying else very good the text pages are clean and tight. A varorium edition edited by Romualdo Zotti: "con note e dilucidazioni grammaticali da Romualdo Zotti ad uso degli studiosi della lingua italiana.". Presso Romualdo Zotti, No.16, Broad-Street, Golden-Square hardcover
réf. 3-70884Firenze-Ferrara Olschki/Comune di Ferrara 2006 8vo pregevole legatura in seta bordeaux con titoli dorati ad impressione al dorso e al piatto anteriore sovraccoperta protettiva muta segnacolo in seta tagli dorati cofanetto in cartoncino con titoli al dorso pp. CLXXX-1071. A cura di Marco Dorigatti. Bellissima edizione che coniuga la raffinatezza grafica al rigore filologico dell'edizione critica. Eccellenti condizioni. unknown
1756réf. 118675Paris : Aux dépens de la Compagnie 1756. reliure basane. ARIOSTE.Roland Furieux poeme héroique de l'Arioste traduction nouvelle par M. Tome premier tome second tome troisieme et tome quatrième. 4 Volumes - complet. Paris Aux dépens de la Compagnie1756 170x100mm XXXI - 375 460 436 396 pages bandeaux lettrines culs-de-lampe reliure basane. Reliure de l’époque plein veau moucheté avec titre tomaison encadrements ornementations et felurons dorés au dosnà cinq nerfs tranche et garde marbré. Coiffes rognées et coins usés. Plat du tome 3 frotté. Ex-libris : Manfred Gsteiger. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Aux dépens de la Compagnie unknown
