Ariosto, LudovicoAntiquariat.de
1 338 résultats
1922réf. 3134280Berlin: Propyläen-Verlag 1922. CLXVII, 342 XV, 490; XV, 510, VIII, 666 Seiten. Mit Porträtfrontispizes. 8° (17,5-22,5 cm). Orig.-Leinenbände mit goldgeprägtem Rücken. [Hardcover / fest gebunden].
1933réf. 97163FBBologna:, Zanichelli, 1933. 2 Bände: xxii Seiten, (1) Bl., 301 (1) Seiten, (1) Bl., LXIII Tafeln, (1) Bl. (vakat), (1) Tafel (Frontispiz mit Seidenhemdchen); (1) Bl. (vakat), (II) Tafeln, (1) Bl. (Titelblatt), 360 Seiten, (1) Bl., Tafeln III-L, Seiten 361-396 (2), Fadenheftung, OBrosch., 23,5 x 15,5 cm.
2005réf. 152752Milano: Corriere della Sera 2005. VI, 826 Seiten. 8° (17,5-22,5 cm). Orig.-Pappband. [Hardcover / fest gebunden].
1904réf. 87842Berlin : Behr 1904. XV, 79 S. : Ill. 24*15,5 cm. Handgeb. Pappband.
1855réf. 18722Stgt, Rieger`sche Verlagsbuchhandlung, 1855. Band 1 von 3 apart. Ins Deutsche übersetzt und mit einem Vorwort von Hermann Kurz. Mit 1 Stahlstich. Kl. 8°. XX,456 S. Grüner Pappband der Zeit mit Rückenvergoldung. Gesprenkelter Schnitt. Einband etwas berieben, Gelegentlich etwas braunfleckig.
1964réf. 7104730Firenze: Sansoni 1964. XXIII, XXIII, 702, (1) Seiten. 8° (17,5-22,5 cm). Orig.-Leinenband mit transparentem Orig.-Folienumschlag im Orig.-Schuber. [Hardcover / fest gebunden].
1854réf. A141-4801854. Portr?t, Stahlstich nach Tizian, Platte ca. 16,5x12cm
1977réf. 336702Milano 1977. 191 pp. 8vo. Softcover, no dust jacket, copy from an official library with library signs, stamps and signatures, binding and cutting strongly stained, inside fine.
1973réf. 336686Napoli, Liguori Editore 1973. 214 pp. 8vo. Hardcover, no dust jacket, copy from an official library with library signs, stamps and signatures, head a bit bumped, a few pages with slight dog's ear, else fine.
2006réf. 10643Tübingen : Gunter Narr Verlag., 2006. 258 S. : Ill. mit zahlr. sw. Abb. Gr. 8° (23x15cm), Softcover/Paperback, mit Sonderband Bauchbinde.
1973réf. 26791Stuttgart u.a., Kohlhammer Verlag, 1973. 263 Seiten. Gr.-8°, OLeinenband mit Schutzumschlag.
1888réf. 38124Paris: Libraire Hachette Et Cie 1888. Hardcover. Very Good. Hardcover. Nouvelle Edition. Elephant Folio. A French translation of the Italian epic poem Orlando Furioso 1516 which is a chivalric romance known for its intricate plot humor and the eventual madness of Orlando Roland due to unrequited love. It is a fantastical story featuring soldiers war sorcerers mythical creatures a trip to the moon and romances between several characters. One of the longest poems in European literature it took the author over twenty years to complete Wikipedia. Gustave Doré's exquisite illustrations compliment Roland's expeditions and encounters perfectly. His detailed portrayals of sea monsters griffins fairyfolk demons and epic battles are stunning. A beautiful publisher's binding in the original red cloth with black and gilt illustration of a griffin to front board and spine. Repaired two inch split to bottom of front joint. Rear hinge interior is starting; although binding remains secure. Minor rubbing and light soiling to boards and spine. Foxing throughout; although text and illustrations remain bright. Includes 82 full page illustrations along with hundreds of in text illustrations by Gustave Doré. All plates are present. 165 pages plus plates. This is a large heavy book that may require an extra shipping fee. FRE/070925. Libraire Hachette Et Cie hardcover books
réf. 36547Venice: Felice Valgrisi ca. 16th century. Very Good. Three leaves from what has been identified as a 16th century Italian edition of Orlando Furioso. The research of the former owner of the leaves led him to believe that the pages are from an edition printed by Felice Valgrisi in 1574. However further research does not show Valgrisi printing Orlando Furioso before the 1580s and that he only began his printing career in 1574. The leaves are for pages 369-370 and 391-394. The pages include decorated initials Two of the pages have an opening "argomento" - subject - with a pictorial border. There is also a full-page illustration. The leaves pages show aging and the top and bottom margins and right fore-edges are browned. Still very good examples of fine sixteenth century printing. Measures 7 x 10 inches. EPHEM/042423. Felice Valgrisi unknown books
1818réf. 8389Milan: Giovanni Pirotta 1818. Hardcover. Very Good. Hardcover. A beautiful version of this great Italian epic poem that first appeared in 1516. It takes place against the backdrop of the war between Charlemagne and the King of Africa and has many fantastic and magical elements. It was a big influence on later works of literature including Spenser's Faerie Queene and Shakespeare's Much Ado. Very good in full leather with repairs made using Japanese paper to both joints. The edges of this tissue are coming loose. A small section of modern leather has been added to the front board where there had been a chip to the original leather. The new leather has been tooled and dyed to blend with the original. Light cracking to leather with minimal board-wear. Despite the noted repairs this is a nice attractive copy with strong tight spine and clean interior. Marbled end pages. Bookplate to front end page. Folio. ITA109201. Giovanni Pirotta hardcover books
1634réf. 69070London: Printed by G. Miller for J. Parker 1634. HARRINGTON John. . Orlando Furioso. in English Heroical Verse by Sir John Harrington of Bath Knight. Now thirdly revised and amended with the Addition of the Author's Epigrams. London: Printed by G. Miller for J. Parker 1634. Full Description: ARIOSTO Lodovico. HARRINGTON John translator. Orlando Furioso in English Heroical Verse by Sir John Harrington of Bath Knight. Now thirdly revised and amended with the Addition of the Author's Epigrams. London: Printed by G. Miller for J. Parker 1634. Third edition of Harrington's 1591 translation which was the first English edition and remained the only English translation of many years. This third edition is further expanded by the addition of the "Author's Epigrams." Two works in one small folio in sixes 10 5/8 x 7 1/4 inches; 270 x 185 mm. 16 1 Ads 1 plate 423 9 table 1 Title 1 blank 43 1 blank pp. With engraved title-page for the first work and 46 full-page engravings included in the pagination accompanying each Canto. Separate title-page for "Epigrams" with an engraved vignette. Epigrams have a separate title but continuous register. Elaborate engraved head and tail pieces and initials. Contemporary full calf rebacked to style. Spine with red morocco spine label lettered in gilt. Spine stamped in gilt. All edges speckled red. Newer endpapers Fore-edge margins are trimmed close a few times just touching printed marginal notes. Closed tear to bottom margin of S1 barley touching a few letters. T6 with a tear to fore-edge margin with a bit of loss to marginal note. Some various dampstains and other soiling throughout. Some minor occasional offsetting from plates. Overall a very good copy. "Lodovico Ariosto represented the sentiments the passions and the vices and virtues of 16th-century Italians in his epic poem L'Orlando Furioso The Crazy Orlando. This Renaissance classic based on romances popular at the time furnished the framework for the chivalric narrative in Edmund Spenser's The Faerie Queene. Orlando Furioso is a tale of knights dames and courtesies when the Moors invaded France to avenge the death of their king's father. In the story Orlando Roland Charlemagne's nephew and most famous knight falls madly in love with Angelica who is also pursued by many other Christian and Moorish knights. She flees these attentions only to bestow her love in the end on a poor man without rank. Ariosto's view of life reflected throughout the poem is one of ironic disillusionment-love is madness. John Harington 1561-1612 was a witty courtier and godson of Queen Elizabeth. He is also the acknowledged inventor of the flush toilet. According to lore Harington first translated the racy tale of Jocundo from Canto XXVIII and circulated it among the ladies of the Court. The Queen feigned to be shocked by some passages and reprimanded her godson for endangering the morals of her maids of honor. Elizabeth sentenced Harington to stay away from the Court until he had translated the whole of Ariosto's poem. Harington completed the translation by 1591. Harington's Orlando Furioso is one of the major translations of the age freely executed but faithful to the spirit and style of the original. At 33000 lines in length and nearly 6000 lines shorter than the original the translation is seldom exactly what Ariosto wrote shorter in places and expanded elsewhere-with moral truisms added. Each of the forty-six cantos of the poem is preceded by a full-page illustration including the especially risqué one for Canto XXVIII. All are copied strictly or with slight variation from the plates used by Girolamo Porro in a Venice edition printed in 1584. The engravings are unsigned purportedly the work of several engravers including possibly Jodocus Hondius. Clark Library UCLA Chrzanowski 1607a : Regarding the 1607 Second edition. STC 748. Pforzheimer 447. HBS 69070. $3000. Printed by G. Miller for J. Parker unknown books
1976réf. 454869Athens Ohio: Ohio University Press 1976. Hardcover. Very Good/Very Good. First American edition. Text in both Italian and English. Translated by Peter Desa Wiggins. Foxing on page edges boards slightly bowed very good in a very good dustwrapper with abrasions to the spine and extremities. Ohio University Press hardcover books
1814réf. 435523Londra: Presso Romualdo Zotti No.16 Broad-Street Golden-Square 1814. Hardcover. Good. Four volumes. 12mos. Volume one illustrated with an engraved frontispiece plate. Text in Italian. Bound in contemporary full parchment gold tooling on both covers and spine plain endpapers edges sprinkled. Owner's name in ink on front free endpaper of volume one only. The parchment covers are dust soiled and splaying else very good the text pages are clean and tight. A varorium edition edited by Romualdo Zotti: "con note e dilucidazioni grammaticali da Romualdo Zotti ad uso degli studiosi della lingua italiana.". Presso Romualdo Zotti, No.16, Broad-Street, Golden-Square hardcover books
1858réf. 425444Firenze: Barbera Bianchi E.C. 1858. Hardcover. Good. Volume one of three only. 48mo. Approximate measurements: 4" x 2 1/2" x 1 1/2". 540pp. Text in Italian. Portrait frontispiece. Gilt decorated white leather with gilt-stamped red leather spine label marble endpapers all edges gilt purple silk bookmark attached. Blank front preliminary page glued to the front fly leather yellowed and warped a bit still a very good copy. Barbera , Bianchi, E.C. hardcover books
1783réf. 374457London 1783. 331; 336; 334; 333pp. 4 vols. 12mo. Bound in near contemporary brown polished tree calf gilt spines all edges gilt. In open faced slipcase. 331; 336; 334; 333pp. 4 vols. 12mo. unknown books
1785réf. 223942London: Printed for George Nicol 1785. Second Edition. Illustrated with 8 engraved plates designed by Kauffman Thomas Stothard Metz and Hamilton 3 plates in Vol. I; 1 plate in vol. II; 2 in Vol. III; and 1 each in vols. IV & V including the plate facing p. 164 of volume 3 engraved by William Blake after the drawing by Thomas Stothard. 5 vols. 8vo. Full contemporary tree calf spines with gilt onrnaments and red and black labels. Bindings a bit rubbed at joints small chips internally near fine. Blake William. Second Edition. Illustrated with 8 engraved plates designed by Kauffman Thomas Stothard Metz and Hamilton 3 plates in Vol. I; 1 plate in vol. II; 2 in Vol. III; and 1 each in vols. IV & V including the plate facing p. 164 of volume 3 engraved by William Blake after the drawing by Thomas Stothard. 5 vols. 8vo. Hoole's translation in decasyllabic rhymed couplets first appeared in 1783 with these illustrations. The Blake engraving dramatically illustrates Orlando brandishing an uprooted tree for which Blake altered the original Stothard drawing in interesting ways cf. Essick figs. 34 & 35. Most notably Blake enlarged the roots of the uprooted pine dramatically with an effect far more 'furious' than the original. Essick XII; Bentley 1977 417; Keynes 1921 96; Easson and Essick II; Lowndes 64 Printed for George Nicol unknown books
1823réf. 154750London: John Murray 1823. Original. Hardcover. Contents all VG- a hint of general age wear but ALL UNREAD; page tops uncut; covers mostly faded to brown; spines brittle and with some wear; both covers to Vol. I are detached but present. Bindings however are tight. Maroon/brown embossed cloth/boards. Gilt lettering on spines. Each volume numbered individually around 260-275 each; Vols. III and V have slightly over 300 pages each and none include any illustrations. A complete set of this classic epic poem which is a parody of the legends of chivalry of Charlemagne and the Saracen invasion of France. A very scarce edition. With helpful notes by William Stewart Rose prominent British poet and translator. Last 8th volume includes a Dramatis Personae and general index. Notes follow each canto in every volume. John Murray hardcover books
1634réf. 001525London: Printed by G. Miller for J. Parker 1634 1634. THIRD EDITION AND THE FIRST ENGLISH LANGUAGE EDITION. 1 vol. folio 10-1/2" x 7-3/4" ix423pp.xxvii engraved title-page with vignette portraits of Ariosto and Harington and 46 full-page engraved illustrations complete a few leaves at beginning including 2 plates not affecting the image with fore-edge repair slight loss to side-notes of 3 leaves a couple of short tears minor worming to several pages Ownership inscription on front blank endpaper "Elizabeth Tyringham Her Booke Aprill ye 5 1668." bound in contemporary full calf over cords head and foot of spine renewed at some early date worming to rear cover hinges fine internally generally clean and bright no water staining overall a VERY GOOD copy STC 748 The plates were first used in the 1591 edition and derive from Girolamo Porro's illustrations of the 1584 Venetian edition. London: Printed by G. Miller for J. Parker, 1634 unknown books
1603réf. 004548Venice: F. Valgrisi and N. Moretti 1603. Early Printing. Hardcover. Some of the impressions are weak but most are quite presentable. Trimmed at the top close to the text and plate lines affecting one line of text in the dedication; other margins quite adequate. Vellum soiled. Very Good or better. Large octavo 7" x 10" bound in early full vellum 16 654 32 pages. The complete and corrected ORLANDO FURIOSO with Ruscelli's dedication to the Duke of Ferrara dated 1556 and an account of the life of Ariosto by Battista Pigna. Illustrated with an engraved title page 51 full-page woodcuts ornamental headpieces and initial letters. The woodcuts within decorative borders are after the designs of Dossa Dossi the Ferrarese painter and are printed from the blocks of the first Valgrisi quarto editon of 1556. First published in 1516 this classic Italian romantic epic influenced many later works including Spenser's THE FAERIE QUEENE and Shakespeare's MUCH ADO ABOUT NOTHING. The action takes place against the background of the war between Charlemagne and his Christian paladins and the Saracen army which is attempting to invade Europe. However Ariosto has little concern for historical or geographical accuracy and the poem wanders at will from Japan to the Hebrides as well as including many fantastical and magical elements such as a trip to the moon and an array of fantastical creatures including a gigantic sea monster called the orc and the hippogriff. The poem grew in popularity as well in size after Ariosto's death increasing from 40 to 46 cantos in 1532 and finally to the finished form of 51 cantos. F. Valgrisi and N. Moretti hardcover books
1783réf. 6597London: Printed for the author etc. 1783. First edition of this translation. Good. Octavo 23 cm. Five volumes. Engraved frontispiece with tissue guard in each volume after Angelica Kauffman Thomas Stothard engraved by William Blake Gertrud Metz and William Hamilton. Engraved portraits of Hoole and Ariosto in volume 1. Illustration of Ariosto's chair and inkwell in volume 1. Errata and subscriber list bound in at end of volume 5. Complete collation upon request. In roughly contemporary tree-calf marbled leather over pasteboard gold garlanded borders made with a roller tool. Spines decorated in gold with stars within roundels. Recent black leather title labels. Volume labels not present. Spine ends worn with fissure visible along spine of volume IV. Light wear to edges. Scattered foxing. Tender joints reinforced with Japanese paper. Ownership inscription on front blank. The19th-century literary historian Henry Hallam called Ariosto "Europe's second-favorite poet after Homer." Indeed there was an appetite for a modern English translation to replace the Elizabethan version by John Harington. John Hoole assumed the enormous task and produced this very popular version in rhymed couplets with extensive annotation and a biographical essay. The publication is notable for the commission in volume three of a frontispiece plate engraved by William Blake as well as for plates after Angelica Kauffman Gertrud Metz and William Hamilton. Printed for the author, etc. hardcover books
1984réf. 361Columbia: University of Missouri Press 1984. Cloth. Very Good. xii 270 p. Cloth in dust jacket. University of Missouri Press hardcover books
