Ariosto, LudovicoAntiquariat.de
1580 risultati
1922rif. 3134280Berlin: Propyläen-Verlag 1922. CLXVII, 342 XV, 490; XV, 510, VIII, 666 Seiten. Mit Porträtfrontispizes. 8° (17,5-22,5 cm). Orig.-Leinenbände mit goldgeprägtem Rücken. [Hardcover / fest gebunden].
1933rif. 97163FBBologna:, Zanichelli, 1933. 2 Bände: xxii Seiten, (1) Bl., 301 (1) Seiten, (1) Bl., LXIII Tafeln, (1) Bl. (vakat), (1) Tafel (Frontispiz mit Seidenhemdchen); (1) Bl. (vakat), (II) Tafeln, (1) Bl. (Titelblatt), 360 Seiten, (1) Bl., Tafeln III-L, Seiten 361-396 (2), Fadenheftung, OBrosch., 23,5 x 15,5 cm.
2005rif. 152752Milano: Corriere della Sera 2005. VI, 826 Seiten. 8° (17,5-22,5 cm). Orig.-Pappband. [Hardcover / fest gebunden].
1904rif. 87842Berlin : Behr 1904. XV, 79 S. : Ill. 24*15,5 cm. Handgeb. Pappband.
1855rif. 18722Stgt, Rieger`sche Verlagsbuchhandlung, 1855. Band 1 von 3 apart. Ins Deutsche übersetzt und mit einem Vorwort von Hermann Kurz. Mit 1 Stahlstich. Kl. 8°. XX,456 S. Grüner Pappband der Zeit mit Rückenvergoldung. Gesprenkelter Schnitt. Einband etwas berieben, Gelegentlich etwas braunfleckig.
1964rif. 7104730Firenze: Sansoni 1964. XXIII, XXIII, 702, (1) Seiten. 8° (17,5-22,5 cm). Orig.-Leinenband mit transparentem Orig.-Folienumschlag im Orig.-Schuber. [Hardcover / fest gebunden].
1854rif. A141-4801854. Portr?t, Stahlstich nach Tizian, Platte ca. 16,5x12cm
1977rif. 336702Milano 1977. 191 pp. 8vo. Softcover, no dust jacket, copy from an official library with library signs, stamps and signatures, binding and cutting strongly stained, inside fine.
1973rif. 336686Napoli, Liguori Editore 1973. 214 pp. 8vo. Hardcover, no dust jacket, copy from an official library with library signs, stamps and signatures, head a bit bumped, a few pages with slight dog's ear, else fine.
2006rif. 10643Tübingen : Gunter Narr Verlag., 2006. 258 S. : Ill. mit zahlr. sw. Abb. Gr. 8° (23x15cm), Softcover/Paperback, mit Sonderband Bauchbinde.
1973rif. 26791Stuttgart u.a., Kohlhammer Verlag, 1973. 263 Seiten. Gr.-8°, OLeinenband mit Schutzumschlag.
1906rif. 85381New York: E. P. Dutton and Company 1906. Octavo pp. i-x xi-xv xvi xvii-xix xx 1 2-395 396: blank nine inserted plates with tissue guards cloth. First U.S. edition. The Dutton edition was made up from sheets of the 1906 Constable edition. Touch of sunning to spine panel else a bright near fine copy. #85381 E. P. Dutton and Company unknown books
1773rif. 1002816Birmingham: Baskerville 1773. First edition of the Baskerville Ariosto octavo issue with forty-six engraved plates. Set during the Saracen invasion of France Orlando Furioso 1516-1532 follows the adventures of Charlemagne's high-strung knight Orlando who goes mad for love. Ariosto's comic epic was hugely influential going on to inspire works as various as The Faerie Queene Much Ado About Nothing Don Quixote and Don Juan. Gaskell 48. Text in Italian. A very good set in handsome contemporary bindings. Four octavo volumes: 34 lviii 362 2; 2 450 2; 2 446 2; 2 446 2. Contemporary full tree calf Greek key border and floral cornerpieces in gilt to boards raised bands spine compartments ruled and patterned in gilt red and black morocco spine labels lettered in gilt gilt dentelles marbled endpapers. Copperplate frontispiece of Ariosto and forty-six engraved plates. Associati and Errata bound before Vita in Volume I all present. Bookplates of Francis Broderip and Irwin Laughlin to pastedowns. Light shelfwear to boards expert repair to joints and corners some foxing to text. Baskerville unknown books
rif. 105169London: Printed for Otridge and Son. 1799. 5 vols. 8vo pp. vi 2 ads. cxvii 335; iv 407; iv 427; iv 438; iv 322 vi 56 index and ads. With an engraved frontispiece in each volume 2 other engraved plates in volume 1 and Blake’s plate facing p.164 in volume 3. Backstrips a little dry joints and corners bumped and rubbed upper board of volume 1 sympathetically reattached lower joint cracking. § Fourth edition and thus third state of Blake’s engraving which is after a drawing by Stothard and depicts the furious Orlando brandishing a huge tree. Essick notes: “In a letter. to William Hayley Blake states that he is ‘absorbed’ in the study of several poets including Ariosto”. Bentley Blake Books 417D. Essick CBI XII. ESTC T133398. BMC. Printed for Otridge and Son... 1799. 5 vols unknown books
1583rif. 30836Venice: Appresso Fabio & Agostin Zopini fratelli 1583. 8vo 14.6 cm 5.75". 8 206 1 ff. lacking original final blank. Later edition of collected satires by famous Italian authors edited by one of them Francesco Sansovino 152186. Sansovino dedicates this collection to the historian Camillo Portio Porzio 1526 ca. 1580 and introduces it with an essay on the material of satire which he breaks down as "pure simplicity with severe acerbity sometimes mixed with a bit of salt or with some feature that is tasty and acute." Prior to this Sansovino also worked on the satires of Ariosto 14741533 separately published. The text is divided into sections by author each of whom the editor introduces with a brief biography. A short abstract printed in roman precedes each poem printed in italic. Fine woodcut head- and tailpieces and a variety of initials in historiated patterned and factotum designs decorate the text; and the title-page features the woodcut printers' device of Truth personified flanked by an eagle a lion a bull and an angel representing the Four Evangelists. Provenance: Ownership inscription on front fly-leaf of Luigi Pagani Cesa possibly the Italian jurist born at Belluno in 1855 who served as a member of Parliament for 190413; and the words "penso che" "I think that . . ." written above in an earlier hand Adams A1691; CNCE 2806. Later glazed cream-colored boards title and date inked on upper spine small paper label on lower spine marbled red edges; boards soiled and front joint opening. One spot of worming on front pastedown and on colophon leaf; traces of former mounting on colophon leaf verso. Title-page with one letter added in manuscript o in Bentivoglio. Trimmed close at margins almost grazing headline on a few leaves. Very minor stains on a few leaves generally bright and crisp. Appresso Fabio, & Agostin Zopini fratelli hardcover books
1817rif. 65072Philadelphia: Henry Hudson 1817. Second American edition following Hudson's 5 volume edition published the year before. 6 vols. 8vo. Panelled polished American calf. Heads of two volumes loose else in good condition. Second American edition following Hudson's 5 volume edition published the year before. 6 vols. 8vo. Hoole's translation of this romantic epic appeared in 5 volumes in 1783 and through 1816 five editions had appeared in London. Shaw and Shoemaker 36760 Henry Hudson unknown books
1984rif. 361Columbia: University of Missouri Press 1984. Cloth. Very Good. xii 270 p. Cloth in dust jacket. University of Missouri Press hardcover books
1976rif. 17986Athens: University of Ohio 1976. Hardcover. Very Good. xiv 187pp. Very good hardback in a slightly darkened jacket. University of Ohio hardcover books
1955rif. 17530Montevideo: Concejo Departmental de Montevideo 1955. First edition. Hardcover. Orig. navy cloth lettered in silver. Very good. 254 pages. 30 x 23 cm. Profusely illustrated in black and white and color both are carefully reproduced and visually attractive -- total of 135 illustrations. Limited edition copy 2377 of 2500. Handsomely presented printed on quality stock. Text in Spanish. Bright clean copy. Concejo Departmental de Montevideo hardcover books
1785rif. 245009London: George Nicol 1785. hardcover. very good. 5 volumes. 6 plates designed by Kauffman Stothard Metz and Hamilton. One of the Stothard plates in vol. 3 was engraved by Wm. Blake; first state. 8vo full contemporary calf red leather spine labels some hinges reinforced & 1 spine chipped at extremities the interior is fine. London: George Nicol 1785. Second Edition. Easson and Essick II. Lowndes 64. George Nicol unknown books
1730rif. 046661Venice: Tefano Orlandini 1730. First Edition. Hardcover Vellum. Very Good Condition. Full contemporary vellum worn at corners soiled but sound. Scattered minor foxing and browning - mostly quite clean. Portrait of the author by Orsolini and 51 engraved plates. l 576; iv 400pp. The final section contains other works by Ariosto. Size: Folio. Quantity Available: 1. Shipped Weight: 2-3 kilos. Inventory No: 046661. Tefano Orlandini hardcover books
1591rif. 5552London: Richard Field 1591. Hardcover. Very Good. 4to in sixes 26.8 x 18.6 cm. 9 ff. 423 pp. 1 p. 5 ff. with 1 full-page engraved frontispiece and XLVI full-page engravings woodcut headpieces tailpieces and initials woodcut printer's device on colophon ruled in red ink throughout. Bound in 17th-century paneled calf rebacked with original spine laid down raised bands spine gilt in six compartments old paper label in top panel gold-tooled borders gold-tooled cornerpieces and board edges marbled pastedowns marbled edges. Some rubbing and wear to spine and boards corners neatly repaired. Preserved in a custom quarter red morocco box some damage to spine of box. Marginal finger-soiling and occasional other minor old staining some offsetting a few edge mends at title final prelim. leaf and pp. 59 81 103 109 290 295 small corner loss at p. 237 inconsequential rub to plate IX the occasional contemporary manuscript correction. Provenance: contemporary signature erased from title 'Montagu' signature 'Marie M.' in the margin of p. 343 "E. G. C." or "G. E. C." gilt initials on spine Hopetoun House presentation label from Martin dated 1822 Hopetoun bookplate W. A. White ownership signature dated 4 June 1890; Arthur Amory Houghton book label. Generally very good. Rare first edition of Orlando Furioso translated by the Elizabethan courtier and poet Sir John Harington 1560-1612 - the first English version of Ludovico Ariosto's 1454-1553 famous epic poem - here with its 47 full-page engravings enriched with exceptionally fine contemporary hand-coloring complete with extensive silver and gold accents and giving every appearance of being a presentation copy. Hand-coloring of this quality is outstandingly rare in any English work of this period and such an extensive suite of illustrations is very unusual for purely literary works. Containing "the best known engraved illustrations in an English book before 1700" Hodnett p. 46 Harington's Orlando Furioso represents a landmark in engraving in England an achievement that Harington himself highlighted in his prefatory comments on the "vse of the Pictures" in the book noting that its images "are all cut in brasse and most of them by the best workemen of that kinde" and that he had "not seene anie made in England better nor in deed any of this kinde in any booke." He further states that although England had produced some impressive illustrated volumes "all their figures are cut in wood & none in metall and in that respect inferior to these" fol. Ar. In these remarks "Harington gives us the first critical comment on book illustrating by an Englishman" Hodnett p. 46 and by citing the fine English woodcut books of "Liuy Gesner Alciats emblemes a booke de Spectris in Latin & in our tong the Chronicles the booke of Martyrs the book of hauking and hunting and M. Whitneys excellent Emblems" he announces his intention to produce an illustrated volume comparable to the best yet produced in England. In a further extraordinary step Harington had a handful of copies decorated by the best illuminators available thus elevating these select examples beyond even the most excellent English woodcut books and thereby creating a place for purely literary works in the pantheon of early English book illustration. for full description visit our website at www.martayanlan.com Richard Field hardcover books
1781rif. WB18303London: Livorno presso Gio Tom Masi e Comp. 1781. Hardcover. Very Good. Four volumes. An attractive 12mo set in full red leather spines heavily gilt. Green spine labels gilt. Some rubbing overall and wear to spine labels but still a charming set. Each volume with engraved portrait engraved title and engraved plates throughout. Livorno presso Gio Tom Masi e Comp. hardcover books
1823rif. 154750London: John Murray 1823. Original. Hardcover. Contents all VG- a hint of general age wear but ALL UNREAD; page tops uncut; covers mostly faded to brown; spines brittle and with some wear; both covers to Vol. I are detached but present. Bindings however are tight. Maroon/brown embossed cloth/boards. Gilt lettering on spines. Each volume numbered individually around 260-275 each; Vols. III and V have slightly over 300 pages each and none include any illustrations. A complete set of this classic epic poem which is a parody of the legends of chivalry of Charlemagne and the Saracen invasion of France. A very scarce edition. With helpful notes by William Stewart Rose prominent British poet and translator. Last 8th volume includes a Dramatis Personae and general index. Notes follow each canto in every volume. John Murray hardcover books
1756rif. 3785Amsterdam: Aux depens de la Compagnie 1756. Hardcover. Very Good. 12 mo. Contemporary calf bindings some wear but a decent set. Aux depens de la Compagnie hardcover books
