Ariosto, LudovicoBiblio.com
1 573 résultats
réf. 3368001280.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 620067printed for the autho: sold by C. Bathurst; T. Payne & Son; J. Dodsley et al. Hardcover. Good/No Jacket. 8vo. - 5 Volume set - all volumes: corners bumped with boards slightly exposed - leather a little scuffed and rubbed with some marks and fading to some volumes - most hinges cracked but all boards still attached - some foxing primarily to endpapers - some chipping to leather on spine ends particularly to tail of spine on vol. 5 - previous owners name in ink on title pages - some minor pencil marks to a few pages - small closed tear to frontis on vol 5 - plate of Ariosto's chair and inkstand is missing - Books ow/ solid bindings tight content clean and bright - a very nice set for its age - full leather bindings with gilt tooling to board edges gilt bands to spines and red leather title labels with gilt titles 'Hoole's Ariosto' to spine - 335 407 427 438 & 320 pages plus postscript and index - engraved frontispieces to all vols. - No Jacket printed for the autho: sold by C. Bathurst; T. Payne & Son; J. Dodsley et al hardcover
réf. 606729Spese Remondine de Venezia . Hardcover. Good/No Jacket. 24mo. 3 volume full set / full leather - lot of foxing to endpapers but ow solid clean tight copy 600 pages No Jacket Spese Remondine de Venezia hardcover
1939réf. 28962Firenze: Casa Editrice Adriano Salani 1939. Hardcover. In two volumes. I Classici del Giglio #10 and 11. 593pp; 623pp. Cream cloth stamped in red on the front and the spine. Portrait frontispiece. Volume one has some minor annotations in pencil. A near fine copy in very good price-clipped dustjacket with some old mends to the verso. Volume two has a few lines underlined in pencil and a the small bookstore label from Galleria del Libro Roma on the front free endpaper. Still a fine copy in near fine dustjacket. In the Italian language. ; 16mo. Casa Editrice Adriano Salani hardcover
1954réf. 28976Milano / Napoli: Riccardo Ricciardi Editore 1954. First Edition. Hardcover. La Letteratura Italiana - Storia e Testi Volume 20. xxv 1253pp. Publisher's mustard buckram spine stamped in blue and gold top edge stained orange silk bookmark. Printed in the Stamperia Valdonega. Edited by Cesare Segre. Includes Lirica latina Le rime Le commedie Le satire I cinque canti and more. A fine copy in fine dustjacket. The original cardboard slipcase shows mild wear. In the Italian language. ; Octavo. Riccardo Ricciardi Editore hardcover
1954réf. 28975Milano / Napoli: Riccardo Ricciardi Editore 1954. First Edition. Hardcover. La Letteratura Italiana - Storia e Testi Volume 19. 1248pp. Publisher's mustard buckram spine stamped in blue and gold top edge stained orange silk bookmark. Printed in the Stamperia Valdonega. Edited by Lanfranco Caretti. A fine copy in fine dustjacket with a tiny nick to the rear panel. The original cardboard slipcase shows mild wear. In the Italian language. ; Octavo. Riccardo Ricciardi Editore hardcover
1822réf. 23224Firenze: Giuseppe Molini 1822. First Edition. Hardcover. 511pp errata. Brown half calf over marbled boards spine lettered in gold. According to the publisher some of the poems in the Rime are here published for the first time. Includes annotations by Antonio Rienzi. Some foxing to title page and first few leaves. The corners of the last few leaves are worn. A very good copy. ; Octavo. Giuseppe Molini hardcover
réf. 1332498191.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1333048904.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1333737793.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1871réf. 17840Frauenfeld 1871. Ein Ritt ins "romantische Land" mit manchen Rösselsprüngen in die modernste Gegenwart ausgeführt als Epische Dichtung in zwölf Gesängen EA W/G 7 Huber Vlg. Kl.-8°. Hln. marm. Literatur/Schweiz unknown
réf. 0259853771.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0259088919.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1799réf. 29594Orlando Furioso by Ludovico Ariosto translated into English verse by John Hoole was published in London in 1799 by Otridge and Son in five octavo volumes. This edition includes five engraved frontispieces nine additional full-page engravings and decorative vignettes throughout the text. It tells the story of the knight Roland companion to Charlemagne and includes both poetic narrative and critical apparatus. The volumes are bound in full period leather with raised bands and gilt decoration. Volume I includes a lengthy preface and dedication followed by complete pagination across the remaining volumes. Condition: Very Good. All bindings show moderate wear at hinges and corners; all text blocks are secure and internally clean. Format: Octavo 8vo five-volume set. Collation: Vol. I: cxvii 335 pp; Vol. II: 264 48 pp; Vol. III: 427 pp; Vol. IV: 438 pp; Vol. V: 322 vi 54 pp. Illustrations: 5 frontispieces 9 full-page engravings decorative vignettes. Edition: New Edition 1799. #29594. PHOTOS AVAILABLE UPON REQUEST. Printed for Otridge and Son hardcover
réf. 3843034567.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1293019496.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1271782227.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 114274244X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 6202377712.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 6202377755.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 6202377747.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1613réf. 013158Venice: part of title page torn away 1613 Book. Fair. Hardcover. In Venetia 1613 remainder of title page torn away. 83 numbered leaves. Title page damaged where the foot of the page has been torn away with the loss of the publisher's details. Replaced with blank paper. Old vellum binding which is browned and soiled. Titled in faint ink to the spine. Old paper label to the foot of the spine which is starting to peel off. Light browning and some staining to pages. Paper repair to one of the rear free end papers. Worming to the rear board and holes to the final rear free end paper. Ink owner's name to the front free end paper a small ink flower drawn on the front pastedown and an ink inscription to the title page more or less illegible and partly scribbled through. [ part of title page torn away ] hardcover
1603réf. 18663Venetia: Vencenzo Valgrifi 1603. A very early printing of the complete and corrected ORLANDO FURIOSO also with the Life of Ariosto by Battista Pigna. Letters tables and scholarly critical works by Ruscelli and others. Magnificently illustrated with 51 full-page woodcut engravings within ornate borders using the blocks from the first Valgrisi quarto edition of 1556 46 in the ORLANDO 5 additional in the appended “Cinque Canti” also with engraved architectural titlepage imprint set in type in a cartouche in the lower part of the border type ornament with the title medallion portrait of Ariosto from the Giolito portrait of 1542 from the profile by Titian devices of Ariosto and Valgrisi’s serpent device half titles and beautifully engraved decorated large head and tail pieces and large historiated and arabesqe capital initials printed in double column Italic. 4to full antique Italian vellum over stiff boards spine with terra-cotta morocco label lettered and decorated in gilt. 8 A - Z8; Aa - Vv8; ie xvi 654 32. A very handsome copy in proper period binding. The paper just likely mellowed and toned by time very occasionally headlines slightly shaved first gathering cropped a bit the vellum very well preserved sturdy and handsome. RARE AND EARLY ILLUSTRATED PRINTING OF ONE OF THE FOUR CORNERSTONES OF ITALIAN LITERATURE. Ariosto’s great cantos inspired by the crusades are considered his crowning achievement. Though first published in 1516 Ariosto considered this edition incomplete and imperfect. He continued to work on correcting and enlarging it throughout the remainder of his life thus the first “complete” ORLANDO FURIOSO was not produced till 1532 the year prior to the author’s death by consumption. The extraordinary merits of this work cast into oblivion the numberless romantic poetry which inundated Italy during this period. This flawless work powerful elegant and cultivated. In description and narrative he excites the reader’s deepest feelings and displays a vivacity of fancy with which no other poet can vie. ‘The ORLANDO blocks were cut for Valgrisi’s first quarto edition of 1556 and follow Niccolo Zoppino’s idea of providing one illustration to each canto but going far beyond the Zoppino blocks in skill of design and cutting. They are the first full-page illustrations for Ariosto. They were placed in the instructive tradition of the Marcolini Dante the illustration is mentioned on the title-page and at the beginning of Ruscelli’s 1556 dedication to Alfonso d’Este Duke of Ferrara. Ruscelli explains to the reader the application of the rules of perspective to the multiple scenes in these cuts. The upper part of the block often becomes a map offering as Philip Hofer notes a tour of the canto by hippogryph. Valgrisi’s artist often varied from Giolito’s in his choice of the principal scene for illustration and relegated the Giolito subjects to his background. Valgrisi’s blocks are printed within borders with figures and grotesques. He was able to use the same blocks without borders in an octavo of 1556 for the popular market. There are two different border designs for the illustrations and two smaller cherub borders for the “argomento” to each canto.’ Vencenzo Valgrifi hardcover
1901réf. 4813-31021Fierenze 1901 Edition Unstated Presumed 1st of This book. 549 Pages of this small 4 1/8" x 2 5/8" x 1" bound in Heavy full gilt-blocked buckram over boards text block edged in full gold gilt perceivable tilt else content appears as unread and unblemished with Near Fine wraps displaying minimal surface/edge wear as shown. Appearance is one that the books has been kept wrapped in cloth for years and is Immaculate & highly desireablel Synopsis: This book is in Italian. Orlando furioso Italian: orˈlando fuˈrjoËzo; -oËso; The Frenzy of Orlando more literally Raging Roland is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516 although the poem was not published in its complete form until 1532. Orlando Furioso is a continuation of Matteo Maria Boiardo's unfinished romance Orlando Innamorato Orlando in Love published posthumously in 1495. In its historical setting and characters it shares some features with the Old French Chanson de Roland of the eleventh century which tells of the death of Roland. The story is also a chivalric romance which stemmed from a tradition beginning in the late Middle Ages and continuing in popularity in the 16th century and well into the 17th. Orlando is the Christian knight known in French and subsequently English as Roland. The story takes place against the background of the war between Charlemagne's Christian paladins and the Saracen army that has invaded Europe and is attempting to overthrow the Christian empire. The poem is about war and love and the romantic ideal of chivalry. It mixes realism and fantasy humor and tragedy. The stage is the entire world plus a trip to the Moon. The large cast of characters features Christians and Saracens soldiers and sorcerers and fantastic creatures including a gigantic sea monster called the orc and a flying horse called the hippogriff. Many themes are interwoven in its complicated episodic structure but the most important are the paladin Orlando's unrequited love for the pagan princess Angelica which drives him mad; the love between the female Christian warrior Bradamante and the Saracen Ruggiero who are supposed to be the ancestors of Ariosto's patrons the d'Este family of Ferrara; and the war between Christian and Infidel. The poem is divided into forty-six cantos each containing a variable number of eight-line stanzas in ottava rima a rhyme scheme of abababcc. Ottava rima had been used in previous Italian romantic epics including Luigi Pulci's Morgante and Boiardo's Orlando Innamorato. Ariosto's work is 38736 lines long in total making it one of the longest poems in European literature. Insurance & handling is included free. Extra Charges/Fees apply on Shipments Outside The U.S. and Expedited Shipments. Oversize and/or heavy books may require additional fees. Will advise. . Biblio #4813-31021 Img. 5985 & 5986 Updated 10.16.25 Firenze,
2015réf. 2-8806228161Einaudi Tascabili. Classici 2015. Paperback. New. Italian language. 7.80x4.80x3.15 inches. Einaudi Tascabili. Classici paperback
