1.534 Ergebnisse
Best.-Nr. 114234729X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1120693764.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1166984648.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1822Best.-Nr. 23224Firenze: Giuseppe Molini 1822. First Edition. Hardcover. 511pp errata. Brown half calf over marbled boards spine lettered in gold. According to the publisher some of the poems in the Rime are here published for the first time. Includes annotations by Antonio Rienzi. Some foxing to title page and first few leaves. The corners of the last few leaves are worn. A very good copy. ; Octavo. Giuseppe Molini hardcover
Best.-Nr. 0259088919.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 0428819206.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 0364524952.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 0666006857.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1613Best.-Nr. 013158Venice: part of title page torn away 1613 Book. Fair. Hardcover. In Venetia 1613 remainder of title page torn away. 83 numbered leaves. Title page damaged where the foot of the page has been torn away with the loss of the publisher's details. Replaced with blank paper. Old vellum binding which is browned and soiled. Titled in faint ink to the spine. Old paper label to the foot of the spine which is starting to peel off. Light browning and some staining to pages. Paper repair to one of the rear free end papers. Worming to the rear board and holes to the final rear free end paper. Ink owner's name to the front free end paper a small ink flower drawn on the front pastedown and an ink inscription to the title page more or less illegible and partly scribbled through. [ part of title page torn away ] hardcover
1573Legatura in tutta pergamena rigida coeva, dorso con nervi e titolo calligrafato, due piccolissimi forellini di tarlo, un po' corto il margine interno, ma nel complesso buona copia genuina. Sc. D.
Best.-Nr. 3566011592.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 3566001228.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 3368062018.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 3368008935.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 0259598798.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 033254365X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1846in-8, pp. XXIV, 117, (3), cartonato editoriale verde a stampa conservato entro custodia. Con un facsimile d'autografo del'Ariosto f.t. Precede un'ampia prefazione dell'editore. Opera pseudo-ariostea: sono in totale 242 ottave distribuite in cinque canti, seguite dalla Canzone ''Per la partenza di Ginevra'', preceduta da un proemio di Luigi Maria Rezzi. "Nel secolo scorso diverse polemiche furono fatte pro e contro l'atttribuzione di questo lavoro all'Ariosto, e significatamente in merito all'annunzio del manoscritto originale, che doveva essere stato scritto di pugno di messer Lodovico...Nel sec. XX, e precisamente qualche anno fa, forse perché quasi più nessuno crede a tale attribuzione ed autenticità, sempre il manoscritto del Rinaldo Ardito è stato, da un libraio, munificamente donato alla R. Bibl. Brera di Milano. Malgrado questo succinto preambolo, stimiamo che in una raccolta di scritti ariostei possa ancora trovar posto il Rinaldo..." (Racc. Ariostea Municipale di Reggio Emilia). Ottimo esemplare. Esemplare marginoso e impresso su carta ocra.. Racc. Ariostea Bibl. Municipale di Reggio Emilia, n. 172.
1963Mm 165x225 Collana "La Civiltà Europea" fondata da Giovanni Gentile - Opera pubblicata tra il 1961 ed il 1965. Quattrro volumi di XLII - 1750 pagine complessive nella loro brossura editoiale muta con uniforme sovraccoperta a stampa in due colori. Opera mai frequentata con pagine ancora intonse. Leggere, sporadiche fioriture ai tagli che non compromettono in alcun modo il testo. Spedizione in 24 ore dalla conferma dell'ordine.
1787Best.-Nr. CLL-197Paris, Plassan, 1787 10 volumes petit in-12 de XII, 52pp., (2) ff., 401pp. - (4) ff., 475pp., (10)ff. - (4) ff., 503pp. - (4)ff., 527pp. - (4) ff., 452pp. - (2) ff., 34 pp., (1) f., 493 pp. - (4)ff., 493pp. - (4)ff., 507pp. - (4)ff., 465pp. - (4)ff., 595pp., maroquin vert, triple filet doré et dentelle dorée d'encadrement sur les plats, dos à nerfs ornés de caissons de fleurons dorés, coupes et bordures décorées, tranches dorées (Petit succ-r de Simier).
Best.-Nr. 200913216Paris, Librairie Hachette et cie, 1879 ; in-folio, 658 pp., cartonnage de l'éditeur. Traduit par A.-J. du Pays et illustré par GUSTAVE DORÉ - qlq rousseurs et ptes restauration, pleine percaline rouge d'éditeur (ptes usures sinon bon état général (cartonnage signé A. Souze).
1780Best.-Nr. A2610Paris, Pissot, 1780 ; in-12, 323 pp. + 414 pp. + 444 pp. + 448 pp., reliures demi-veau, dos lisse. Les 4 volumes. De son vrai nom Ludovico Ariosto, l'Arioste est un poète de la Renaissance italienne. Il servit le cardinal d'Este et entra ensuite au service de son frère. Le 'Roland furieux' ('Orlando furioso' est une parodie de poème chevaleresque. L'Arioste en donna plusieurs versions au fil et à mesure des éditions. Bon état.
Best.-Nr. 201404128Paris, Paul Masgana, libraire editeur 12 gallerie de l'Odéon, 1842-1842 ; in-12, 415-442 pp., cartonnage de l'éditeur. Les 2 volumes. En superbe état - demi-basane verte dos a 5 nerfs tranches dorées - traduction de PANCKOUCKE ET FRAMERY nouvellement revue et corrigée AVEC UNE NOTICE SUR LA VIE DE L'ARIOSTE par ANTOINE DE LATOUR.
1844Best.-Nr. GIT00dcbParie Mallet et Cie 1844. Petit in-4 XXIV 616pp. Demi chagrin anthracite à coins, dos à nerfs rehaussés d'un filet doré, cadres de filets à froid dans les entrenerfs, rel époque. Orné de 300 vignettes dans le texte et 25 planches hors texte (dont le frontispice) sur Chine appliquées par Tony Johannot, Baron, Français et Nanteuil. Petit manque de cuir sur 1 mors, rousseurs. Néanmoins, bien relié.
1839Best.-Nr. CCC001b2SJ. Les 3 volumes, edition Paris, F. Knab, 1839 In-8 (13.5 X 22 cm). Reliure demi chagrin vert dos romantique doré, quelques frottements en haut et en bas des trois dos, coins légèrement émoussés et pliés, quelques rousseurs, T1 368, T2 456 & T3 504 pages. Bien complet du portrait-frontispice de l'auteur et des 85 planches hors-texte gravées, numérotées et tirées sur Chine d'après Français, Meissonnier, Girardet, Demoraine, etc. Quelques rousseurs en marge des gravures. nouvelle traduction, avec la vie de l'Arioste, et des notes sur les romans chevaleresques, les traditions orientales, les chroniques, les chants des trouvères et des troubadours comparés au poème de l'Arioste par A. Mazuy.