Ariosto, LudovicoMareMagnum
Ariosto LodovicoMareMagnum
Orlando furioso
1812In 8°, 5 volumi legati in mz pelle con tassello al dorso. Collezione dei classici italiani. Ritratto dell'autore in antiporta.
Sonia Natale · Italien150,00 €
1.534 Ergebnisse
1967Mm 340x425 Introduzione di Riccardo Bacchelli, tavole e illustrazioni di Fabrizio Clerici. Opera completa in tre volumi nei loro rispettivi cofanetti in cartone editoriale: il primo volume, di XVIII-340 pagine, contiene il testo; gli altri due, 158 tavole sciolte a colori. La brossura e le tavole sono inserite in delle camicie originali cartonate. Grande formato. Piccola fessura al cofanetto del primo volume, per il resto le condizioni dell'opera sono ottime. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1957
1932buono stato. Due volumi legati in unico tomo
1812In 8°, 5 volumi legati in mz pelle con tassello al dorso. Collezione dei classici italiani. Ritratto dell'autore in antiporta.
1920Collana " Gli Immortali". Due volumi in 8° piccolo. Legatura editoriale tutta tela, fregi e titoli in oro impressi al piatto e al dorso.Prima serie. Senza data. Ottime copie. Pp.607 + 637
1634Best.-Nr. 69070London: Printed by G. Miller for J. Parker 1634. HARRINGTON John. . Orlando Furioso. in English Heroical Verse by Sir John Harrington of Bath Knight. Now thirdly revised and amended with the Addition of the Author's Epigrams. London: Printed by G. Miller for J. Parker 1634. Full Description: ARIOSTO Lodovico. HARRINGTON John translator. Orlando Furioso in English Heroical Verse by Sir John Harrington of Bath Knight. Now thirdly revised and amended with the Addition of the Author's Epigrams. London: Printed by G. Miller for J. Parker 1634. Third edition of Harrington's 1591 translation which was the first English edition and remained the only English translation of many years. This third edition is further expanded by the addition of the "Author's Epigrams." Two works in one small folio in sixes 10 5/8 x 7 1/4 inches; 270 x 185 mm. 16 1 Ads 1 plate 423 9 table 1 Title 1 blank 43 1 blank pp. With engraved title-page for the first work and 46 full-page engravings included in the pagination accompanying each Canto. Separate title-page for "Epigrams" with an engraved vignette. Epigrams have a separate title but continuous register. Elaborate engraved head and tail pieces and initials. Contemporary full calf rebacked to style. Spine with red morocco spine label lettered in gilt. Spine stamped in gilt. All edges speckled red. Newer endpapers Fore-edge margins are trimmed close a few times just touching printed marginal notes. Closed tear to bottom margin of S1 barley touching a few letters. T6 with a tear to fore-edge margin with a bit of loss to marginal note. Some various dampstains and other soiling throughout. Some minor occasional offsetting from plates. Overall a very good copy. "Lodovico Ariosto represented the sentiments the passions and the vices and virtues of 16th-century Italians in his epic poem L'Orlando Furioso The Crazy Orlando. This Renaissance classic based on romances popular at the time furnished the framework for the chivalric narrative in Edmund Spenser's The Faerie Queene. Orlando Furioso is a tale of knights dames and courtesies when the Moors invaded France to avenge the death of their king's father. In the story Orlando Roland Charlemagne's nephew and most famous knight falls madly in love with Angelica who is also pursued by many other Christian and Moorish knights. She flees these attentions only to bestow her love in the end on a poor man without rank. Ariosto's view of life reflected throughout the poem is one of ironic disillusionment-love is madness. John Harington 1561-1612 was a witty courtier and godson of Queen Elizabeth. He is also the acknowledged inventor of the flush toilet. According to lore Harington first translated the racy tale of Jocundo from Canto XXVIII and circulated it among the ladies of the Court. The Queen feigned to be shocked by some passages and reprimanded her godson for endangering the morals of her maids of honor. Elizabeth sentenced Harington to stay away from the Court until he had translated the whole of Ariosto's poem. Harington completed the translation by 1591. Harington's Orlando Furioso is one of the major translations of the age freely executed but faithful to the spirit and style of the original. At 33000 lines in length and nearly 6000 lines shorter than the original the translation is seldom exactly what Ariosto wrote shorter in places and expanded elsewhere-with moral truisms added. Each of the forty-six cantos of the poem is preceded by a full-page illustration including the especially risqué one for Canto XXVIII. All are copied strictly or with slight variation from the plates used by Girolamo Porro in a Venice edition printed in 1584. The engravings are unsigned purportedly the work of several engravers including possibly Jodocus Hondius. Clark Library UCLA Chrzanowski 1607a : Regarding the 1607 Second edition. STC 748. Pforzheimer 447. HBS 69070. $3000. Printed by G. Miller for J. Parker unknown books
1899Best.-Nr. 1396568Milano Milan: Fratelli Treves Editori Fratelli Treves Publishing 1899. Hardcover. Large quarto xvi 64 74-80 74-294 293 296-740 2 inconsistent pagination. In Good condition. Half bound in brown leather with brown cloth. Faded gilt lettering and ornamentation to spine and boards. Cracking along the joints and small tears along the spine. Boards have light stains chipping and rubbing wear along the edges and light bumping to corners. Rear board is slightly detached. Textblock has marbled end papers and a closed tear on the title page impacting some text. Light plus age toning and very minor foxing scattered on some pages throughout. Text in Italian. Shelved in Room A Oversized. 1396568. Special Collections. Fratelli Treves Editori [Fratelli Treves Publishing] hardcover books
Best.-Nr. 36547Venice: Felice Valgrisi ca. 16th century. Very Good. Three leaves from what has been identified as a 16th century Italian edition of Orlando Furioso. The research of the former owner of the leaves led him to believe that the pages are from an edition printed by Felice Valgrisi in 1574. However further research does not show Valgrisi printing Orlando Furioso before the 1580s and that he only began his printing career in 1574. The leaves are for pages 369-370 and 391-394. The pages include decorated initials Two of the pages have an opening "argomento" - subject - with a pictorial border. There is also a full-page illustration. The leaves pages show aging and the top and bottom margins and right fore-edges are browned. Still very good examples of fine sixteenth century printing. Measures 7 x 10 inches. EPHEM/042423. Felice Valgrisi unknown books
1858Best.-Nr. 425444Firenze: Barbera Bianchi E.C. 1858. Hardcover. Good. Volume one of three only. 48mo. Approximate measurements: 4" x 2 1/2" x 1 1/2". 540pp. Text in Italian. Portrait frontispiece. Gilt decorated white leather with gilt-stamped red leather spine label marble endpapers all edges gilt purple silk bookmark attached. Blank front preliminary page glued to the front fly leather yellowed and warped a bit still a very good copy. Barbera , Bianchi, E.C. hardcover books
2004Ariosto, Ludovico. Caretti, Lanfranco ( a cura di) Orlando Furioso. Roma, Ricciardi - Treccani 2004 italian, 1248 2004. Collana "Letteratura Italiana: storia e testi /vol. 41" diretta da Mattioli - Pancrazi - Schiaffini. Copertina con mezza legatura in pelle e brossura telata al piatto con titoli in bassorilievo in oro al dorso e al piatto. In custodia. Edizione di pregio. SL12
1591Best.-Nr. H10BROWN709London: Richard Field 1591. Hardback 18th century calf spine rebacked. New end-papers. 26.5cm x 19.5cm. Pp. 14 1-185 3 193-423 9. Partial remains of the title page laid onto card with rather skilful penmanship filling in the rest of the titlepage. With all 46 engraved plates as called for. The dedication leaf page ii mounted with extensive paper restoration. Lacking a8 of the prelims. The 20th plate torn and repaired to the lower margin. The last 4 leaves table/errata with just remnants retained backed onto modern paper. These leaves supplied loose in modern photocopy facsimile. Some occasional water-staining toning and soiling. With a few marginal annotations. Some losses and repairs to first few and last pages. Small perforation towards inner hinges from page 413 to final page. This is the first English edition of Ariosto's epic poem with the dramatic engravings copied from Giralomo Porro's originals made for the 1584 Venice edition. Very rare. h10. Hard Cover. Good. Richard Field Hardcover
Best.-Nr. 1275993915.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1017847126.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 92212Uteha 1955. tapa dura. 2ª Mano/2ª Mano. Uteha. 1955. traducido por D Francisco J Orellana. e ilustrado por Gustavo Dore simil piel con dorados. 29x21 cm. 850 pp. Uteha hardcover
1967Best.-Nr. 1081A monumental edition of Ludovico Ariosto's Orlando Furioso published by Electa Editrice of Milan in 1967 featuring an introduction by Riccardo Bacchelli and 158 striking lithographic illustrations by Fabrizio Clerici. Comprising three large-format folio volumes: the first contains the text while the other two serve as portfolios housing the 158 loose color lithographic plates printed by the renowned Stamperia Fantoni in Venice. Housed in the publisher's original cardboard slipcase. Limited edition of 350 copies; this is copy no. 39 one of 150 hors-commerce copies. In perfect condition. Electa Milano hardcover
Best.-Nr. 3388470502.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 3388490503.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 3368101382.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 3368101390.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 8811519632.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 0674060121.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. GOR012825696Paperback. Very Good. paperback
1634Best.-Nr. 001525London: Printed by G. Miller for J. Parker 1634 1634. THIRD EDITION AND THE FIRST ENGLISH LANGUAGE EDITION. 1 vol. folio 10-1/2" x 7-3/4" ix423pp.xxvii engraved title-page with vignette portraits of Ariosto and Harington and 46 full-page engraved illustrations complete a few leaves at beginning including 2 plates not affecting the image with fore-edge repair slight loss to side-notes of 3 leaves a couple of short tears minor worming to several pages Ownership inscription on front blank endpaper "Elizabeth Tyringham Her Booke Aprill ye 5 1668." bound in contemporary full calf over cords head and foot of spine renewed at some early date worming to rear cover hinges fine internally generally clean and bright no water staining overall a VERY GOOD copy STC 748 The plates were first used in the 1591 edition and derive from Girolamo Porro's illustrations of the 1584 Venetian edition. London: Printed by G. Miller for J. Parker, 1634 unknown
Best.-Nr. 3-83524Milano Società Anonima Notari Istituto Editoriale Italiano 1929 quattro volumi rilegati in tutta tela con decorazioni floreali a colori tasselli ai dorsi pp. 349 359 359 393 indici e catalogo editoriale in fine al quarto volume. Intonsi. hardcover
1968Best.-Nr. 69875Torino: Einaudi 1968. Due volumi di cm. 215 pp. xxxix 1 1968 2. Con illustrazioni a colori su tavole fuori testo. Leg. edit. in tela con acetato di protezione. Entro cofanetto editoriale illustrato. Ottimo stato di conservazione. Preservata la scheda editoriale Collezione "I millenni". Einaudi hardcover
