1 578 résultats
réf. 0484332236.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. B9781019959756Hardback. New. hardcover
réf. A9781163638552Paperback / softback. New. paperback
réf. B9781163638552Paperback / softback. New. paperback
réf. B9781019304167Hardback. New. hardcover
réf. B9781017074840Hardback. New. hardcover
réf. 0267764243.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0267490933.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0365313068.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1858réf. biblio36070FIRST VOLUME ONLY. London: Henry G. Bohn 1858. Six Plates. XV 528 pages. NearFine to Fine Hardcover Black Leather corners and spine with 5 raised bands Marbled boards and edges no dj. The book previously belonged to a College library the only libr. stamp on the inside of the flyleaf. Little of light rubbing to the edges. No Wear. Clean Unmarked interior Strong tight binding perfectly smooth edges excellent hinges. 725"x4.75"x1.5". be25465. Henry G. Bohn hardcover
1823réf. BC06A-081London: John Murray 1823. Book. Good. Full Leather. 8vo - over 7¾ - 9¾" tall. AZ655 Ludovico Ariosto. The Orlando Furioso Translated into English Verse. Eight Volumes in Four. John Murray 1823-1829. Translated from the Italian by William Stewart Rose. Contemporary calf with light rubbing. Joints cracking and with chipping to some spine ends. Scattered foxing. Faint library stamps to top page edges with no other visible markings. Very good. John Murray Hardcover
1828réf. 11070London: John Murray 1828. 1st Edition. Hard Cover. BOOK VERY GOOD-/No Jacket. 8vo - over 7¾"" - 9¾"" tall. VA VERY CLEAN NICE COPY. NO PREVIOUS OWNER MARKINGS. The cover shows discoloration and the upper third portion of the spine is missing. 259 pages. Volume VI 6. ""Translated into english ver se from the Italian of Ludovico Ariosto."" Most of the pages are unopened. John Murray hardcover
1829réf. 11068London: John Murray 1829. 1st Edition. Hard Cover. BOOK VERY GOOD-/No Jacket. 8vo - over 7¾"" - 9¾"" tall. A VERY CLEAN NICE COPY. NO PREVIOUS OWNER MARKINGS. The pages have not been opened. The cover shows discoloration and the spine is missing. 252 pages. Volume VII 7. ""Translated into english verse from the Italian of Ludovico Ariosto."" Contains errata slip. John Murray hardcover
1825réf. 11069London: John Murray 1825. 1st Edition. Hard Cover. BOOK VERY GOOD-/No Dustjacket. 8vo - over 7¾"" - 9¾"" tall. A VERY CLEAN NICE COPY. NO PREVIOUS OWNER MARKINGS. The cover shows discoloration and the upper third portion of the spine is missing. 282 pages. Volume IV 4. ""Translated into english verse from the Italian of Ludovico Ariosto."". John Murray hardcover
2021br. Si tratta del primo studio monografico - in lingua inglese - sulla lirica amorosa in volgare di Ariosto da quest'ultimo coltivata in parallelo alle opere maggiori. L'indagine porta alla luce l'intenso dialogo stilistico che Ariosto intrattiene sia con le correnti poetiche coeve che con i classici e, al tempo stesso, si interroga sul ruolo giocato dalla poesia lirica nel complesso dell'opera ariostesca. Tra i temi affrontati risulta particolarmente nuovo rispetto alla sua applicazione all'Ariosto, quello del self-fashioning della costruzione identitaria cioè, secondo la definizione di Stephen Greenblatt che applica il concetto proprio alla società rinascimentale e in modo particolare al mondo della corte. L'opera lirica amorosa di Ludovico Ariosto viene dunque inquadrata nel suo contesto culturale e sociale e diventa un valido supporto per l'interpretazione dell'opera maggiore rispetto al costume, alla figura femminile e anche all'etica delle emozioni. Prefazione di Lina Bolzoni.
1946Cover: Hungarian Hyperinflation - Pengo Notes of High Denomination Not Worth Picking Up and Considered as Rubbish. Features include: Our Notebook; Book Review: "The Drawings of Leonardo Da Vinci" by A.E. Popham and "Fragonard Drawings for Ariosto": by Elizabeth Mongan et al; Aftermath of War: Record of the 19th Indian Division; The World of Science: Speed in Water; Notes for the Novel-Reader; and Books of the Day. Pictorial Journals include: Inflation in Hungary: Where a Million Pengos Buys a Cigarette; A Modern Pompeii: Cassino and Its Famous Abbey (Abbey of Monte Cassino) Two Years After the Battle Which Laid Town and Monastery in Ruins; Abdication and Accession in Italy: The New King (Umberto II) and His Family; Travelling Comfortably at 25,000 Ft.: Pressure Cabins in Air-Liners (Illus. by G.H. Davis); Royal Occasions: At Home and Abroad; The Princesses at a London Rally of 8000 Rangers: Ceremonies in Hyde Park and the Albert Hall; The King and Queen Received Ad Portas at Winchester College; Mosaics at the Low Ham Roman Villa: Further Beauties Revealed; The "Gateway of England" for the Airborne Visitors: London Airport (Illus. by G.H. Davis); Life and Still-Life Portrayed by Dutch and Flemish Masters; Fine Paintings from the Golden Age of Dutch Art; and Speed-Kings of the Seas and Rivers: A Pictorial Chart Showing the Speeds of Aquatic Animals (Illus. by G.H. Davis). Front cover present but attached with tape. Back page missing. Contents clean and unmarked with moderate wear. A worthy vintage copy. Book
réf. 0226026493.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1999cm. 17 x 24, x-202 pp. Biblioteca di ?Lettere italiane? - Studi e testi Lo studio della rappresentazione del tempo nelle strutture del racconto e in quelle linguistiche del poema: dalla forma dell?intreccio, alla narrazione degli eventi guerreschi, al sistema dei tempi verbali, confrontato con le opere antiche, medievali e quattrocentesche di argomento guerresco, ne mette in luce la concezione enigmatica che confonde i tradizionali processi di ricezione. The study of the representation of time in the construction of accounts and linguistics of a poem: from the form of the plot to the narration of warlike events, to the use of verbal tenses, in comparison with the ancient, medieval and 15th century works on warlike topics, pointing out the enigmatic conception that confounds traditional receptive procedures. 400 gr. x-202 p.
1999brossura
réf. 0483438472.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1330701992.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 135080aafBerlin, Propyläen 1922, in-8vo, CLXVII, 342; XV, 490; XV, 510; VIII, 666 S. Mit je 1 mont. Frontispiz., H.-Parkament gebunden. (OHPgmt.). Mit Rückengoldpräg. u. roten Rückensch.
réf. 1024780368.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0182-11Bln. Propyläen 1922. 4 Bde. gr.-8°. CLXVII 342; XV 490; XV 510; VIII 666 S. Mit je 1 mont. Frontisp. OHPgmt. Mit Rückengoldpräg. u. roten Rückensch. Bde 1-3.: Der rasende Roland. Bd. 4: Komödien u. Gedichte. Einband und Satz von Hugo Steiner-Prag. Bln., Propyläen (1922). unknown
réf. 0366522000.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover