1 573 résultats
1950réf. 53176Torino: Einaudi 1950. Tre volumi di cm. 21 pp. 1500 ca. complessive. Con tavole a colori fuori testo. Leg. edit. in tela con titoli e fregi in oro. Tagli di testa dorati. Ben conservato ma senza acetato e cofanetto. Einaudi hardcover
1772réf. 61032In Venezia: presso Antonio Zatta 1772-73. Quattro volumi di cm. 29 pp. 1.500 ca. complessive. Al primo volume è presente: antiporta illustrata il ritratto dell'Ariosto e 5 tavole a corredo della vita. Seguono le 51 tavole poste all'inizio di ogni canto. Il testo è inoltre impreziosito dai frontespizi figurati e da moltissime testate e cul-de-lamp. Solida ed elegante legatura d'epoca successiva in piena pergamena rigida dorsi a cinque nervi con titoli in oro su doppi tasselli. Una firma di possesso cancellata al frontespizio del primo volume. Esemplare che si distingue per freschezza e per l'impeccabile stato di conservazione. Opera che si pone come uno dei capolavori dell'editoria veneziana del '700. Cfr. l'ampia bibliografia in materia. presso Antonio Zatta unknown
réf. 2-93605Torino Einaudi 1962 due volumi in-8vo tutta tela editoriale con titoli e fregi dorati al dorso decorato in azzurro e oro sovraccopertina plastificata trasparente e cofanetto cartonato illustrato a colori pp. XXXIX-1698 con una tavola a colori alle antiporte e con numerose tavole a colori fuori testo. Millenni 27 - Parnaso italiano V hardcover
1962réf. 33993Torino: Einaudi 1962. A cura di Carlo Muscetta e Luca Lamberti Einaudi unknown
1967réf. 045947Milan: Electa 1967. First Edition. Softcover. Near Fine Condition. Fabrizio Clerici. 3 volumes in slightly worn slipcases 1 text volume and 2 plate volumes. In English Heroical Verse by John Harington 1560-1612. 158 finely executed illustrations many double page - a few tiny creases and marks generally fine internally chemises with very slight wear modest wear to slipcases. A very fine edition of Orlando Furioso with a remarkable array of illustrations by Clerici; one of 150 copies. The racy beginnings of Harington's translation of Orlando Furioso got him banished from Queen Elizabeth's court until he finished his translation which it was assumed he would be unable to do but he completed it in 1591 and returned. Size: Folio. Illustrator: Fabrizio Clerici. Quantity Available: 1. Shipped Weight: Over 3 kilos. Category: Literature & Literary; Poetry. Inventory No: 045947. Electa paperback
1954réf. 28741Milano-Napoli: Ricciardi 1954. a cura di Lanfranco Caretti Ricciardi unknown
réf. 2-33928Milano Ricciardi Ediore ma Roma Istituto della Enciclopedia Italiana 2004 un volume in 8vo elegante legatura in mezza pelle con titoli e fregi dorati ai piatti e ai dorsi cofanetto cartonato editoriale muto pp. 1248. Stato di nuovo. Collana La letteratura Italiana storie e testi Volume 19. unknown
1556réf. c15-1-43ARIOSTO Lodovico. Orlando Furioso di M. Lodovico Ariosto tutto ricorretto et di nuove figure adornato. Al quale di nuovo sono aggiunte le Annotationi gli Avvertimenti & le Dichiarationi di Girolamo Ruscelli la Vita dell'Autore descritta dal Signor Giovambattista Pigna gli Scontri de' luoghi mutati dall'Autore doppo la sua prima impressione la Dichiaratione di tutte le favole il Vocabolario di tutte le parole oscure & altre cose utili & necessarie. In Venetia: Appresso Vincenzo Valgrisi nella bottega d'Erasmo 1556. Two parts in one volume quarto. First Valgrisi quarto edition and the first edition of Orlando Furioso to contain Girolamo Ruscelli's extensive editorial and interpretive apparatus. Valgrisi's 1556 edition represents an important development in the publication history of Ariosto's poem combining Ruscelli's revised text and explanatory material with a new and ambitious program of full-page illustration. Illustrations Complete with all 46 full-page woodcut illustrations one for each of Ariosto's 46 cantos. The large narrative woodcuts are surrounded by elaborate Renaissance borders incorporating figures putti grotesques armor trophies and ornamental motifs. Individual compositions employ perspective and simultaneous narrative to depict multiple episodes from a canto within a single image. The canto arguments argomenti appear within smaller decorative woodcut cartouches accompanied by historiated and ornamental initials. The 1556 Valgrisi edition introduced these full-page illustrations which proved influential and were reused in later Valgrisi editions. The attribution of the illustrations has varied. They have historically been associated with Dosso Dossi and Battista Dossi and have also been connected with Donato Bercelli; more recent scholarship cautions that they may instead represent the collaborative work of artists associated with Valgrisi's workshop. The elaborate main title page is enclosed within an architectural woodcut incorporating a portrait medallion of Ariosto allegorical and ornamental figures and Valgrisi's distinctive serpent-and-staff device with VIN CENT. The Valgrisi device appears again within the volume. Contents: In addition to Ariosto's poem the volume contains the extensive scholarly apparatus prepared by Girolamo Ruscelli who sought to clarify the complex narrative and language of Orlando Furioso. His contributions include explanatory and interpretive material annotations discussions of difficult passages and a vocabulary of less familiar or obscure words. Ruscelli also standardized aspects of Ariosto's spelling and grammar. The supplementary section has its own 1556 title page: Annotationi et Avvertimenti di Girolamo Ruscelli sopra i luoghi difficili et importanti del Furioso. Also present is the Vocabolario di tutte le parole che sono nel Furioso le quali potessero essere oscure together with other explanatory and critical material associated with the edition. The breadth of Ruscelli's apparatus—annotations explanations allegorical interpretations and glossary—was a distinctive feature of Valgrisi's new edition. Importantly this copy retains the concluding Tavola de' principii di tutte le stanze del Furioso raccolta da Meser Giovan Battista Rota Padovano an extensive alphabetical index to the opening lines of the stanzas. The Tavola continues through the alphabet to its final leaf which concludes "IL FINE." The separately issued final Tavola is sometimes absent from surviving copies of this edition. Condition: Early vellum binding with exposed lacing at the spine. Vellum shows considerable age-related wear including staining and soiling small holes and marks and worn and bumped corners and edges. Text-block edges stained blue. Internally scattered age toning foxing staining occasional fingerprints/handling marks and marginal wear. Several leaves have old or professional paper restoration and reinforcement primarily along the outer margins and edges; in places the repair extends to the border of a woodcut. The illustrated portions remain substantially intact and the complete suite of all 46 full-page canto woodcuts is present generally with strong and detailed impressions. The main 1556 title page has undergone extensive restoration and has been backed/laid down onto a supporting sheet the restoration being clearly visible from the verso. A later tissue guard has been inserted between the later portrait of Ariosto and the original title page. Additional professional paper repairs are present on some leaf edges and margins. An early handwritten bibliographical annotation in Italian appears on a preliminary leaf. Despite the restoration and age-related defects the volume retains the features of greatest importance to this edition: all 46 full-page canto woodcuts; the separate 1556 Ruscelli Annotationi et Avvertimenti section; the vocabulary and supplementary material; and Rota's concluding Tavola through the final "IL FINE" leaf. Vincenzo Valgrisi hardcover
1603réf. 18663Venetia: Vencenzo Valgrifi 1603. A very early printing of the complete and corrected ORLANDO FURIOSO also with the Life of Ariosto by Battista Pigna. Letters tables and scholarly critical works by Ruscelli and others. Magnificently illustrated with 51 full-page woodcut engravings within ornate borders using the blocks from the first Valgrisi quarto edition of 1556 46 in the ORLANDO 5 additional in the appended “Cinque Canti” also with engraved architectural titlepage imprint set in type in a cartouche in the lower part of the border type ornament with the title medallion portrait of Ariosto from the Giolito portrait of 1542 from the profile by Titian devices of Ariosto and Valgrisi’s serpent device half titles and beautifully engraved decorated large head and tail pieces and large historiated and arabesqe capital initials printed in double column Italic. 4to full antique Italian vellum over stiff boards spine with terra-cotta morocco label lettered and decorated in gilt. 8 A - Z8; Aa - Vv8; ie xvi 654 32. A very handsome copy in proper period binding. The paper just likely mellowed and toned by time very occasionally headlines slightly shaved first gathering cropped a bit the vellum very well preserved sturdy and handsome. RARE AND EARLY ILLUSTRATED PRINTING OF ONE OF THE FOUR CORNERSTONES OF ITALIAN LITERATURE. Ariosto’s great cantos inspired by the crusades are considered his crowning achievement. Though first published in 1516 Ariosto considered this edition incomplete and imperfect. He continued to work on correcting and enlarging it throughout the remainder of his life thus the first “complete” ORLANDO FURIOSO was not produced till 1532 the year prior to the author’s death by consumption. The extraordinary merits of this work cast into oblivion the numberless romantic poetry which inundated Italy during this period. This flawless work powerful elegant and cultivated. In description and narrative he excites the reader’s deepest feelings and displays a vivacity of fancy with which no other poet can vie. ‘The ORLANDO blocks were cut for Valgrisi’s first quarto edition of 1556 and follow Niccolo Zoppino’s idea of providing one illustration to each canto but going far beyond the Zoppino blocks in skill of design and cutting. They are the first full-page illustrations for Ariosto. They were placed in the instructive tradition of the Marcolini Dante the illustration is mentioned on the title-page and at the beginning of Ruscelli’s 1556 dedication to Alfonso d’Este Duke of Ferrara. Ruscelli explains to the reader the application of the rules of perspective to the multiple scenes in these cuts. The upper part of the block often becomes a map offering as Philip Hofer notes a tour of the canto by hippogryph. Valgrisi’s artist often varied from Giolito’s in his choice of the principal scene for illustration and relegated the Giolito subjects to his background. Valgrisi’s blocks are printed within borders with figures and grotesques. He was able to use the same blocks without borders in an octavo of 1556 for the popular market. There are two different border designs for the illustrations and two smaller cherub borders for the “argomento” to each canto.’ Vencenzo Valgrifi hardcover
1968réf. 006807Bobbs-Merrill Co 1968. 1st Edition. Hardcover. Good/Good. Octavo. First thus. Green cloth boards with gilt lettering on spine pictorial dust jacket. Cocked edge wear on boards boards mildly bent some smudges and spots on edges of text block. Jacket has creasing closed tears sunning/toning a few small chips and one or two small stains. Now in protective mylar. Scarce in hardcover. Bobbs-Merrill Co hardcover
réf. 25087London: C Bathurst T. Payne et al. 1783. 5 volumes. cxxxii336 iv408 iv428 iv438 and iv322pp. half-title present in each volume. Original quarter calf over marbled boards marbled edges vellum corners. 8 engraved plates as called for including the Blake illustration in volume 3. An impressive set. . First edition thus. A very pure eighteenth century binding with some chips and wear the most serious being a weakness to the upper hinge of volume 1. Please ask for condition notes. London: C, Bathurst, T. Payne et al. 1783. hardcover
1834réf. elala1621London: William Pickering 1834. 1834. 4 Volumes. 8vo. 1 p.l. vii-viii clxxvi 198 79; 2 p.l. 436; 2 p.l. 424; 2 p.l. 330. woodcut frontis. portrait. woodcut printers device on title. very handsome contemporary binding of full vellum over bds. by Hayday gilt tooled spines gilt inside dentelles all edges gilt covers bowed. First Panizzi Edition. Usually found with Panizzis edition of Bioardos Orlando Innamorato published by Pickering in 1830 in five volumes. Keynes p. 90. 1st Edition. Hardcover. London: William Pickering, 1834. Hardcover
réf. 45398150-nnew. unknown
réf. 45086027-nnew. unknown
réf. 45086027like new. unknown
réf. 45398150like new. unknown
2009réf. 11128Cambridge MA: Belknap Press of Harvard University Press 2009. Hard Cover. Near Fine binding/Near Fine dust jacket. Octavo. xiv 2 672 pp. First edition first printing thus. In publisher's cloth-backed boards with dust jacket. A bright clean copy in similarly sharp dust jacket. Belknap Press of Harvard University Press unknown
réf. 46897623-nnew. unknown
réf. 46897623like new. unknown
2026réf. LRB1015025Paris: Editions Recreasoft 2026 Lingua: Italiano. Circa 716 pagine. Italiano : Ristampa su richiesta. Edizione originale : 1584. Di grande interesse per la ricezione dell'Orlando furioso nella seconda metà del XVI secolo. Il volume riunisce il poema di Ariosto con i Cinque canti e le Osservationi sopra tutto l'Ariosto offrendo un ricco insieme di testi commenti e interventi editoriali d'epoca particolarmente prezioso per gli studi ariosteschi la storia della stampa italiana e la tradizione testuale del poema. Immagini del libro non contrattuali English : Print-on-demand reprint. Original edition : 1584. Of major interest for the reception of Orlando furioso in the later sixteenth century. The volume brings together Ariosto's poem with the Cinque canti and the Osservationi sopra tutto l'Ariosto offering a rich ensemble of texts commentary and period editorial interventions especially valuable for Ariosto studies the history of Italian printing and the textual tradition of the poem. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
2026réf. LRB6006888Paris: Editions Recreasoft 2026 Rilegatura rigida. Lingua: Italiano. Circa 974 pagine. Italiano : Ristampa su richiesta. Edizione originale : 1849. Questa edizione propone l'Orlando furioso di Ludovico Ariosto in una forma destinata alla gioventù con apparato di note storiche e filologiche. L'opera conserva l'impianto epico del poema e si segnala per l'interesse letterario linguistico e critico offrendo una testimonianza significativa della ricezione ottocentesca di Ariosto. Immagini del libro non contrattuali English : Print-on-demand reprint. Original edition : 1849. This edition presents Ludovico Ariosto's Orlando furioso in a form intended for younger readers with historical and philological notes. It preserves the epic structure of the poem and is of literary linguistic and critical interest reflecting nineteenth-century reception of Ariosto. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
2026réf. LRB6015299Paris: Editions Recreasoft 2026 Lingua: Italiano. Circa 678 pagine. Italiano : Ristampa su richiesta. Edizione originale : 1516-1521. Edizione di studio del grande poema cavalleresco di Ludovico Ariosto proposta secondo le stampe del 1516 e del 1521. Opera fondamentale della letteratura rinascimentale italiana di grande interesse per studiosi biblioteche e collezionisti di testi classici in lingua italiana. Immagini del libro non contrattuali English : Print-on-demand reprint. Original edition : 1516-1521. Scholarly edition of Ludovico Ariosto's great chivalric poem presented according to the 1516 and 1521 printings. A foundational work of Italian Renaissance literature of strong interest to scholars libraries and collectors of classic Italian texts. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
2026réf. LRB6008028Paris: Editions Recreasoft 2026 Lingua: Italiano. Circa 742 pagine. Italiano : Ristampa su richiesta. Edizione originale : 1532. Edizione commentata del celebre poema cavalleresco di Ludovico Ariosto accompagnato dal commento di Pietro Papini. Testo di riferimento per lo studio dell'Orlando furioso nella tradizione editoriale e critica italiana in una veste integrale e riveduta. Opera fondamentale della letteratura rinascimentale italiana di grande interesse per studiosi bibliofili e lettori di poesia epica. Immagini del libro non contrattuali English : Print-on-demand reprint. Original edition : 1532. Commented edition of Ludovico Ariosto's celebrated chivalric poem accompanied by Pietro Papini's commentary. A reference text for the study of Orlando furioso in the Italian editorial and critical tradition presented in an integral and revised form. A foundational work of Italian Renaissance literature of strong interest to scholars bibliophiles and readers of epic poetry. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
2026réf. LRB9007289Paris: Editions Recreasoft 2026 Language: English. Approximately 508 pages. Printed on premium paper. English : Print-on-demand reprint. Original edition : 1634. An illustrated edition of Sir John Harington's English translation of Ludovico Ariosto's Orlando furioso with a brief life of Ariosto and a separate section of Harington's epigrams. The volume is notable for its engraved architectural title-page portraits full-page engravings and index. Of particular interest for the history of English Renaissance translation and early seventeenth-century book illustration. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
2026réf. LRB6022836Paris: Editions Recreasoft 2026 Lingua: Italiano. Circa 592 pagine. Volume 5 di un'opera in più volumi. / Volume 5 of a multi-volume work. Italiano : Ristampa su richiesta. Edizione originale : 1812. Poema cavalleresco tra i capolavori assoluti della letteratura italiana l'Orlando furioso intreccia avventura amore magia e guerra con straordinaria ricchezza inventiva e grande perfezione formale. L'opera di Ariosto qui proposta in una versione ottocentesca resta fondamentale per la storia del poema epico e per l'influenza esercitata sulla cultura europea. Immagini del libro non contrattuali English : Print-on-demand reprint. Original edition : 1812. A landmark of Italian literature Orlando furioso is a chivalric poem that weaves together adventure love magic and war with remarkable inventiveness and formal brilliance. Ariosto's work remains essential to the history of epic poetry and to the broader European literary tradition; this nineteenth-century edition is of particular interest to collectors and scholars of Italian classics. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback