Ariosto, LudovicoBiblio.com
1 573 résultats
1939réf. 28962Firenze: Casa Editrice Adriano Salani 1939. Hardcover. In two volumes. I Classici del Giglio #10 and 11. 593pp; 623pp. Cream cloth stamped in red on the front and the spine. Portrait frontispiece. Volume one has some minor annotations in pencil. A near fine copy in very good price-clipped dustjacket with some old mends to the verso. Volume two has a few lines underlined in pencil and a the small bookstore label from Galleria del Libro Roma on the front free endpaper. Still a fine copy in near fine dustjacket. In the Italian language. ; 16mo. Casa Editrice Adriano Salani hardcover
1954réf. 28975Milano / Napoli: Riccardo Ricciardi Editore 1954. First Edition. Hardcover. La Letteratura Italiana - Storia e Testi Volume 19. 1248pp. Publisher's mustard buckram spine stamped in blue and gold top edge stained orange silk bookmark. Printed in the Stamperia Valdonega. Edited by Lanfranco Caretti. A fine copy in fine dustjacket with a tiny nick to the rear panel. The original cardboard slipcase shows mild wear. In the Italian language. ; Octavo. Riccardo Ricciardi Editore hardcover
1839réf. SmOB014Parigi Presso Lefevre Librajo M DCCC XXXIX 1839. Hard Cover. Three 12mo volumes: 632 599 580 pages Series: Collezione dei Quattro Primi Poeti Italiani vols. 3-5. The great epic poem of Orlando-- Roland-- in a pretty Paris edition bound in white vellum with gold tooling and red leather spine labels. Stock#SmOB 014. Presso Lefevre, Librajo, M DCCC XXXIX hardcover
réf. 51-1794Birmingham: Datorchi di G. Baskerville per P. Molini e G. Molini 1773. 4 vols. 8vo. Original Tree calf and Morocco with raised bands and gold leaf on spine and covers as well as all edges. Binding restored by Sasha Mosalov with imperfections showing. Pages clean. This copy with 48 engravings 2 of which are first states before lettering. 362 28 with 5 lines of errata; 450; 446; 446 pp. Provenance: from the collection of Charles Walker Andrews 1861-1946 an attorney in Syracuse whose father Charles Andrews 1827-1918 was the Chief Judge of the New York State Court of Appeals.Henry Cohen p. 31; Brunet I p. 488; Lowndes I p. 63Description from the Princeton Univ. Library: Late in his career John Baskerville printed an edition of Orlando Furioso for the Molini brothers an Italian printing firm based in Paris. This beautiful four-volume set of Ariosto’s 50000 line poem is illustrated with forty-six engraving plus a frontispiece designed by some of the most celebrated artists of that time. A new engraving begins each new episode of the author’s work and the artists appear to have been given much freedom in their designs. The twenty-one artists don’t often get credit and so here’s the complete list. Frontispiece portrait is after a painting by Titian ca. 1485/90-1576 drawn by Charles Dominique Joseph Eisen 1720-1778 and engraved by Etienne Ficquet 1719-1794.The plates were designed by Giovanni Battista Cipriani 1727-1785; Charles Nicolas Cochin II 1715-1790; Charles Dominique Joseph Eisen 1720-1778; Jean-Baptiste Greuze 1725-1805; Charles Monnet 1732-after 1808; Jean-Michel Moreau the Younger 1741-1814.The engravings were cut by Francesco Bartolozzi 1728-1815; Pierre Philippe Choffard 1730-1809; Antoine Jean Duclos 1742-1795; Emmanuel Jean de Ghendt 1738-1815; Isidore Stanislas Henri Helman 1743-1806/9; Benott Louis Henriquez 1732-1806; Nicolas de Launay 1739-1792; Joseph de Longueil 1730-1792; Pietro Antonio Martini 1738-1797; Jean Massard 1740-1822; Jean-Michel Moreau the Younger 1741-1814; Nicolas Ponce 1746-1831; Benoit Louis Prevost 1747-ca. 1804; and Jean-Baptiste-Blaise Simonet 1742-after 1813. Birmingham: Datorchi di G. Baskerville, per P. Molini e G. Molini, 1773 hardcover
réf. 2272In Venetia: Appresso Pietro Farri 1619. Hardcover. Good. Quarto. No pagination. 340pp. a8 A8-SS8 TT4. Engraved title-page. Cinque canti has separate title-page. Seventeenth-century vellum worn. Agnelli-Ravegnani I p.186. 0 In Venetia: Appresso Pietro Farri, 1619. hardcover
réf. 52647Bathurst. Collectible - Good. Condition: Good; 1783 8vo 5 volume set. All volumes full-bound in contemporary tree calf with gilt decoration to spine and with marbled endpapers. Text is clean throughout all volumes. Front cover detached on vol 1 and rear hinge on vol 4 has been mended with rice paper. All other hinges are fragile but holding. Leather and gilt on spines is starting to chip but all are still legible. Bookplate from Pull Court Worcestershire on pastedown in all volumes; also a label from Pull Court Library; and a signature from a T. Dowdeswell probably Thomas Dowdeswell a Colonel of the Guards who died in 1811. Without the list of subscribers and with state B of the Blake plate in vol. 3. Photos upon request. Leather Bathurst hardcover
1928réf. 70060Bari:: Gius. Laterza & Figli. Very Good. 1928. Hardcover. B0010S49Q2 . Complete in three volumes. Text is in Italian. First edition thus. Octavos quarter bound in brown leather with gilt lettering and raised bands along the spines marbled boards. Ex-library set with typical markings edge worn else each volume is very good. . Gius. Laterza & Figli, hardcover
2010réf. SONG1142446751Nabu Press 2010-01-03. paperback. Used: Good. 7.44x0.71x9.69. Buy with confidence. Excellent Customer Service & Return policy. Nabu Press paperback
2008réf. DADAX054888661XKessinger Publishing 2008-02-21. paperback. New. 6.00x0.96x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
2009réf. DADAX0674035356Brand: Belknap Press 2009-11-15. NEW Edition. hardcover. New. 6.50x2.00x9.75. Buy with confidence. Excellent Customer Service & Return policy. Brand: Belknap Press hardcover
1570réf. 022322Lyone Lyon: Appresso Guvliel. Roillio. 1570. Orignal book from 1570. Small book with nibbled edges and loss of the margins on the first 200 pages. 1148 pages plus index. A binding/reading copy only. Ludovico Ariosto 8 September 1474 6 July 1533 was an Italian poet. He is best known as the author of the romance epic Orlando Furioso 1516. The poem a continuation of Matteo Maria Boiardo's Orlando Innamorato describes the adventures of Charlemagne Orlando and the Franks as they battle against the Saracens with diversions into many sideplots. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work. Disbound. Poor. 24mo - over 5" - 5¾" tall. Appresso Guvliel. Roillio. Paperback
1785réf. 5067Couret Orleans 1785 1785. Opb. 2 Bände 414 421s.in gutem Zustand KSA35 HC Couret, Orleans 1785, unknown
réf. 1924Birmingham: da' Torchj di G. Baskerville Per P. Molini Librajo dell' Accademia Reale e G. Molini 1773. Hardcover. Good. Octavo. Four volumes. I: xxxiv lviii 362pp.; II: ii 450pp.; III: ii 446pp.; IV: ii 446pp. I: 8 b4-g4 1 A8-Y8 Z6 Z6 blank; II: 1 A8-Z8 Aa8-Ee8 Ff2 Ff2 blank; III: 1 A8-Z8 Aa8-Ee8 Ee8 blank; IV: 1 A8-Z8 Aa8-Dd8 Ff4-Gg4 - Gg4 blank 8 4-4 - 4 blank. There is a long list of subscribers and an errata leaf which are bound in volume I. Leaves A8 and D2 in volume 4 are cancels. Contemporary light brown calf gilt spines. Gilt fillet borders. With a portrait and 46 plates the plates drawn by G. Cipriani Moreau le jeune Eisen Cochin fils Monnet J.B. Greuze and engraved by Bartolazzi Launay Longueil de Ghendt Prevost Henriquez Massard Simonet Ponce Duclos Martini Moreau le jeune Choffard Helmon. The portrait drawn by Eisen and engraved by Fiquet. Lacks plate 2 6 7 10 11 14 15 16 19 20 22 31 32 44 and 46. Gaskell 48; Cohen-de Ricci 95; Gamba 62; Guidi p. 111; Agnelli-Ravegnani I pp. 204-206; ESTC T133621; Ray G.N. Art of the French ill. Book 64. 0 Birmingham: da' Torchj di G. Baskerville, Per P. Molini Librajo dell' Accademia Reale, e G. Molini, 1773. hardcover
1556réf. 001310Lyons: Bastiano di Bartholomeo Honorati 1556. Full Calf. Very Good Plus. 511 40 pp. 8vo 17 by 11 cm 6.5 by 4 inches. With woodcut illustrations for each canto above the "Argomento". 52 woodcuts in text plus title illustration plus a few header/footers and ornamented letter at beginning of each canto. Also Exposition by Ludovico Dolce and useful table or index. Brunet I 433. Light dampstaining to early pages hardly distinguishable from general age toning which is moderate in this copy. Small inkstain on title page corner and some occasional minor spotting elsewhere. Some wear to calf boards with minor chipping along edges. Rebacked sympathetically. Attractive modern marbled endpapers. Tight copy. Bastiano di Bartholomeo Honorati unknown
1772réf. b9006Venice: Antonio Zatta 1772 vols. 1-3 1773 vol. 4 1772. First printing of this edition . Hardcover. Near Fine. Zuliani Daniotto Baratta Leonardis Novelli engravings. Four volumes. Large 4to. Volume one: a-b xxiv LX 324; volume two: 456; volume three: 446; volume four: 520. Four engraved title-pages 58 full-page engravings within decorative ornate borders 36 smaller engravings and 51 engraved "argomenti" . Uniformly bound in sheepskin with gilt devices on the boards dark red leather spine labels and marbled endpapers. Four ribbon markers in place. All edges are stained in a coated red. Boards are somewhat soiled two small nicks on the volume-four foredge and one small nick on the volume-three foredge. Edges are somewhat mottled. Small nineteenth-century bookplates. Interiors are generally fine with occasional widely scattered foxing. Among the full-page engravings are a portrait of Ariosto the floorplan of his house and a facsimile of a holograph passage. A handsome and desirable set. Uncommon. Antonio Zatta, 1772 (vols. 1-3), 1773 (vol. 4) hardcover
1818réf. 8389Milan: Giovanni Pirotta 1818. Hardcover. Very Good. Hardcover. A beautiful version of this great Italian epic poem that first appeared in 1516. It takes place against the backdrop of the war between Charlemagne and the King of Africa and has many fantastic and magical elements. It was a big influence on later works of literature including Spenser's Faerie Queene and Shakespeare's Much Ado. Very good in full leather with repairs made using Japanese paper to both joints. The edges of this tissue are coming loose. A small section of modern leather has been added to the front board where there had been a chip to the original leather. The new leather has been tooled and dyed to blend with the original. Light cracking to leather with minimal board-wear. Despite the noted repairs this is a nice attractive copy with strong tight spine and clean interior. Marbled end pages. Bookplate to front end page. Folio. ITA109201. Giovanni Pirotta hardcover
1768réf. 32081-81Paris M. Prault 1768. With frontispiece portrait of Ariost engr. by Littret 1767 4 engr. pictorial titles by Godefroy after J. M. Moreau 1768 and 1 engr. plate by Aveline after Cochin. 12mo. Contemp. red morocco flat spines richly gilt with two labels gilt arms of King Gustav III of Sweden on upper and lower covers gilt outer and inner dentelles edges gilt. Engr. exlibris Robert Foot and ms. inscr. Caroline and Catherine Foot on flyleaves. Paris M. Prault 1768. Beautiful set of Ariost's poem in the Italian original printed in Paris bound in a fine binding for King Gustav III of Sweden 1746-1792. His reign was a cultural and economic high point in Swedish history. - Brunet I 438 Paris Prault 1746 and 1768. GENEALOGY - HERALDRY ; BINDINGS ; Paris, M. Prault unknown
1818réf. 012195Milan Italy: Giovanni Pirotta 1818. Book. Very Good. Buckram. Second Edition. Folio - over 12" - 15" tall. Rebound in brown buckram with spine panel lettered in gilt. xxxvi5471 pp. illus. w/ frontis. engraving of author printed in double column type. The fore-edge margins of the Preface show dampstaining generally light ranging to moderate on several leaves with slight dampstaining affecting only the first several leaves of the text proper not impinging onto any text. Approx. 9 1/2" x 13". Excepting the initial dampstaining the text block is clean and bright a solid Near Fine. The binding is functional rather than ornamental but shows only modest rubbing at corners and spine extremities. Giovanni Pirotta Hardcover
1928réf. 002354Bari: Gius. Laterza & Figli 1928. Book. Very Good . Trade Paperback. 8vo. Volume primo Canti I-XVI 372 pp. Volume secondo Canti XVII-XXXII 476 pp. . Volume terzo Canti XXXIII-XLVI 447. Brossura editoriale. Coll. Scrittori D'Italia N. 108 109 110. Lightly age-soiled wrappers with small closed tears to bottom and fore-edges. Volume primo 1" taped closed tears at bottom edge spine. Pristine interiors clean tight and strong binding with no underlining highlighting or marginalia. Original printed wraps. Gius. Laterza & Figli Paperback
1603réf. 004548Venice: F. Valgrisi and N. Moretti 1603. Early Printing. Hardcover. Some of the impressions are weak but most are quite presentable. Trimmed at the top close to the text and plate lines affecting one line of text in the dedication; other margins quite adequate. Vellum soiled. Very Good or better. Large octavo 7" x 10" bound in early full vellum 16 654 32 pages. The complete and corrected ORLANDO FURIOSO with Ruscelli's dedication to the Duke of Ferrara dated 1556 and an account of the life of Ariosto by Battista Pigna. Illustrated with an engraved title page 51 full-page woodcuts ornamental headpieces and initial letters. The woodcuts within decorative borders are after the designs of Dossa Dossi the Ferrarese painter and are printed from the blocks of the first Valgrisi quarto editon of 1556. First published in 1516 this classic Italian romantic epic influenced many later works including Spenser's THE FAERIE QUEENE and Shakespeare's MUCH ADO ABOUT NOTHING. The action takes place against the background of the war between Charlemagne and his Christian paladins and the Saracen army which is attempting to invade Europe. However Ariosto has little concern for historical or geographical accuracy and the poem wanders at will from Japan to the Hebrides as well as including many fantastical and magical elements such as a trip to the moon and an array of fantastical creatures including a gigantic sea monster called the orc and the hippogriff. The poem grew in popularity as well in size after Ariosto's death increasing from 40 to 46 cantos in 1532 and finally to the finished form of 51 cantos. F. Valgrisi and N. Moretti hardcover
réf. BOOKS039393ISocieta Tipografica Milan 1825. Very Good. Prompt shipment with tracking. we ship in CLEAN SECURE NEW boxes 225pp 260pp 278pp 288pp.loc-displaycontem leather with leather labels gilt dec spine marble eps. Societa Tipografica, Milan, 1825 hardcover
réf. 62375272Harvard University Press . Papeback. New. pp. 688 Harvard University Press unknown
1547réf. 48296In Vinegia Venice Venise Venice: appresso Gabriel Giolito de Ferrari 1547. Fine. appresso Gabriel Giolito de Ferrari In Vinegia Venice Venise Venice 1547 10.50 x 16 cm relié A handsome illustrated edition and one of the first printed by Gabriele Giolito de Ferrari dedicated to the Dauphin of France. It has a superb engraved title with Giolito's printer's device a phoenix being reborn from its ashes on a globe marked with the printer's initials 56 attractive woodcuts and numerous large ornate capitals as well as a portrait of Ariosto after Titian in a medallion at the end of the poem and two states of the printer's device. The end of the work is made up of a vocabulary of obscure words and an explanation of the difficult passages in the work compiled by Lodovico Dolce with a separate title and not included in the pagination. Giolito published more than twenty books in thirteen years of printing this is the third edition of this work the first appearing in 1542 and the second in 1543. Printed in round Roman type double column. Late 17th or early 18th century red morocco spine richly gilt in six compartments one compartment marked with lettres rondes round Roman type. Covers with a frame of triple gilt fillets gilt roulette frame to insides of covers all edges gilt. Binding a little rubbed faint dampstaining to end of volume. A handsome copy in a lovely red morocco binding. appresso Gabriel Giolito de Ferrari unknown
1812réf. a004L.999Milano Dalla Società Tipografica de' Classici Italiani 1812. ITALIAN TEXT. Published in 1812 1-2 1813 3-4 and 1814 5. Armorial bookplate of T H H Davies of Elmley Castle in each volume. Likely contemporary full leather. Decorated spines have raised bands and twni title labels. Fairly clean tight texts in sound but worn covers. Books are in good double plus condition with noticeable signs of wear and/or age. . Hardback. G/No DW. Milano, Dalla Società Tipografica de' Classici Italiani Hardcover
réf. ria9781024623659_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; L'"Orlando Furioso" di Ludovico Ariosto è una pietra miliare della letteratura italiana un poema epico-cavalleresco che incanta i lettori con le sue intricate trame i personaggi memorabili e la vivace fantasia. Questo secondo v hardcover
