Quinault, RJ: R JBiblio.com
197 résultats
1990réf. BN61276Berlin; München; Wien; Zürich; New York : Langenscheidt 1990. Varia Berlin; München; Wien; Zürich; New York : Langenscheidt unknown
réf. DADAX0940359014New unknown
1994réf. 3720241Droz 1994. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item300grams ISBN:2600000534 Droz paperback
1725réf. 93531725 A Paris, de limprimerie de Jean-Baptiste-Christophe Ballard, seul imprimeur du Roy pour la musique, & noteur de la Chapelle de Sa Majesté. 1725. Avec privilège du Roy. Un volume grand in-2° (275 x 386 mm) de 4 pages typographiées +204 pages gravées; grande vignette sur bois gravé au titre et six superbes bandeaux sur cuivre dessinés par C. Gillet et gravés par G. Scotin, en tête du prologue et des cinq actes. Reliure de lépoque en plein veau moucheté, dos à nerfs orné, pièce de titre en maroquin rouge, tranches rouges. Coiffes restaurées, déchirure marginale sans manque de texte en page 203/204. En très bon état.
réf. 13175Paris, Pierre Ribou, 1701 / Michel Brunet, 1702 / Pierre Ribou, 1703 / Pierre Ribou, 1703 / Pierre Ribou, 1704. 5 ouvrages in-12, (8)-72--(12)-70-(2)--(8)-73-(3)--(10)-72--(8)-87-(1) pp., reliure de l'époque plein veau, dos orné, tranches mouchetées (dos légèrement frotté).
réf. 13175Paris, Pierre Ribou, 1701 / Michel Brunet, 1702 / Pierre Ribou, 1703 / Pierre Ribou, 1703 / Pierre Ribou, 1704. 5 ouvrages in-12, (8)-72--(12)-70-(2)--(8)-73-(3)--(10)-72--(8)-87-(1) pp., reliure de l'époque plein veau, dos orné, tranches mouchetées (dos légèrement frotté).
2000réf. x-0754600300Ashgate Pub Ltd 2000. Hardcover. New. 313 pages. 9.25x6.25x1.00 inches. Ashgate Pub Ltd hardcover
réf. 0754600300-8-1-29Routledge. 1. Very Good. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. Routledge unknown
réf. 1396045724.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1390164586.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1686réf. 92213Christophe Ballard | Paris 1686 | 19.3 x 24.9 cm | Relié
1906réf. 046703P.-V. Stock broché Couverture Illustrée Paris 1906 51 pages en format 12.5 - 18 cm
1777réf. 121877P., Deslauriers, s.d. (1777), in-folio (323 x 250 mm), (1) f. de titre, 279 pp, reliure plein veau raciné, dos à 5 larges faux-nerfs soulignés de doubles filets dorés, titre doré dans un encadrement floral au 1er plat, tranches mouchetées (rel.de l'époque), coiffes arasées, pt accrocs au 2e plat, pt mque à un coin, plats lég. frottés, coins émoussés, trace de mouillure ancienne en coin, infime travail de vers en marge sup. des 10 derniers feuillets, marges des 4 premiers feuillets restaurées, 4 pages manquantes (p. 217-220) remplacées par une copie manuscrite très bien exécutée à l'époque, bon exemplaire, entièrement gravé sur cuivre, imprimé sur papier fort
1686réf. 92213Paris: Christophe Ballard 1686. Fine. Outstanding armorial binding of Louvois minister to Louis XIV Christophe Ballard Paris 1686 19.3 x 24.9 cm Relié First edition of the opera libretto. Full red morocco binding spine with five raised bands and panels stamped with fleurs-de-lys boards framed three times in gilt stamped at center with the arms of the Marquis de Louvois and de Courtenvaux gilt roll-tooling to the edges marbled paper endpapers and pastedowns contemporary binding. A few scuffs to the lower cover binding with light spotting. Illustrated with a superb frontispiece by Berin Berain who also designed the opera's sets etched by Jean Dolivar depicting the destruction of Armide's palace by the demons at the close of the work. A superb copy of Lully's penultimate operatic tragedy sumptuously bound with the arms of his contemporary and ""colleague"" within the French court: the celebrated Marquis de Louvois who played an essential role in the circumstances surrounding the work's creation. This masterful late work of the Florentine composer would prove his last collaboration with his longtime librettist the poet Philippe Quinault: ""The opera Armide is Lulli's masterpiece and Armide's monologue is the masterpiece of this opera"" Diderot Au petit prophète de Boesmischbroda au Grand Prophète Monet 1753 This first edition of Armide composed by Lully who reigned supreme over the pleasures of the court found its place in the library of a figure equally central to this golden era of XVIIth-century France: Louvois holder of the kingdom's political and administrative power whose responsibilities notably included supervision of Lully's Académie Royale de Musique. As Thierry Sarmant recalls ""The early years of Louvois's superintendency corresponded to the last great creative years of Lully: he produced Amadis in 1684 Roland and the Idylle sur la Paix in 1685 and Armide in 1686. The subjects inspired romance rather than fable as in the earlier decades of the reign are thought to have been chosen by Louis XIV."" Les Demeures du Soleil Louis XIV Louvois et la surintendance des bâtiments du Roi. A letter from Louvois reveals that he personally presented the opera to the king: I have reported to the king on the subject of the prologue of the opera Armide which His Majesty has approved and so you may proceed with this project which I am returning to you. Letter to Philippe Quinault of the Académie française Versailles 7 January 1686 A1 761 fol. 104. He had undertaken the same presentation the previous year for the opera Roland: ""It will be noted that this approval was given about a month before the premiere of each work Roland and Armide both inspired by Tasso's La Gerusalemme liberata which suggests that the prologues were written after the five acts. One may also conclude that Quinault and Lully worked quickly to finish the words the libretto was printed before the first performances and the music of these prologues or that their work was already well advanced and that they were nearly certain their project would not be rejected."" Buford Norman. Armide came about against a backdrop of court intrigue and above all amid a scandal of morals that struck the Surintendant de la Musique and concerned Louvois directly. One of Lully's young pages presented as his lover had been arrested a year earlier by men placed under Louvois's authority. This notorious Brunet affair was nonetheless covered up by the minister himself since his own cousin was involved and shared the great Lully's preferences. Louis XIV distanced himself from his composer despite having personally chosen the subject of Armide. When the opera premiered on 15 February 1686 on the stage of the Académie Royale de Musique at the Palais-Royal the monarch was not present. The Grand Dauphin attended the performance conducted by Colasse with sets by Bérain who also designed the frontispiece of this libretto. Whether Louvois was among the audience remains Christophe Ballard hardcover
réf. 44379Paris Chez l'Auteur / De La Chevardiere (sans date, fin XVIIIe) in 8 (18,5x12) 1 fascicule broché, couverture muette de papier marbré ancien, 24 pages. Paroles de Philippe Quinault, 1635-1688. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1987réf. C50155Paris 1987. First Edition Thus. Wraps. Very good. Decent copy. . 8vo. pp 72. Large format paperback. Text in French. Facsimile reprint of the 1676 edition. paperback
réf. 1016271646.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 43386Boston: D. C. Heath and Co. no date ca. 1950s. 16mo.; cloth covered pictorial boards hardcover; 160 pages; black and white illustrations; Heath's Modern Language Series; French Text; a very good clean tight copy. Boston: D. C. Heath and Co., no date [ca. 1950s] hardcover
réf. 1161984186.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. c4724Suivant la copie imprimée à Paris, 1671 ( Amsterdam,G. de Luynes, selon la BNF) ; in-12° broché, couverture factice de papier peigné du XIXe, étiquette manuscrite au 1er plat; 3ff.n.ch.( titre avec vignette,épitre), 61pp.Frontispice gravé, cul-de-lampe animalier à la fin de chaque acte.
réf. B9781441187802Paperback / softback. New. Analysis of the development of Democracy in Britain through the major leaders of the nation. paperback
2011réf. x-1441104283Continuum Intl Pub Group 2011. Hardcover. New. 291 pages. 9.00x6.00x0.75 inches. Continuum Intl Pub Group hardcover
2012réf. DADAX1441187804Bloomsbury Academic 2012-12-24. paperback. New. 6.14x0.64x9.21. Buy with confidence. Excellent Customer Service & Return policy. Bloomsbury Academic paperback
réf. 1441187804.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1441104283.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
