2 614 résultats
1980réf. 063584The Easton Press 1980. 1st Edition . Hardcover. As New. 4to - over 9¾ - 12" tall. Kredel Fritz. Introduction by Edward Hutton. Illustrated in the Renaissance Manner by Fritz Kredel. Very large sturdy thicker book quality red leather covers two thin gilt frames with ornate bright gilt borders to front and back raised spine a gilt pattern and lettering bright to all spine all edges bright gilt gold satin color inside covers and adjacent end papers a double-column format for text with some illustrations throughout in vivid colors. a frontispiece color-illustration portrait 536 pages. As New. The Easton Press hardcover
1929réf. 59205London: The Mandrake Press 1929. No. 29 of 550 copies. Decorated in colour by M. Leone. 161 pp. 1 vols. 4to. Pale green flexible boards gilt design on upper board a.e.g. Spine and edges faded else Fine. No. 29 of 550 copies. Decorated in colour by M. Leone. 161 pp. 1 vols. 4to. The Mandrake Press unknown
1929réf. 59205London: The Mandrake Press 1929. No. 29 of 550 copies. Decorated in colour by M. Leone. 161 pp. 1 vols. 4to. Pale green flexible boards gilt design on upper board a.e.g. Spine and edges faded else Fine. No. 29 of 550 copies. Decorated in colour by M. Leone. 161 pp. 1 vols. 4to. The Mandrake Press unknown books
réf. 292London: Mandrake Press 1929. Limited edition of 550 numbered copies. 4to. Bound in full pale green velum. All edges gilt. Limited edition of 550 numbered copies. Decorated in color by M. Leone. Fine in slipcase. Slipcase a bit worn. Spine faded. London: Mandrake Press 1929. unknown
2007réf. 1416808London UK: Folio Society 2007. Limited Edition #688/1750 copies. Hardcover. Octavo 710 pages. In Very Good condition with a Very Good minus clamshell. Bound in publisher's red leather with green and gilt decoration. Clamshell bound in dark green fabric with gilt lettering. Mild bumping to corners of clamshell. Minor scratching to clamshell. Shelved in Case 13. 1416808. Shelved Dupont Bookstore. Folio Society hardcover
1727réf. 874London 1727. Decameron remains one of the foundational works of European literature comprising one hundred novellas told over ten days by a group of young Florentines fleeing the Black Death. Blending satire wit eroticism social criticism and moral ambiguity the work profoundly influenced Renaissance and later European storytelling traditions including Chaucer and Shakespeare. This 1727 edition preserves the text in Italian and reflects the enduring circulation of Boccaccio in eighteenth-century continental and expatriate printing culture. Particularly notable in this set are the extensive contemporary or near-contemporary manuscript annotations and marginalia in Italian appearing throughout portions of the text. These annotations are substantial rather than casual ownership marks suggesting close scholarly or literary engagement by an early reader. Condition & Binding: Bound in contemporary full calf two volumes with raised bands gilt-ruled compartments and red morocco spine labels lettered in gilt. Bindings rubbed and worn with some loss at spine ends and corners heavier to Volume II; joints tender but holding. Text blocks generally sound and complete. Light to moderate foxing toning and scattered staining throughout including several dampstains and marginal marks. Overall- good. unknown
1778réf. 6056Londra but Paris: Gian Claudio Molini 1778. Very Good. iv 160 pages and engraved title page after Marillier. In mottled calf rebacked in the twentieth century with original spine. Gilt triple fillets on both boards; remains of gilt decoration on spine. Gilt turn-ins endleaves marbled in spirals. Gilt edges. Nice edition. Gamba 227 Boccaccio wrote this pastoral tale in the mid 1340s just as he began work on the Decameron where it would not have been out of place. A young shepherd unseen spies a group of naked nymphs bathing at the pool and falls in love with one of them. The plot includes a series of missed opportunities mistaken identities appeals to Venus goddess of love and plenty of nude bathing scenes. The text is based on the edition published in Florence 1568 with corrections. Gian Claudio Molini hardcover
1778réf. 6056Londra but Paris: Gian Claudio Molini 1778. Very Good. iv 160 pages and engraved title page after Marillier. In mottled calf rebacked in the twentieth century with original spine. Gilt triple fillets on both boards; remains of gilt decoration on spine. Gilt turn-ins endleaves marbled in spirals. Gilt edges. Nice edition. Gamba 227 Boccaccio wrote this pastoral tale in the mid 1340s just as he began work on the Decameron where it would not have been out of place. A young shepherd unseen spies a group of naked nymphs bathing at the pool and falls in love with one of them. The plot includes a series of missed opportunities mistaken identities appeals to Venus goddess of love and plenty of nude bathing scenes. The text is based on the edition published in Florence 1568 with corrections. Gian Claudio Molini hardcover books
2007réf. 1416808London UK: Folio Society 2007. Limited Edition #688/1750 copies. Hardcover. Octavo 710 pages. In Very Good condition with a Very Good minus clamshell. Bound in publisher's red leather with green and gilt decoration. Clamshell bound in dark green fabric with gilt lettering. Mild bumping to corners of clamshell. Minor scratching to clamshell. Shelved in Case 13. 1416808. Shelved Dupont Bookstore. Folio Society hardcover books
1902réf. 186410Chicago: R.F. Seymour 1902. Hardcover. VG heavy wear to boards. Pages are very clean and clear. Brown paper over boards with gilt lettering and illustration on front cover light gray spine; 38 unnumbered pages bw illustrated title page several bw illustrations. "Limited to 240 copies"- Colophon. "A translation by Leigh Hunt from Canto V the Inferno of Dante Alighieri in the triple rhyme of the original ; with the Italian from the edition of G. Barbèra and a literal translation newly made for this edition by Katherine Reed ; together with a commentary from the writings of Leigh Hunt & Boccaccio." R.F. Seymour hardcover books
1754réf. 573018th century full vellum with red morocco title label to spine. 2 parts bound as one: part 1: 179 pp. 1; part 2: 181-403 pp. 3. Italian text throughout. OCLC shows only one other copy of this version published by Deregni at the National Library of Scotland. Marginal notes in pencil to last 9 pages otherwise no previous owners' names or other markings. 3 1/2 x 6 1/4 inches. Domenico Deregni hardcover
1918réf. 11153ABBerlin, Hyperionverlag, (1918). Kl.-8°. XVIII, 1 Bl, 112 S, 1 Bl. 8 Tafeln mit Ill. nach alten Vorlagen. Orig.-HLdr. verg. Rückentitel und Illustr., einfache Deckelverg.
réf. 28401Paris, Isidore Liseux, 1879. 6 volumes in-12, XX-268; 292; 284; 292; 283; 287p. Reliures demi-chagrin bleu nuit, dos à nerfs avec décors doré et à froid, têtes dorées, couvertures et dos conservés.
1918réf. 11153AB1918. Berlin Hyperionverlag 1918. Kl.-8°. XVIII 1 Bl 112 S 1 Bl. 8 Tafeln mit Ill. nach alten Vorlagen. Orig.-HLdr. verg. Rückentitel und Illustr. einfache Deckelverg. Eins von 100 Ex. der VA GA 1200 auf Bütten. Mit Exlibris. - Einband leicht fleckig. unknown
1985réf. 312859New York: Franklin Library / Oxford University Press 1985. First Edition; First Printing. Hardcover. Illustrated by Jose Narro. Near Fine Bound in one quarter premium full leather. Accented in 22kt gold. Printed on archival paper with gilded edges. Decorated endsheets and with a silk ribbon page marker. Smyth sewing and concealed muslin joints.; First Franklin Library Edition. Franklin Library / Oxford University Press hardcover
1980réf. 335813Norwalk Connecticut: Easton Press 1980. First Edition; First Printing. Hardcover. Illustrated by Fritz Kredel. Very Good. Leather Bound. Accented in 22kt gold. Printed on archival paper with gilded edges. The endsheets are of moire fabric with a silk ribbon page marker. Smyth sewing and concealed muslin joints. This book is in full leather with hubbed spines. Owner personalization pressed into title page.; The 100 Greatest Books Ever Written Collector's Edition. Easton Press hardcover
1806Cm. 24, pp. lii, 392. Con ritratto di Boccaccio inciso in rame all'antiporta e quattro belle tavole di vedute all'acquatinta seppiata raffiguranti: la Valle del Mugnone, la Villa di Schifanoja, Certaldo e la "Valle delle Donne". Solida legatura (1900 circa) in mezza pelle rossa, dorso a piccoli nervi con titoli e filetti in oro. Ex libris nobiliare inciso. Bruniture perlopiù marginali alle prime carte, peraltro esemplare genuino e marginoso. Edizione originale, nella rara tiratura in carta grande.
réf. 627313s.l.: s.n. CIX pp. 33 x 23 cm. Polished marbled calf covered boards with gilt titling and five raised bands on spine housed in a slipcase of stiff green card with brown cloth edges; illustrated. A facsimile reprint of unknown origin or printing date. Faint sunning along edges of opening of slipcase. Some rubbing to raised bands on spine with some light rubbing along sides of spine. Light bumps to bottom corners of boards. Mild foxing to first few pages with occasional light spots of foxing scattered throughout text. Binding nice and firm. Due to the size and weight of this book additonal shipping may be required for expedited and international orders. . Hard Cover. Very Good. s.n. Hardcover
réf. 18609Paris Barbier, Editeur 1846 in 8 (28,5x19) 1 volume reliure demi maroquin brique à coins, dos à nerfs soulignés de filets dorés, caissons de filets dorés, tête dorée, frontispice, VIII et 505 pages [1], quelques rares rousseurs. Reliure signée de Capé (au dos en queue). Ouvrage illustré de 32 figures gravées hors-texte, et de nombreuses vignettes gravées sur bois par Tony Johannot, H. Baron, Eug. Laville, Célestin Nanteuil, Grandville, Geoffroi, etc. Premier tirage. Traduits de l'italien et précédés d'une notice historique par A. Barbier. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
réf. 11786 6 volumes reliés avec étuis. Demi-maroquin rouge à coins. Dos à 5 nerfs cloisonné et fleuronné. Titre et tomaison dorés. Double filet doré aux plats. Tête dorée. Couv. parcheminées conservées. Exemplaires à toutes marges. Petit manque de cuir au coin inférieur du tome III et légers frottements au dos de 3 volumes. Intérieur dépourvu de rousseurs. Ex-libris imprimés. In-12°, 15,5 x 10,5 cm, XX-268 + 292 + 284 + 292 + 284 + 288 p. Paris, Isidore Liseux, 1879.
réf. 11786 6 volumes reliés avec étuis. Demi-maroquin rouge à coins. Dos à 5 nerfs cloisonné et fleuronné. Titre et tomaison dorés. Double filet doré aux plats. Tête dorée. Couv. parcheminées conservées. Exemplaires à toutes marges. Petit manque de cuir au coin inférieur du tome III et légers frottements au dos de 3 volumes. Intérieur dépourvu de rousseurs. Ex-libris imprimés. In-12°, 15,5 x 10,5 cm, XX-268 + 292 + 284 + 292 + 284 + 288 p. Paris, Isidore Liseux, 1879.
1934réf. 33146Paris: Gibert Jeune 1934. In-8 gr. 2 volumi mz. pelle con angoli filetti e titolo oro al dorso conserv. brossure originale pp. 434210; 42819; molto ben illustrati fuori testo da 16 tavole a colori e nel testo da 70 disegni testate grandi capilettera e finali del celebre artista Umberto Brunelleschi. Prima edizione con queste illustrazioni.Cfr. CarteretIV p.75. Tiratura di 2500 esemplari numerati. Il ns. 943 è ben conservato. Gibert Jeune, unknown
1612Edizione riveduta e corretta dal Sansovino di quest'opera giovanile del Boccaccio.
1821réf. 36190London: W. Mason for James Griffin. Very Good with no dust jacket. 1821-1822. Hardcover. Color Illustrations; 12mo contemp brown morocco & marbled bds gilt A. E. G. ; rebacked. With hand-colored additional vignette title 10 hand-colored plates. Scattered light foxing. Bound from orig 20 weekly parts "with a highly colored copper-plate engraving to every alternate number." OCLC 863313174. . W. Mason for James Griffin hardcover
1886réf. 007747London: Printed for the Villon Society by Private Subscription and for Private Circulation 1886. Book. Near Fine. Hardcover. Limited and Numbered Edition. 8vo - over 7¾" - 9¾" tall. #622 of an unknown number published for subscriber's only. Near Fine in half red crushed morocco over marbled boards with matching marbled end pages five raised bands with gilt lettering and tail date back gilt top edges. Light rubbing at corners else Fine. A quite lovely set. Printed for the Villon Society by Private Subscription and for Private Circulation Hardcover