Boccace

Boccace — marelibri

DECAMERONE.

Best.-Nr. 2503SB005Biblioteca Apostólica Vaticana. Egeria. Madrid. 2006. De 305x24 cm. Com ii 327 vii fólios. Encadernação editorial inteira de pele sobre pastas de madeira com belos rótulos e estampagens a ouro acondicionada numa caixa editorial forrada em tecido acetinado. Cortes das folhas pintados de castanho. Profusamente ilustrado com um ciclo de cem belíssimas iluminuras ricamente decoradas a ouro. Criadas pelo Mestre da Cité des Dames estas imagens revelam uma impressionante diversidade narrativa retratando figuras da nobreza eruditos religiosos reis e ladrões imersos em ambientes vibrantes com detalhadas representações da arquitetura gótica. Inclui também a reprodução de iniciais ornamentadas e de belos florões. Exemplar n.º 649 de uma tiragem de 2900 assinado pelos editores e autenticado pelo notário José Manuel Senante Romero do Notário de Madrid que declara que a edição foi feita em exclusivo para ser comercializada pelo Club Internacional del Libro. Edição fac-similada muito luxuosa e limitada do Codex Palatinus Latinus 1989 cujo único exemplar se conserva na Biblioteca Apostólica Vaticana. A reprodução do documento original é feita com o máximo detalhe possível atendendo ao formato e às cores. Foram publicados também dois volumes complementares um com a tradução integral para espanhol e outro com uma coletânea de estudos sobre a obra não presentes neste exemplar. Vale notar que estes foram traduzidos publicados e distribuídos também em português pela «Ediclube» Lisboa 2007. O Decameron Vaticano é uma das mais notáveis joias da arte e literatura francesas representando a primeira tradução francesa do célebre Decameron de Giovanni Boccaccio realizada por Laurent de Premierfait entre 1411 e 1414 a partir de uma versão latina. Este magnífico manuscrito iluminado datado de 1414 terá sido originalmente propriedade dos Duques da Borgonha possivelmente oferecido por Jean de Berry um dos mais importantes bibliófilos da época. O códice distingue-se por ilustrar pela primeira vez cada uma das novelas do Decameron com as iluminuras descritas acima. A obra de Boccaccio escrita em meados do século XIV é constituída pelos contos narrados num grupo de sete mulheres e três homens que fugindo da peste que assolava Florença em 1348 se refugiam no campo e passam o tempo a contar histórias que retratam com realismo e ironia a sociedade da época. Esta coleção de cem novelas tornou-se um marco da literatura mundial. Giovanni Boccaccio 13131375 foi um escritor poeta e humanista italiano considerado um dos precursores do Renascimento. Nascido em Certaldo ou Florença destacou-se pela sua obra-prima Decameron influenciando profundamente a literatura europeia. Amigo de Petrarca Boccaccio contribuiu para a valorização dos clássicos e da língua italiana sendo especialmente lembrado pelo seu estudo da obra de Dante Alighieri. Além da sua produção literária dedicou-se ao estudo da Antiguidade e à preservação do legado cultural greco-romano tornando-se uma figura central no Humanismo. Laurent de Premierfait c. 13601370 1418 foi um humanista poeta e tradutor francês reconhecido por introduzir obras clássicas na França medieval. Natural de Prémierfait uma aldeia próxima de Troyes estudou em Paris e serviu como secretário do cardeal Amédée de Saluces na corte papal de Avinhão. Destacou-se pelas traduções de textos de autores como Cícero e Boccaccio. As suas traduções encomendadas por figuras aristocráticas como Jean de Berry foram fundamentais para a disseminação da literatura clássica e humanista em França. Laurent faleceu em Paris em 1418 possivelmente vítima de uma epidemia ou durante a invasão da cidade pelos borgonheses. O Mestre da Cité des Dames fl. 1400 fl. 1415 foi um iluminador anónimo ativo em Paris entre 1400 e 1415 conhecido por colaborar com Christine de Pizan na decoração de manuscritos. O seu nome deriva das ilustrações que criou para «La Cité des Dames» obra de Christine. Trabalhou em parceria com artistas como Jacquemart de Hesdin e o Mestre de Boucicaut destacando-se pela atenção aos detalhes da vida quotidiana e pela representação realista da arquitetura gótica. Além dos manuscritos de Christine de Pizan ilustrou obras como a «Bible historiale» de Jean de Berry e a primeira tradução francesa do «Decameron» de Boccaccio. EN 30.5x24 cm. ii 327 vii folios. Publisher's binding in full leather over wooden boards with beautiful labels and gilt embossing packed in a publisher's box lined with satin fabric. Brown edges. Profusely illustrated with a cycle of one hundred beautiful illuminations richly decorated in gold. Created by Maitre de la Cité des Dames these images reveal an impressive diversity of narrative portraying figures of nobility scholars churchmen kings and thieves immersed in vibrant environments with detailed representations of Gothic architecture. It also includes the reproduction of decorated initials and beautiful fleurons. Copy no. 649 of a print run of 2900 signed by the publishers and authenticated by notary José Manuel Senante Romero of the Notary of Madrid who declares that the edition was made exclusively to be commercialised by the Club Internacional del Libro. A very luxurious and limited facsimile edition of the Codex Palatinus Latinus 1989 the only copy of which is kept in the Vatican Apostolic Library. The original document has been reproduced in as much detail as possible taking into account the format and colours. Two complementary volumes have also been published one with the full translation into Spanish and the other with a collection of studies on the work which are not present in this copy. It is worth noting that these have also been translated published and distributed in Portuguese by "Ediclube" Lisbon 2007. The Decameron Vaticano is one of the most remarkable jewels of French art and literature representing the first French translation of the famous Decameron by Giovanni Boccaccio made by Laurent de Premierfait between 1411 and 1414 from a Latin version. This magnificent illuminated manuscript dated 1414 was originally the property of the Dukes of Burgundy possibly given to them by Jean de Berry one of the most important bibliophiles of the time. The codex stands out for illustrating each of the Decameron's novellas for the first time with the illuminations described above. Boccaccio's work written in the middle of the 14th century is made up of tales told by a group of seven women and three men who fleeing the plague ravaging Florence in 1348 take refuge in the countryside and spend their time telling stories that portray the society of the time with realism and irony. This collection of one hundred novellas has become a landmark in world literature. Giovanni Boccaccio 1313-1375 was an Italian writer poet and humanist considered one of the forerunners of the Renaissance. Born in Certaldo or Florence he stood out for his masterpiece Decameron which profoundly influenced European literature. A friend of Petrarch Boccaccio contributed to the valorisation of the classics and the Italian language and is especially remembered for his study of the work of Dante Alighieri. In addition to his literary output he dedicated himself to the study of antiquity and the preservation of the Greco-Roman cultural legacy becoming a central figure in Humanism. Laurent de Premierfait c. 1360-1370 - 1418 was a French humanist poet and translator recognised for introducing classical works to medieval France. Born in Prémierfait a village near Troyes he studied in Paris and served as secretary to Cardinal Amédée de Saluces at the papal court in Avignon. He stood out for his translations of texts by authors such as Cicero and Boccaccio. His translations commissioned by aristocratic figures such as Jean de Berry were fundamental to the dissemination of classical and humanist literature in France. Laurent died in Paris in 1418 possibly from an epidemic or during the invasion of the city by the Burgundians. Maitre de la Cité des Dames fl. 1400 - fl. 1415 was an anonymous illuminator active in Paris between 1400 and 1415 known for collaborating with Christine de Pizan on the decoration of manuscripts. His name derives from the illustrations he created for "La Cité des Dames" a work by Christine. He worked in partnership with artists such as Jacquemart de Hesdin and the Master de Boucicaut and stood out for his attention to the details of everyday life and his realistic depiction of Gothic architecture. As well as Christine de Pizan's manuscripts he illustrated works such as Jean de Berry's "Bible historiale" and the first French translation of Boccaccio's "Decameron". M-10-B-35 hardcover

Livraria Castro e SIlva · Portugal1.200,00 €

BOCCACCIO, GiovanniBiblio.com

Il Decamerone nuovamente corretto et con diligentia stampato.

1729Best.-Nr. ABC_49826Florence: Heirs of Filippo Giunta 1729. 18th-century vellum gold-tooled spine with a red morocco label lettered in gold and blue-sprinkled edges. 4to. With a woodcut device on the title page and the final leaf. A rare celebrated typographical facsimile of the so-called Ventisettana widely regarded as the finest early edition of Il Decamerone. Produced in Venice in 1729 in a strictly limited edition of approximately 300 copies many of which were reportedly destroyed by fire.Executed with remarkable technical skill by Stefano Orlandini using the presses of Pasinello the edition reproduces the original with such fidelity that it may easily deceive even a trained eye. It has long been regarded as one of the earliest and most accomplished examples of printed facsimile sometimes described somewhat misleadingly as a case of book forgery. The enterprise was financed by Salvatore Ferrari though other sources attribute its patronage to the English consul in Venice the noted bibliophile Joseph Smith 1682-1770.Composed in the mid-14th century by Boccaccio Il Decamerone stands as one of the foundational works of European prose literature. Boccaccio a Florentine writer and humanist was a close contemporary and friend of Francesco Petrarca 1303-1374 and played a key role in the early development of Renaissance humanism. Educated partly in Naples he was deeply influenced by courtly culture as well as classical antiquity which shaped both his literary style and intellectual outlook. Structured as a frame narrative set against the backdrop of the Black Death in Florence it recounts how 10 young Florentines 7 women and 3 men withdraw to the countryside where they pass 10 days telling stories resulting in a collection of 100 tales. The work combines wit satire and vivid observation of human behaviour ranging from the comic and erotic to the moral and tragic. Its influence on the development of vernacular Italian prose was profound and it has remained a cornerstone of the Western literary canon ever since.The gutter of leaf 143 and the outer margin of leaf 258 have been reinforced a tear in leaf 263 some minor damp-staining to the outer margin of leaves 264-276. Otherwise in very good condition.l COPAC TO0E108243; EDIT16 CNCE 24078; Gamba no. 172 pp. 54-55; USTC 814784; cf. Brunet I 999. Heirs of Filippo Giunta, hardcover

Antiquariaat FORUM BV · Niederlande1.250,00 €

Boccaccio, Giovanni (1313-1375)Biblio.com

DECAMERON.IL

1585Best.-Nr. 142483Florence: Per li Giunti di Firenze 1585. bound in later half mottled leather and brown marble-patterned boards. Giunti. 8vo. bound in later half mottled leather and brown marble-patterned boards. 648 4 pages. Edited by Leonardo Salviati 1540-1589 drawing from 14th century manuscripts in the Tuscan dialect. Stated third Giunta edition "terza edizione" of the important Salviati text of the Decameron Not in Adams - 1582 Giunta second edition is Adams B-2158. With the exlibris bookplate of Christopher Clark Geest 1936-2023 on the front pastedown. Leather boards with some rubbing and wear along the edges and corners minor worming mostly to blank margins minor spotting; small unobtrusive exlibris institutional stamp to title page signature torn from foot of title but professionally repaired. Printed in italic and roman typefaces. Printer's woodcut device to title page a nice suite of historiated woodcut initials used throughout the text; leaf with engraved and printed dedication on page 587. Opens with the Medici dedication and privilege followed by Salviati's prefatory matter and the hundred novelle. Collation appears complete with dedication and final register present. As the great rivals of the Aldine Press the Giunti aggressively captured large portions of the lucrative governmental and Church's printing business. From their base in Florence and Venice family members set up printing presses in Burgos Salamanca Madrid Valladolid Lerma and Lyons. In Spain they became printers to the most powerful King in the world and established "The Imprenta Real" changing their name to "Junta." This particular book was prepared under Medici patronage Salviati's recension regularized Boccaccio's Tuscan and offered a "safe" post-Tridentine version of the work making this a key late-Renaissance edition of the classic Italian novella collection. Provenance: Christopher Clark Geest had a great love for literary works in the English language and focused his collecting on some of the best-known and beloved verse and prose by Chaucer Shakespeare Burton Swift Burns Johnson and beyond. His special interest in the development of the novel in the early modern period is highlighted by number of earliest gothic novels including first editions of Horace Walpoles The Castle at Otranto and Charles Brockden Browns Wieland. Other important books include first editions of Hobbes Leviathan Johnsons Dictionary and Spensers Faerie Queen as well as Coriolanus and Titus Andronicus as extracted from Shakespeares First Folio. Per li Giunti di Firenze unknown