BOCCACE Jean.Livre Rare Book
3 090 résultats
1976réf. 1831A Nice, Le Chant des Sphères Éditions Sefer, 1976-1978.
1954réf. 9407Lexington KY: Gravesend Press 1954. Vellum Binding. Near Fine binding. 18mo. 10 48 4 pp. illus. Limited edition number 9 of 200 copies. As issued in vellum-backed patterned-paper over boards. Lacking the slipcase. A handsome copy with only light toning to the perimeters of the boards; contents clean. This copy with 4-page prospectus. This work was the first book issued by the Gravesend Press that was actually printed using the Graves' press in their stable by Graves and Jacob Hammer. Kredel's charming engraved pressmark of a sleeping pressman graces the final page. Graves writes about this in his Bibliographical Confession the donkey in the window was their family pet Patience. Graves operated the press as a sideline from about 1949 through to the end of his life in 1960 issuing scarcely more than half a dozen books. While less known that some of his contemporaries he took his place amidst a vibrant mid-century printing and illustrating scene—friends with Victor Hammer Carolyn Reading Fritz Kredel John DePol John Fass and others. H. Richard Archer in a history of the Graves and his press published in The Kentucky Review Spring 1987 summarizes Graves's work thus: "All of the books whether pamphlets or bound books reflect the taste and high standards of a true amateur craftsman and as such they certainly qualify as choice examples from one of this generation's most distinguished private presses." Press historian Roderick Cave notes that this was "probably the most successful Gravesend book" p. 263. Cave The Private Press 2nd edition; Graves The Gravesend Press: A Bibliographical Confession p. 11-13. Gravesend Press unknown
1789réf. 2010150003London: Londra: Tommaso Masi e Comp 1789-01-01. Hardcover. Very Good. 4 volume set. Bound in contemporary speckled calf. Gilt ruled. Spine gilt. Red and green leather spine labels. Engraved frontispiece portrait of Boccaccio. Marbled bookplate. XXI 317 p.; 442 p.; 356 p.; 322 p. Forms part of the 'Novellieri italiani' compiled by G.D. Poggiali. Probably printed in Leghorn by Masi Parenti p.124. Brunet I page 103. ESTC T102336. Armorial bookplate of the Duke of Somerset motto: Foy Pour Devoir "Faith for Duty. Londra: Tommaso Masi, e Comp hardcover
1890réf. 763321890 Paris, Librairie Artistique, Launette - Boudet, 1890, 3 volumes in 4° reliés plein chagrin bleu, dos à faux nerfs, dentelle dorée intérieure, tête dorées, 311, 320 et 275 pages ; rousseurs éparses ; petits frottis et petits défauts aux reliures, mors supérieurs du Tome III fendus, dos uniformément passés.
1951réf. 31058Paris, Le Vasseur et Cie, 1931. 3 forts vol. au format pt in-4 (247 x 197 mm) de xii - 312 pp., 279 et 264 pp. Reliures uniformes de l'époque de demi-chagrin maroquiné marine à coins, dos à nerfs ornés de filets gras en noir, filet doré sur les nerfs, doubles caissons d'encadrement stylisés dorés, caissons en pointillés dorés, larges fleurons dorés, titre doré, tomaison dorée, tête dorée sur témoins, couvertures conservées, sous coffrets cartonnés.
1930réf. 026231PARIS A LA LIBRAIRIE PAUL COTINAUD 1930 Trois volumes in-4°, XII 342 pp., 309 pp. et 292 pp. Reliure en pleine peau rouge à gros grains, dos à faux nerfs ornés du titre et de fers dorés, filets et guirlandes en noir, fers d'angle sur les premiers plats, signet, dos et couvertures conservées (reliure amateur). (dos insolés). Ouvrage orné de 45 eaux-fortes originales en couleurs, sous serpente, et de 100 dessins en noir de André Collot. Tirage à 331 exemplaires, celui-ci un des 300 sur vélin de Rives numérotés (n° 291). Intérieur frais.
1934réf. 101205Gibert Jeune Librairie d'Amateur 1934 Gibert Jeune, Librairie d'Amateurs, 2 volumes, 1934, 281-342 pp, reliures en plein maroquin bleu nuit sous étui assorti, environ 26x20cm, couvertures d'origine conservés, tirage à 2500 exemplaires (N°628), illustrations de Brunelleschi, complet des 32 hors-textes (16x2). Tome 1 : quelques frottements sur les nerfs, les coins et la chasse supérieure du premier plat. Tome 2 : de menus frottements sur le dos. Des frottements d'usage sur les étuis. Beaux exemplaires et intérieurs très propres.
1951réf. 310581951. Paris Le Vasseur et Cie 1931. 3 forts vol. au format pt in-4 247 x 197 mm de xii - 312 pp. 279 et 264 pp. Reliures uniformes de l'poque de demi-chagrin maroquin marine coins dos nerfs orns de filets gras en noir filet dor sur les nerfs doubles caissons d'encadrement styliss dors caissons en pointills dors larges fleurons dors titre dor tomaison dore tÂte dore sur tmoins couvertures conserves sous coffrets cartonns. Tirage unique 346 exemplaires seulement. Celui-ci un des 300 du tirage numrot sur vlin d'Arches la forme. Ensemble - complet des 3 volumes le constituant - ici revÂtus d'agrables reliures du temps. Outre de large bandeaux figuratifs l'ouvrage s'agrmente de 45 eux-fortes en couleurs par Louis-Andr Berthomm Saint Andr. '' ''ElÂve de Cormon aux Beaux-Arts puis de l'atelier de Pierre Laurens. Parfois peintre de paysages il est surtout peintre de figures qu'il saisit volontiers dans l'clairage violent du music-hall .''. in Bnzit.'' ''Comme la Justine de Sade l'hrone de ce livre nous prouve que l'innocence peut Âtre avilie souille et que cette souillure mÂme peut procurer le plus pervers et le plus affolant des plaisirs''. Cette Ãuvre allgorique mdivale est clÂbre pour ses rcits de dbauche amoureuse dont la gamme va de l'rotique au tragique. Le Dcamron fut rdige en italien et non en latin comme il tait courant de le faire l'poque donnant ainsi naissance de la prose italienne qui marqua le genre de la nouvelle dÂs la Renaissance. La plupart des personnages qui parsÂment le rcit font peu de cas des valeurs morales de l'glise. Ce tableau ''sociologique'' dress par Boccace constitue le reflet de la nouvelle socit bourgeoise de l'poque dont les valeurs pratiques l'emportent sur l'ordre ancien chevaleresque et aristocratique. Empreint d'lgance et de courtoisie fonds sur la dignit le bon got et le respect ces contes sont aussi l'occasion pour Boccace de tracer une esquisse d'un idal de vie et traitent principalement du thÂme de l'amour aussi bien courtois que vulgaire. Absent de Carteret Le Trsor du bibliophile / Illustrs modernes - Monod I Manuel de l'amateur d'ouvrages illustrs modernes 1619 - Bnzit I Dictionnaire des peintres p. 693 - Pia Dictionnaire des oeuvres rotiques p. 465 - Pia Les Livres de l'Enfer 1360. Coupes des tuis lgÂrement limes. Dos des exemplaires trÂs lgÂrement solariss. Claires rousseurs dans les corps d'ouvrages ; dont quelques feuillets sont davantage pourvus. Du reste belle condition. b42961 unknown
réf. 75955Leipzig Insel 1912. 4° 3 nn. Bl. 415 S. 1 nn. Bl. Orig.-Halbpergamentband mit Rückenvergoldung und Buntpapierbezug. Rundumrotschnitt. Min. berieben. Vorsatz minimalst stockflecking ansonsten sauberes schönes Exemplar. Nr. 411 von 825 nummerierten Exemplaren. Sarkowski 186 D. - Jubiläumsausgabe zum 600. Geburtstag des Dichters. - Einbandentwurf von E. R. Weiß. Gedruckt in der Spamerschen Buchdruckerei Leipzig auf Bütten. - Wie stets ohne den Druckvermerk des Insel-Verlages. 010 Leipzig, Insel, 1912 unknown
1906réf. 991F11London: Privately Printed 1906-1921. Cloth. Very Good. 12" by 8.5". Louis Chalon. A beautifully illustrated Edition de Luxe of this masterpiece of early Italian literature present alongside a folder featuring eight of Louis Chalon's most erotic plates illustrating the work. Present here are the scarce 1921 privately printed 'Edition de Luxe' limited to 1000 copies of this work complete in two volumes. Present alongside is the folder with eight additional plates from the 1906 edition of this work.This folder features eight additional plates from Louis Chalon the illustrator which were deemed too erotic to initially appear in the work. Collated complete.Illustrated by the French artist Louis Chalon. Many of his illustrations were used in periodicals including 'La Vie Parisienne' 'L'Illustration' and 'Figaro Illustre'.Volume I is illustrated with nine plates by Chalon and volume II with six. Collated complete.Giovanni Boccaccio's work consists of a frame narrative containing one hundred tales told by a group sheltering in a secluded villa to escape the Black Death. Boccaccio probably conceived of the Decameron after the plague epidemic of 1348 and completed it by 1353.Translated by J. M. Rigg. Undated; both the 1906 folder and the 1921 Edition de Luxe are dated from the British Library. In the publisher's original silk bindings with plates folder rebacked in paper retaining the original paper covered boards. Bumping to back strip heads and tails with back strips significantly age toned. Light tide marks to board tails. Internally firmly bound. Pages lightly age toned but generally clean and bright. Plates loosely inserted in folder clean and bright. Very Good Privately Printed hardcover
1886réf. 213898London: Printed for the Villon Society by Private Subscription and for Private Circulation Only 1886. Large paper copy No. 21 of a limited edition 50 copies thus. xii 334; xii 350; xii 354 2 pp. 3 vols. 8vo 8-5/8 x 7-1/8 inches. Bound in full vellum stamped in gilt t.e.g. rest uncut. Spines a bit darkened; Very Good. Large paper copy No. 21 of a limited edition 50 copies thus. xii 334; xii 350; xii 354 2 pp. 3 vols. 8vo 8-5/8 x 7-1/8 inches. The ordinary copies measure 7-5/8 x 5-3/4 inches. Printed for the Villon Society by Private Subscription and for Private Circulation Only unknown
1886réf. 213898London: Printed for the Villon Society by Private Subscription and for Private Circulation Only 1886. Large paper copy No. 21 of a limited edition 50 copies thus. xii 334; xii 350; xii 354 2 pp. 3 vols. 8vo 8-5/8 x 7-1/8 inches. Bound in full vellum stamped in gilt t.e.g. rest uncut. Spines a bit darkened; Very Good. Large paper copy No. 21 of a limited edition 50 copies thus. xii 334; xii 350; xii 354 2 pp. 3 vols. 8vo 8-5/8 x 7-1/8 inches. The ordinary copies measure 7-5/8 x 5-3/4 inches. Printed for the Villon Society by Private Subscription and for Private Circulation Only unknown books
2016réf. CBS-9789535117100Intech 2016. New. Intech unknown
2016réf. CBS-9789535117100Intech 2016. New. Intech unknown
1769réf. 146403Padua: Giuseppe Comino 1769. Eighteenth century edition of Giovanni Boccaccio's twenty-eighth novella from his 'Decameron.' Octavo original full vellum engraved frontispiece portrait of Boccaccio. In very good condition with light toning to the front and rear panel rubbing to the spine. Giovanni Boccaccio was an Italian writer poet correspondent of Petrarch and an important Renaissance humanist. Often referred to as one of the "Three Crowns" of Italian literature along with Dante Alighieri and Petrarch Boccaccio is responsible for the creation of classic works of imaginative literature such as 'The Decameron' and setting the stage of Renaissance Humanism in Italy. Giuseppe Comino hardcover
1900réf. 307467Philadelphia: Printed only for Subscribers by George Barrie 1900. The Bibliophilist's Library. No. 406 of 1000 copies on handmade Holland paper this copy printed for J.W. Church. With etchings by Leopold Flameng in two states. xviii 2 310 2; 2 xii 309 2 pp. 2 vols. 8vo. Contemporary three-quarter crimson morocco spines gilt. Light rubbing to joints fine. The Bibliophilist's Library. No. 406 of 1000 copies on handmade Holland paper this copy printed for J.W. Church. With etchings by Leopold Flameng in two states. xviii 2 310 2; 2 xii 309 2 pp. 2 vols. 8vo. Printed only for Subscribers by George Barrie unknown
1991réf. 23986Greenbrae: The Allen Press 1991. Limited edition. Hardcover. Previous owner's small exlibris label to front free endpaper else fine. 71 pp. illustrated with 4 wood engravings by John DePol; 8vo. 11 x 7.5 inches bound in brown cloth and hand-blocked Fortuny fabric. Text set in Goudy's Italian Old Style and printed in 2 colors on handmade Whatman cotton rag paper. Acetate jacket. Edition of 116 copies The Allen Press hardcover
1900réf. 307467Philadelphia: Printed only for Subscribers by George Barrie 1900. The Bibliophilist's Library. No. 406 of 1000 copies on handmade Holland paper this copy printed for J.W. Church. With etchings by Leopold Flameng in two states. xviii 2 310 2; 2 xii 309 2 pp. 2 vols. 8vo. Contemporary three-quarter crimson morocco spines gilt. Light rubbing to joints fine. The Bibliophilist's Library. No. 406 of 1000 copies on handmade Holland paper this copy printed for J.W. Church. With etchings by Leopold Flameng in two states. xviii 2 310 2; 2 xii 309 2 pp. 2 vols. 8vo. Printed only for Subscribers by George Barrie unknown books
1925réf. 12048Paris: Rene Kieffer. 1925. Limited Edition. Hardcover. Very Good in No DJ As Issued dust jacket. Full dark bluish green leather dec in black on both boards and spine gilt lettering spine three raised bands. Mild rubbing and edgewear. Marbled eps mainly in dark bluish gray and green. Page top edges gilt. Solid binding and clean text French language. Copy 133 of 500. Requires a signature at delivery non-negotiable.; Hand-colored illustrations; Large 8vo 9" - 10" tall; 170 pages . Rene Kieffer hardcover
1931réf. 2092902138303867Shinchosha 1931. Soft Cover. Fine. Number of pages: 472p missing pages below Size: 23cm Number of books: 2 Shinchosha paperback
réf. 64886London: Privatley Printed for the Navarre Society Limited c.1920. FIRST EDITION THUS. 2 Vols. 8vo. 23 x 16cm. pp.xxi332; xiii1404. Riviere binding. Half red morocco over red cloth boards spine with raised bands gilt decorations and lettering. Top edge gilt bottom and fore edges uncut. Marbled endpapers. Frontispiece plus 12 plates between both volumes. Both volumes bear the bookplate of Tom Alexander. Light wear to edges of boards very light spotting in the preliminary pages of volume 1 otherwise bright and clean. London: Privatley Printed for the Navarre Society Limited, [c.1920] hardcover
2007réf. 223707Westminster: The Folio Society 2007. Reprint. Full Leather. Fine. 4to - over 9¾" - 12" tall. Buckland - Wright John. Type: Z A super copy of this limited edition leather bound Folio Society publication in a solander box. Copy number 141 of 1750 numbered copies printed by St Edmundsbury Press and bound by Real Lachenmaier Germany in red Wassa goatskin blocked with a design by Jeff Clements in gilt and black. Silk page divider attached at the head of the spine. Upper edges gilt. Illustrated with numerous reprductions of aquatints by Buckland-Wright throughout. There is a slight blemish to the head of the front board - which may be part of the normal variation expected in leather. The book remains fresh clean and tight. Comes in a super green solander box with the title Decameron embossed down the length of the spine. Also contains the 6pp booklet entitled The Happy Art of Narration : readings of Boccaccio and the Decameron. A fine copy. The Folio Society hardcover
1884réf. 1008161884-1887 A Paris, E. Dentu Editeur, Librairie de la Société des Gens de Lettres - 1884-1887 - 10 volumes petits in-8, demi basane marron foncé à coins; Cartouches et fleurons dorés, titre en doré; tranches de tête dorées - 170 + 194 + 156 + 186 + 208 + 168 + 196 + 216 + 192 + 215 pages - Table générale en fin du vol 10 - Frontispice des conteurs sur les volumes 2 à 10 - Bel ex-libris ancien gravé en deuxième de couverture
1955réf. 22000Editions du Demi Jour 1955 -in-8 plein chagrin 2 volumes, reliure d'Epoque plein chagrin rouge in-octavo (binding full shagreen in-octavo)(23,6 x 17 cm), dos 5 nerfs (spine with raised bands), décoré or et à froid (gilt and blind stamping decoration), titre et auteurs frappés or (gilt title) avec roulette "or" "vague" de part et d'autre, entre-nerfs à fleurons "or" avec filet "or" de part et d'autre, filets à froid de part et d'autre des nerfs, roulette grecque "or" en tête et en pied, tête lisse (top edge smooth), gouttière et tranche de queue non-rognées, couverture illustrée en couleurs par BRENOT conservées, justification du tirage : Un des 1400 Exemplaires sur Marais Licorne numérotés, n°568. Traduits par Antoine Le Maçon et mis en français moderne par Henri Demeurisse - couvertures, frontispices et nombreux hors-texte illustrés en couleurs par BRENOT (Pierre Laurent Brenot), 331 + 407 pages, 1955 (sans lieu) Editions du Demi Jour Editeur,
1873réf. 47391Paris, Librairie des Bibliophiles 1873 10 tomes en 4 volumes in-8, demi-maroquin havane à coins, dos lisse orné en long de filets, roulettes et fleurons dorés, couvertures conservées, tête dorée. Portrait de Jean Boccace d'après une ancienne estampe. 11 gravures à l'eau-forte hors-texte par Flameng. Dos très lég. passé, infimes frottements. Très bon exemplaire agréablement relié.
