Boccaccio, GiovanniBiblio.com
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1571Best.-Nr. 289674Venetias.: Giorgio Angeliieri. 1571. Contemporary plain parchment. Good text detached from covers “Boccaccio” inked out on title page old ownership stamp to title page some mostly marginal dampstains old ink notes to pastedowns. 12 mo. 13x8 cm. Italian text. An uncommon edition of this prose romance. weight: 0.2 lb. Woodcut initials. Giorgio Angeliieri. unknown
1779Best.-Nr. 99551779 1 À Londres [Paris], 1779, 10 volumes ptt in-8° reliés demi-maroquin orange à coins, titre or sur dos à nerfs joliment ornés, pointillés sur les nerfs, filet sur les plats, tête dorée, gardes marbrées ; quelques piqûres, un cahier "chauffé" au tome 6, mouillure marginale en gouttière à 2 feuillets du tome 10 (pp. 235 à 238), reliure XIXe.
Best.-Nr. 51-6109Amsterdam Elzevier 1679. 12mo. 73 x 145mm. Contemporary calf with gilt spine repaired.Physical Description:2 volumes 24 544; 16 436 pages ;OCLC Number / Unique Identifier:34456776Notes:Printer's device on t.p. the sphere often used by ElzevirEach part has special title pageTitle page of the Parte Prima printed in red and black.According to Grässe this is a "contrefac̦on" printed in Germany or Geneva of the Decameron with the same title and imprint Amsterdamo 1665 "un veÌritable Elsevier d'Amsterdam.". Second Amsterdam edition the first appeared in 1665.In Amsterdamo: s.e. 1679. 2 volumi in-12° mm 135x74.Marca tipografica degli Elzevier sfera armillare Opera I: Celebre riproduzione settecentesca dell'edizione giuntina del Decameron del 1527. I dati editoriali si ricavano dall'interno del test Amsterdam, [Elzevier] 1679. unknown
1557Cm. 20,5, cc. 395 (1). Grande figura xilografica al frontespizio con ritratto e marchio tipografico in fine a piena pagina. Solida legatura in mezza pergamena con punte (ottocentesca) con titoli in oro su tassello al dorso. Macchie limitate al solo frontespizio, peraltro esemplare genuino e ben conservato.
Best.-Nr. 22348for the Shakespeare Head Press by Basil Blackwell 1934. No. 124 of 300 copies printed in black and blue on Batchelor's Kelmscott handmade-paper. Two volumes published 1934 vol.1 & 1935 vol.2. Woodcuts throughout. Folio 11 1/2 x 8 inches pages: xiii:318:1 & xvi:268. Publishers half blue morocco over cream cloth spines lettered in gilt direct top edge gilt others uncut. Some marking to cream cloth sides but overall very good and very clean internally. With the prospectus for the work loosely inserted. for the Shakespeare Head Press by Basil Blackwell, 1934. hardcover
Best.-Nr. 57998Firenze Florence: Per Filippo Giunti 1594. Small 8vo. 15.5 x 11 cm. Title-pagepp.vii1226 tavola. Contemporary limp vellum with renewed ties. Old ownership inscription to title-page which appears to read "Edw.d Gascoigne L. 25 Lire 25". Edward Gascoigne d.1750 could refer to Sir Edward Gascoigne 6th Baronet who is know to have undertaken a Grand Tour circa 1723-1726. He could perhaps have purchased this copy of Il Corbaccio whilst on tour in Italy adding his name to the title-page along with the price he paid. Light toning and occasional light spotting mainly to margins generally a very good copy. After the Decameron.Boccaccio wrote nothing in Italian except Il Corbaccio 1354–55; a satire on a widow who had jilted him Britannica. Firenze [Florence]: Per Filippo Giunti, 1594. hardcover
1825Best.-Nr. SET19-C-6London: William Pickering 1825. First edition. Cloth. Fair. 9" by 5.5". Thomas Stothard. A scarce first edition set of 'The Decameron' by Giovanni Boccaccio illustrated with ten plates by the famous English illustrator and engraver Thomas Stothard. Collated: Complete in three volumes with the 10 Stothard Plates. First edition with an introduction by Ugo Foscolo or Niccolò Foscolo a noted Italian writer and poet. Scarce. Giovanni Boccaccio was an Italian author and poet a friend student and correspondent of Petrarch an important Renaissance humanist and the author of a number of notable works including 'The Decameron' 'On Famous Women' and his poetry in the Italian vernacular. Boccaccio is particularly notable for his dialogue of which it has been said that it surpasses in verisimilitude that of virtually all of his contemporaries since they were medieval writers and often followed formulaic models for character and plot. 'The Decameron' with the subtitle of 'Prince Galehaut' is a 14th-century medieval allegory by Giovanni Boccaccio told as a frame story encompassing 100 tales by ten young people. Boccaccio probably began composing the work in 1350 and finished it in 1351 or 1353. The various tales of love in 'The Decameron' range from the erotic to the tragic. Tales of wit practical jokes and life lessons contribute to the mosaic. In addition to its literary import it documents life in 14th-century Italy. In original publisher's cloth bindings with paper labels to the spines. Externally rather worn. Corners are bumped on all three volumes and boards are stained. Spines are chipped and the back strips are lifting. Front board to volume I detached with first four leaves. Front hinge failed to volume III. Internally binding is loosening in places. Pages 273-4 and 277-84 are loose in volume I. Pages are generally bright and clean with some scattered spotting. Loss to page iii volume I approximately 4 inches not affecting the text. Bookplate to the front pastedown in volume III. Fair William Pickering hardcover
Best.-Nr. BN382090Le Décaméron de Boccace illustré par l'auteur et les peintres de son époque 500 oeuvres du début de la Renaissance italienne. Le Décaméron de Boccace illustré par l'auteur et les peintres de son époque 500 oeuvres du début de la Renaissance italienne. Boccace unknown
1846Best.-Nr. 77497Barbier | Paris 1846 | 18 x 28.20 cm | relié
1527Best.-Nr. 70195senza luogo Londra senza note editoriali Tommaso Edlin 1527 ma 1725. In 4° piena pelle coeva con bei fregi nervi e titolo al dorso qualche minima traccia di consunzione d'uso ma comunque molto buona. Bella antiporta incisa B. Baron con leone unicorno e allegoria della Musa che accompagna il Poeta piccolo angelo indica il cielo frontespizio dell'originale del 1527 con piccola marca tipografica segue una carta con la dedicatoria di Paolo Rolli tavola con ritratto inciso del Boccaccio cc. 6 n.n. con la vita dell'A. scritta da Filippo Di Matteo Villani altra carta con la riproposta del frontespizio originale che al retro propone i dati editoriali effettivi cc. 284. In fine sono poste 7 cc. non numerate con i "Nomi dè Signori sottoscriventi" e "Tavola sopra il libro chiamato Decameron cognominato Principe Galeotto ." seguono ancora 49 cc. con le Osservazioni dell'editore che provocarono aspre censure del Buonamici. Esemplare in ottimo stato di conservazione ad ampi margini tagli rossi; curiosa etichetta coeva in carta posiziona questo volume fra quelli "Proibiti". Gamba 186. Bacchi della Lega pag 49 unknown
1981Best.-Nr. 49062Roma pero imp. en Milán: Edizioni d'Arte di Carlo E. Bestetti 1981.- 228 p. 1 h.: Ex-libris grabado del editor con el número de ejemplar y 11 preciosas láminas a todo color reproduciendo dibujos a la acuarela pegados a modo de cromo y protegidos por papel de seda; Gran Folio imperial 496 x 35 cm; Magnífica impresión a dos tintas sobre grueso papel ahuesado; Letras capitulares; Cinta-guía de lectura; Texto en italiano; Enc. en pleno Curpiel Ed. de color granate imitando chagrén lomo dorado 5 nervios dobles guardas de muaré estuche.- Edición limitada de 1999 ejemplares numerados y firmados a lápiz por el artista siendo éste el n.º 116. Ejemplar en excelente estado de conservación. La presente edición se distingue por la notable intervención del artista Renato Guttuso cuya labor ilustrativa confiere al volumen un carácter singular dentro de la tradición editorial del Decameron. Guttuso 19111987 figura destacada del neorrealismo italiano aporta una interpretación visual de fuerte carga expresiva y sensual en consonancia con los temas humanos eróticos y vitalistas que recorren los relatos de Boccaccio. EDAD MEDIA EUROPEA Libro in italiano Edizioni d'Arte di Carlo E. Bestetti hardcover
1526Best.-Nr. 3293Gregorio Di Gregori 10,5 x 16 In Vinegia 1526 Volume petit in-8°, reliure plein vélin rigide d'époque, tranches bleu sombre, titre au dos manuscrit à l'encre noir, page de titre gravée sur bois encadrée de quatre blocs de frises composées d'oiseaux et de guirlandes florales, imprimeur et date d'impression au colophon "stampata in Vinegia per Gregorio de Gregori nel M.D.XXVI. del mese de Maggio".(ALB5) PHOTOS NUMERIQUES DISPONIBLES PAR EMAIL SUR SIMPLE DEMANDE-DIGITAL PHOTOGRAPS MAY BE AVAILABLE ON REQUESt. Livre
1526Best.-Nr. 3293Gregorio Di Gregori 10,5 x 16 In Vinegia 1526 Volume petit in-8°, reliure plein vélin rigide d'époque, tranches bleu sombre, titre au dos manuscrit à l'encre noir, page de titre gravée sur bois encadrée de quatre blocs de frises composées d'oiseaux et de guirlandes florales, imprimeur et date d'impression au colophon "stampata in Vinegia per Gregorio de Gregori nel M.D.XXVI. del mese de Maggio".(ALB5) PHOTOS NUMERIQUES DISPONIBLES PAR EMAIL SUR SIMPLE DEMANDE-DIGITAL PHOTOGRAPS MAY BE AVAILABLE ON REQUESt. Livre
1934Best.-Nr. 48786Paris Gibert Jeune 1934 2 volumes in-4, maroquin vert pour le premier volume, maroquin bleu pour le second volume, orns sur chaque premier plat d'une composition en couleurs de Brunelleschi contrecolle dans un encadrement en creux; titres de l'ouvrage pousss or sur les dos sans nerfs orns de fers et roulettes dors; encadrements intrieurs orns de pointills dors avec des fleurons dors aux angles, doublures de soie moire verte (ou bleue), gardes de papier marbr, ttes dores, non rogns, couvertures illustres. Chemises, tui double (Ren Lix).170 compositions de Brunelleschi, dont 32 hors-texte en couleurs et 138 bandeaux et culs-de;lampe en noir. Un des 2.500 exemplaires numrots sur vlin de Navarre, seul tirage sur grand papier.
1729Best.-Nr. 28931Florence: Philippo di Giunta 1729. Large 8vo. 9 1/2 x 6 1/2 inches. 8 284 ff. Contemporary vellum spine lettered direct in gilt The classic masterpiece of early Italian prose. This series of one hundred novellas set against the background of a plague-ridden Florence would have a profound influence on Renaissance literature throughout Europe. Although dated 1527 on the title this edition edited by Stefano Orlandini and printed at the cost of Salvatore Ferrari was in fact printed in Venice in 1729 as a facsimile of the Giunta 1527 edition. It is sometimes referred to as the Consul Smith edition after Joseph Smith 1682-1770 the British consul at Venice and noted book collector who was involved in its production. Adams B 2147; Brunet I 999; Graesse I 440; Gamba 172 Note; Zambrini 87; Cat. Mostra Boccacio Bibl. Laurenziana II 71; Olschki Cat. XCV No.20. Philippo di Giunta unknown
1729Best.-Nr. 28931Florence: Philippo di Giunta 1729. Large 8vo. 9 1/2 x 6 1/2 inches. 8 284 ff. Contemporary vellum spine lettered direct in gilt The classic masterpiece of early Italian prose. This series of one hundred novellas set against the background of a plague-ridden Florence would have a profound influence on Renaissance literature throughout Europe. Although dated 1527 on the title this edition edited by Stefano Orlandini and printed at the cost of Salvatore Ferrari was in fact printed in Venice in 1729 as a facsimile of the Giunta 1527 edition. It is sometimes referred to as the Consul Smith edition after Joseph Smith 1682-1770 the British consul at Venice and noted book collector who was involved in its production. Adams B 2147; Brunet I 999; Graesse I 440; Gamba 172 Note; Zambrini 87; Cat. Mostra Boccacio Bibl. Laurenziana II 71; Olschki Cat. XCV No.20. Philippo di Giunta unknown books
Best.-Nr. 25621Paris, Gibert Jeune, 1934. 2 volumes in-4°, 343-282p. Reliures demi-chagrin à coins, dos à nerfs, têtes dorées, gardes marbrées, couvertures et dos conservés.
1527Best.-Nr. 155126Firenze ma Venezia: Philippo Giunta ma Pasiniello 1527 ma 1729. Cm. 26 pp. 16 284. Stemma giuntino al frontespizio ed all'ultima carta. Solida legatura d'amatore con piatti ottocenteschi dorso e punte di fattura più recente con titoli e belle decorazioni in oro al dorso. Bell'esemplare a pieni margini. Si tratta della celebre ristampa della 'Ventisettana' fatta da Stefano Orlandelli coi torchi del Pasinello e a spese di Salvatore Ferrari impressa su carta di finissima qualità in numero di 300 esemplari. Cfr. Gamba 172: "Ristampa che mal a proposito suole indicarsi come contraffazione" ; Bacchi della Lega p. 36. Philippo Giunta (ma Pasiniello) unknown
2007Best.-Nr. 1242Decameron The Decameron of Giovanni Boccaccio. Translated by Richard Aldington. The Folio Society London 2007. With the addition of the pamphlet 'The Happy Art of Narration' Readings of Boccaccio and the Decameron. Red goatskin binding. Gold geometric designs on the covers and spine by Jeff Clements. Gilt top edge. Slipcase. Limited edition of 1750 copies. English language. Excellent condition. The Folio Society hardcover
1940Best.-Nr. 65435New York:: The Grolier Club 1940. First edition; one of 300 copies printed on Italian hand-made paper at the De Vinne Press. publisher's elaborately decorated art vellum. Very slight rubbing at extremities; a very few slight marks to a very few leaves of text; a very attractive copy overall almost entirely free of the foxing often seen. . Small 4to. Frontispiece portrait; folding city view of Florence. With an Introduction and a Note on the Portraits of Dante by G. R. Carpenter. The Grolier Club, hardcover
1729Best.-Nr. 047470Florence i.e. Venice: Heirs of Filippo Giunta i.e. Pasinello Printed by Stefano Orlandelli at the expense of Salvatore Ferrar 1729. Later Edition. Hardcover Half Vellum. Near Fine Condition. Modern half vellum over early marbled paper. Contemporary bookplate to title slight browning to first few and last few pages otherwise a bright wide margined copy edges untrimmed. A lovely facsimile of the famed Giunta edition. 284ll. Adams B 2147; Brunet I 999; Graesse I 440 Pettas Giunti of Florence 217 refers to it as a counterfeit but notes the errors in foliation have been corrected. Size: Quarto 4to. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Literature & Literary; Inventory No: 047470. Heirs of Filippo Giunta (i.e. Pasinello, Printed by Stefano Orlandelli at the expense of Salvatore Ferrar) hardcover
1665Volume in 16º legato in mezza pelle, titolo al tassello al dorso ornato, sguardie, bianca, frontespizio, prefazione dello stampatore, (24), 744 pp.. Bella e curata edizione delle novelle arcinote del Boccaccio, assai apprezzata per la correttezza del testo, stampata sulla famosa ventisettana, in bel carattere romano tondo. La carta è forte e frusciante, seppur in qualche pagina (le ultime dieci carte) persista una sporadita brunitura, la bella impaginazione e la chiarezza dell'impressione fanno sì che malgrado la piccolezza del carattere la lettura sia facile e scorrevole, arricchita da bei capilettera ornati. Menzionata ed apprezzata in molte bibliografie, l'opera si presenta in bello stato, con i soli pochi arrossamenti citati dovuti al tipo di carta. Preziosa edizione secentesca difficilmente reperibile in questo stato.
1702Best.-Nr. 20881A Cologne, chez Jacques Gaillard, 1702. 2 volumes in-12 de [16]-366-[5] et 427-[13] pages, plein veau blond, dos à nerfs ornés de filets et fleurons dorés, pièces de titre et tomaison rouge et verte, triple filet doré encadrant les plats, tranches dorées.
1569Best.-Nr. 146435Paris: Federigo Morello 1569. Rare sixteenth century edition of this literary work in the original Italian. Duodecimo original full vellum. In near fine condition with light splitting to the front interior hinge. Giovanni Boccaccio was an Italian writer poet correspondent of Petrarch and an important Renaissance humanist. Often referred to as one of the "Three Crowns" of Italian literature along with Dante Alighieri and Petrarch Boccaccio is responsible for the creation of classic works of imaginative literature such as 'The Decameron' and setting the stage of Renaissance Humanism in Italy. Federigo Morello hardcover
1590Best.-Nr. 56659Venetia Fabio & Agostin Zoppini Fratelli & Onofrio Farri 1590. 4to. Contemp. full vellum. Marbled edges. Printers woodcut-device on title-page. 854490 pp. Many large initial in woodcut 10 large woodcut illustrations in the text 3/4-page woodcut portrait on verso of fol.4. A few faint brownspots. Clean and fine. Brunet I1002. - Not in Adams. hardcover
