3132 risultati
rif. 14062[Au colophon] : Venise, Vettore di Ravani, 1534. 1 vol. petit in-8°, veau blond glacé, dos lisse orné de fleurons dorés et de triples filets dorés à l'emplacement des nerfs, pièce de titre en maroquin brun et date en pied sur pièce de maroquin brun, encadrement d'un triple filet doré sur les plats, filet doré sur les coupes, roulette dorée intérieure, tranches dorées. Reliure du XVIIIe s. Titre dans un encadrement architectural gravé sur bois, marque de l'imprimeur au r° du dernier feuillet, lettrines historiées sur fond criblé, impr. en car. ital., 102 ff., (1) f. Signatures : [A-N]8. Manque le dernier feuillet blanc (N8).
1582rif. 33055-217Florence Filippo & Iacopo Giunti October 1582. Printer's woodcut device on title large historiated woodcut initials a different printer's device on last leaf. In Italics. 16 leaves 585 pp. 1 38 leaves. 4to c. 210 x 145 mm. 18th century half calf rep. Florence Filippo & Iacopo Giunti October 1582. An important edition of this classic of Italian literature by Giovanni Boccaccio 1331-1375. This literary ten-day odyssey became the emblem of creative expression in the Italian Renaissance about the human experience its nature and psyche. Boccaccio's epic is edited here by Leonardo Salviati 1540-1589 a Florentine nobleman who was a founder member of the Accademia della Crusca. Its avowed aim was to uphold the purity of the Tuscan language as it had been in the fourteenth century. The Accademia Florentina founded in 1540 was dedicated to the same purpose and Salviati was active in both bodies. In 1584 Salviati published his "Degli Avvertimenti della Lingua sopra il Decamerone" a detailed discussion about the language used by Boccaccio. In this edition of the Decameron Salviati returned to the old texts and dedicated the work to Jacopo Buoncompagni one of his patrons. The text includes many beautiful historiated initials. - A very well printed and rare edition. - Ind. Aur. 120.402; Adams B-2158; STC Italian 110; Brunet I 1002; Gamba Serie dei testi di lingua p. 59 no. 181. LITERATURE:ITALIAN ; EROTICA ; GRAPHIC ARTS:GIUNTA ; Florence, Filippo & Iacopo Giunti unknown
1585rif. 142483Florence: Per li Giunti di Firenze 1585. bound in later half mottled leather and brown marble-patterned boards. Giunti. 8vo. bound in later half mottled leather and brown marble-patterned boards. 648 4 pages. Edited by Leonardo Salviati 1540-1589 drawing from 14th century manuscripts in the Tuscan dialect. Stated third Giunta edition "terza edizione" of the important Salviati text of the Decameron Not in Adams - 1582 Giunta second edition is Adams B-2158. With the exlibris bookplate of Christopher Clark Geest 1936-2023 on the front pastedown. Leather boards with some rubbing and wear along the edges and corners minor worming mostly to blank margins minor spotting; small unobtrusive exlibris institutional stamp to title page signature torn from foot of title but professionally repaired. Printed in italic and roman typefaces. Printer's woodcut device to title page a nice suite of historiated woodcut initials used throughout the text; leaf with engraved and printed dedication on page 587. Opens with the Medici dedication and privilege followed by Salviati's prefatory matter and the hundred novelle. Collation appears complete with dedication and final register present. As the great rivals of the Aldine Press the Giunti aggressively captured large portions of the lucrative governmental and Church's printing business. From their base in Florence and Venice family members set up printing presses in Burgos Salamanca Madrid Valladolid Lerma and Lyons. In Spain they became printers to the most powerful King in the world and established "The Imprenta Real" changing their name to "Junta." This particular book was prepared under Medici patronage Salviati's recension regularized Boccaccio's Tuscan and offered a "safe" post-Tridentine version of the work making this a key late-Renaissance edition of the classic Italian novella collection. Provenance: Christopher Clark Geest had a great love for literary works in the English language and focused his collecting on some of the best-known and beloved verse and prose by Chaucer Shakespeare Burton Swift Burns Johnson and beyond. His special interest in the development of the novel in the early modern period is highlighted by number of earliest gothic novels including first editions of Horace Walpoles The Castle at Otranto and Charles Brockden Browns Wieland. Other important books include first editions of Hobbes Leviathan Johnsons Dictionary and Spensers Faerie Queen as well as Coriolanus and Titus Andronicus as extracted from Shakespeares First Folio. Per li Giunti di Firenze unknown
1585rif. 142483Florence: Per li Giunti di Firenze 1585. bound in later half mottled leather and brown marble-patterned boards. Giunti. 8vo. bound in later half mottled leather and brown marble-patterned boards. 648 4 pages. Edited by Leonardo Salviati 1540-1589 drawing from 14th century manuscripts in the Tuscan dialect. Stated third Giunta edition "terza edizione" of the important Salviati text of the Decameron Not in Adams - 1582 Giunta second edition is Adams B-2158. With the exlibris bookplate of Christopher Clark Geest 1936-2023 on the front pastedown. Leather boards with some rubbing and wear along the edges and corners minor worming mostly to blank margins minor spotting; small unobtrusive exlibris institutional stamp to title page signature torn from foot of title but professionally repaired. Printed in italic and roman typefaces. Printer's woodcut device to title page a nice suite of historiated woodcut initials used throughout the text; leaf with engraved and printed dedication on page 587. Opens with the Medici dedication and privilege followed by Salviati's prefatory matter and the hundred novelle. Collation appears complete with dedication and final register present. As the great rivals of the Aldine Press the Giunti aggressively captured large portions of the lucrative governmental and Church's printing business. From their base in Florence and Venice family members set up printing presses in Burgos Salamanca Madrid Valladolid Lerma and Lyons. In Spain they became printers to the most powerful King in the world and established "The Imprenta Real" changing their name to "Junta." This particular book was prepared under Medici patronage Salviati's recension regularized Boccaccio's Tuscan and offered a "safe" post-Tridentine version of the work making this a key late-Renaissance edition of the classic Italian novella collection. Provenance: Christopher Clark Geest had a great love for literary works in the English language and focused his collecting on some of the best-known and beloved verse and prose by Chaucer Shakespeare Burton Swift Burns Johnson and beyond. His special interest in the development of the novel in the early modern period is highlighted by number of earliest gothic novels including first editions of Horace Walpoles The Castle at Otranto and Charles Brockden Browns Wieland. Other important books include first editions of Hobbes Leviathan Johnsons Dictionary and Spensers Faerie Queen as well as Coriolanus and Titus Andronicus as extracted from Shakespeares First Folio. Per li Giunti di Firenze unknown books
1665rif. CLL-190Amsterdam, Daniel Elzevier, 1665 In-12 de (12) ff., 744 pp., maroquin rouge, trois filets dorés en encadrement, dos lisse orné de caissons de fleurons dorés, coupes et bordures décorées, tranches dorées (reliure du début du XVIIIe siècle).
1757rif. 016455Londra Paris. Five volumes. Full mottled calf with the spines divided into six compartments by gilt designs. Red title slips and volume slips in two of the compartments on each spine and a gilt decoration in the others. 8.25" by 5.25". Called by Ray "one of the masterpieces of the illustrated book." Superbly designed by Gravelot 89 of the 111 plates and all 97 tailpieces Eisen Cochin and Boucher. Italian text with its better impressions of the plates. Heads of spines of Volumes 1 and 4 with slight loss spines of Volumes 1 and 2 rubbed but very nice and very tight. Large margins dark impressions. Armorial bookplates of William Tennant of Aston Hall. . Very Good. Hardcover. First Edition Thus. 1757. hardcover
1913rif. 86052Roma: Treccani 1913. Cm. 36 pp. 340. Con molte decorazioni policrome nel testo. Legatura edit. in velluto rosso con decorazione in oro al piatto anteriore. Entro custodia edit. in piena pelle. Perfetta conservazione in stato di nuovo. Bella ristampa impressa su similpergamena in tiratura limitata di 599 esemplari ns. n. 97. Riproduce il manoscritto Holkham misc. 49 in possesso della Bodleian Library di Oxford. Le miniature sono opera di Taddeo Crivelli. Privo del volume di commentario. Treccani unknown
2008rif. 75035Madrid: Egeria 2008. Cm. 30 pp. 656. Con molte belle miniature nel testo. Legatura editoriale in piena pelle con titoli e decorazioni in oro. Entro custodia. Pregiata edizione stampata su carta pergamenata e d in edizione a tiratura limitata e numerata a mano. Ottima conservazione. Non sono presenti i due volumi di commentario e traduzione dell'opera in italiano. Egeria unknown
rif. 121101Moscow Kushnerev 1891-92. . 2 vols 8vo 24.8 x 17 cm; contemporary Russian bookseller's label to upper pastedown of Vol. I; profusely illustrated exceptionally fresh; contemporary burgundy morocco-backed cloth spines gilt in compartments a fine set. First edition of the first complete Russian translation of Boccaccio's Decameron. Translated by Veselovsky a leading literary theorist and expert on Medieval Italian literature. In a handsome contemporary binding from the library of Albert McGill a wealthy industrialist and part of the influential British community in 19th century Russia. The first McGills in Moscow were most-likely Albert's grandfather Robert McGill and his brother David who emigrated from Paisley in the 1840s. The family is credited with starting the first mechanical and foundry works in Russia as well playing an important role in the country's cotton mill industry. Just like any other British Family living in the 19th century Moscow the McGill family was related by marriage to several other British families and Albert was no exception. His wife Eleonora McGill née Gibson was the daughter of Charles John Gibson or Karl Yakovlevich Gibson as he was known was director of the Nevsky Stearin Factory in Moscow which produced soap. The McGills donated the largest sum towards the construction of St Andrew's Anglican Church in Moscow which was completed in 1884. Moscow, Kushnerev, 1891-92. hardcover
rif. 76533Club Internacional del Libro . Club Internacional del Libro unknown
1729rif. 50857(Florenz, Philippo di Giuntas Erben, 1527 [Nachdruck: Venedig, Pasinello, 1729]). 4°. Mit wiederh. Holzschn.-Druckermarke am Titel u. am Ende. 8 nn. (das letzte weiß), 284 num. Bll., Pgmt. d. Zt. m. goldgepr. Rückenschild.
rif. 26046Paris, Nicolas Eve, relieur du Roi, 1578. 1 vol. petit in-8°, vélin ivoire souple à recouvrement, titre écrit à la plume au dos. Reliure de l'époque, couv. sup. déboîtée. Bon exemplaire, traces de lacets. Ex-dono ms. sur le titre. Titre orné d'une marque typographique, (4) ff., 696 pp. Signatures : at4 [a-z]8 [A-V]8 X4. Quelques petites rousseurs.
1594In-4°; pp. (24), 585, (3 pp. bianche), 589-648; marca tipografica incisa su legno al frontespizio Dedicato a Giacomo Buoncompagni Duca di Sora. Edizione a cura di Leonardo Salviati, frutto di un lavoro filologico assai approfondito, ampiamente spiegato nella lettera ai lettori. In fine “Alcune differenze che sono tra’l testo del 1573 e’l nostro”.
1912rif. 3011BB1912. München und Leipzig Georg Müller und Hans von Weber 1912-13. 8°. 264 252 188 238 227 Seiten. Orig. rotes Maroquin mit grünen Rückenschildchen reicher Rückenvergoldung Goldbordüre auf Deckeln Kopfgoldschnitt. Nicht bei Rodenberg. - Faksimile der berühmten Boccaccio-Ausgabe. "Von dieser Ausgabe wurden 100 Exemplare für die Mitglieder der Vereinigung 'Die Hundert' auf Velin von Van Gelder mit dem Hundertzeichen weitere 100 Exemplare auf gleichem Velin mit dem Wasserzeichen "Boccaccio" für die Luxusausgabe abegezogen." Vorliegendes Exemplar ist Nr. 42 der Luxusausgabe. - Rücken von Bd. 1 und Teil des hinteren Deckel etwas verblasst Kratzer auf Vorderedeckel von Bd. 4. unknown
1912rif. 3011BBMünchen und Leipzig, Georg Müller und Hans von Weber, (1912-13). 8°. 264, 252, 188, 238, 227 Seiten. Orig. rotes Maroquin mit grünen Rückenschildchen, reicher Rückenvergoldung, Goldbordüre auf Deckeln, Kopfgoldschnitt.
1520rif. 11556Jehan & Gourmont o. J. 1520 1520. priv. Einband . 4°.117s-. fachmännisch Restauriert einige Seiten mit geringem Textverlust sonst in gutem Zustand AZB7LS4 HC Jehan & Gourmont, o. J., (1520), unknown
1581rif. 65435In Venetia: appresso Fabio & Agostino Zoppini fratelli 1581. Cm. 205 cc. 8 263 1. Marchio tipografico al frontespizio e grandi capolettera figurati. Unito a: BALDINI BACCIO Discorso sopra la mascherata della geneologia degl'iddei de' Gentili. Mandata fuori dall'illustrissimo & eccellentiss. S. Duca di Firenze & Siena il giorno 21. di febbraio 1565. In Firenze Appresso i Giunti 1565 ma 1566 al colophon. Pp. 132 4. Marchio tipografico giuntino al frontespizio ed al verso dell'ultima carta. Due opere in un volume di cm. 21. Legatura strettamente coeva in piena pergamena floscia con unghie e titoli manoscritti al dorso. Prima sguardia mancante esemplare particolarmente genuino fresco e ben conservato. Il "De genealogiis deorum gentilium" fu tradotto per la prima volta dal Betussi nel 1547 presso Comin da Trino. Il secondo testo Mascherata. è in prima edizione e racconta delle feste tenutesi in Firenze per il matrimonio tra Francesco de Medici e Giovann d'Austria seguite da Vincenzo Borghini e Giorgio Vasari. Cfr. Melzi Gamba e Cicognara. appresso Fabio & Agostino Zoppini fratelli unknown
1581Cm. 20,5, cc. (8) 263 (1). Marchio tipografico al frontespizio e grandi capolettera figurati. Unito a: (BALDINI BACCIO) Discorso sopra la mascherata della geneologia degl'iddei de' Gentili. Mandata fuori dall'illustrissimo, & eccellentiss. S. Duca di Firenze, & Siena il giorno 21. di febbraio 1565. In Firenze, Appresso i Giunti, 1565 (ma 1566 al colophon). Pp. 132 (4). Marchio tipografico giuntino al frontespizio ed al verso dell'ultima carta. Due opere in un volume di cm. 21. Legatura strettamente coeva in piena pergamena floscia con unghie e titoli manoscritti al dorso. Prima sguardia mancante, esemplare particolarmente genuino, fresco e ben conservato. Il "De genealogiis deorum gentilium" fu tradotto per la prima volta dal Betussi nel 1547 presso Comin da Trino. Il secondo testo (Mascherata...) è in prima edizione e racconta delle feste tenutesi in Firenze per il matrimonio tra Francesco de Medici e Giovann d'Austria, seguite da Vincenzo Borghini e Giorgio Vasari. Cfr. Melzi, Gamba e Cicognara.
1925rif. 50083Paris Ren Kieffer 1925 In-4, maroquin marron orn d'une grande composition pousse or sur chaque plat, dos trois larges nerfs plats portant le titre le l'ouvrage pouss or au-dessus de trois carquois; encadrements intrieurs orns d'une roulette dore, doublures et gardes de papier marbr, tte dore, non rogn, couverture imprime (Ren Kieffer).56 compositions en couleurs d'Alfred Le Petit, dont une sur la couverture, 12 titres de nouvelles en hors-texte et 43 in-texte. Tirage limit 600 exemplaires numrots. Un des 50 premiers exemplaires sur japon (n1), seuls comporter une aquarelle originale en couleurs signe par l'artiste, et une suite des gravures. Bel exemplaire.
rif. 14769New York: Blue Ribbon Books. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - . Copyright date 1931; no publication date cited. -- with a bonus offer--; 014769 . Blue Ribbon Books hardcover
1954rif. 4798Verona: Officina Bodoni 1954. First Edition. Hardcover. Fine/fine. Printer/publisher Hans Mardersteig's copy with his bookplate on the inside endpaper. Fine copy in leather-edged slipcase with marbled boards matching the endpapers. One of 125 copies on Rives. Lovely book. Officina Bodoni hardcover
1935rif. 313189Oxford: Printed at The Shakespeare Head Press and published for the Press by Basil Blackwell 1935. No. 132 of 325 copies. The text for this edition is from Isaac Jaggard's English translation of 1620. The illustrations are from a 1492 edition published in Venice by the De Gregorii brothers. 4to. Three quarters blue morocco and cloth sides t.e.g. rest uncut. Minor fading to spine else fine. No. 132 of 325 copies. The text for this edition is from Isaac Jaggard's English translation of 1620. The illustrations are from a 1492 edition published in Venice by the De Gregorii brothers. 4to. A handsomely bound copy of this modern fine press edition of the Decameron. Printed at The Shakespeare Head Press and published for the Press by Basil Blackwell unknown
1935rif. 313189Oxford: Printed at The Shakespeare Head Press and published for the Press by Basil Blackwell 1935. No. 132 of 325 copies. The text for this edition is from Isaac Jaggard's English translation of 1620. The illustrations are from a 1492 edition published in Venice by the De Gregorii brothers. 4to. Three quarters blue morocco and cloth sides t.e.g. rest uncut. Minor fading to spine else fine. No. 132 of 325 copies. The text for this edition is from Isaac Jaggard's English translation of 1620. The illustrations are from a 1492 edition published in Venice by the De Gregorii brothers. 4to. A handsomely bound copy of this modern fine press edition of the Decameron. Printed at The Shakespeare Head Press and published for the Press by Basil Blackwell unknown books
rif. FMM2516Munchen: Georg Muller und Hans von Weber 5 volumes; Essentially a fine facsimile of the 1757 edition; Von der Hundertausgave ist dieses Exemplar Nr. XLIV; Fine bindings by Carl Sonntag Leipsig; Polished maroon Morocco gilt spine title on green label heavy gilt spine decoration gilt borders to covers top edges gilt illustrations reproduced from the 1757 edition & red satin bookmarks; A near fine set. 247 188 252 238 & 227 pages. Size: 5"x8". Hardcover. Illus. by Gravelot Boucher & Eisen der Ausgabe. Georg Muller und Hans von Weber Hardcover
1757rif. 59577E-176: Londra. Very Good. 1757. Hardcover. Leather. 8vo. Londra ma Parigi; possibly printed by Prault in Paris. 1757. 5 volumes. Xi 292 271 195 261 247 pages. Engraved title pages. Illustrated with tailpieces plates by Gravelot and Lemperer. Text in Italian. Slipcased in red cloth with spine label present to the top of the slipcase. Bound in 3/4 red leather with marble paper covered cloth with gilt and black band titles and gilt decoration present to the spines. Boards have light wear present to the extremities of the boards. Small m inked to the last page of the last volume. Several pages throughout the text are torn at the margins and repaired. Text is free of marks. Binding tight and solid. The Boccaccio is Gravelot's masterpiece so much he excels in gallant subjects and animated scenes. As for his spiritual cul-de-lamp they are in the hands of a master ornamentalist. The figures in first tests of a much higher rendering are the peculiarity of the edition in Italian; two of them have been replaced in the French edition. Ray The Art of the French Illustrated Book No. 15: "French collectors always have a preference for the Decameron in their own language but the earlier Italian text has better impressions of the illustrations". E-176; 8vo 8" - 9" tall . Londra hardcover