3090 risultati
2008rif. 75035Madrid: Egeria 2008. Cm. 30 pp. 656. Con molte belle miniature nel testo. Legatura editoriale in piena pelle con titoli e decorazioni in oro. Entro custodia. Pregiata edizione stampata su carta pergamenata e d in edizione a tiratura limitata e numerata a mano. Ottima conservazione. Non sono presenti i due volumi di commentario e traduzione dell'opera in italiano. Egeria unknown
1757rif. 016455Londra Paris. Five volumes. Full mottled calf with the spines divided into six compartments by gilt designs. Red title slips and volume slips in two of the compartments on each spine and a gilt decoration in the others. 8.25" by 5.25". Called by Ray "one of the masterpieces of the illustrated book." Superbly designed by Gravelot 89 of the 111 plates and all 97 tailpieces Eisen Cochin and Boucher. Italian text with its better impressions of the plates. Heads of spines of Volumes 1 and 4 with slight loss spines of Volumes 1 and 2 rubbed but very nice and very tight. Large margins dark impressions. Armorial bookplates of William Tennant of Aston Hall. . Very Good. Hardcover. First Edition Thus. 1757. hardcover
1665rif. CLL-190Amsterdam, Daniel Elzevier, 1665 In-12 de (12) ff., 744 pp., maroquin rouge, trois filets dorés en encadrement, dos lisse orné de caissons de fleurons dorés, coupes et bordures décorées, tranches dorées (reliure du début du XVIIIe siècle).
1585rif. 142483Florence: Per li Giunti di Firenze 1585. bound in later half mottled leather and brown marble-patterned boards. Giunti. 8vo. bound in later half mottled leather and brown marble-patterned boards. 648 4 pages. Edited by Leonardo Salviati 1540-1589 drawing from 14th century manuscripts in the Tuscan dialect. Stated third Giunta edition "terza edizione" of the important Salviati text of the Decameron Not in Adams - 1582 Giunta second edition is Adams B-2158. With the exlibris bookplate of Christopher Clark Geest 1936-2023 on the front pastedown. Leather boards with some rubbing and wear along the edges and corners minor worming mostly to blank margins minor spotting; small unobtrusive exlibris institutional stamp to title page signature torn from foot of title but professionally repaired. Printed in italic and roman typefaces. Printer's woodcut device to title page a nice suite of historiated woodcut initials used throughout the text; leaf with engraved and printed dedication on page 587. Opens with the Medici dedication and privilege followed by Salviati's prefatory matter and the hundred novelle. Collation appears complete with dedication and final register present. As the great rivals of the Aldine Press the Giunti aggressively captured large portions of the lucrative governmental and Church's printing business. From their base in Florence and Venice family members set up printing presses in Burgos Salamanca Madrid Valladolid Lerma and Lyons. In Spain they became printers to the most powerful King in the world and established "The Imprenta Real" changing their name to "Junta." This particular book was prepared under Medici patronage Salviati's recension regularized Boccaccio's Tuscan and offered a "safe" post-Tridentine version of the work making this a key late-Renaissance edition of the classic Italian novella collection. Provenance: Christopher Clark Geest had a great love for literary works in the English language and focused his collecting on some of the best-known and beloved verse and prose by Chaucer Shakespeare Burton Swift Burns Johnson and beyond. His special interest in the development of the novel in the early modern period is highlighted by number of earliest gothic novels including first editions of Horace Walpoles The Castle at Otranto and Charles Brockden Browns Wieland. Other important books include first editions of Hobbes Leviathan Johnsons Dictionary and Spensers Faerie Queen as well as Coriolanus and Titus Andronicus as extracted from Shakespeares First Folio. Per li Giunti di Firenze unknown
1585rif. 142483Florence: Per li Giunti di Firenze 1585. bound in later half mottled leather and brown marble-patterned boards. Giunti. 8vo. bound in later half mottled leather and brown marble-patterned boards. 648 4 pages. Edited by Leonardo Salviati 1540-1589 drawing from 14th century manuscripts in the Tuscan dialect. Stated third Giunta edition "terza edizione" of the important Salviati text of the Decameron Not in Adams - 1582 Giunta second edition is Adams B-2158. With the exlibris bookplate of Christopher Clark Geest 1936-2023 on the front pastedown. Leather boards with some rubbing and wear along the edges and corners minor worming mostly to blank margins minor spotting; small unobtrusive exlibris institutional stamp to title page signature torn from foot of title but professionally repaired. Printed in italic and roman typefaces. Printer's woodcut device to title page a nice suite of historiated woodcut initials used throughout the text; leaf with engraved and printed dedication on page 587. Opens with the Medici dedication and privilege followed by Salviati's prefatory matter and the hundred novelle. Collation appears complete with dedication and final register present. As the great rivals of the Aldine Press the Giunti aggressively captured large portions of the lucrative governmental and Church's printing business. From their base in Florence and Venice family members set up printing presses in Burgos Salamanca Madrid Valladolid Lerma and Lyons. In Spain they became printers to the most powerful King in the world and established "The Imprenta Real" changing their name to "Junta." This particular book was prepared under Medici patronage Salviati's recension regularized Boccaccio's Tuscan and offered a "safe" post-Tridentine version of the work making this a key late-Renaissance edition of the classic Italian novella collection. Provenance: Christopher Clark Geest had a great love for literary works in the English language and focused his collecting on some of the best-known and beloved verse and prose by Chaucer Shakespeare Burton Swift Burns Johnson and beyond. His special interest in the development of the novel in the early modern period is highlighted by number of earliest gothic novels including first editions of Horace Walpoles The Castle at Otranto and Charles Brockden Browns Wieland. Other important books include first editions of Hobbes Leviathan Johnsons Dictionary and Spensers Faerie Queen as well as Coriolanus and Titus Andronicus as extracted from Shakespeares First Folio. Per li Giunti di Firenze unknown books
1582rif. 33055-217Florence Filippo & Iacopo Giunti October 1582. Printer's woodcut device on title large historiated woodcut initials a different printer's device on last leaf. In Italics. 16 leaves 585 pp. 1 38 leaves. 4to c. 210 x 145 mm. 18th century half calf rep. Florence Filippo & Iacopo Giunti October 1582. An important edition of this classic of Italian literature by Giovanni Boccaccio 1331-1375. This literary ten-day odyssey became the emblem of creative expression in the Italian Renaissance about the human experience its nature and psyche. Boccaccio's epic is edited here by Leonardo Salviati 1540-1589 a Florentine nobleman who was a founder member of the Accademia della Crusca. Its avowed aim was to uphold the purity of the Tuscan language as it had been in the fourteenth century. The Accademia Florentina founded in 1540 was dedicated to the same purpose and Salviati was active in both bodies. In 1584 Salviati published his "Degli Avvertimenti della Lingua sopra il Decamerone" a detailed discussion about the language used by Boccaccio. In this edition of the Decameron Salviati returned to the old texts and dedicated the work to Jacopo Buoncompagni one of his patrons. The text includes many beautiful historiated initials. - A very well printed and rare edition. - Ind. Aur. 120.402; Adams B-2158; STC Italian 110; Brunet I 1002; Gamba Serie dei testi di lingua p. 59 no. 181. LITERATURE:ITALIAN ; EROTICA ; GRAPHIC ARTS:GIUNTA ; Florence, Filippo & Iacopo Giunti unknown
rif. 14062[Au colophon] : Venise, Vettore di Ravani, 1534. 1 vol. petit in-8°, veau blond glacé, dos lisse orné de fleurons dorés et de triples filets dorés à l'emplacement des nerfs, pièce de titre en maroquin brun et date en pied sur pièce de maroquin brun, encadrement d'un triple filet doré sur les plats, filet doré sur les coupes, roulette dorée intérieure, tranches dorées. Reliure du XVIIIe s. Titre dans un encadrement architectural gravé sur bois, marque de l'imprimeur au r° du dernier feuillet, lettrines historiées sur fond criblé, impr. en car. ital., 102 ff., (1) f. Signatures : [A-N]8. Manque le dernier feuillet blanc (N8).
1573rif. 047703Florence: Giunti 1573. Early Edition. Hardcover. Very Good Condition. Later quarter calf front cover and free endpaper detached rear board just about detached. Mild dampstain over first 100 pages scattered foxing and browning but generally quite bright otherwise. Two small worm holes in gutter of final colophon leaf. Two portraits Boccaccio and an unidentified woman and lovely historiated initials throughout - a finely printed Giunti edition of Boccaccio's masterpiece. 32 580 1pp. Admas B2156 Brunet I 1002 note Pettas Giunti of Florence 496. The first of the famed Council of Trent editions - having been unable to ban a book as widespread and beloved as The Decameron it was censured in 1564 the council of Trent instead removed all mention of priests clergy and the Church from the work while leaving all the erotic bits that would have been too easily missed. Marketed as a "correction" of earlier supposedly erroneous editions. Provenance: Kimbolton Castle copy with case/shelf ticket inside front cover. Size: Quarto 4to. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Antiquarian & Rare. Inventory No: 047703. Giunti hardcover
1531In folio, pp. (24), 374, (1), all’ultima pagina marca tipografica incisa su legno; con l’aggiunta di due carte manoscritte datate bologna 1553 che contengono un’epistola di Rigus a Francesco Cospo, in cui l’autore della lettera sostiene che la traduzione dell prima opera di Diodoro qui pubblicata sia da ascriversi a Angelo Cospo e non a Bartolomeo, come indica il frontespizio, che infatti è stato corretto a mano dallo stesso. Il grecista bolognese Cospo fu variamente chiamato anche Angelo Bartolomeo. LEgatura in piena pergamena. Al frontespizio piccola lacuna restaurata in corrispondenza di un legno ovale. fori di tarlo alle prime e ultime carte.
1573rif. 21702Florenz, Giunti, 1573. 16 Bll., 578 S., 2 Bll. mit einigen einigen großen, figürlichen Holzschnitt-Initialen und Holzschnitt-Vignetten. 8°. Pgmt. der Zeit (knitterfaltig, etw. fleckig und gebräunt sowie etw. bestoßen, oberes Kapitell mit kl. Einriss). [5 Warenabbildungen]
1584rif. 31320AB1584. Venetia Appresso I Gioliti 1584. 9.5 cm x 15.4 cm. 107 1 pages including illustrated titlepage with Giolito's printer mark and Giolito's stunning colophon of Phoenix rising from the ashes and the Motto: "Semper eadem" "Always the same". Hardcover in custom - made solanderbox. Recently rebound in half-leather with marbled paper-covered-boards. The bookblock in very good condition with some minor contemporary inkstains. Name of preowner "Exlibris Bernard Rielliae "Bernard Reilly" in contemporary ink 16th or 17th century entry. Small lesion to titlepage and first three pages only. Very faint faded dampstain to the outer margins of a few pages. This is one of the rare Giolito editions of Boccaccio's "L'Elegia di Madonna Fiammetta" in which the important italian publisher Gabriel Giolito added a two-page-dedication to the women of Citta di Casale. His dedication reads: to the Gentili et Valorose donne della Città di Casale di Monferrato Gentle and Valorous women of the city of Casale Monferrato. This early dedication to women conveyed what later became the normative terms of Giolitos advertising techniques. According to Giolito Lamorosa Fiammetta was ideal feminine reading since it narrated a womans amorous experiences" Source: Androniki Dialeti - "The Publisher Gabriel Giolito de Ferrari Female Readers and the Debate about Women in Sixteenth-Century Italy" Elegia di Madonna Fiammetta or The Elegy of Lady Fiammetta in English is a novel by the Italian writer Giovanni Boccaccio probably written between 1343 and 1344. Written in the form of a first-person confessional monologue it describes the protagonist Fiammetta's passion for Panfilo a Florentine merchant and takes place in Naples. It has been characterised as the first psychological novel in Western literature. It consists of a prologue and nine chapters. Wikipedia Giovanni Boccaccio 16 June 1313 21 December 1375 was an Italian writer poet correspondent of Petrarch and an important Renaissance humanist. Boccaccio wrote a number of notable works including The Decameron and On Famous Women. He wrote his imaginative literature mostly in the Italian vernacular as well as other works in Latin and is particularly noted for his realistic dialogue which differed from that of his contemporaries medieval writers who usually followed formulaic models for character and plot. Boccaccio grew up in Florence. His father worked for the Compagnia dei Bardi and in the 1320s married Margherita dei Mardoli who was of a well-to-do family. Boccaccio may have been tutored by Giovanni Mazzuoli and received from him an early introduction to the works of Dante. In 1326 his father was appointed head of a bank and moved with his family to Naples. Boccaccio was an apprentice at the bank but disliked the banking profession. He persuaded his father to let him study law at the Studium the present-day University of Naples where he studied canon law for the next six years. He also pursued his interest in scientific and literary studies. His father introduced him to the Neapolitan nobility and the French-influenced court of Robert the Wise the king of Naples in the 1330s. At this time he fell in love with a married daughter of the king who is portrayed as "Fiammetta" in many of Boccaccio's prose romances including Il Filocolo 1338. Boccaccio became a friend of fellow Florentine Niccolò Acciaioli and benefited from his influence as the administrator and perhaps the lover of Catherine of Valois-Courtenay widow of Philip I of Taranto. Acciaioli later became counselor to Queen Joanna I of Naples and eventually her Grand Seneschal. It seems that Boccaccio enjoyed law no more than banking but his studies allowed him the opportunity to study widely and make good contacts with fellow scholars. His early influences included Paolo da Perugia a curator and author of a collection of myths called the Collectiones humanists Barbato da Sulmona and Giovanni Barrili and theologian Dionigi di Borgo San Sepolcro. Wikipedia hardcover
1729rif. ABC_49826Florence: Heirs of Filippo Giunta 1729. 18th-century vellum gold-tooled spine with a red morocco label lettered in gold and blue-sprinkled edges. 4to. With a woodcut device on the title page and the final leaf. A rare celebrated typographical facsimile of the so-called Ventisettana widely regarded as the finest early edition of Il Decamerone. Produced in Venice in 1729 in a strictly limited edition of approximately 300 copies many of which were reportedly destroyed by fire.Executed with remarkable technical skill by Stefano Orlandini using the presses of Pasinello the edition reproduces the original with such fidelity that it may easily deceive even a trained eye. It has long been regarded as one of the earliest and most accomplished examples of printed facsimile sometimes described somewhat misleadingly as a case of book forgery. The enterprise was financed by Salvatore Ferrari though other sources attribute its patronage to the English consul in Venice the noted bibliophile Joseph Smith 1682-1770.Composed in the mid-14th century by Boccaccio Il Decamerone stands as one of the foundational works of European prose literature. Boccaccio a Florentine writer and humanist was a close contemporary and friend of Francesco Petrarca 1303-1374 and played a key role in the early development of Renaissance humanism. Educated partly in Naples he was deeply influenced by courtly culture as well as classical antiquity which shaped both his literary style and intellectual outlook. Structured as a frame narrative set against the backdrop of the Black Death in Florence it recounts how 10 young Florentines 7 women and 3 men withdraw to the countryside where they pass 10 days telling stories resulting in a collection of 100 tales. The work combines wit satire and vivid observation of human behaviour ranging from the comic and erotic to the moral and tragic. Its influence on the development of vernacular Italian prose was profound and it has remained a cornerstone of the Western literary canon ever since.The gutter of leaf 143 and the outer margin of leaf 258 have been reinforced a tear in leaf 263 some minor damp-staining to the outer margin of leaves 264-276. Otherwise in very good condition.l COPAC TO0E108243; EDIT16 CNCE 24078; Gamba no. 172 pp. 54-55; USTC 814784; cf. Brunet I 999. Heirs of Filippo Giunta, hardcover
1803rif. 270497Milan: Societa Tipografica 1803. hardcover. very good. 4 volumes. Thick 8vo full tree calf ornately gilt spine and covers rubbed at extremities all edges gilt. Milan: Societa Tipographica 1803. Very good. Societa Tipografica unknown
1803rif. 270497Milan: Societa Tipografica 1803. hardcover. very good. 4 volumes. Thick 8vo full tree calf ornately gilt spine and covers rubbed at extremities all edges gilt. Milan: Societa Tipographica 1803. Very good. Societa Tipografica unknown books
rif. 22629Londres [Paris], s.n. [Prault], 1757-1761. Cinq volumes in-8. Edition ornée de 5 titres-frontispices, un portrait de l'auteur, 110 figures hors texte et 97 culs-de-lampe gravés à l'eau-forte d'après les dessins de Gravelot, Boucher, Eisen et Cochin. Quelques épreuves comportent au verso le paraphe caractéristique du premier tirage. (Quelques cahiers uniformement brunis à la fin du T.I et début du T.II, la vignette "Huitième Nouvelle" (T.IV p.71) gravée à l'envers, gravure en regard insérée de travers par le relieur, quelques fines rousseurs éparses). Plein veau blond, dentelle de palmettes dorées, dos lisse orné, torsade sur les coupes, dentelle intérieure, tranches dorées. Reliure vers 1800. (Usures à 3 coins, traces brunes sur un plat du tome I et une coiffe du tome III).
1976rif. 2865A NICE. LE CHANT DES SPHERES. EDITIONS D’ART SEFER. 1976-1978. 5 VOLUMES IN-4 (21,5 X 27 X 29,5 CENTIMETRES ENVIRON), RELIURE DE L’EDITEUR PLEIN VEAU HAVANE, PLATS ENTIEREMENT ORNES D'UN DECOR MOYENNAGEUX ESTAMPE A FROID ET DORE, DOS A QUATRE NERFS DECORE DE MEME, TITRE ET TETE DORES, SOUS ETUI BORDE. AVEC 45 ILLUSTRATIONS EN COULEURS DANS LE GOUT DE L'ENLUMINURE : 5 TITRES-FRONTISPICES, 30 PLANCHES HORS TEXTE DONT 1 PLANCHE DOUBLE, 10 TETES DE CHAPITRES A PLEINE PAGE. NOMBREUSES LETTRINES ET CULS-DE-LAMPE EN COULEURS ET DORE. TEXTE ENCADRE DUNE GUIRLANDE A DECOR DE FEUILLAGES MONOCHROME. PREMIER TIRAGE LIMITE A 2530 EXEMPLAIRES NUMEROTES, DONT 30 HORS COMMERCE , TOUS SUR VELIN DE LANA FLIGRANE SEFER AU LEOPARD. UN DES 60 EXEMPLAIRES DE TETE NUMEROTES DE I A LX ET COMPORTANT: UNE ILLUSTRATION ORIGINALE EN COULEURS SIGNEE, UN DESSIN ORIGINAL EN NOIR SIGNE, UNE SUITE EN COULEURS ET UNE SUITE EN SEPIA DES ILLUSTRATIONS HORS TEXTE, CELUI-CI PORTANT LE NUMERO XXXVI. BEL EXEMPLAIRE.
rif. 2503SB005Biblioteca Apostólica Vaticana. Egeria. Madrid. 2006. De 305x24 cm. Com ii 327 vii fólios. Encadernação editorial inteira de pele sobre pastas de madeira com belos rótulos e estampagens a ouro acondicionada numa caixa editorial forrada em tecido acetinado. Cortes das folhas pintados de castanho. Profusamente ilustrado com um ciclo de cem belíssimas iluminuras ricamente decoradas a ouro. Criadas pelo Mestre da Cité des Dames estas imagens revelam uma impressionante diversidade narrativa retratando figuras da nobreza eruditos religiosos reis e ladrões imersos em ambientes vibrantes com detalhadas representações da arquitetura gótica. Inclui também a reprodução de iniciais ornamentadas e de belos florões. Exemplar n.º 649 de uma tiragem de 2900 assinado pelos editores e autenticado pelo notário José Manuel Senante Romero do Notário de Madrid que declara que a edição foi feita em exclusivo para ser comercializada pelo Club Internacional del Libro. Edição fac-similada muito luxuosa e limitada do Codex Palatinus Latinus 1989 cujo único exemplar se conserva na Biblioteca Apostólica Vaticana. A reprodução do documento original é feita com o máximo detalhe possível atendendo ao formato e às cores. Foram publicados também dois volumes complementares um com a tradução integral para espanhol e outro com uma coletânea de estudos sobre a obra não presentes neste exemplar. Vale notar que estes foram traduzidos publicados e distribuídos também em português pela «Ediclube» Lisboa 2007. O Decameron Vaticano é uma das mais notáveis joias da arte e literatura francesas representando a primeira tradução francesa do célebre Decameron de Giovanni Boccaccio realizada por Laurent de Premierfait entre 1411 e 1414 a partir de uma versão latina. Este magnífico manuscrito iluminado datado de 1414 terá sido originalmente propriedade dos Duques da Borgonha possivelmente oferecido por Jean de Berry um dos mais importantes bibliófilos da época. O códice distingue-se por ilustrar pela primeira vez cada uma das novelas do Decameron com as iluminuras descritas acima. A obra de Boccaccio escrita em meados do século XIV é constituída pelos contos narrados num grupo de sete mulheres e três homens que fugindo da peste que assolava Florença em 1348 se refugiam no campo e passam o tempo a contar histórias que retratam com realismo e ironia a sociedade da época. Esta coleção de cem novelas tornou-se um marco da literatura mundial. Giovanni Boccaccio 13131375 foi um escritor poeta e humanista italiano considerado um dos precursores do Renascimento. Nascido em Certaldo ou Florença destacou-se pela sua obra-prima Decameron influenciando profundamente a literatura europeia. Amigo de Petrarca Boccaccio contribuiu para a valorização dos clássicos e da língua italiana sendo especialmente lembrado pelo seu estudo da obra de Dante Alighieri. Além da sua produção literária dedicou-se ao estudo da Antiguidade e à preservação do legado cultural greco-romano tornando-se uma figura central no Humanismo. Laurent de Premierfait c. 13601370 1418 foi um humanista poeta e tradutor francês reconhecido por introduzir obras clássicas na França medieval. Natural de Prémierfait uma aldeia próxima de Troyes estudou em Paris e serviu como secretário do cardeal Amédée de Saluces na corte papal de Avinhão. Destacou-se pelas traduções de textos de autores como Cícero e Boccaccio. As suas traduções encomendadas por figuras aristocráticas como Jean de Berry foram fundamentais para a disseminação da literatura clássica e humanista em França. Laurent faleceu em Paris em 1418 possivelmente vítima de uma epidemia ou durante a invasão da cidade pelos borgonheses. O Mestre da Cité des Dames fl. 1400 fl. 1415 foi um iluminador anónimo ativo em Paris entre 1400 e 1415 conhecido por colaborar com Christine de Pizan na decoração de manuscritos. O seu nome deriva das ilustrações que criou para «La Cité des Dames» obra de Christine. Trabalhou em parceria com artistas como Jacquemart de Hesdin e o Mestre de Boucicaut destacando-se pela atenção aos detalhes da vida quotidiana e pela representação realista da arquitetura gótica. Além dos manuscritos de Christine de Pizan ilustrou obras como a «Bible historiale» de Jean de Berry e a primeira tradução francesa do «Decameron» de Boccaccio. EN 30.5x24 cm. ii 327 vii folios. Publisher's binding in full leather over wooden boards with beautiful labels and gilt embossing packed in a publisher's box lined with satin fabric. Brown edges. Profusely illustrated with a cycle of one hundred beautiful illuminations richly decorated in gold. Created by Maitre de la Cité des Dames these images reveal an impressive diversity of narrative portraying figures of nobility scholars churchmen kings and thieves immersed in vibrant environments with detailed representations of Gothic architecture. It also includes the reproduction of decorated initials and beautiful fleurons. Copy no. 649 of a print run of 2900 signed by the publishers and authenticated by notary José Manuel Senante Romero of the Notary of Madrid who declares that the edition was made exclusively to be commercialised by the Club Internacional del Libro. A very luxurious and limited facsimile edition of the Codex Palatinus Latinus 1989 the only copy of which is kept in the Vatican Apostolic Library. The original document has been reproduced in as much detail as possible taking into account the format and colours. Two complementary volumes have also been published one with the full translation into Spanish and the other with a collection of studies on the work which are not present in this copy. It is worth noting that these have also been translated published and distributed in Portuguese by "Ediclube" Lisbon 2007. The Decameron Vaticano is one of the most remarkable jewels of French art and literature representing the first French translation of the famous Decameron by Giovanni Boccaccio made by Laurent de Premierfait between 1411 and 1414 from a Latin version. This magnificent illuminated manuscript dated 1414 was originally the property of the Dukes of Burgundy possibly given to them by Jean de Berry one of the most important bibliophiles of the time. The codex stands out for illustrating each of the Decameron's novellas for the first time with the illuminations described above. Boccaccio's work written in the middle of the 14th century is made up of tales told by a group of seven women and three men who fleeing the plague ravaging Florence in 1348 take refuge in the countryside and spend their time telling stories that portray the society of the time with realism and irony. This collection of one hundred novellas has become a landmark in world literature. Giovanni Boccaccio 1313-1375 was an Italian writer poet and humanist considered one of the forerunners of the Renaissance. Born in Certaldo or Florence he stood out for his masterpiece Decameron which profoundly influenced European literature. A friend of Petrarch Boccaccio contributed to the valorisation of the classics and the Italian language and is especially remembered for his study of the work of Dante Alighieri. In addition to his literary output he dedicated himself to the study of antiquity and the preservation of the Greco-Roman cultural legacy becoming a central figure in Humanism. Laurent de Premierfait c. 1360-1370 - 1418 was a French humanist poet and translator recognised for introducing classical works to medieval France. Born in Prémierfait a village near Troyes he studied in Paris and served as secretary to Cardinal Amédée de Saluces at the papal court in Avignon. He stood out for his translations of texts by authors such as Cicero and Boccaccio. His translations commissioned by aristocratic figures such as Jean de Berry were fundamental to the dissemination of classical and humanist literature in France. Laurent died in Paris in 1418 possibly from an epidemic or during the invasion of the city by the Burgundians. Maitre de la Cité des Dames fl. 1400 - fl. 1415 was an anonymous illuminator active in Paris between 1400 and 1415 known for collaborating with Christine de Pizan on the decoration of manuscripts. His name derives from the illustrations he created for "La Cité des Dames" a work by Christine. He worked in partnership with artists such as Jacquemart de Hesdin and the Master de Boucicaut and stood out for his attention to the details of everyday life and his realistic depiction of Gothic architecture. As well as Christine de Pizan's manuscripts he illustrated works such as Jean de Berry's "Bible historiale" and the first French translation of Boccaccio's "Decameron". M-10-B-35 hardcover
1955Opera in 2 volumi con relativi cofanetti. Rilegatura in pelle Rigoldi Monza. Con fregi, scritte e taglio superiore delle pagine in oro zecchino. Diverse tavole a colori. ottime condizioni
In-8°; cc. 72, s.n.t., (1525). Si apre con la lettera “Al gentile et valoroso giovane messer Francesco Tomacello da Fano, Lucio Paolo Rosello”, sacerdote padovano, segue il testo dell’opera “Invettiva ... contra una malvagia donna, detto Laberinto d’amore, et altrimenti il Corbaccio”. Da c. 57 l’Episola a Pino de Rossi. Legatura in piena pergamena più tarda con tassello e titolo in oro al dorso. Gamba 203 “non ho trovato registrata da verun bibliografo questa stampa”. Mostra di manoscritti, documenti e edizioni, Certaldo, 1975, v. 2, n. 42, EDIT16 2367.
1952rif. 698244 xii128 pages 23 woodcuts 1 facsimile title page limited edition no.188 of 225 copies handmade paper tipped in bookplate for John Ryder Published by Editones Officinae Bodoni hardcover
1725rif. 2091202133213132Tommaso Edlin 1725. Soft Cover. Fine. Volume: 1 Tommaso Edlin paperback
1712rif. 574390Amsterdam; Cologne: George Gallet; Jacques Gaillard 1712. Hardcover. Very Good. Mixed two-volume set uniformly bound in near contemporary straight-grained light brown morocco with decorative blind stamping and gold tooled borders on the covers gilt spines also stamped in blind plain dark brown endpapers all edges gilt. Vol. 1 is the first edition printed in Amsterdam by George Gallet in 1697; Vol. 2 is the second edition printed in Cologne by Jacques Gaillard in 1712. 12mos. Both volumes are in French. Vol. 1: 14 title page and avertissement 14 Table 366pp. illustrated with an engraved frontispiece plate and in-text engravings preceding each of the novellas 1-44; Vol. 2: 427 12 Tablepp. illustrated with in-text engravings preceding each of the novellas 45-100. Note: The Table in vol. 1 includes a duplicate leaf signed 2. Both title pages are printed in red and black. Each volume has a contemporary engraved armorial bookplate and a later Italian bookseller’s ticket on the front pastedown. The spines and edges of the boards are rubbed and worn else a very good attractive set with Romeyn de Hooghe’s celebrated etchings in fine condition. George Gallet; Jacques Gaillard hardcover
1627rif. 177918Venice: Per il Valentini 1627. Hardcover. Poor sewing coming undone foxing and staining of vellum present marks on pastedown endpapers missing otherwise complete. Bound in vellum on board with 3 raised bands. Woodblock capitals and incidental designs. 20 leaves 247 leaves. "Of the geneology of the gods." Binding copy. Fifteen books dealing with "all the gods of the gentiles" along with the life of Giovanni Boccaccio. Per il Valentini hardcover
1590rif. D6205Venice: appresso Fabio e Agostino Zoppini fratelli e Onofrio Farri compagni 1590. Hardcover. Very Good. 4to 210 x154mm. 8 544pp 92 index epithets glossary by Ruscelli. Collation: ast. 4; A-2M 8; 2N 2; 2O-2R 8; 2S 4. Woodcut printers device to title. Oval woodcut portrait of Luigi Groto Cieco dAdria 1541-1585 facing first text page 10 woodcut illustrations numerous woodcut initials most historiated with griffins putti other figures or foliage and decorative chapter head- and tailpieces. Text in italic type; headlines chapter headings and marginalia in Roman. Printed marginalia. Early vellum; title with upper margin stained cancelled inscription and small tear some wear mostly on preliminaries; joints starting. Collection inscription in abbreviated Italian on front pastedown dated 1841 possibly from a Jesuit Society. Early booksellers stamp C. Simms of Manchester. Good large quarto copy of Giovanni Boccaccios Decameron redacted by Luigi Groto 1541-1582 from the edition edited by Girolamo Ruscelli 1500s-1556 and first published two years previously. Groto a minor Venetian writer reworked Boccaccios famous tale; retaining parts of the original parable but also creating his own tangents. Groto for instance created a predicament concerning a young man who finds himself confronted by three different ladies he has been secretly courting. When his deceit is discovered he must answer as to which of them is his true love. The lengthy narration of the amoroso imbroglio is Grotos own literary stamp and he hoped with these revisions he would gain literary fame stating I will give life and light to Boccaccio and he will do likewise for me . I will rescue him from darkness and burial and he in turn will rescue me from obscurity Ironically Grotos retelling of the Decameron remains known for it deformations of the tale rather than its celebration. Each of the ten sections are preceded by an overview written by Ruscelli the well-known editor of Ptolemys Geographia of 1754 and a large woodcut illustration depicting narrative scenes of the Decameron tale. Brunet I 1002; STC Italy I: p.256. appresso Fabio e Agostino Zoppini fratelli e Onofrio Farri compagni hardcover
1574rif. D11148Venice: Giovanni Antonio Bertano 1574. Paperback. Very Good. 4to 204 x 148mm. 1 16 263pp. 2 leaves including final blank. Signatures: A-KK 8. Front flyleaf with likely 18th-century half-title added in manuscript calligraphic script over undulating ownership inscription on ribbon De Me Giovanni Agostino Panater and palm or quill on island in sea with ship signature repeated on title. Woodcut printers device of Bertano of young stork bring food to decrepid parent in the nest and motto on filial piety Pietas Homini Tutissima Virtus Compassion is the safest power. Few woodcut initials throughout. Italian translation by Giovanni Betussi. Dedicated to Count Collaltino di Collalto. Contemporary limp vellum ms. title to spine; spine darkened head cap chipped with loss text block loose in binding; intermittent browning title with old owners signatures cancelled minor marginal worming added half-title with ink oxidation. The whimsical added title complements this monumental Italian humanist work; a defense of poetry and a synthesis of ancient mythological sources which justified the study of pagan literature within a Christian context. Betussis Italian translation of Boccaccios medieval work on progeny in classical times a veritable mythological encyclopedia that aimed to solve questions about lines of succession. Boccaccios Genealogia sought to preserve the past from oblivion by creating an almanac of inter-related families including the competing noble houses in order to organize lines of descent. With the Genealogia Boccaccio aimed to solve contradictory accounts of hereditary matters by assuming the existence of pagan gods and organizing their progeny - Jupiter I and Jupiter II for instance. Perhaps most contentious was Boccaccios identification of Demogorgon as the ultimate progenitor of all pagan divinities description starting on page 5 who was also associated with Satans netherworld conspirators. The Genealogia reputedly had been copied and transmitted before its completion apparently without the consent of Boccaccio. The earliest Latin editions all follow the first of 1472. This is a later edition of Giuseppe Betussis Italian translation of the Genealogia; Betussis first was printed in Venice by Comino da Trino di Monferrato in 1547. Nearly a dozen subsequent editions follow this date well into the seventeenth century. Betussi was a prominent man of letters in Paduas Accademia and was at the avant-garde of those promoting the substitution of Italian for Latin as the language of scholarly literature. To his edition Betussi added a ten-page biography of Boccaccio and alphabetical indices corresponding to page numbers not book or chapter. The Genealogia became a standard reference works for readers who wished to disentangle the complexities of Greco-Roman mythology. The work was enormous in scope covering approximately 950 individuals groups and beasts both named and unnamed in fifteen books and 723 chapters with over a thousand citations from Greek Roman medieval and Trecento authors. Near the end of the sixteenth century the Genealogia while mostly out of the public eye still provided source material for numerous authors including Edmund Spenser and his work on Christianized paganism. This edition rare OCLC lists one other in Toulouse. Giovanni Antonio Bertano paperback