Boccace

Boccace — marelibri

IL DECAMERON Di Messer Giovanni Bocacci Cittadin Fiorention Di nuouo ristampato eriscontrato in Firenze con testi antichi & alla sua vera lettione ridotto. Dal Cavalier Lioonardo Salviati Deputato dal Sereniss. Gran Duca Di Toscana con permissione de' Superiori. Et in Questa Ultima Impressione Adornato di bellissime figure apprpriate a ciascheduna Novella.

1614rif. 35097Venetia: Appresso Alessandro Vecchi 1614. An excellent and early Venetian edition of Boccaccio's masterpiece. Illustrated with an engraved title-page engraved head- and tailpieces an engraved portrait of Boccaccio and 109 engraved illustrations throughout historiated multi-line capital letters throughout. Quarto 20.5 x 15 cm. handsomely bound in contemporary Italian vellum the spine with gilt titling to the tan coloured lettering label. 28 603 pp. A beautiful copy without any repairs or sophistication at all. The text-block is clean and crisp the illustrations are all in good order the binding is tight and strong and shows only very minimal evidence of use or wear. An occasional flaw to the paper originating with the printer and a very few marks from damp typical and not affecting the quality of the copy. AN IMPORTANT PRINTING OF BOCCACCIO'S MASTERPIECE. The 1614 edition of Giovanni Boccaccio’s Il Decameron published by Alessandro Vecchi in Venice is a notable printing of the famous 14th-century text highly valued today by rare book collectors and literary historians. This printing utilizes the famous linguistic revision edited by Lionardo Salviati which was originally published in 1582. Following the Catholic Church's censorship and banning of the Decameron in the mid-16th century Salviati provided the avenue to preserving Boccaccio’s celebrated Tuscan prose style. The edition features 109 woodcut illustrations embedded directly within the text. Rather than cutting entirely new blocks Vecchi reused the highly regarded Renaissance woodcuts originally crafted for Gabriel Giolito’s 1546 edition which was famous for its visual storytelling. To introduce the readers to each section each individual novella begins with an engraved vignette with an additional prominent illustration highlighting the beginning of the tenth day. The title page features the distinct printer's device belonging to Alessandro Vecchi's Venetian workshop. During this era Venice was the printing capital of Europe and printers like Vecchi found great commercial success by combining popular texts with woodblocks from previous decades. Vecchi actually published a few iterations of this specific setup over the years—including printings in 1597 and 1602—making the 1614 edition part of a successful multi-decade run of Boccaccio's masterpieces The result found in Vecchi's 1614 printing is a fascinating historical artifact: a Decameron that remains delightfully scandalous and linguistically beautiful but one where the Catholic Church’s authority has been thoroughly protected from Boccaccio's sharpest wit. See UArizona S.Illinois et al. Appresso Alessandro Vecchi hardcover

Buddenbrooks, Inc. · Stati Uniti5995,00 USD≈ 5366,09 €

BoccaccioBiblio.com

1569 Il Corbaccio by Boccaccio. Printed by Morel in Paris.

1569rif. 746Paris: Morel 1569. Hardcover. Fair. The last Italian novel that Boccaccio prepared Il Corbaccio The Crow; around this time 1354-55 a.d. and after Boccaccio primarily focused on Latin works. This copy is a 1569 edition in the original Italian but printed in France by Morel but Morel Italianized his name to appeal to Italians on the title page. This novel finds some disfavor with modern readers. In this work a man is being rebutted by a widow but upon falling asleep her dead husband visits him and confides in him all the ways she's best left alone. In concert the sleeping man and the dead man decide to write this work warning young men of the deceits of some women. The work has since been dubbed ""misogynistic"" despite at almost the same time Boccaccio preparing his Latin work recording a selection of noble women De Claris Mulieribus. Other's claim that surely Boccaccio must have been jilted by a widow to write such a scathing work. About Boccaccio - Giovanni Boccaccio 1313 1375 was an Italian writer poet correspondent of Petrarch and an important Renaissance humanist. Born in the town of Certaldo he became so well known as a writer that he was sometimes simply known as ""the Certaldese"" and one of the most important figures in the European literary panorama of the fourteenth century. Some scholars including Vittore Branca define him as the greatest European prose writer of his time a versatile writer who amalgamated different literary trends and genres making them converge in original works thanks to a creative activity exercised under the banner of experimentalism. His most notable work is The Decameron. About the Printer from the website Printing in France - ""In 1549 Morel decided like many before him to get involved in the book trade. He became a proof-reader for Charlotte Guillard d. 1557 one of the famous woman printers of sixteenth-century Paris. In 1557 Morel decided to become a printer himself following the death of Charlotte Guillard in the same year. By 1570 Fédéric I Morel was one of the most prestigious printers in Paris. It is thus not surprising to see him being appointed royal printer on 4 March 1571 following the move by his wifes cousin Robert II Estienne to Geneva."" Provenance - Ex-libris plate of George Benson Weston a Harvard and Columbia graduate who edited a work on Italian literature. Also his inscription stating that he bought the book in Naples in 1904. Also the ticket of the Naples bookseller F. Casella established 1852. Bibliographic Details - Universal Short Title Catalogue USTC number 130039 found in many of the world's best libraries. Pettegree Walsby and Wilkinson - 58272 Physical Attributes - Measures approx. 11 x 17 x 1.75 cm. Signed in 8 octavo. Hardcover. Marbled paper covering pasteboards and a leather spine. Spine broken into six compartments by five gilt fillet lines title in gilt in one compartment five compartments with a blind tool roll of circles and palm fronds making the top and bottom border. Edges sprinkled brown. Pages - xvi 174 all numbered pages present but missing one blank leaf. Collation - A-G8 H7 I-L8 missing H8 a blank leaf that went between two sections and was not included in the numbering which is perhaps why it was removed Condition - This copy missing one blank leaf which would be the 8th leaf in the H gathering between two sections. Binding with some wear at edges corners and spine. Bookseller ticket and ex libris of George Beson Weston on pastedown. Blank unnumbered endpapers stating Gamba 205 and that Weston purchased the book Naples July 5 1904. Some toning and foxing throughout. Occasional thumb. Title page with an old manuscript provenance inscription under the title. A manuscript note in the fore-edge margin of page 111. Morel

RareTome · Stati Uniti799,99 USD≈ 716,07 €

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