Giovanni BoccaccioBiblio.com
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Best.-Nr. 0666641455.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1918Best.-Nr. 397Gius. Laterza e Figli 1918. Hardcover in half red leather. very well preserved Gius. Laterza e Figli hardcover
1844Best.-Nr. abc5844Firenze 1844 Firenze 1844 small paperback black titles to blue covers 248 pages with top edges not fully guillotined wear and to covers and book in 2 halves but still in acceptable reading order. Full refund if not satisfied. 24 hour dispatch. If not pictured in this listing a scan of the actual book is available on request. Soft cover. Fair. Firenze paperback
1844Best.-Nr. abc5843Firenze 1844 Firenze 1844 small paperback black titles to blue covers 285 pages with top edges not fully guillotined wear and partial loss to covers but still in acceptable reading order. Full refund if not satisfied. 24 hour dispatch. If not pictured in this listing a scan of the actual book is available on request. Soft cover. Fair. Firenze paperback
Best.-Nr. 1024505073.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1569Best.-Nr. 146435Paris: Federigo Morello 1569. Rare sixteenth century edition of this literary work in the original Italian. Duodecimo original full vellum. In near fine condition with light splitting to the front interior hinge. Giovanni Boccaccio was an Italian writer poet correspondent of Petrarch and an important Renaissance humanist. Often referred to as one of the "Three Crowns" of Italian literature along with Dante Alighieri and Petrarch Boccaccio is responsible for the creation of classic works of imaginative literature such as 'The Decameron' and setting the stage of Renaissance Humanism in Italy. Federigo Morello hardcover
Best.-Nr. 0244329931.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1018716777.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 57998Firenze Florence: Per Filippo Giunti 1594. Small 8vo. 15.5 x 11 cm. Title-pagepp.vii1226 tavola. Contemporary limp vellum with renewed ties. Old ownership inscription to title-page which appears to read "Edw.d Gascoigne L. 25 Lire 25". Edward Gascoigne d.1750 could refer to Sir Edward Gascoigne 6th Baronet who is know to have undertaken a Grand Tour circa 1723-1726. He could perhaps have purchased this copy of Il Corbaccio whilst on tour in Italy adding his name to the title-page along with the price he paid. Light toning and occasional light spotting mainly to margins generally a very good copy. After the Decameron.Boccaccio wrote nothing in Italian except Il Corbaccio 1354–55; a satire on a widow who had jilted him Britannica. Firenze [Florence]: Per Filippo Giunti, 1594. hardcover
1594Best.-Nr. 957P37Firenze: Filippo Giunti 1594. Leather. Very Good Indeed. 6.5" by 4". None. An uncommon early edition of one of the last works written in Italian by Boaccaccio. An uncommon early edition published in Florence at the end of the sixteenth century.In the original Italian.'Il Corbaccio' or 'The Crow' is a satirical novella in which a man has been rebutted by a widow and is subsequently visited by the widow's dead husband in his dream telling him why she is best left alone.By the fourteenth century Italian author Giovanni Boccaccio one of the most important authors of the country's history.Published by Filippo Giunti one of the leading printing firms in Florence in the sixteenth century.Register runs as: 4 A-G8 H-I4. Collated complete.Bookplate of Luigi Strano to the front paste down an author of poetry. In a full calf binding. Externally smart with light marks to the boards and spine. Bookplate to the front paste down. Prior owner's ink to the rear endpaper. Internally firmly bound. Pages are lightly age-toned and generally clean with scattered spots and a small tidemark to the tail of the first few pages. Small patch of worming to the first 2 leaves with no loss of text. Prior owner's ink inscription to the head of the title page. The occasional ink underlining to the text. Very Good Indeed Filippo Giunti hardcover
Best.-Nr. 0428978738.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1977Best.-Nr. mon0000072662Cappelli 1977-01-01. Unknown Binding. Good. in x in x in. Ex-library book usual markings. Hardback with dust cover. Clean text sound binding. Cappelli unknown
1554Best.-Nr. 35098Venetia: Appresso Vincenzo Valgrisi 1554. Very early Valgrisi printing the first done in 1552. Illustrated with historiated initials at the beginning of every novella engraved printer's mark to the title-page Quarto contemporary Italian vellum with yap edges. 8 487 1 10 Tavola 2 8 Epiteti 50 Second Title Page: Vocabolario pp. A very handsome copy a small number of leaves browned and fragile occasionally a small portion of the text excised generally crisp and clean with minor age evidence. VERY SCARCE. THE WORK IS ONE OF THE MOST IMPORTANT EDITIONS OF BOCCACCIO PRODUCED IN THE SIXTEENTH CENTURY. The Life of Sir Giovanni Boccaccio written by Francesco Sansovino precedes the text and at the end is Ruscelli's General Vocabulary of all the entries used by Boccaccio. The General Vocabulary was compiled to help readers navigate the 14th-century Tuscan prose and Ruscelli’s editorial work aimed to refine and standardize the text of Boccaccio during a period when the Decameron was subject to intense scrutiny editing and eventual counter-reformation censorship. Copies from this press are notable examples of Renaissance Italian bookmaking woodcut artistry and early modern publishing history. Appresso Vincenzo Valgrisi hardcover
1614Best.-Nr. 35097Venetia: Appresso Alessandro Vecchi 1614. An excellent and early Venetian edition of Boccaccio's masterpiece. Illustrated with an engraved title-page engraved head- and tailpieces an engraved portrait of Boccaccio and 109 engraved illustrations throughout historiated multi-line capital letters throughout. Quarto 20.5 x 15 cm. handsomely bound in contemporary Italian vellum the spine with gilt titling to the tan coloured lettering label. 28 603 pp. A beautiful copy without any repairs or sophistication at all. The text-block is clean and crisp the illustrations are all in good order the binding is tight and strong and shows only very minimal evidence of use or wear. An occasional flaw to the paper originating with the printer and a very few marks from damp typical and not affecting the quality of the copy. AN IMPORTANT PRINTING OF BOCCACCIO'S MASTERPIECE. The 1614 edition of Giovanni Boccaccio’s Il Decameron published by Alessandro Vecchi in Venice is a notable printing of the famous 14th-century text highly valued today by rare book collectors and literary historians. This printing utilizes the famous linguistic revision edited by Lionardo Salviati which was originally published in 1582. Following the Catholic Church's censorship and banning of the Decameron in the mid-16th century Salviati provided the avenue to preserving Boccaccio’s celebrated Tuscan prose style. The edition features 109 woodcut illustrations embedded directly within the text. Rather than cutting entirely new blocks Vecchi reused the highly regarded Renaissance woodcuts originally crafted for Gabriel Giolito’s 1546 edition which was famous for its visual storytelling. To introduce the readers to each section each individual novella begins with an engraved vignette with an additional prominent illustration highlighting the beginning of the tenth day. The title page features the distinct printer's device belonging to Alessandro Vecchi's Venetian workshop. During this era Venice was the printing capital of Europe and printers like Vecchi found great commercial success by combining popular texts with woodblocks from previous decades. Vecchi actually published a few iterations of this specific setup over the years—including printings in 1597 and 1602—making the 1614 edition part of a successful multi-decade run of Boccaccio's masterpieces The result found in Vecchi's 1614 printing is a fascinating historical artifact: a Decameron that remains delightfully scandalous and linguistically beautiful but one where the Catholic Church’s authority has been thoroughly protected from Boccaccio's sharpest wit. See UArizona S.Illinois et al. Appresso Alessandro Vecchi hardcover
1679Best.-Nr. 29857Amsterdam. 1679. Second Amsterdam edition the first appeared in 1665. old full sheep. Armorial bookplates on pastedowns; bindings rubbed but tight and sound. 16mo. unknown
1841Best.-Nr. 153369Firenze: Passigli 1841-44. Cm. 265 pp. 22 702. Con 6 incisioni in rame su tavole fuori testo. Leg. del tempo in mezza pelle dorso a nervi con titoli in oro. Piatto anteriore staccato peraltro esemplare marginoso genuino e ben conservato. Cfr. Bacchi Della Lega p. 60-61: ".stimata edizione di cui ebbe cura il prof. Dal Rio che vi premise una dotta prefazione l'avviso dello stampatore di Parma e la vita del Boccaccio scritta dal Baldelli.". Graesse I 452. Non comune. Passigli unknown
1761Best.-Nr. 154986S.l. Lucca: s.n. Giusti 1761. Cm. 27 pp. 2 xxxvi cc. 373. Frontespizio figurato due ritratti un fac-simile ed un albero genealogico. Il tutto inciso in rame su tavole fuori testo. Solida legatura coeva in piena pergamena rigida dorso a piccoli nervi con titoli in oro su tassello. Esemplare con carte a tratti brunite peraltroi genuino e marginoso stampato in carta grande. Pregevole edizione non comune e ricercata. Cfr. Gamba 187: "Dobbiamo questa stimatissima ediz. al March Pier Antonio Guadagni. coll'assistenza del can. Angelo Maria Bandini e fors'anche di mons. Gio. Bottari." Bacchi Lega 51/52. s.n. (Giusti) unknown
1527Best.-Nr. 155126Firenze ma Venezia: Philippo Giunta ma Pasiniello 1527 ma 1729. Cm. 26 pp. 16 284. Stemma giuntino al frontespizio ed all'ultima carta. Solida legatura d'amatore con piatti ottocenteschi dorso e punte di fattura più recente con titoli e belle decorazioni in oro al dorso. Bell'esemplare a pieni margini. Si tratta della celebre ristampa della 'Ventisettana' fatta da Stefano Orlandelli coi torchi del Pasinello e a spese di Salvatore Ferrari impressa su carta di finissima qualità in numero di 300 esemplari. Cfr. Gamba 172: "Ristampa che mal a proposito suole indicarsi come contraffazione" ; Bacchi della Lega p. 36. Philippo Giunta (ma Pasiniello) unknown
1955Best.-Nr. 151654Milano: Edizioni d'Arte à la Chance du Bibliophile 1955. Due volumi di cm. 345. pp. 601 3; 541 3. Con tavole a colori f.t. di Gino Boccasile ed altri artisti. Legatura editoriale in piena pelle con piatti inquadrati da filetti in oro dorsi a nervi con fregi e secco e titoli in oro. Tagli di testa dorati e decorati. Qualche piccolo difetto all cerniere peraltro esemplare in ottimo stato di conservazione. Pregevole edizione a tiratura limitata. Il presenta appartiene alla tiratura di 500 copie numerata e stampate su carta Fabriano ns. es. n. 344. Da una nota posta al termine del secondo volume si legge che ".che per l'improvvisa scomparsa del pittore Gino Boccasile avvenuta il 10 maggio 1952 alcune tavole vennero realizzate da Sante Albertarelli Walter Molino Giulio Bertoletti e Giorgio de Gaspari". Edizioni d'Arte à la Chance du Bibliophile unknown
1955Best.-Nr. 151653Milano: Edizioni d'Arte à la Chance du Bibliophile 1955. Due volumi di cm. 345. pp. 601 3; 541 3. Con tavole a colori f.t. di Gino Boccasile ed altri artisti. Solida ed elegante legatura editoriale in piena pelle rossa con decorazioni a secco ed in oro a piatti e dorso quest'ultimo a cinque nervi. Entro custodie in cart. rigido marmorizzato. Esemplare in perfetto stato di conservazione. Pregevole edizione a tiratura limitata. Da una nota posta al termine del secondo volume si legge che ".che per l'improvvisa scomparsa del pittore Gino Boccasile avvenuta il 10 maggio 1952 alcune tavole vennero realizzate da Sante Albertarelli Walter Molino Giulio Bertoletti e Giorgio de Gaspari". Edizioni d'Arte à la Chance du Bibliophile unknown
1816Best.-Nr. 151962Italia: co' caratteri di Didot 1816. Quattro volumi in folio cm. 41 pp. 4 xii 215 1; 4 199 1; 4 213 1; 4 281 1. Con bel ritratto di Boccaccio inciso in rame all'antiporta del prim volume. Solida legatura del tempo in mezza pelle dorsi a nervi con fregi in oro e titoli su doppi tasselli bicolore. Esemplare genuino e marginoso ma con qualche tarletto marginale alle pagine iniziali e finali di ciascun volume. Stimata ed elegantissima edizione. co' caratteri di Didot unknown
1725Best.-Nr. 014798Londra: Published by Tommaso Edlin 1725. Hardcover. Very Good/No Jacket. With Engraved frontispiece "S. Grisoni in / B. Baron scu." and an engraved portrait "L. Auber sc" internally very good or better. Leather spine expertly and beautifully replaced with original leather boards. Published by Tommaso Edlin hardcover
1861Best.-Nr. 82791Firenze: Barbera 1861. Tre volumi di cm. 10 pp. 2000 ca. complessive. Con bell'antiporta incisa all'inizio di ciascun volume. Solida ed elegante legatura coeva in piena pelle con decorazioni geometriche in rilievo ai piatti e titoli impressi ai dorsi. Tagli dorati. Qualche rada fioritura ma complessivamente in ottimo stato di conservazione. Barbera unknown
1922Best.-Nr. 17368Modena: Formiggini 1922-24. Dieci volumi di cm. 21 pp. 2.000 ca. complessive. Antiporta frontespizio e cop. ill. da De Carolis xilografie nel testo di Mario Mossa De Murtas e altri. Leg. edit. in carta pergamenata. Ottima conservazione. Coll. "Classici del ridere" . Formiggini unknown
1802Best.-Nr. 17250Londra ma Livorno: s.n. 1802. Quattro volumi di cm. 162 pp. xxiii 1 304; 411 1; 324; 309 1. Elegante legatura coeva in piena pelle dorsi lisci con ricchi fregi romantici e titoli in oro su doppi tasselli bicolore. Tagli rossi e sguardie marmorizzate. Qualche minimo segno d'uso alla legatura ma ottima conservazione. Esemplare stampato su carta cerulea. Cfr. Bacchi della Lega p. 54: "Nitida edizione secondonchè annota il Papanti sconosciuta ai bibliografi in carta cerulea colla vita del Boccaccio scritta dal Villani e coll'Indice delle voci antiche oscure ecc. compilato dall'Ab. Malanima". Non comune. s.n. unknown
