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Best.-Nr. 0366636022.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 0332444171.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1333203594.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1987edizione, spoglio linguistico e glossario a cura di Vittorio Formentin LIGUORI 1987 308 PP. FONDO DI MAGAZZINO: LIEVI SEGNI DEL TEMPO, VOLUME PERFETTO E INTONSO
1877Cm. 19,5, pp. cxxi (3) 501 (3). Legatura di poco posteriore in piena pelle con titoli in oro al dorso. Brossura originale preservata all'interno. Esemplare genuino e ben conservato. Edizione originale, non comune.
2003Glossario. Indice analitico dei nomi propri e delle cose notabili, dei destinatari. Ampiamente annotato. In ottimo stato
Best.-Nr. ABAACali25Folio 273 x 192 mm of 144 ll. a-n8 o-p6 q-r8 s-t6 of 34/35 lines. Full light brown morocco covers decorated with a black mosaic pattern of interlacings framed with gilt fillets spine ribbed decorated as such vellum-skin doublures and endpapers gilt edges. Binding signed by Marius Michel. Exceedingly rare first French edition dedicated to Anne of Brittany and first issue of "De la louenge et vertu des nobles et clères dames" by Giovanni Boccaccio printed on the 28th of April 1493 by Antoine Vérard. BMC VIII 79 ; B.n.F. Rés. G-365 ; Brunschwig 280 ; CIBN B-519 ; Fairfax Murray FB 50 ; Goff B-719 ; GW Accurti I 4490 ; HC 3337 ; IGI 1769 ; Macfarlane 25 ; Pell. 2478 et 2478 A ; Hain-Copinger n° 3337 ; Proctor n° 8425 ; Brunet I 990. This copy is the only one complete to appear on the international market since 30 years. The first Latin edition was published in 1473 under the title De Claris mulieribus some famous women in Ulm. "The work written between 1360 and 1362 amplified and modified in the following years contain the biography of 104 renowned ladies of all times from Eve to the Queen Joanna of Naples; it is dedicated to the very beautiful Andrée Acciaiuoli sister of the Grand Seneschal Nicolas Acciaiuoli second wife of an Altavilla Count. The model of Petrarch and of his treaty of Notorious Men greatly influenced Boccaccio as he admitted himself. The narrative vein is expanding there with a certain freedom like in the pages dedicated to the life of the Popess Joan to the voluptuous lengths on the loves of Thisbe to the history of the naïve Paulina Roman woman loved by God Anubis recalling quite closely the tale of Lisette and Angel Gabriel from the Decameron. … As a whole the volume is a compromise between the historical scholarship and the tale a pleasing erudition book aimed not only at men but also women - whom declares Boccaccio as an excuse being used to hear stories have a greater need of it and enjoy themselves with a copious story." T.F. G. Rouville. The volume is illustrated with 11 woodcuts that since repeated form an iconographical cycle of 80 engravings. Most of them measure 87 x 80 mm and represent a queen with a child in her arms 23 times a queen standing with some ladies in front of her 22 times a woman breastfeeding twins in front of a landscape 17 times. Two other engravings come from the Chevalier délibéré printed in 1488. Two engravings of different sizes 140 x 86 mm show a bishop at his writing case topped with a sage and a woman; they come from the "Ars moriendi" printed by Le Rouge for Vérard in 1492. Nine of these engravings were specially executed for this book and are therefore here in first issue. "Extremely rare volume illustrated with a certain number of beautiful woodcuts which are among the most interesting ones from the works published by Vérard". Rahir n°263. Copy including the signs of the first issue: <!-- if !supportLists-->- <!--endif-->The title is printed with the mistake " nouellemet " corrected in the copy of the Pierpont Morgan Library. The Gesamt Katalog Pellechet Polain 2478 and Hain mention " nouuellemet " with two U. <!-- if !supportLists-->- <!--endif-->Leave i4 is signed hIIII. First great Italian prose-writer Giovanni Boccaccio 1313-1375 was very famous in France more than Dante and Petrarch and this since the beginning of printing. He wrote as much for the people who enjoyed the entertaining reading of the Decameron as for the aristocracy who in the De casibus virorum illustrium translated into French Le cas des nobles malheureux found a kind of ethical encyclopedia of the great men from the Antiquity. This first edition was printed by Antoine Vérard who dedicated the work to Anne of Brittany wife of King Charles VIII. It was for the most part due to writers engaged by Anne of Brittany or attracted by the possibility of her patronage as Antoine Vérard could be that literature to the praise and defense of women was promoted in the French court. The title only contains two lines of text. On the back of the title begins the translator's preface suppressed in some copies and supplemented with a miniature. In this copy it is coming with a woodcut showing the Queen Anne of Brittany seated in a throne surrounded by female characters from her suite. On the front of the last leaf the typographical mark of Antoine Vérard. This translation of De Casibus virorum illustrium by Boccaccio was made for Jean de Chanteprime between 1400 and 1409 by Laurent de Premierfait. The latter belongs to a generation of French humanists under the reign of Charles VI re-discovering and celebrating classical literature since Cicero until Petrarch and Boccaccio. He was a scholar Latinist much appreciated by the humanists of his time but what mostly made his glory were the translations into French from Latin or Latin texts versions of originally Greek or Italian texts made for aristocrat sponsors. Bechtel mentions a cut in the word "nouvellement" on the title uncut in our copy and therefore labelled as: "novellement". Précious copy. In half a century only one other complete copy appeared on the public market sold for 35 000 € 30 years ago. Réf : Hôtel Georges V 16 septembre 1988 n° 23 ex. S. Brunschwig.
1781Best.-Nr. 002053Avignon 1781. Collationengraved frontispiece 256pp 1 full page illustrations 4 vignettes. Bound in full contemporary mottled calf flat gilt bands elaborate gilt tooling on spine full coloured edges marble endpapers. Calf rubbed and suffed with some wear loss on edges and corners hinge joints cracked but boards still firmly attached. Generally binding in good condition.Internally previous owners bookplate on fixed endpaper 8 pages with light stain mark to margins.Pages in very good clean condition. A very nice copy in a contemporary full calf binding. Book measures 13x20cms.A55. New Edition. Hardcover. 8vo - over 7¾" - 9¾" tall. Avignon Hardcover
Best.-Nr. 1172463700.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2026Best.-Nr. LRB31000618Paris: Editions Recreasoft 2026 Langue : Français. Environ 510 pages. Français : Réimpression à la demande. Édition originale : 1555. Ouvrage en français. Ce texte est une réimpression de la traduction française du Filocolo de Giovanni Boccaccio réalisée par Adrien Sevin. L'oeuvre originale écrite en italien raconte l'histoire de Fleury et Blanchefleur mêlant romance et éléments allégoriques. Ce récit médiéval riche en descriptions et en dialogues offre un aperçu de la littérature narrative du XIVe siècle. Images du livre non contractuelles English: Print-on-demand reprint. Original edition : 1555. Text in French. This is a reprint of the French translation of Giovanni Boccaccio's Filocolo rendered by Adrien Sevin. The original Italian work tells the story of Fleury and Blanchefleur blending romance and allegorical elements. This medieval narrative rich in descriptions and dialogues provides insight into 14th-century literary traditions. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
1542Best.-Nr. 835Paris: Jean André bookseller to the University colophon: printed by Denis Janot 1542. French calf ca. 1760 sewn on 5 supports richly gold-tooled spine with a black morocco label in the 2nd of 6 compartments gold double-fillets on board edges blind triple fillets on boards gilt edges green silk ribbon marker curl-marbled endpapers similar to Wolfe 16 but with red blue orange green and white in that order. Folio 31.5 x 21.5 cm. With Jean Andrés woodcut flaming heart and caged bird device on the title page and 15 woodcut illustrations plus 21 repeats in the text mostly 5.5 x 8 cm each in any of several 4-piece decorative borders including 8 foot pieces each with a different coat of arms; one illustration 13.5 x 8.5 cm with an 8-piece decorative border 5 woodcut decorated initials 2 series plus 1 repeat and many spaces with guide-letters for manuscript initials not filled in. Set in a roman type with shoulder notes and some verses in italic and a large roman for headings. Jean André issue of the extremely influential first French-language edition by Adrien Sevin of Boccaccio's first major work Il filocolo ca. 1336 a prose tale detailing the romantic love and adventures of Florio and Biancafiore based on the ca. 1160 French verse romance Floire et Blancheflor written at the request of Boccaccio's muse "Fiammetta". Boccaccio's version served as the model for Chaucer's more than fifty years later but it is a reworking rather than a translation so it was largely through the present printed translation that Il philocope a precursor of the better known Decameron became known north of the Alps. The fine woodcut illustrations first appeared in Janot's 1540 edition of Amadis de Gaula and after the Philocope also for several other romances. The borders used with them in these works are apparently older for two of the head borders are dated 1520. King François I of France who reigned from 1515 to 1547 greatly admired the Italian Renaissance and encouraged Italian influences in many aspects of French culture. The present book reflects that movement both as a model of French Renaissance prose under Italian influence and as an example of book production using new roman and italic types in the new style introduced under Italian influence in the 1530s.With the small letterpress bookplate and the armorial bookplate of Charles Bouchelet de Vendegies Comte d'Hust 1772- 1851 and a later bookplate of the Swiss collector Albert Natural. With a few mostly marginal defects and early repairs but with three repaired tears in the text one also in a woodcut but so skilfully repaired that it is barely visible in the woodcut. One of the repeated woodcuts has a small abrasion. Otherwise in good condition. The binding has restorations to the hinges and corners and the spine shows some superficial cracks and flaking but nearly all of the tooling remains clear. The very influential first French edition of Boccaccio's first major work with excellent woodcut illustrations.l BMC STC French p. 71 Janot issue; Brun Le livre français illustré p. 158; Mortimer French 105 Janot issue; Rawles Denis Janot . 1976 PhD thesis 164; Renouard Imprimeurs Parisiens 155; USTC 37796 & 92444 8 copies; see 37799 65503 & 92444 for the other issues; cf. Adams B2169-2171 Italian eds. Jean André, bookseller to the University (colophon: printed by Denis Janot), hardcover
Best.-Nr. 0259133949.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 0666131996.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1557Cm. 20,5, cc. 395 (1). Grande figura xilografica al frontespizio con ritratto e marchio tipografico in fine a piena pagina. Solida legatura in mezza pergamena con punte (ottocentesca) con titoli in oro su tassello al dorso. Macchie limitate al solo frontespizio, peraltro esemplare genuino e ben conservato.
1557In -4°, cc. 395, (1) con ritratto dell’autore al frontespizio e grande marca al colophon. Non rilegato ma buona copia solida, testo su due colonne. Importante glossario boccacciano, non sono comuni gli esemplari con il ritratto dell’autore, Alunno, che fu al suo tempo un noto lessicografo.
1802Best.-Nr. 10045Livorno: Tommaso Masi E Compagno 1802. Softcover. Fair. 1802. Softcover. Fair. 217p. Italian. Tommaso Masi E Compagno unknown
1980Best.-Nr. 55811Alpignano : Tallone 1980. Cm. 26 pp. 143 9. Bross. orig. protetta da velina. Entro custodia e cofanetto. Solo un piccolo difetto alla parte alta del cofanetto peraltro ottima conservazione. Edizione a tiratura limitata la presente copia appartiene alla tiratura di 380 esemplari numerati e stampati su carta Sant'Ilario di Pescia ns. n. 247. Tallone unknown
1980Cm. 26, pp. 143 (9). Bross. orig. protetta da velina. Entro custodia e cofanetto. Solo un piccolo difetto alla parte alta del cofanetto, peraltro ottima conservazione. Edizione a tiratura limitata, la presente copia appartiene alla tiratura di 380 esemplari numerati e stampati su carta Sant'Ilario di Pescia (ns. n. 247).
1944Best.-Nr. 101333Paris : Compagnie Française des Arts Graphiques 1944. BOCCACE. - Sire de BEAUVAU traduction. - POGNON Edmond présentée par.Le roman de Troïlle & Criseida. Traduction du poème de Boccace “Il Filostrato” par le Sire de Beauvau présentée par Edmond Pognon. Paris Compagnie Française des Arts Graphiques1944 255x170mm 184 pages illustrations n/b in texte lettrines en couleurs reliure pleine chagrin rouge avec titre et auteur dorés au dos. Couvertures et dos conservés. Belle reliure. Bel exemplaire. Exemplaire sur papier vélin pur fil teinté numéroté n.° 343 / 787. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Compagnie Française des Arts Graphiques unknown
Best.-Nr. 1104989182.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1166309029.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1715Best.-Nr. 406838Paris: Chez Pierre Huet 1715. leather_bound. Gut. 4 Blatt 267 3 Seiten. Leder der Zeit mit ornamentaler Rückenvergoldung. Klein-Oktav ca. 165 x 95 cm . etwas berieben und bestoßen Rücken mit kleinem Loch anfangs Marginalien von alter Hand leicht wellig und braunfleckig insgesamt ordentlich erhalten. In der Auflösung des Asteronyms folgen wir den Online-Angaben französischer Bibliotheken es ist auch so von alter Hand auf Vortitel und Titel ergänzt. Über de Prémont den Übersetzer von "Der Traum des Boccaccio" konnten wir nichts eruieren. Das Buch schließt mit einem "Madrigal" von Mademoiselle de Scudery an "M.D.P." Auf dem Vorsatz mit dem Bleistifteintrag "Aus dem / Château de Premesque / près de Lille / im Frühjahr 1915 zerstört" Wegen Urlaub kann Ihre Bestellung / Anfrage erst nach dem 12.10.2026 bearbeitet werden. - Because of holidays your order / question can be handled only after 10/12/2026. Chez Pierre Huet hardcover
Best.-Nr. 201268999X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1698Volume in 8° piccolo, splendida legatura coeva in pelle screziata, titolo al tassello al dorso a 5 nervi finemente decorato ai piccoli ferri, sguardie, frontespizio, 7 carte non numerate, 362, (4) pp. Editio princeps di quest'opera "attribuita" nella sua stesura originale al sommo Boccaccio (e tratterebbesi del delizioso "Laberinto d'Amore") che però è qui tradotto molto, e sottolineasi molto, liberamente, con aggiunte d'altre mani e menti. Il Barbier pur non confermando apertamente che l’autore sia Boccaccio, lo dice tradotto da un certo Le Sieur de Premont che richiama il grande italiano nella prefazione in cui anticipa pure il tema e lo spirito dell’opera che, nel piu' tipico atteggiamento di Boccaccio, vede ritratte le donne senza falso pudore. In ottimo stato, davvero poco comune prima edizione.
1534In 16° (140 x98), 110 carte, 1 n.n. con la marca tipografica in ultima pagina. Leg. in mezza pelle ottocentesca con fregi e titolo in oro al dorso. Seconda rara edizione di questa importante opera sulla lingua italiana e sulla grammatica, che presenta il "Dialogo sopra le lettere del Trissino", mancante nella prima edizione del 1526, pubblicata a Venezia da De Gregari. Il trattato riporta in forma parte discorsiva e parte di dizionario, le forme grammaticali che ricorrono nei tre autori, con citazione dei luoghi in cui compaiono. Timbrino tondo di collezione privata alla prima pagina e piccola annotazione a penna. Copia un po' rifilata in testa, senza alcuna perdita di testo, ma ben conservata; manca il foglio di guardia anteriore. Brunet III, 1068: "...augmenté du Dialogo sopra certe lettere, ovver caratteri trovati da Giov. Georgio Trissino..."; Graesse IV, 202. Non in Adams.