3.094 Ergebnisse
1952Cm. 22, pp. xvii (1), 1244 (4). Leg. edit. in piena tela con titoli impressi in oro su tassello al dorso. Ottimo stato di conservazione. A cura di Enrico Bianchi, Carlo Salinari, Natalino Sapegno. Collana "La letteratura italiana. Storia e testi", volume 8 .
1952Cm. 22, pp. xvii (1), 1244 (4). Leg. edit. in piena tela con sovracoperta e custodia. Dorso della sovracoperta un po' scurito, peraltro ottimo stato di conservazione. A cura di Enrico Bianchi, Carlo Salinari, Natalino Sapegno. Collana "La letteratura italiana. Storia e testi", volume 8 .
1976Coll. "Scrittori italiani e testi antichi". Indice dei nomi e del volume. In perfetto stato
Best.-Nr. 2508ET541Volume 1 Volume II. Tradução e prefácio de Urbano Tavares Rodrigues. Clássicos. Relógio D'Ãgua Editores. Lisboa. 2006. 2 Volumes de 245x17 cm. Com 935 iv págs. Encadernações do editor com sobrecapas de proteção. SACO ET275-023 unknown
1969Best.-Nr. 153424Milano: Longanesi 1969. Due volumi di cm. 24 pp. 293 3; 778 20. Con 124 illustrazioni di Guido Somaré. Bross. orig. protetta da velina. Camicia rigida di protezione ed entro custodia. Ex libris. Ottima conservazione. Longanesi unknown
Best.-Nr. 3-70749Milano Editoriale del Drago - Master Italia 1986 tre volumi in-4to similpelle editoriale riccamente decorata da titoli e fregi oro cofanetto editoriale rigido muto pp. 398 398 400 riccamente illustrato in nero e a colori da 212 riproduzioni delle incisioni dell'edizione di Parigi del 1757. Collana Gli immortali. In ottime condizioni. unknown
1913Best.-Nr. 86052Roma: Treccani 1913. Cm. 36 pp. 340. Con molte decorazioni policrome nel testo. Legatura edit. in velluto rosso con decorazione in oro al piatto anteriore. Entro custodia edit. in piena pelle. Perfetta conservazione in stato di nuovo. Bella ristampa impressa su similpergamena in tiratura limitata di 599 esemplari ns. n. 97. Riproduce il manoscritto Holkham misc. 49 in possesso della Bodleian Library di Oxford. Le miniature sono opera di Taddeo Crivelli. Privo del volume di commentario. Treccani unknown
Best.-Nr. 2203MA006Volume primeiro. ao Volume Quinto. Tradução de Urbano Tavares Rodrigues. Formar e Bertrand. Lisboa. 1976. 5 Volumes de 33x24 cm. Com 1171 i págs numeradas do volume primeiro ao volume quinto. Encadernações do editor em percalina preta com gravações a ouro nas lombadas e nas pastas anteriores. Ilustrado. Esta obra pesa mais de 5 Kg. e está sujeita a cobrança de portes adicionais. / This work weighs more than 5 Kg. and is subject to extra shipping charges. I-152-F-4 unknown
Best.-Nr. 1840Sadea, Sansoni, Florence, 1966. Trois volumes in-4 pleine toile rouge de l'éditeur, titre doré, encadrement de filets dorés sur les plats, 976 pages (pagination continue), nombreuses illustrations en n&b et couleurs, texte en italien. Rares rousseurs, bon état.
1980In-16 (cm. 19.50), 3 volumi, brossura illustrata, pp. XXXI, (1), 903, (5) numerazione continua. A cura di Mirko Bevilacqua. Prefazioni di Cecchi, Bevilacqua, Galletti, Alicata, etc. Prima edizione. Allo stato di nuovo (brand new copy).
1974Milano, Rizzoli, 1974, due vol. in 16mo brossura, pp. 796 (Bur)
1956Due volumi di cm. 23, pp. 475 (1); 531 (1). Con tavole f.t. Legatura in piena tela editoriale, dorsi con ricchi fregi e titoli in oro. Ottima conservazione. A cura di Natalino Sapegno.
1585Best.-Nr. 142483Florence: Per li Giunti di Firenze 1585. bound in later half mottled leather and brown marble-patterned boards. Giunti. 8vo. bound in later half mottled leather and brown marble-patterned boards. 648 4 pages. Edited by Leonardo Salviati 1540-1589 drawing from 14th century manuscripts in the Tuscan dialect. Stated third Giunta edition "terza edizione" of the important Salviati text of the Decameron Not in Adams - 1582 Giunta second edition is Adams B-2158. With the exlibris bookplate of Christopher Clark Geest 1936-2023 on the front pastedown. Leather boards with some rubbing and wear along the edges and corners minor worming mostly to blank margins minor spotting; small unobtrusive exlibris institutional stamp to title page signature torn from foot of title but professionally repaired. Printed in italic and roman typefaces. Printer's woodcut device to title page a nice suite of historiated woodcut initials used throughout the text; leaf with engraved and printed dedication on page 587. Opens with the Medici dedication and privilege followed by Salviati's prefatory matter and the hundred novelle. Collation appears complete with dedication and final register present. As the great rivals of the Aldine Press the Giunti aggressively captured large portions of the lucrative governmental and Church's printing business. From their base in Florence and Venice family members set up printing presses in Burgos Salamanca Madrid Valladolid Lerma and Lyons. In Spain they became printers to the most powerful King in the world and established "The Imprenta Real" changing their name to "Junta." This particular book was prepared under Medici patronage Salviati's recension regularized Boccaccio's Tuscan and offered a "safe" post-Tridentine version of the work making this a key late-Renaissance edition of the classic Italian novella collection. Provenance: Christopher Clark Geest had a great love for literary works in the English language and focused his collecting on some of the best-known and beloved verse and prose by Chaucer Shakespeare Burton Swift Burns Johnson and beyond. His special interest in the development of the novel in the early modern period is highlighted by number of earliest gothic novels including first editions of Horace Walpoles The Castle at Otranto and Charles Brockden Browns Wieland. Other important books include first editions of Hobbes Leviathan Johnsons Dictionary and Spensers Faerie Queen as well as Coriolanus and Titus Andronicus as extracted from Shakespeares First Folio. Per li Giunti di Firenze unknown
Best.-Nr. 98551Berlin Neufeld & Henius 1924. . Il Decamerone. - Ungekürzte Ausgabe an Hand der italienischen Originalausgabe neu durchgesehen überarbeitet ergänzt und mit einem Vorwort versehen von Klabund. - Die künstlerische Ausstattung sowie die Bilder sind von Lucian Zabel. - Drucker: Buchdruckerei Gebrüder Mann. - Kanten mäßig berieben Deckel gering geworfen. Diskrete Exlibris jeweils verso Frontispiz Berlin, Neufeld & Henius, ( 1924). unknown
1873Best.-Nr. 52914Kjøbenhavn. Schous Forlag 1873. Lille8vo. 2 samtidige hldrbd. med rygforgyldning. Rent eksemplar. Første fuldstændige danske oversættelse. Odin Wolffs fra 1805 forblev en torso. unknown
1937Best.-Nr. 43707Stockholm 1937. 4to. Indbundet i velholdste hshirtbd. Med forgyldte tome-og titeletiketter. Farveplancher af Lucien Zabel. unknown
1873Best.-Nr. 21650Kbhvn. Schous Forlag 1873. Lille 8vo. 2 nyere private helshirtbd. Med 2 orig. bogtrykte foromslag medindbundet. Første fuldstændige danske oversættelse. Odin Wolffs fra 1805 forblev en torso. unknown
1966Best.-Nr. 188398Napoli: Alberto Marotta Editore 1966. Hardcover. Near new condition covers bright text clean & binding tight / near new bright and crisp dust jackets. Size: 9.75"x12.25" 3vs. red cloth with gilt lettering and decorations profusely illustrated throughout in colour text in Italian. Alberto Marotta Editore hardcover
1982Best.-Nr. 156647University of California Press 1982. Hardcover. Fine clean & tight condition / Fine box / published without dust jacket. 3 vols boxed. University of California Press hardcover
1974Best.-Nr. 159069Johns Hopkins University Press 1974. Hardcover. Very good plus condition with text clean & binding tight without dust jacket. 665pp. 7-1/8" X 10-3/8" In Italian. Johns Hopkins University Press hardcover
Best.-Nr. 2647BOCCACCIO Giovanni. The Decameron. Newly Translated from the Italian by Frances Winwar. With an Introduction by Burton Rascoe. Illustrated by T.M. Cleland. Two vols. Orig. cloth with leather labels. Folio. N.Y.: The Limited Editions Club 1930. Limited to 1500 copies signed by the artist. A fine set lacking slipcase. unknown
1925Best.-Nr. 164153New York: Boni & Liveright 1925. With Tice's original etchings First Tice edition signed limited issue this copy uniquely if erratically illustrated with the issued halftone plates replaced with Tice's original hand-captioned etchings and three of Tice's expurgated illustrations in two states one of which not called for in the list of illustrations. This is number 334 of 2000 copies signed by the publisher this copy is unusual in being also signed by Tice. Several of the explicit erotic illustrations Tice produced for this work were deemed too risqué for general publication and Tice was asked to redraw them for the final edition; some of them were never issued. This set includes three of these ribald plates alongside their censored replacements. We were able to trace only one other set with a number of these illustrations included though in that copy they were halftone reproductions rather than original etchings as here. A deluxe issue of 12 sets with etchings was also produced and we have traced only one copy of it in auction records. The etchings in this set are hand-captioned by Tice with page numbers that differ from both their location and the printed illustration list suggesting that they may have been produced for Tice's own reference when working on the book's production. The set is accompanied by a suite of the removed halftone illustrations and a second set of 22 of the 48 illustrations as etchings these uncaptioned excepting one captioned p. 36. One of the etchings is in two states: one with Tice's pencil signature the other with the signature engraved. Clara Tice 1888-1973 was a notorious New York bohemian artist known as "the Queen of Greenwich Village". She was according to the New York Times the first woman in New York to bob her hair and she began exhibiting her work there from 1910 rising to prominence in 1915 when the Society for the Prevention of Vice attempted to confiscate her works which were on show at the bohemian restaurant Polly's. "Tice was apparently so highly regarded and so instantly recognizable as one of those 'queer artists' that her role in the first Greenwich Village Follies was simply to play herself. As 'Clara' she stepped out onto the stage at the appointed time outfitted in one of her typically bizarre bohemian ensembles and conducted a 'quick chalk talk of nudes bees and butterflies'" Keller p. 429. Throughout the 1920s she contributed to Vanity Fair and other magazines and illustrated several books such as this with her softly erotic illustrations. 2 vols quarto. halftone frontispieces 2 halftone plates 48 etched plates the majority hand-captioned by Tice of which 3 are in two states. Folding box with 22 additional etchings and 44 halftone illustrations. Original black cloth spines lettered in gilt covers blocked in blind front covers with gilt oval portrait of Boccaccio as centrepiece yapp edges largely uncut. Additional etchings and halftone illustrations in a repurposed green leather folding box labelled "Balzac's Droll Stories". Spines uniformly faded cloth lightly rubbed couple of corners worn splits to inner hinges remaining firm occasional browning or faint marks to margins generally clean with the plates in strong impression. A very good copy. Marie T. Keller "Clara Tice 'Queen of Greenwich Village'" Women in Dada ed. by Naomi Sawelson-Gorse 2001. hardcover
2002Best.-Nr. RO60121829Einaudi. 2002. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1362 pages.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
1956Best.-Nr. RO60121115Unione Tipografico-Editrice Torinese. 1956. In-8. Relié. Bon état, Couv. convenable, Dos fané, Intérieur acceptable. 475 pages. Reliure d'éditeur verte et noire. Dos et partie des plats insolés. Annotations en page de garde.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Best.-Nr. RO40166382J. H. Ed. Heitz. Non daté. In-18. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 82 pages. Etiquette de code sur le dos. Tampons et annotation de bibliothèque sur le 1er plat et en page de titre.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
