18 146 résultats
réf. 10178[QUATRE-VINGT-QUATRE]. 84. Collection complète du n° 1 (mars 1947) au n° 18 (mai-juin 1951). De nombreux bandeaux et papillons ont été conservés. Ensemble en très bon état.
1987réf. feb350701987: First Brazilian Edition of Songs of Innocence and of Experience Canções da Inocência e da Experiência Bagaço
réf. 1794095284-11-1Independently published. Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. Independently published unknown
2010réf. TV220604D3 Editions Nottingham 2010. 1st Edition. HARDCOVER. Large heavy 4to. bound in fine red cloth gilt lettering to spine printed paper label to front cover as issued housed in a matching textured paper covered slip case with matching paper label. Yellow end-papers 224pp on thick art paper illustrated in colour throughout. All seven of Blakes' alphabet series fully illustrated. No. 453 of 600 copies signed by Blake __CONDITION : NEW unread and unmarked copy in new slipcase. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS D3 Editions, Nottingham hardcover
1977réf. 0825646London: Trianon Press for the William Blake Trust 1977. Limited Edition. Hardcover. Very Good/No Dust Jacket. b/w Illustration. 4to - over 9¾" - 12" tall. In full-brown morocco leather gilt spine titling housed in tan cloth slipcase 4to 28pp 43 plates. Special limited edition published by the Trianon press under the supervision of Mr. Arnold Fawcus. Numbered XX of XXXVI total copies of this edition printed on lanna rag paper. Signed by Geoffrey Keynes on separate page at front of book. Trianon Press for the William Blake Trust hardcover
réf. PJH54327Yale University Press 2013. Near Fine in publishers cloth with small bump to one corner in like dustjacket. 1st edition 1st issue. Scarce book. Plinys Natural History A.D. 77Ð79 served as an indispensable guide to and exemplar of the ideals of art for Renaissance artists patrons and theorists. Bearing the imprimatur of antiquity the Natural History gave permission to do art on a grand scale to value it and to see it as an incomparable source of prestige and pleasure. In this magisterial book Sarah Blake McHam surveys PlinyÕs influence from Petrarch the first figure to recognize PlinyÕs relevance to understanding the history of Greek art and its reception by the Romans to Vasari and late 16th-century theorists. McHam charts the historiography of Latin and Italian manuscripts and early printed copies of the Natural History to trace the dissemination of its contents to artists from Donatello and Ghiberti to Michelangelo and Titian. Meanwhile benefactors commissioned works intended to emulate the prototypes Pliny described aligning themselves with the great patrons of antiquity. This is a richly illustrated comprehensive reference work of social history myth making iconography theory and criticism. ISBN 0300186037 Yale University Press 2013 hardcover
1978réf. 42244London: The Trianon Press for the William Blake Trust 1978. Limited edition no. 248 of 376 copies from a total edition of 440. Oblong folio. 14 pp. Publisher's brown quarter morocco over grey cloth sides matching cloth slipcase. 7 plates and 11 further illustrations. An attractive copy. London: The Trianon Press for the William Blake Trust unknown
réf. 30810London: Jonathan Cape. 1982. Third printing of the first edition. Third printing of the first edition. Signed by the author. Publisher's original laminated boards. Issued without a dustwrapper. Illustrated in colour throughout by Quentin Blake throughout. A very copy the binding square and firm with a little bumping to the spine the front board somewhat toned to the upper part. The contents with just a touch of spotting to the early and late pages are otherwise clean throughout and without previous owners' marks. Inscribed by the author in red ink on the front endpaper "To Sara / Love / Roald Dahl / 4 June 1983". An excellent example of Roald Dahl and Quentin Blake's poetic interpretation of popular fairy tales. Further details and images for any of the items listed are available on request. All items are catalogued by humans. Lucius Books welcomes direct contact with our customers. London: Jonathan Cape. 1982 hardcover
1983réf. 22327London: Cape 1983. A first edition first printing of 'The Witches' published by Cape in 1983. A fine book in like unpriced/unclipped wrapper. The best copy we have handled for a while. Cape unknown
2013réf. UTSBRWN1610Folio Society 2013. Hardbacks finely bound by Zanardi of Padova in Nigerian brown goatskin with gilt lettering over pictorial cloth designed by David Eccles. The commentary volume in cloth both in a brown clamshell box. 42.5cm x 33cm. Colour illustrations throughout by William Blake. Printed by Appl Wemding Germany on Natural Evolution paper. No. 325 of a limited edition of only 1000 copies. A couple of small bumps to corners of box. Very faint spotting to grey cloth of rear board and to cloth boards of commentary volume. see photos. Otherwise a fantastic clean set. A heavy set over 6kg additional postage will be required for orders outside the UK. uts. Limited. Hard Cover. Very Good. Folio Society Hardcover
1999réf. REGOPAUL025337Enitharmon Press London. 1999. First edition. Quarto. 45 pages. 13 tipped-in plates in colour and black-and-white. Full linen printed title-label on spine colour plate on upper cover. Hand-set in Monotype Caslon and printed on Arches v�lin at The Stonehouse Press.One of 100 numbered copies signed by Paula Rego and Blake Morrison out of a total edition of 190 copies.Fine. No dustwrapper issued. Enitharmon Press, London. unknown
1924réf. 019399Sheffield: Stephenson Blake & Co. Ltd. 1924. First Edition. . Hardcover. Very Good. Publisher's olive green cloth binding with gilt titling. Printed in colour and b/w . company family tree. B/w frontispiece illustration of the Sheffield Foundry. Pagination thus :- xvi. 2 1-87 97-118 4 135-189 199-350 4 383-426 4 443-462 2 481-496 501-523 2 533-592 2 601-616 2 621-624 2 631-642 4 651-678 691-702. Some bumping wear damp staining to covers previous owner's names to front endpaper and title page some age toning finger marks. 841 Size: 295mm. x 240mm. Stephenson, Blake & Co. Ltd. hardcover
réf. 26367London: The Folio Society. 2011. First edition with these illustrations. First edition with these illustrations. Limited edition. Signed by the illustrator. Original dark red full goatskin leather titles in gilt to the upper board and spine. Top edge gilt. Grey paper covered slipcase with wraparound title in gilt. Illustrated in colour and black and white throughout by Quentin Blake. A fine copy the binding square and tight the contents clean and bright throughout and without previous owners' stamps or inscriptions. The slipcase is slightly faded near the open edge. Limited edition of 1000 copies of which this is hand-numbered 853 and signed in blue ink by Quentin Blake on the limitation page. Further details and images for any of the items listed are available on request. All items are catalogued by humans. Lucius Books welcomes direct contact with our customers. London: The Folio Society. 2011 hardcover
réf. 21618London: The Folio Society. 2011. First edition with these illustrations. First edition with these illustrations. Limited edition. Signed by the illustrator. Original dark red full goatskin leather titles in gilt to the upper board and spine. Top edge gilt. Grey paper covered slipcase with wraparound title in gilt. Illustrated in colour and black and white throughout by Quentin Blake. A fine copy. Limited edition of 1000 copies of which this is hand-numbered 674 and signed in blue ink by Quentin Blake on the limitation page. Further details and images for any of the items listed are available on request. All items are catalogued by humans. Lucius Books welcomes direct contact with our customers. London: The Folio Society. 2011 hardcover
1976réf. 264231London: The Trianon Press 1976. No. 80 of 380 numbered copies of an edition of 438 copies. Illustrated. 1 vols. Folio. Original beige cloth brown morocco spine. Fine. No. 80 of 380 numbered copies of an edition of 438 copies. Illustrated. 1 vols. Folio. Bentley Blake Books Supplement p. 81 The Trianon Press unknown
1976réf. 264231London: The Trianon Press 1976. No. 80 of 380 numbered copies of an edition of 438 copies. Illustrated. 1 vols. Folio. Original beige cloth brown morocco spine. Fine. No. 80 of 380 numbered copies of an edition of 438 copies. Illustrated. 1 vols. Folio. Bentley Blake Books Supplement p. 81 The Trianon Press unknown books
1878réf. List3694Boston Massachusetts: White Smith and Company 1878. Folio 13 ½ x 10 ½ inches. 6 pp. Wraps fully split else near fine with some very light foxing and soiling to wrap overall very attractive. Very good. An early phonograph-related sheet associated with the French soprano Marie Roze née Hippolyte Ponsin 1846–1926 whose participation in early demonstrations of Thomas Edison’s tinfoil phonograph was widely publicized in 1878. Contemporary reports identify Roze as the “celebrated prima donna” depicted singing into the phonograph in an engraving produced for Frank Leslie’s Illustrated Newspaper New York April 20 1878 following a demonstration of the machine at Steinway Hall earlier that year. The same engraving was subsequently reused across multiple promotional formats including tickets to phonograph exhibitions advertising circulars and early phonograph-themed sheet music such as Phonograph. March Brillante. Related promotional material includes a poster advertising exhibitions of Edison’s new tinfoil phonograph in Toronto on May 28 1878 which employs the identical image of the prima donna singing into the apparatus beneath the heading “Edison’s Phonograph!” The poster announces daily demonstrations featuring singing speech and explanatory lectures illustrating the standardized visual language used to market the invention during its first year of public exhibition.1 Roze an internationally known operatic soprano who later became Mrs. Henry Mapleson was connected with early phonograph demonstrations intended to showcase the recording and playback of trained vocal performance. The engraving linking her image to the machine circulated widely in print culture during 1878 appearing in illustrated journalism and promotional ephemera tied to touring exhibitions. Overall a very nice copy of what was an iconic image at the time. Blake was a highly prolific composer of over 5000 songs the most famous of which is Rock-a-Bye Baby. OCLC locates two copies with different entries at Baylor and BYU. 1 Arthur Zimmerman “The Early Phonographic Craze in Ontario 1878–92” Antique Phonograph News https://www.capsnews.org/apn2022-3.htm accessed February 24 2026. White, Smith and Company unknown
1878réf. List3694Boston Massachusetts: White Smith and Company 1878. Folio 13 ½ x 10 ½ inches. 6 pp. Wraps fully split else near fine with some very light foxing and soiling to wrap overall very attractive. Very good. An early phonograph-related sheet associated with the French soprano Marie Roze née Hippolyte Ponsin 1846–1926 whose participation in early demonstrations of Thomas Edison’s tinfoil phonograph was widely publicized in 1878. Contemporary reports identify Roze as the “celebrated prima donna” depicted singing into the phonograph in an engraving produced for Frank Leslie’s Illustrated Newspaper New York April 20 1878 following a demonstration of the machine at Steinway Hall earlier that year. The same engraving was subsequently reused across multiple promotional formats including tickets to phonograph exhibitions advertising circulars and early phonograph-themed sheet music such as Phonograph. March Brillante. Related promotional material includes a poster advertising exhibitions of Edison’s new tinfoil phonograph in Toronto on May 28 1878 which employs the identical image of the prima donna singing into the apparatus beneath the heading “Edison’s Phonograph!” The poster announces daily demonstrations featuring singing speech and explanatory lectures illustrating the standardized visual language used to market the invention during its first year of public exhibition.1 Roze an internationally known operatic soprano who later became Mrs. Henry Mapleson was connected with early phonograph demonstrations intended to showcase the recording and playback of trained vocal performance. The engraving linking her image to the machine circulated widely in print culture during 1878 appearing in illustrated journalism and promotional ephemera tied to touring exhibitions. Overall a very nice copy of what was an iconic image at the time. Blake was a highly prolific composer of over 5000 songs the most famous of which is Rock-a-Bye Baby. OCLC locates two copies with different entries at Baylor and BYU. 1 Arthur Zimmerman “The Early Phonographic Craze in Ontario 1878–92” Antique Phonograph News https://www.capsnews.org/apn2022-3.htm accessed February 24 2026. White, Smith and Company unknown books
1974réf. 436596Washington D.C.: Institute for Services to Education 1974. Softcover. Fine. First edition. Quarto. 50pp. Laid-in are a cover letter four leaves of additional conclusions and an errata sheet. Stapled illustrated wrappers. Fine. In 1972 the Institute for Services to Education formed the Task Force Group for Survey of Afro-American Studies Programs made up largely of academics from traditional black colleges. OCLC appears to identify only digital copies. Institute for Services to Education unknown
1974réf. 436596Washington D.C.: Institute for Services to Education 1974. Softcover. Fine. First edition. Quarto. 50pp. Laid-in are a cover letter four leaves of additional conclusions and an errata sheet. Stapled illustrated wrappers. Fine. In 1972 the Institute for Services to Education formed the Task Force Group for Survey of Afro-American Studies Programs made up largely of academics from traditional black colleges. OCLC appears to identify only digital copies. Institute for Services to Education unknown books
1793réf. 287788London: Joseph Johnson 1793. unbound. very good. William Blake. Etching and engraving. 10.25" x 7.75". Minor toning and light foxing at edges otherwise in very good condition. A plate from John Gabriel Stedman's "Narrative of a Five Years' Expedition against the Revolted Slaves of Surinam" London: Joseph Johnson 1796. This book with its graphic depiction of slavery and colonization in the New World became an important reference for early abolitionists. Image shows the soldier in full uniform with rifle pistol and saber. Two similar soldiers a fort and three-masted ship can be seen in the background. William Blake 1757-1827 was a British poet painter and printmaker. Joseph Johnson unknown
réf. 60139London:: The Poetry Bookshop n.d. First edition. loose in publisher's portfolio with printed paper label. There is some very slight foxing to Number VII "Night" and some light use to all numbers. The portfolio is soiled edgeworn and split at the envelope folds. . Folio. Decorated in Colours by G. Spencer Watson. Set to Music by Geoffrey Gwyther. Each four-page fascicle includes music and hand-colored illustrations. The Poetry Bookshop, unknown
1793réf. 287788London: Joseph Johnson 1793. unbound. very good. William Blake. Etching and engraving. 10.25" x 7.75". Minor toning and light foxing at edges otherwise in very good condition. A plate from John Gabriel Stedman's "Narrative of a Five Years' Expedition against the Revolted Slaves of Surinam" London: Joseph Johnson 1796. This book with its graphic depiction of slavery and colonization in the New World became an important reference for early abolitionists. Image shows the soldier in full uniform with rifle pistol and saber. Two similar soldiers a fort and three-masted ship can be seen in the background. William Blake 1757-1827 was a British poet painter and printmaker. Joseph Johnson unknown books
1973réf. 626997New York: Harcourt Brace Jovanovich 1973. Hardcover. Fine/Near Fine. First edition first printing. Octavo. 333pp. Touch of wear at the spine ends else fine in near fine dust jacket with non-color-breaking creases at the edges and wear on the spine ends. Advance Review Copy with the publisher's slip laid in. Harcourt Brace Jovanovich hardcover
1973réf. 626997New York: Harcourt Brace Jovanovich 1973. Hardcover. Fine/Near Fine. First edition first printing. Octavo. 333pp. Touch of wear at the spine ends else fine in near fine dust jacket with non-color-breaking creases at the edges and wear on the spine ends. Advance Review Copy with the publisher's slip laid in. Harcourt Brace Jovanovich hardcover books
