18 329 résultats
1980réf. 159295Universal City: Universal Pictures 1980. Vintage reference photograph from the 1958 film advertising the film's airing on television on Saturday December 22. Based on the 1947 play "For Love or Money" by F. Hugh Herbert. A young woman asks another guest at party to rescue her from her lecherous boss. When her rescuer suggests that she get out of her wet clothes she escapes and finds safety in the home of a retired actor. Set in Connecticut. 8 x 10 inches. Near Fine. Universal Pictures unknown books
1956réf. 159575London: British Film Institute BFI 1956. Vintage reference photograph from the 1956 film. With a stamp from the National Film Archive on the verso. Based on the 1906 short story by H.G. Wells. A man is haunted by a supernatural door that keeps reappearing to him leading to a seemingly perfect other world. 8 x 10 inches. Near Fine. Vogel Film as Subversive Art. British Film Institute [BFI] unknown books
1966réf. 160459New York: CBS Television Network 1966. Vintage photograph of Patricia Neal from the 1961 film struck in 1966 for airing on the "CBS Thursday Night Movies" October 6 1966. CBS mimeo snipe attached to the verso and folded over the recto. Based on the 1958 novella by Truman Capote about a naive cafe society girl in New York who falls in love with a struggling writer. 7 x 9 inches. Near Fine. National Film Registry. CBS Television Network unknown books
1956réf. 152180Burbank CA: American Broadcasting Company ABC 1956. Draft script for the seventh episode of season five of the 1952-1957 television series originally aired on November 13 1956. Copy belonging to actor Johnny Crawford with his name stamped on the front wrapper and his manuscript ink annotations throughout. After a near-death experience an emotionally stunted man decides to trace the sequence of events backwards to understand the incident gaining a new lease on life in the process. Goldenrod titled wrappers. Title page present undated with credits for screenwriter Laszlo Gorog. 48 leaves with last page of text numbered 43. Mimeograph duplication rectos only with blue revision pages throughout dated 10/5/56. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Housed in brown wrappers with a handwritten title label affixed to the front wrapper dated 1956. American Broadcasting Company [ABC] unknown books
1981réf. 141669N.p.: N.p. 1981. Draft script for an unproduced film. A planned remake of the 1953 film of the same title-not to be confused with the 1986 version made by Tobe Hooper which was a separate project. A young boy discovers that aliens from Mars are taking over the minds of innocent bystanders. Red titled wrappers. Title page present dated November 30 1981 with credits for screenwriters Richard Outten and Peter Lee and screenwriter for the 1953 film Richard Blake. 92 leaves with last page of text numbered 91. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown books
1975réf. 9029057Rutland VT: Charles E. Tuttle 1975. 3rd. Hardcover. Fine/fine. Bound in publisher's original ivory and tan cloth and salmon endpapers. 11 x 8 1/4 inches. 300 illustrations. Charles E. Tuttle hardcover books
1969réf. 151671Glendale CA: Allied Artists 1969. Vintage press kit for the US release of the 1969 French film for use by distributors and the press containing four black and white photographs one pressbook a promotional pamphlet and a one sheet poster for the film. Based on the 1938 novel by Cecil Day-Lewis writing as Nicholas Blake. A man seduces a young actress as part of his plan to avenge the hit-and-run death of his son. The second of four films Claude Chabrol made with actor Jean Yanne following "Line of Demarcation" 1966 and preceding "Le Boucher" 1970 and "Madame Bovary" 1991. Shot on location in Finistere Brittany and Paris. Poster photographs and promotional material Very Good plus. Grant France. Allied Artists unknown books
1990réf. 158019N.p.: N.p. 1990. Vintage reference photograph from the 1990 film showing director Kevin Costner and a camera crew capturing a scene on location. Printed mimeo snipe affixed to the verso. From the archive of film historian and author Joel Finler. Based on the 1988 novel by Michael Blake. A Union soldier is sent to a remote outpost in Kansas where he gradually befriends the inhabitants of a nearby Sioux camp. Nominated for twelve Academy Awards winning seven including Best Picture Best Director Best Screenplay and Best Cinematography. Shot on location in Kansas Wyoming and Nebraska. 7 x 5 inches. About Fine. N.p. unknown books
1965réf. 153069N.p.: N.p. 1965. Vintage borderless reference photograph from the 1965 film showing actors James Coburn and Dick Shawn crouching in a bush with director Blake Edwards and a camera to the right capturing the shot. During the Allied invasion of Sicily an outfit of US soldiers are assigned to capture the small town of Valerno but find the townspeople ready and willing to be captured with two stipulations: a soccer match and a wine festival. Set in Sicily shot on location in Lake Sherwood California. 10 x 8 inches. Near Fine. N.p. unknown books
1957réf. 155307Universal City: Universal-International 1957. Vintage reference photograph from the 1957 film showing Blake Edwards directing actors Tony Curtis and Martha Hyer on the set. Printed mimeo snipe affixed to the verso. An opportunistic busboy at a resort gambles his way into high society where he falls in love with a wealthy but disinterested young heiress. Edwards' third directorial effort. Set in Wisconsin shot on location at Lake Arrowhead and Lake Tahoe California. 8 x 10 inches. Near Fine. Universal-International unknown books
1983réf. 147795Culver City CA: Columbia Pictures 1983. Two vintage studio still photographs one color one black and white from the 1983 film. Blake Edwards remake of Francois Truffaut's 1977 film about a sculptor whose obsessive love of women leads to his eventual death told from the perspective of his analyst and eventual lover. 8 x 10 inches. Near Fine. Columbia Pictures unknown books
1976réf. 152228Los Angeles: T.A.T Communications Company 1976. Second Draft script for season 2 episode 13 "J.C. and Julie Part 1" the first of a two part episode of the series which aired on January 4 1977 on CBS. In this episode Julie immerses herself in a newfound Christianity and drives her mother and sister crazy. Broadcast on CBS for nine seasons from 1975 to 1984 "One Day at a Time" created by married writing duo Whitney Blake and Allan Manings was based on Blake's life as a single mom raising children after her divorce from her first husband. Like many sitcoms developed by Norman Lear the show frequently tackled serious life and relationship issues. The show was remade in 2017 as a series for Netflix with a Latino cast starring Justina Machado Rita Moreno and Stephen Tobolowsky. Pink self-wrappers integral with title page noted as Second Draft on the front wrapper dated 11/2/76 with credits for screenwriter Joseph Bonaduce and director Herbert Kenwith. 43 leaves with last page of text numbered 39. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. T.A.T Communications Company unknown books
1986réf. 152504Culver City CA: Columbia Pictures 1986. Archive of five original architectural blueprints for location shooting purposes relating to the 1986 comedy film. Each blueprint numbered one through five out of five labeled "Ext. Pazzo Mansion" with the Beverly Hills address of the house and credits for director Blake Edwards production designer Roger Maus and others. The blueprints detail both interiors and exteriors for sections of the house as well as indicated places where the existing house would be augmented by new set construction. The location was used as the home of Paul Servino's mob boss character Tony Pazzo and his wife Claudia Pazzo played by Maria Conchita Alonso. A remake of Laurel and Hardy's classic 1932 short "The Music Box" about two friends who overhear a plot to fix a horse race and try to capitalize on it while being pursued by both the mob fixers and the police. 36 x 24 inches. Stapled on the left edge and rolled. Very Good plus. Columbia Pictures unknown books
1965réf. 150160N.p.: N.p. 1965. Vintage borderless reference photograph from the 1965 film showing actor Jack Lemmon in costume as Professor Fate in turn in disguise as Crown Prince Fredrich Hapnick covered in cake and pie. With the stamp of Globe Photos dated 14 April 1965 two Italian agency stamps and a stamp noting No. 7053 on the verso. Loosely based on the 1908 race from New York to Paris billed as the "Greatest Auto Race" of its time. An homage to slapstick farces and silent film comedies following two competing daredevils at the turn of the 20th century: handsome courteous hero The Great Leslie Tony Curtis and his nemesis the dastardly Professor Fate Lemmon. Set and shot on location in Austria Paris and Kentucky Oregon and California in the United States. 10 x 8 inches. Near Fine. N.p. unknown books
1967réf. 150244N.p.: N.p. 1967. Five vintage borderless black and white photographs from the set of the 1967 film. With two printed mimeo snipes on the verso along with the stamp of still photographer James Johnson. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Truman Capote's most famous book and remains one of the great meditations on violence in America. Nominated for four Academy Awards. 10 x 8 inches. Most Very Good plus with light creasing and edgewear one Very Good with a tear to the top right corner repaired with cello tape on the verso. National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US. N.p. unknown books
1960réf. 149408N.p.: N.p. 1960. Vintage borderless photograph of actress Julie Andrews and her husband director Blake Edwards on the set of "Darling Lili" in 1970. Edwards and Andrews were married for over four decades from 1969 until Edwards' death in 2010. 7.75 x 9.25 inches. Near Fine. N.p. unknown books
1967réf. 146012Culver City CA: Columbia Pictures 1967. Vintage borderless photograph of Robert Blake and Scott Wilson from the 1967 film. Crop annotations in manuscript pencil and the stamp of photographer Michel Ciment stamp on the verso. Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book and remains one of the great meditations on violence in America. Nominated for four Academy Awards. 10 x 8 inches. Very Good plus some light creasing and edgewear. National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US. Columbia Pictures unknown books
1977réf. 9026844Boston: Little Brown 1977. 1st. Hardcover. Fine/Fine. Bound in publisher's original quarter black cloth with black cloth boards and spine stamped in silver. Beautifully illustrated throughout with black and white photographs. 8 1/2 x 11 inches. 169 pages. Little, Brown hardcover books
1967réf. 144377Culver City CA: Columbia Pictures 1967. Vintage photograph of Mary Linda Rapelye on the set of the 1967 film. Manuscript annotations in pencil and press agency stamps on the verso. Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book and remains one of the great meditations on violence in America. 10 x 8 inches. Near Fine. National Film Registry. Criterion Collection 781. Ebert II. Penzler 101. Columbia Pictures unknown books
1984réf. 140554Culver City CA: Columbia Pictures 1984. Draft script for the 1984 film. With a few annotations in manuscript ink throughout. Rob Salinger Moore works as a television reporter and his wife Micki Reinking is a lawyer who is having difficulty getting pregnant to the chagrin of Rob. While working Rob meets a cellist Maude Irving who he begins dating without mentioning his wife. She soon becomes pregnant as well as his current wife and he ends up marrying Maude as well. To hide his bigamy he uses work as an excuse to spend days with one woman and nights with another. The women eventually find out about each other as they go into labor at the same time and are at the same hospital on the same floor. Self wrappers. Title page integral with front wrapper is present dated March 7 1984 with a credit for screenwriter Jonathan Reynolds. 127 leaves with last page of text numbered 122. Later generation photocopy with revision pages throughout dated variously between March 6 1984 and March 22 1984. Pages Very Good plus wrapper missing bound with two gold brads. Columbia Pictures unknown books
1974réf. 139505Los Angeles: Embassy Pictures 1974. Vintage oversize double weight borderless still photograph from the 1974 film based on the 1971 novel by Evelyn Anthony. Shot struck and mounted by the film's still photographer Bob Willoughby with manuscript notation on the verso in his hand. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. 11 x 14 inches. Near Fine. Embassy Pictures unknown books
1948réf. 9023673New York: Random House 1948. Hardcover. Very good. Bound in the publisher's original cloth covered boards spine stamped in gilt. Lightly rubbed at the edges and extremities. Foxed endpapers. Random House hardcover books
1962réf. 139514Culver City CA: Columbia Pictures 1962. Vintage oversize double weight borderless still photograph from the 1962 film showing directed Quine scrutinizing the setup of a dinner scene with Jack Lemmon and Kim Novak. Based on the short story "The Notorious Tenant" by Margery Sharp first published by "Colliers" in 1956. Shot struck and mounted by the film's still photographer Bob Willoughby with a manuscript notation in his hand on the verso. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. 13.5 x 9.75 inches. Near Fine. Columbia Pictures unknown books
1964réf. 135474Beverly Hills CA: United Artists 1964. Collection of 3 vintage black-and-white reference studio still photographs from the 1964 film. The second of the "Pink Panther" films based on the 1962 book by Harry Kurnitz which in turn was adapted from Marcel Achard's play "L'Idiote." Probably one of five funniest films of the 1960s and the defining installment in the well-loved Pink Panther series. While "A Shot in the Dark" was ably preceded by "The Pink Panther" in 1963 it was the first to feature the series' underrated maestro Herbert Lom as Chief Inspector Dreyfus. 8 x 10 inches. Near Fine condition. United Artists unknown books
1968réf. 136751Culver City CA: Columbia Pictures 1968. Vintage pressbook for the first release of the groundbreaking 1968 film based on the nonfiction book by Truman Capote. Laid in are all 4 of the original pressbook inserts drawing equal attention to the best selling book and its filmed realization. Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book and remains one of the great meditations on violence in America. 11 x 17 inches. Unfolded. Fine. Columbia Pictures unknown books
