18 254 résultats
réf. 250690U. S. Pacific Railroad Exploration & Survey War Department. Map. Lithograph with original hand coloring. Image measures 26.75 x 38.5". This fascinating geological section of the Mississippi River derives from the investigations of Jules Marcou a French geologist who worked extensively in North America. In 1853 under the service of the U.S. government he became the first geologist to cross the United States as part of the Pacific railroad exploration headed by A.W. Whipple that was then then underway. This map was the result of his travels and was published as part of a report entitled "Reports of explorations and surveys to ascertain the most practicable and economical route for a railroad from the Mississippi River to the Pacific Ocean made under the direction of the Secretary of War in 1853-4." Presented as a geological cross-section the map is color-coded to indicate the type and age of the rock along the river as per a key in the upper left. Mountain ranges are simply but delicately rendered and valleys are labeled beneath each section to show their expanse. The map also provides the locations of various creeks forts Indian territories and intersecting rivers. The map is in good condition with original folds as issued. Some tears at folds. William P. Blake was the Geologist of the Office of the Unites States Pacific Railroad Surveys. These surveys were conducted in 1853-1855 in the interest of finding possible routes for a transcontinential railroad. This map functions as a document of the kinds of investigations conducted in this period of rapid Western expansion. U. S. Pacific Railroad Exploration & Survey, War Department unknown books
1924réf. 110035New Haven:: Yale Univeristy Press. Very Good. Paperback. Volume XIX in The Yale Series of Younger Poets. First edition paperback. Stiff card cover binding in a very good or better short closed edge tear at the crown of the rear flap fold attached dust jacket.; 50 pages . 1924. Yale Univeristy Press, paperback books
1940réf. 316768Toronto: Macmillan 1940. hardcover. very good. Clarence A. Gagnon. Preface by Lord Tweedsmuir. Frontispiece and 8 color illustrations by Clarence A. Gagnon. 168 pages 8vo patterned cloth; gift inscription front free endpaper. Toronto: Macmillan 1940. A very good copy. Macmillan unknown books
1966réf. 498560Berkeley California: University of California Press 1966. Softcover. Very Good. Reprint from September 1966 University of California Press. Stapled wrappers. Containing only pages 193-196pp. Folded down center of pages and wrapper very good. Signed by contributor Roy R. Male on the front wrapper. University of California Press unknown books
1964réf. 138693MI: University of Michigan Press 1964. Hardcover. Very Good/Very Good. First edition. Very good first edition hardcover with Very good dust jacket. The book has shelf rub of spine ends and cover edges along with light spotting foredges. The dust jacket has light wear and tear of all panel edges along with fading spine and panels. The text is clean. University of Michigan Press hardcover books
1919réf. 013673New York London: D. Appleton and Company 1919. Small area of cloth rubbing near top of rear joint with discoloration top edge rear cover. A very clean copy throughout. Chapters on mechanism and varieties of gun-shot fractures repair of fractures transport and operative techniques joint injuries. Illustrated with 40 drawings xray reproductions. 150pp. First Edition. Green Clo. Light edge and Corner Wear/No Jacket. Thin Octavo. D. Appleton and Company Hardcover books
1790réf. 1417032England 1790. Engraved by William Blake after William Hogarth's painting. Published July 1 1790 by John and Josiah Boydell London. Sheet measures 19 x 25 in. In Good condition. Age toning throughout with scattered foxing particularly around the margins. Substantial paper loss to lower right corner approximately 4.25 x 2.5 in. affecting part of the engraved inscription. Sheet is backed with cardboard and protected with clear plastic wrap. William Blake 1757-1827 was an English poet painter and printmaker. His work combined imagination spirituality and bold personal vision. Today he is considered a major figure of British Romanticism. 1417032. Special Collections - Upstairs. unknown books
2024réf. 202992Tor Books 2024-01-09. First Edition. hardcover. Like New. 6x1x9. Signed. Black boards decorated with gilt under burgundy dust jacket priced $28.99 illustrated endpapers Little Chmura illustrations throughout 480 pp. suggested reading. First printing with full number line. Signed name/initial only on title page Strand signed edition sticker on front of DJ. Fine in fine jacket. Tor Books hardcover books
1990réf. 56134New York: Newmarket Press 1990. Later edition. Softcover. Near fine condition. Quarto. xvi 144p. Original photo-illustrated glossy stiff wraps with brown and white lettering on cover white on spine. Photo-illustrated half-title with facsimile signatures of Costner Blake Wilson and Glass. Photo-illustrated double title page. Beautifully illustrated with color and b/w photographs. Contains list of cast and credits at rear. From author's note: "Like most children of the fifties my fit impressions of Native American people were not very positive Indians were widely portrayed as devils whose destruction purely was a matter of necessity in the process of taming the West. Every publication or film I saw as a child was slanted in this way. the novel Dances With Wolves was written in part because I wanted to present some of the record as I see it. It was my hope that in showing what was lost something might be regained-not the least of which could be new respect for the proud descendants of the people I wrote about who are living yet on reserves where our ancestors confined them." Michael Blake. Minor wear along edges of wraps. Newmarket Press unknown books
1953réf. 45488Oakland CA : s.i. 1953. Very Good. Oakland CA: s.i. ca. 1953. Photo-illustrated broadsheet palm card 22.5x8.5cm promoting three records by Bahamian calypso and goombay performer Blind Blake 1915-1986 adorned with a halftone photograph of Blake performing. Contemporary rubber-stamp of the Yerba Buena Music Shop in Oakland California on recto mild toning and a couple tiny nicks; Very Good. Includes track lists and prices to three Blake albums as well as those of fellow Calypso performers The Percentie Brothers and George Symonette. Tracks listed include Blake's work "Run Come See Jerusalem" concerning the 1929 Bahama hurricane and the murder ballad "Jones! Oh Jones!" Blind Blake material uncommon in retail. s.i. unknown books
1808réf. 1238981808. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper; wide margins somewhat soiled. § From the first 4to edition this is one of the most powerful plates in the series. Bentley Blake Books 435b. unknown books
1808réf. 1238971808. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper; wide margins scattered foxing somewhat soiled. § From the first 4to edition. Bentley Blake Books 435b. unknown books
1808réf. 1239001808. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper wide margins somewhat soiled. § From the first 4to edition this is one of the best known plates in the series. Bentley Blake Books 435b. unknown books
1808réf. 1238961808. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper; wide margins somewhat soiled. § From the first 4to edition. Bentley Blake Books 435b. unknown books
1813réf. 1092081813. London: Ackermann 1813. Single plate etching on wove unwatermarked paper recently cleaned. § From the second 4to edition this is one of the best known plates in the series. It was designed by Blake and engraved by Luigi Schiavonetti. Bentley Blake Books 435D. "In October 1805 Blake was commissioned by the engraver and would-be publisher Robert H. Cromek to prepare forty drawings illustrating Robert Blair's The Grave a popular "Graveyard" school poem first published in 1743. Cromek planned to select twenty of these designs for a deluxe edition of the poem. In Cromek's first prospectus of November 1805 Blake is named as both the designer and engraver of fifteen designs. Blake etched one image Deaths Door in white-line but Cromek rejected it. The dark power of the white-line print appeals to modern tastes but was far from fashionable in the early nineteenth century. In a second prospectus also of November 1805 Cromek announced that Luigi or Louis Schiavonetti would engrave twelve designs for the new edition. Blake had lost the potentially lucrative commission to engrave his own designs; his relationship with Cromek descended into anger and argument. In spite of their disagreement Cromek included a portrait of Blake as a frontispiece to the volume published in 1808. Cromek promoted the book aggressively and the illustrations to The Grave became Blake's best known work through much of the nineteenth century." The William Blake Archive. unknown books
1813réf. 1092021813. London: R. Ackermann 1813. Single plate etching on wove unwatermarked paper recently cleaned. § From the second 4to edition. Bentley Blake Books 435D. unknown books
1813réf. 1092051813. London: Ackermann 1813. Single plate etching on wove unwatermarked paper recently cleaned . § From the second 4to edition this is one of the most powerful plates in the series. Bentley Blake Books 435D. unknown books
1813réf. 1092111813. London: Ackermann 1813. Single plate etching on wove unwatermarked paper recently cleaned. § From the second 4to edition. Bentley Blake Books 435D. unknown books
1964réf. 8173Franklin NH: The Hillside Press 1964. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Tight bright and unmarred. Printed cloth boards frontispiece. 56x49mm. 52pp. Illus. b/w plates. Numbered limited edition this being 125 of 375. The Hillside Press hardcover books
réf. 6633London: William Blake Trust 2009. Limited Edition. Hardcover. Fine in Fine Slipcase and Fine Portfolio. Limited Edition. Hardcover. "Bound in gilt-lettered quarter deep scarlet calf over black moiré silk covered boards deep scarlet leather label blocked in gilt to the centre of the upper board; 96pp. illustrated throughout with colour and b/w reproductions of Blake's drawings and watercolours. Contents: Morton D. Paley William Blake and Robert Blair's 'The Grave'. Martin Butlin The History of Blake's Illustrations to 'The Grave' and The Newly Discovered Water-colours. Blake's twenty watercolour designs with a Catalogue and illustrated Commentaries by Martin Butlin. Robert Blair's The Grave from Cromek's edition 1808. Schiavonetti's engravings of twelve of Blake's designs from the 1808 edition. Blake's rejected engraving of 'Death's Door'. Printed throughout in black and white and colour on 200 gsm archival acid-free paper. With A portfolio 35x28x2.8 cm bound in maroon calf with tongue-and-strap closure blocked in gold flap blind-embossed with double rule border lined in red; all in close replication of the portfolio made sometime after 1822 to contain: 19 of 20 watercolour inventions by Blake in illustration of Blair's The Grave mounted on thick beige paper within ruled and tinted borders and trimmed to 33.3x26.7 cm; here reproduced in facsimile. One of 36 copies of the Portfolio Plates and Book in cloth-covered double slipcase numbered I-XXXVI." Tight bright and unmarred. Black cloth red leather matching slipcase gilt lettering. Small fo. Illus. color plates. William Blake Trust hardcover books
1981réf. 7168Isle Of Ely: Waterside Press 1981. Limited Edition. Original Wraps. Near Fine in Wraps. Limited Edition. Original Wraps. A previously unpublished poem attributed to William Blake and including a statement by Geoffrey Keynes. Minor shelf/edge wear touch of sun at the spine else tight bright and unmarred. Green paper wraps white paper label black ink lettering. Small 4to. np. Limited numbered edition this being 26 of 100. Waterside Press unknown books
réf. 205364Hoover Institution Press 2019-09-01. First Edition. Hardcover. Very Good/Very Good. 11x9x0. First Edition First Printing. Dust jacket and book are clean has a very good binding no marks or notations. S.U. Hoover Institution Press hardcover books
1928réf. 8328New York: The Macmillan Company 1928. Hardcover. vg. Pamela Bianco. 8vo. 42 pp. Illus. Remarkable poetry book exquisitely illustrated by Pamela Bianco. Light green cloth binding w/silver design on cover. Beautifully illustrated dust jacket showing fading only along spine and small smudge to front of jacket. Overall very good. The Macmillan Company hardcover books
1938réf. 016763New York: Harper & Brothers 1938. First U.S. Edition. Hardcover. Near Fine/Fine/Very Good/Near Fine. 8vo. 260pp. Beautiful Stated First Edition American of this Haycraft-Queen Cornerstone title. Published by Collins in the UK the same year. Bound in original yellow cloth with titles in black on the front board and spine. Square tight and clean throughout with no interior toning or foxing. Very mild bumping to spine ends but quite well-preserved. Very attractive unclipped dust-jacket $2.00 on top of front flap has a few tiny chips and closed tears to the spine ends. Rubbing to folds and edges. Still fresh and bright A sharp collectable copy and quite scarce in such superior condition. Hubin p.36. Harper & Brothers hardcover books
1808réf. 951London: T. Bensley for R. H. Cromek 1808. First Edition. William Blake. 1st edition 4to 337 x 270mm xiv 36 4. of Blake's illustrations for Blair's 1743 poem. Portrait frontispiece after Phillips etched title page 11 plates by Luigi Schiavonetti engraved after Blake's designs. One of about 590 copies published by subscription. Some foxing particularly concentrated at the portrait and etched title page else very good in 20th century 1/2 calf and marbled boards. In October 1805 Blake was commissioned by the publisher Cromek to prepare 40 drawings for the poem. Disagreements between Blake and Comek about the artistic direction led to hiring Schiavonetti for the engraving. Bentley Blake Books 435B. Bindman Complete Graphic Works of Blake 465-476. Keynes 81. Ray 6. T. Bensley for R. H. Cromek unknown books