18 364 résultats
réf. 79620Paris, José Corti (Collection Romantique, n°2), 1981, in 12 broché, 59 pages.
réf. 201303692, John sinclair chasseurs de spectres haute tension, 1986 ; in-12, 155 pp., br.
1999réf. 26915University Park:: Penn State Press 1999. First Printing of the First Edition. A Fine tight copy in a Very Good plus dust jacket with light sunning to the spine that is common wtih this title. In Le Tumulte noir Jody Blake focuses on the impacts of African sculpture and African-American music and dance on Parisian popular entertainment and modernist art literature and performance. Blake discusses the reception of ragtime-era and jazz-age entertainment as well as other African visual and performing art forms to provide new ways of understanding the development of modernist primitivism from Matisse and Picasso to Futurism Dada Surrealism and Purism. But the influence of art nÈgre went well beyond the avant-garde art world. Starting with the cakewalk of the 1900s and culminating with the Charleston of the 1920s the book studies the African-American idioms that were involved in larger cultural social and political developments. As an illustration Blake argues that performers such as Josephine Baker and Sidney Bechet of Revue nÈgre fame were thought to affect the political balance between Africa and Europe during the colonial period. Le Tumulte noir is divided into six chronological chapters each a well-researched well-conceived and well-written synthesis of the histories of art literature music and dance. Penn State Press, unknown
réf. 201506717Bruxelles, Blake et mortimer, 2001 ; in-4, 66 pp., cartonnage de l'éditeur. EO : DL septembre 01.
réf. 014020606X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 134507Fine. External dimensions 92 × 77 mm; in fine condition. Peake 3878 'Two whales' 1980. Numbered 32/100 and signed in pencil by the artist in the bottom margin; printed on blue paper. unknown
réf. 134506Fine. External dimensions 91 × 68 mm; in fine condition. Peake 3874 'Galleon and seagull' 1932. London-born John Charles Goodchild 1898-1980 emigrated with his family to South Australia in 1913; he served on the Western Front with the 9th Field Ambulance AIF. He established himself as an artist educator and arts administrator in Adelaide after the war. He studied in London in both the early and late 1920s; this image would appear to date from the second visit. Consult the 'Australian Dictionary of Biography' for more on this interesting artist. Provenance: H.B. Harry Muir 1909-1992 bookseller publisher and bookplate collector; by descent. unknown
réf. 134510Fine. External dimensions 59 × 50 mm; in fine condition. Peake 3887 'Pegasus' 1933. The small plate is numbered 9/15 and signed in pencil by Thake in the bottom margin. Provenance: H.B. Harry Muir 1909-1992 bookseller publisher and bookplate collector; by descent. unknown
réf. 134508Fine. External dimensions 132 × 90 mm; in fine condition. Peake 3883 'Bookstalls with church tower behind' - the Bouquinistes of Paris with Notre-Dame in the background. A signed proof copy inscribed by the artist 'Opus 22' dated 1980. Provenance: H.B. Harry Muir 1909-1992 bookseller publisher and bookplate collector; by descent. unknown
réf. 134505Fine. External dimensions 114 × 73 mm; in fine condition. Peake 3873 'Devil's face' 1934. A remarque proof signed in pencil by the artist in the bottom margin. John Barclay Godson 1882-1957 artist and art teacher was born in England and emigrated to Australia in 1914. He was a founding member of the Australian Painter-Etchers' Society. In 1933 Geoffrey Ingleton published 'John Barclay Godson Bookplates' under his Golden Lantern Press imprint in an edition of only 150 copies. Provenance: H.B. Harry Muir 1909-1992 bookseller publisher and bookplate collector; by descent. unknown
réf. 134509Fine. External dimensions 93 × 124 mm; in fine condition. Peake 3885 'Tree embracing maps of Canada & Australia' 1943. A proof copy signed in pencil in the bottom margin by the artist. Offered together with a photocopy of a 1943 autograph letter to Muir from this Canadian artist primarily regarding the bookplate. It appears Smith produced it as a gift without Muir's knowledge and sent him twelve signed proof copies. Provenance: H.B. Harry Muir 1909-1992 bookseller publisher and bookplate collector; by descent. 2 items. unknown
réf. 132768The archive comprises: 1. Sara Eugenia Blake: an etched bookplate Peake 3869: 'Juvenilia H.B. Muir'. One signed copy with the original zinc plate. 2. Sara Eugenia Blake: an etched bookplate depicting a Persian or Mughal figure Peake 3870: 'Indian Man'. Six signed proof copies printed in different coloured inks one extensively hand-coloured with the original zinc plate. 3. Tom R. Bond: a process bookplate Peake 3871: 'Mask' incorrectly dated 1937. One proof copy signed and dated 1933 by the artist and numbered 10/10 plus ten further proof prints on different paper stocks some untrimmed. With the original India ink drawing and process block. 4. Adrian Feint: a process bookplate Peake 3872: 'Desk open window river' 1936. One copy signed by the artist and another on Japanese paper likely a proof. With the original ink drawing and process block. 5. John Barclay Godson: an etched bookplate depicting the devil Peake 3873: 'Devil's face' 1934. One signed remarque proof with a preliminary pencil drawing and the original copper plate. With a list in Harry Muir's hand regarding distribution of copies of the bookplate. 6. John Goodchild: a process bookplate depicting a ship at sea Peake 3874: 'Galleon and seagull' 1932. Four copies two identified as proofs by Harry Muir on the reverse 'Delmonts proof of bookplate. 1st Sept 1932' and 'Hassells proof of bookplate from Delmonts zinc block'. With a preliminary pencil drawing signed by Harry Muir identifying the artist the final large ink drawing 146 × 102 mm with a pencil note to 'Reduce ¼ size' and the original process block. 7. John Goodchild: a process bookplate depicting a one-legged pedlar selling prints Peake 3875: 'Autolycus selling from tray' 1932. With the original process block. 8. John Goodchild: a three-colour linocut and process bookplate Peake 3877: 'Glass enlarging galleon plate' 1943. One copy with the three original blocks two linoleum and one process block. 9. Peter Hosokawa: a bookplate featuring two whales Peake 3878: 'Two whales' 1980. Number 31 of 100 signed copies; printed on blue paper. 10. Jane Hylton: a process bookplate depicting poppy kernels Peake 3879: 'Poppy kernels'. With the original process block heavily tarnished. 11. George David Perrottet: a three-colour linocut bookplate depicting a ship under a crescent moon Peake 3882: 'Sailing ship against crescent moon' 1933. Two copies one untrimmed and signed by the artist. With all three original linoleum blocks plus three process blocks heavily oxidised possibly prepared for Muir's 1942 publication on Perrottet's bookplates. 12. George David Perrottet: a hand-coloured two-colour linocut bookplate for Muir's books by and on John Galsworthy Peake 3880: 'Monkey with orange' 1936. With both original linoleum blocks. 13. George David Perrottet: a two-colour linocut bookplate featuring the exterior of Muir's bookshop Peake 3881: 'H B Muir bookshop' 1939. One signed proof copy on fine paper plus a copy of the standard version. 14. Derek Riley: a woodcut bookplate featuring bookstalls Peake 3883: 'Bookstalls with church tower behind'. One signed proof copy inscribed by the artist 'Opus 22' dated 1980. With the original woodblock. 15. Derek Riley: a woodcut bookplate featuring a tiki Peake 3884: 'New Zealand tiki'. Signed proof copy inscribed by the artist 'Opus 35' dated 1981; mounted in a card bifolium also signed and dated and a copy of the standard version. With the original woodblock. 16. Leslie Victor Smith: an etched bookplate showing maps of Canada and Australia Peake 3885: 'Tree embracing maps of Canada & Australia' 1943. One copy signed by the artist. With the original copper plate and an autograph letter 1943 with the original envelope to Muir from this Canadian artist primarily regarding the bookplate it appears he produced it as a gift without Muir's knowledge and sent him twelve signed proof copies. 17. Eric Thake: a process bookplate for Muir's collection of books on Bligh and the 'Bounty' Peake 3886: 'Three figures from "Bounty" mutiny' giving the date 1947. With two ink drawings a preliminary version and the final version dated '1945-1948' and the original process block. 18. Eric Thake: a process bookplate featuring a chained Pegasus Peake 3887: 'Pegasus' 1933. Number 9 of 15 proof copies signed by the artist plus two further copies one signed. With the original ink drawing and two lists in Muir's hand regarding distribution of the proof copies. 19. Noel Wood: a linocut bookplate Peake 3888: 'Eagle on rock' 1932. One untrimmed remarque proof number 5 of six copies almost certainly printed by the artist two copies of a more crisply-printed version possibly process; one with Muir's annotation on the verso stating that it is a 'Hassell's print'. With a preliminary ink drawing mistakenly giving Muir's middle initial as M not B. 20. John Goodchild: an offset-printed bookplate for Muir's holiday house Petrel Cottage at Encounter Bay Victor Harbor Peake 3876: 'Seagulls' 1938. 21. George David Perrottet possibly: two linoleum blocks for a second bookplate for Petrel Cottage a two-colour linocut very much in the style of Perrottet. This bookplate was apparently never published. Provenance: H.B. Harry Muir 1909-1992 bookseller publisher and bookplate collector; by descent. A quantity. unknown
1979réf. M9076Bethesda:: U. S. Department of Health Education and Welfare 1979. 1979. First edition. Thick 4to. 501 pp. Alphabetical list of items. Full black and gilt stamped gray cloth. Ink inscription front free endpaper. Very good. U. S. Department of Health, Education, and Welfare, 1979. hardcover
1979réf. M11500Bethesda:: US DHEW 1979. 1979. U.S. Department of Health Education and Welfare. Thick 4to. 501 pp. Gray cloth black- and gilt-stamped spine title. Fine. US DHEW, 1979. hardcover books
1979réf. M9076Bethesda:: U. S. Department of Health Education and Welfare 1979. 1979. First edition. Thick 4to. 501 pp. Alphabetical list of items. Full black and gilt stamped gray cloth. Ink inscription front free endpaper. Very good. U. S. Department of Health, Education, and Welfare, 1979. hardcover books
1979réf. M9702Bethesda:: U.S. Department of Health Education and Welfare 1979. 1979. First edition. Thick 4to. 501 pp. Alphabetical list of items. Full black and gilt-stamped gray cloth. Very good. U.S. Department of Health, Education, and Welfare, 1979. hardcover books
1979réf. M9540Bethesda:: U. S. Department of Health Education and Welfare 1979. 1979. Thick 4to. 501 pp. Alphabetical list of items. Full black and gilt stamped gray cloth. Very good. U. S. Department of Health, Education, and Welfare, 1979. hardcover books
1807réf. 10126New York: Printed and Sold by T. & J. Swords 1807. Second American edition. 8vo xviii 278; 144pp. Index of plant names. Illustrated with a copper engraved frontis 16 copper engraved plates 6 by William Blake and a folding geologic chart. Contemporary tree calf brown spine label. Joints and spine rubbed endpapers toned and foxed title page with an old repair. Very good. Very attractive American edition of Erasmus Darwin's celebrated scientific poem in two parts The Economy of Vegetation and The Loves of the Plants. William Blake's engravings along with Darwin's anthropomorphic language helped make this work one of the first popular science books very widely read. Darwin anticipates ideas later adopted by his grandson Charles by emphasizing the connection between plants and humanity both being a part of the same natural world. Printed and Sold by T. & J. Swords unknown
1925réf. 9065London: Nonesuch Press 1925. Vellum Binding. Very Good binding. Quarto. xviii 364 1; vii 1 397 2; vii 1 430 1 pp. frontis plates illus. Limited edition number 573 of 1500 copies. As issued in quarter vellum with marbled paper over boards. Very minor mellowing to vellum of the first volume else all spines are very bright and bindings with only trivial shelf-rubbing else near fine. A beautiful set and one that Francis Meynell himself thought “to rank with the Shakespeare as the most useful and most generally creditable of Nonesuch publications.” Dreyfus 24. Nonesuch Press unknown
réf. 13982192Paris: Galerie Claude Bernard, 1984 in-8, 43 pages, planches hors texte en noir et en couleurs. Broché, couverture illustrée en couleurs, bon état. Texte français et anglais.
1878réf. List3694Boston Massachusetts: White Smith and Company 1878. Folio 13 ½ x 10 ½ inches. 6 pp. Wraps fully split else near fine with some very light foxing and soiling to wrap overall very attractive. Very good. An early phonograph-related sheet associated with the French soprano Marie Roze née Hippolyte Ponsin 1846–1926 whose participation in early demonstrations of Thomas Edison’s tinfoil phonograph was widely publicized in 1878. Contemporary reports identify Roze as the “celebrated prima donna” depicted singing into the phonograph in an engraving produced for Frank Leslie’s Illustrated Newspaper New York April 20 1878 following a demonstration of the machine at Steinway Hall earlier that year. The same engraving was subsequently reused across multiple promotional formats including tickets to phonograph exhibitions advertising circulars and early phonograph-themed sheet music such as Phonograph. March Brillante. Related promotional material includes a poster advertising exhibitions of Edison’s new tinfoil phonograph in Toronto on May 28 1878 which employs the identical image of the prima donna singing into the apparatus beneath the heading “Edison’s Phonograph!” The poster announces daily demonstrations featuring singing speech and explanatory lectures illustrating the standardized visual language used to market the invention during its first year of public exhibition.1 Roze an internationally known operatic soprano who later became Mrs. Henry Mapleson was connected with early phonograph demonstrations intended to showcase the recording and playback of trained vocal performance. The engraving linking her image to the machine circulated widely in print culture during 1878 appearing in illustrated journalism and promotional ephemera tied to touring exhibitions. Overall a very nice copy of what was an iconic image at the time. Blake was a highly prolific composer of over 5000 songs the most famous of which is Rock-a-Bye Baby. OCLC locates two copies with different entries at Baylor and BYU. 1 Arthur Zimmerman “The Early Phonographic Craze in Ontario 1878–92” Antique Phonograph News https://www.capsnews.org/apn2022-3.htm accessed February 24 2026. White, Smith and Company unknown
1878réf. List3694Boston Massachusetts: White Smith and Company 1878. Folio 13 ½ x 10 ½ inches. 6 pp. Wraps fully split else near fine with some very light foxing and soiling to wrap overall very attractive. Very good. An early phonograph-related sheet associated with the French soprano Marie Roze née Hippolyte Ponsin 1846–1926 whose participation in early demonstrations of Thomas Edison’s tinfoil phonograph was widely publicized in 1878. Contemporary reports identify Roze as the “celebrated prima donna” depicted singing into the phonograph in an engraving produced for Frank Leslie’s Illustrated Newspaper New York April 20 1878 following a demonstration of the machine at Steinway Hall earlier that year. The same engraving was subsequently reused across multiple promotional formats including tickets to phonograph exhibitions advertising circulars and early phonograph-themed sheet music such as Phonograph. March Brillante. Related promotional material includes a poster advertising exhibitions of Edison’s new tinfoil phonograph in Toronto on May 28 1878 which employs the identical image of the prima donna singing into the apparatus beneath the heading “Edison’s Phonograph!” The poster announces daily demonstrations featuring singing speech and explanatory lectures illustrating the standardized visual language used to market the invention during its first year of public exhibition.1 Roze an internationally known operatic soprano who later became Mrs. Henry Mapleson was connected with early phonograph demonstrations intended to showcase the recording and playback of trained vocal performance. The engraving linking her image to the machine circulated widely in print culture during 1878 appearing in illustrated journalism and promotional ephemera tied to touring exhibitions. Overall a very nice copy of what was an iconic image at the time. Blake was a highly prolific composer of over 5000 songs the most famous of which is Rock-a-Bye Baby. OCLC locates two copies with different entries at Baylor and BYU. 1 Arthur Zimmerman “The Early Phonographic Craze in Ontario 1878–92” Antique Phonograph News https://www.capsnews.org/apn2022-3.htm accessed February 24 2026. White, Smith and Company unknown books
réf. 201900093Paris, First editions, 2012 ; in-8, 336 pp., br. Livre + 2cd.
2007réf. 73718London: Aurum 2007. First edition. 418 pp w/index. Very near fine in like dust jacket. A well-regarded account. London: Aurum unknown
2007réf. 73718London: Aurum 2007. First edition. 418 pp w/index. Very near fine in like dust jacket. A well-regarded account. London: Aurum unknown books